Biography (read more)
Isaac Manuel Francisco Albéniz y Pascual was a Spanish virtuoso pianist, composer, and conductor, born 29 May 1860 in Camprodon and died 18 May 1909 in Cambo-les-Bains, France, of Bright’s disease. A child prodigy who toured widely from a young age, he studied with Felip Pedrell, who inspired him to draw on Spanish folk idiom, and later lived in Paris, where he associated with Debussy, Fauré, and Dukas. His piano suite Iberia (1905–1908), a set of twelve virtuosic ‘impressions’ steeped in Andalusian color, cante jondo, and flamenco-inflected harmony, is considered his masterpiece.
Albéniz never composed for the guitar, but his piano works — especially Asturias (Leyenda), Granada, Sevilla, Córdoba, Cataluña, Mallorca, and Capricho Catalán — were transcribed for guitar by Francisco Tárrega, Miguel Llobet, and later Andrés Segovia, becoming some of the most iconic pieces in the entire classical guitar repertoire. His fusion of Andalusian folk color with sophisticated post-Romantic harmony also influenced Debussy and Ravel and helped define musical Spanish nationalism on the international stage.
Sources:
Repertoire
Asturias (Leyenda)
Granada (from Suite Española, Op. 47)1886
Iberia, Cantos de España, Suite Española, Danza Española— Magda Tagliaferro
Performed by Magda Tagliaferro
Albéniz: Suite española No. 1, Op. 47: Granada (Serenata)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Cataluña (Corranda)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Sevilla (Sevillanas)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Cádiz (Canción)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Asturias (Leyenda)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Aragón (Fantasia)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Cuba (Capricho)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: Castilla (Seguidillas)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Suite española No. 1, Op. 47: 3. Sevilla (Sevillanas)— Alicia de Larrocha
Performed by Alicia de Larrocha
Suite española No. 1, Op. 47: III. Sevilla (Arr. Heifetz for Violin and Piano)— Vilde Frang
Performed by Vilde Frang
Suite española No. 1, Op. 47: III. Sevilla (Arr. for Solo Guitar by Manuel Barrueco)— Andrew Blanch
Performed by Andrew Blanch
Albéniz: Suite española No. 1, Op. 47: V. Asturias. Leyenda (Transc. Feuillâtre for Guitar)— Raphaël Feuillâtre
Performed by Raphaël Feuillâtre
Albéniz: Suite española No. 1, Op. 47: I. Granada. Serenata (Transc. Tárrega for Guitar)— Raphaël Feuillâtre
Performed by Raphaël Feuillâtre
Cantos de España, Op. 232: Seguidillas (Castilla)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Cantos de España, Op. 232: 2. Orientale— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: I. Prelude (Allegro ma non troppo)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: III. Bajo la palmera (Cuba)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: V. Seguidillas (Castilla)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: I. Prélude in G Minor (Allegro ma non troppo)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: II. Orientale in D Minor (Allegretto)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: III. Sous le palmier in E-Flat Major (Allegro ma non troppo)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: IV. Córdoba (Andantino)— Alicia de Larrocha
Performed by Alicia de Larrocha
Cantos de España, Op. 232: V. Seguidillas in F-Sharp Major (Allegro molto)— Alicia de Larrocha
Performed by Alicia de Larrocha
Suite Española, Op. 47 (arr. Jacob Cordover) : III. Sevilla— Jacob Cordover
Performed by Jacob Cordover
Suite Española, Op. 47 (arr. Jacob Cordover) : I. Grenada— Jacob Cordover
Performed by Jacob Cordover
Suite Española, Op. 47 (arr. Jacob Cordover) : V. Asturias (Leyenda)— Jacob Cordover
Performed by Jacob Cordover
España, Souvenirs for Piano, Op. 165: I. Prelude in D-Flat Major (Andantino)— Alicia de Larrocha
Performed by Alicia de Larrocha
España, Op. 165: III, Malagueña (Arr. for Solo Guitar by Minh Le Hoang)— Andrew Blanch
Performed by Andrew Blanch
Albéniz: España, Op. 165: V. Capricho Catalan (Transc. Feuillâtre for Guitar)— Raphaël Feuillâtre
Performed by Raphaël Feuillâtre
Albéniz. España, Op. 165, No. 2 in D Major: Tango. Andantino (2024 Remastered, Paris 1959)— José Iturbi
Performed by José Iturbi
Albéniz: Malagueña, Op. 165, No. 3 (Arr. Kreisler for Violin and Piano)— Vladimir Ashkenazy
Performed by Vladimir Ashkenazy
Recuerdos de Viaje, Op. 71: Rumores de la Caleta— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Recuerdos de Viaje, Op. 71: 8. Rumores de la caleta: Malagueña— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Recuerdos de Viaje, Op. 71: 6. Puerta de tierra: Bolero— Alicia de Larrocha
Performed by Alicia de Larrocha
Recuerdos de viaje, Op. 71: VI. Rumores de la Caleta— Alicia de Larrocha
Performed by Alicia de Larrocha
