Biography (read more)

Mario Castelnuovo-Tedesco was an Italian-born composer, pianist, and writer, born 3 April 1895 in Florence and died 16 March 1968 in Beverly Hills, California. He studied composition under Ildebrando Pizzetti and became one of Italy’s leading young composers in the 1920s. After meeting guitarist Andrés Segovia in 1932, he began writing extensively for guitar, eventually composing nearly 100 works for the instrument, including his Guitar Concerto No. 1 (1939) and 24 Caprichos de Goya, Op. 195 (1961), a cycle inspired by Francisco Goya’s etchings. Italy’s 1938 racial laws forced him, as a Jew, to emigrate to the United States in 1939, where he became a prolific Hollywood film composer for MGM and other studios while continuing to compose concert music.

Castelnuovo-Tedesco is regarded as one of the foremost guitar composers of the 20th century, whose close partnership with Segovia produced a substantial and technically idiomatic body of concert repertoire that helped modernize the instrument’s literature beyond its Spanish nationalist roots. As a teacher in Hollywood he also had an outsized influence on American film music, mentoring composers including John Williams, Jerry Goldsmith, Henry Mancini, and André Previn.

Sources:

Repertoire

No hubo remedio (No. 12 from 24 Caprichos de Goya, Op. 195)1961
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Performed by SiccasGuitars

Quintet, Op. 143, for Guitar and Strings1962
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Performed by Eugenio Della Chiara

Tempo di minuetto (from Sonata “Omaggio a Boccherini”, Op. 77)1934
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Performed by Eliška Lenhartová

Golondrinas (from Platero y Yo, Op. 190)1960
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Sonatina Canonica, Op. 196, 2nd movement1961
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Performed by Aros Guitar Duo

Capriccio Diabolico, