Biography (read more)

Ana Vidović (born 8 November 1980, in Karlovac, Croatia) is a Croatian classical guitarist and former child prodigy. Inspired by her older brother Viktor, also a classical guitarist, she began playing at age five and was performing internationally by eleven. At thirteen she became the youngest student ever admitted to the Academy of Music in Zagreb, studying under Professor István Römer and graduating in 1998. She went on to study with Manuel Barrueco at the Peabody Institute in Baltimore, graduating in 2003. Before the age of eighteen she had won more than twenty international prizes, including first prizes at the Albert Augustine Memorial International Competition (Bath, England), the Fernando Sor Competition (Rome), and the Francisco Tárrega International Guitar Competition (Benicàssim, Spain, 1998), as well as top honors at the Eurovision Young Musicians competition and the Young Concert Artists International Auditions in New York. She has since built a career of international recitals, concerto engagements, and festival appearances, and has released several studio and live albums.

Vidović is regarded as one of the leading classical guitarists of her generation, praised by critics for playing described as virtually immaculate, nuanced, and deeply personal. Beyond the concert hall, her recorded performances circulate widely online, including through guitar-focused YouTube channels such as Siccas Guitars, extending her reach to global audiences well beyond her touring schedule.

Sources:

Repertoire

Asturias— Isaac Albéniz
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Recuerdos de la Alhambra— Francisco Tárrega
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La Catedral (Preludio – Andante religioso – Allegro solemne)— Agustín Barrios Mangoré
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Granada (from Suite Española)— Isaac Albéniz
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Capricho Árabe— Francisco Tárrega
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Introduction and Variations on a Theme by Mozart, Op. 9— Fernando Sor
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Cello Suite No. 1 in G major, BWV 1007 — Prelude (guitar transcription)— Johann Sebastian Bach
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Grande Ouverture, Op. 61— Mauro Giuliani
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Sonata in D minor, K. 1, L. 366— Domenico Scarlatti
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Vals Venezolano No. 2— Antonio Lauro
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Vals Venezolano No. 3— Antonio Lauro
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Una Limosna Por el Amor de Dios— Agustín Barrios Mangoré
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Cello Suite No. 1 in G major, BWV 1007 — Allemande (guitar transcription)— Johann Sebastian Bach
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El Marabino— Antonio Lauro
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Un Día de Noviembre— Leo Brouwer
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Cavatina— Stanley Myers
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Fugue, BWV 1001 (guitar transcription)— Johann Sebastian Bach
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Prelude, Fugue and Allegro, BWV 998 (guitar transcription)— Johann Sebastian Bach
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Sonata in E major, K. 380, L. 23— Domenico Scarlatti
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Sonata in A major, K. 322, L. 483— Domenico Scarlatti
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Sonata in D minor, K. 213, L. 108— Domenico Scarlatti
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El Vito (Spanish folk song, arr. Azpiazu)— José de Azpiazu
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Sonatina— Federico Moreno Torroba
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Capriccio Diabolico— Mario Castelnuovo-Tedesco
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Torija— Federico Moreno Torroba
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Chaconne, from Partita No. 2 in D minor for Solo Violin, BWV 1004— Johann Sebastian Bach
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Cello Suite No. 1 in G major, BWV 1007 — Menuet I & II (guitar transcription)— Johann Sebastian Bach
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Ständchen (Serenade), D. 957 No. 4— Franz Schubert
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Cello Suite No. 1 in G major, BWV 1007 — Sarabande (guitar transcription)— Johann Sebastian Bach
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Over the Rainbow (arr., from 12 Songs for Guitar)— Harold Arlen, arr. Toru Takemitsu
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Sonata No. 1 in G minor, BWV 1001 — Adagio (guitar transcription)— Johann Sebastian Bach
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Cello Suite No. 1 in G major, BWV 1007 — Courante (guitar transcription)— Johann Sebastian Bach
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Cello Suite No. 1 in G major, BWV 1007 — Gigue (guitar transcription)— Johann Sebastian Bach
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