Recuerdos de Viaje, Op. 71: VI. Rumores de la Caleta (Allegro) , in D Minor— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Suite: I. Evocación (Allegro espressivo) (Transcribed by Enrique Fernández Arbós)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Suite: III. El Corpus en Sevilla (Allegro grazioso) (Transcribed by Enrique Fernández…— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Suite: VI. Triana (Allegretto) (Transcribed by Enrique Fernández Arbós)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Suite: II. El Puerto (Allegro comodo) (Transcribed by Enrique Fernández Arbós)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Suite: VII. El Albaicín (Allegro) (Transcribed by Enrique Fernández Arbós)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz. Cantos de España, Op. 232, No. 4: Córdoba (2024 Remastered, Paris 1959)— José Iturbi
Performed by José Iturbi
Chants d’Espagne, Op. 232: No. 4, Córdoba (Arr. W. Lieske for Guitar)— Wulfin Lieske
Performed by Wulfin Lieske
Iberia, Book 1: I. Evocación (2006 Remastered Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Suite española No. 2, Op. 97: IV. Zambra granadina— Alicia de Larrocha
Performed by Alicia de Larrocha
Chant d’Espagne, Op. 232, B. 44 (Excerpts) : No. 5, Seguidillas— Alfred Cortot
Performed by Alfred Cortot
Recuerdos de viaje, Op. 71, B. 18: No. 6, Rumores de la caleta— Alfred Cortot
Performed by Alfred Cortot
Recuerdos de viaje, Op. 71: No. 6, Rumores de la Caleta— Alicia de Larrocha
Performed by Alicia de Larrocha
Chant d’Espagne, Op. 232, B. 44 (Excerpts) : No. 3, Sous le palmier— Alfred Cortot
Performed by Alfred Cortot
Cantos de España, Op. 232: No. 3, Sous le palmier— Alicia de Larrocha
Performed by Alicia de Larrocha
Pavana-Capricho, Op. 12: Allegretto (Arr. for Piano Four-Hands by the Composer – Version Played…— Cyprien Katsaris
Performed by Cyprien Katsaris
Iberia, Suite for Piano, Book 1: I. Evocacíon: Allegro espressivo— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Suite for Piano, Book 1: III. Fête-dieu à Seville— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book I: I. Evocación— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book I: II. El Puerto— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book I: III. El Corpus en Sevilla— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book II: IV. Rondeña— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book II: V. Almería— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book II: VI. Triana— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book IV: X. Málaga— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book IV: XI. Jerez— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book IV: XII. Eritaña— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Cuaderno 1: I. Evocación (Orch. Fernández-Arbós)— Martha Argerich
Performed by Martha Argerich
Iberia, Cuaderno 1: II. El Puerto (Orch. Fernández-Arbós)— Martha Argerich
Performed by Martha Argerich
Iberia, Cuaderno 1: III. El Corpus en Sevilla (Orch. Fernández-Arbós)— Martha Argerich
Performed by Martha Argerich
Albéniz. Suite Española, Op. 47, No. 5 in G minor: Asturias. Leyenda. Allegro ma non troppo…— José Iturbi
Performed by José Iturbi
Iberia, 12 Impressions for piano, Book III: VIII. El Polo— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, 12 Impressions for piano, Book III: IX. Lavapiés— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Fools and simple priest— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Fools! By Merlin…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Hark, hark! Did he…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Hark! He’s calling— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Orchestral Prelude— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Orchestral Interlude— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: In Maytime, merry…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: In Maytime, in…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Iberia, B.47 / Book 1: 3. El Corpus Christi en Sevilla— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno I: No. 1, Evocación— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno I: No. 2, El Puerto— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno I: No. 3, El Corpus Christi en Sevilla— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno II: No. 4, Rondeña— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno II: No. 5, Almería— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno II: No. 6, Triana— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno III: No. 7, El Albaicín— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno III: No. 8, El Polo— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno III: No. 9, Lavapiés— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno IV: No. 10, Málaga— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno IV: No. 11, Jerez— Yvonne Loriod
Performed by Yvonne Loriod
Iberia “12 Impresiones Españolas”, Cuaderno IV: No. 12, Eritaña— Yvonne Loriod
Performed by Yvonne Loriod
Albéniz: Variations on a Theme by Paganini, Op. 35 / Book 2: Tango, Op. 165, No. 2— Andor Földes
Performed by Andor Földes
Albéniz. Suite Española, Op. 47, No. 3 in G Major: Sevilla. Sevillana (2024 Remastered, Paris…— José Iturbi
Performed by José Iturbi
Albéniz. Suite Española, Op. 47, No. 4 in D-flat Major: Cádiz. Saeta. Allegro ma non troppo…— José Iturbi
Performed by José Iturbi
Keyboard Sonata In G Minor, L. 352— Arturo Benedetti Michelangeli
Performed by Arturo Benedetti Michelangeli
Recuerdos de viaje, Op. 71: No. 5, Puerta da Tierra. Bolero— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, B. 47, Book 1: No. 3, El Corpus en Sevilla— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia “12 Impresiones Españolas”, Libro I: No. 1, Evocación— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia “12 Impresiones Españolas”, Libro I: No. 2, El Puerto— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia “12 Impresiones Españolas”, Libro I: No. 3, El Corpus en Sevilla— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia “12 Impresiones Españolas”, Libro II: No. 1, Rondeña— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia “12 Impresiones Españolas”, Libro II: No. 2, Almeria— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia “12 Impresiones Españolas”, Libro II: No. 3, Triana— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book I: No. 1, Evocacion (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book I: No. 2, El Puerto (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book I: No. 3, El Corpus en Sevilla (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book III: No. 7, El Albaicin (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book III: No. 8, El Polo (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book III: No. 9, Lavapies (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book IV: No. 12, Ertitana (Piano Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book I: No. 1, Evocacion (Orchestra Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book II: No. 2, El Corpus en Sevilla (Orchestra Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book I: No. 6, Triana (Orchestra Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book II: No. 2, El Puerto (Orchestra Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Book III: No. 7, El Albaicin (Orchestra Version)— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Iberia – Piano (Pub.1906) – Book 3: 8. El Polo— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Iberia – Piano (Pub.1906) – Book 3: 9. Lavapies— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Iberia – Piano (Pub.1906) – Book 3: 10. Málaga— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Iberia – Piano (Pub.1906) – Book 3: 11. Jerez— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Iberia – Piano (Pub.1906) – Book 3: 12. Eritaña— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Iberia, B. 47 / Book 1: 3. El Corpus en Sevilla— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia, Cahier 2: VI. Triana (Allegretto con anima)— Alicia de Larrocha
Performed by Alicia de Larrocha
Iberia – 9 Impressions for Piano – El Corpus Christi en Sevilla— Alicia de Larrocha
Performed by Alicia de Larrocha
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio: Orchestral Prelude— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Veni, Redemptor gentium— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Hail, mystic morn— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Merlin, master!— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Interlude – Andante…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Egressus ejus a Patre— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: My lords and…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: We have heard a…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Long I prayed— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Lo! “Excalibur” inlaid— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Who the sceptre…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Gawain, my son!— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Now shall I lightly…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: None is here whose…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Pray, Sir Pellinore,…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Gentle knights, the…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Orchestral Interlude— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Why loiter on the…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Oh fate uncouth!— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: Aequalis aeterno Patri— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 1: By the Gospels we swear— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Wounded with Ravage— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Orchestral Interlude— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: God love King Arthur…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Lead them hither, to…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Death to the Sorceress!— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Peace, Peace— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: This I vow for…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Bastard and lowly…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 2: Hear me oh Lady and…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: I would my love or…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Herein to serve him…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Hither, ye covetous…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Tric a ta trac— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Ah!— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Where flowers of the…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Herodias’ daughter…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: See! it becomes in…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Sun-hearted child of…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: First I must pillage…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Borne on the wings…— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Free, free, free!— Plácido Domingo
Performed by Plácido Domingo
Albéniz: Merlin – Opera in Three Acts – Revised: José de Eusebio – Act 3: Sucklings and Babes…— Plácido Domingo
Performed by Plácido Domingo
Iberia, B. 47, Book 1: 1. Evocación (Arr. Miguel Llobet for Two Guitars)— Andrew Blanch
Performed by Andrew Blanch
Mallorca— Michael Ibsen and Filip Alilovic Guitar Duo
Performed by Michael Ibsen and Filip Alilovic Guitar Duo
Recuerdos de Viaje no. 6: Rumores de la Caleta – Malagueña— Wulfin Lieske
Performed by Wulfin Lieske
Zambra granadina – Danza oriental: Zambra granadina – Danza oriental— Wulfin Lieske
Performed by Wulfin Lieske
Cantos de España no. 2: Oriental (world premiere recording)— Wulfin Lieske
Performed by Wulfin Lieske
12 Piezas Características, Op. 92: XII. Torre Bermeja (Serenata)— Rachel Schiff
Performed by Rachel Schiff
El Decameron Negro: II. La Huida De Los Amantes Por El Valle De Los Ecos— Jacob Cordover
Performed by Jacob Cordover
Iberia, Cuaderno 3: I. El Albaicín (Orch. Fernández-Arbós)— Martha Argerich
Performed by Martha Argerich
Iberia, Cuaderno 2: III. Triana (Orch. Fernández-Arbós)— Martha Argerich
Performed by Martha Argerich
Albéniz: 12 Piezas caracteristicas, Op. 92: No. 12, Torre Bermeja (Transc. Feuillâtre for Guitar)— Raphaël Feuillâtre
Performed by Raphaël Feuillâtre
Suite española No. 1, Op. 47 (Transcribed for Guitar by Julian Bream): II. Cataluña— Julian Bream
Performed by Julian Bream
Suite española No. 1, Op. 47 (Transcribed for Guitar by Julian Bream): I. Granada— Julian Bream
Performed by Julian Bream
Suite española No. 1, Op. 47 (Transcribed for Guitar by Julian Bream): III. Sevilla— Julian Bream
Performed by Julian Bream
Suite española No. 1, Op. 47 (Transcribed for Guitar by Julian Bream): IV. Cádiz— Julian Bream
Performed by Julian Bream
Suite española No. 1, Op. 47 (Transcribed for Guitar): 5. Asturias (Leyenda)— Julian Bream
Performed by Julian Bream
Suite española No. 1, Op. 47 (Transcribed for Guitar): 1. Granada (Serenata)— Julian Bream
Performed by Julian Bream
Cantos de Espana, Op. 232: No. 4, Córdoba (Nocturne) [Transcribed for Two Guitars]— Julian Bream
Performed by Julian Bream
Cantos de España, Op. 232 (Arranged for Guitar by Julian Bream): No. 4, Córdoba— Julian Bream
Performed by Julian Bream
Iberia, Book 1: I. Evocación (Transcribed for 2 Guitars by Julian Bream)— Julian Bream
Performed by Julian Bream
Chant d’Espagne, Op. 232: No. 3, Bajo la Palmera (Arr. for 2 Guitars)— Julian Bream
Performed by Julian Bream
Suite española No. 1, Op. 47, B. 7: I. Granada (Arr. for Cello & Guitar by Anonymous)— Konrad Ragossnig
Performed by Konrad Ragossnig
Suite española No. 1, Op. 47, B. 7: I. Granada (Arr. for Guitar by Anonymous)— Konrad Ragossnig
Performed by Konrad Ragossnig
Suite española No. 1, Op. 47, B. 7: III. Sevilla (Arr. for Guitar by Anonymous)— Konrad Ragossnig
Performed by Konrad Ragossnig
Chants d’Espagne, Op. 232, B. 44: No. 4, Córdoba (Arr. for Cello & Guitar by Anonymous)— Konrad Ragossnig
Performed by Konrad Ragossnig
Suite Española No. 1, Op. 47: Suite espanola No. 1, Op. 47: No. 1. Granada (Serenata)— Narciso Yepes
Performed by Narciso Yepes
Albéniz: Recuerdos de Viaje, Op. 71 – Arr. For Guitar By Narciso Yepes: Rumores de la Caleta….— Narciso Yepes
Performed by Narciso Yepes
Recuerdos de Viaje, Op. 71: No. 6, Malagueña. Rumores de la Caleta— Narciso Yepes
Performed by Narciso Yepes
Recuerdos de Viaje, Op. 71: No. 6, Rumores de la Caleta. Malagueña (Arr. for Guitar)— Narciso Yepes
Performed by Narciso Yepes
12 Piezas características, Op. 92, B. 29: No. 12, Torre bermeja (Arr. for Guitar)— Narciso Yepes
Performed by Narciso Yepes
Albéniz: Piezas caracteristicas, Op. 92 – Arr. For Guitar By Narciso Yepes: Torre bermeja….— Narciso Yepes
Performed by Narciso Yepes
Suite Española No. 1, Op. 47: No. 5, Asturias “Leyenda” (Arr. for Guitar)— Narciso Yepes
Performed by Narciso Yepes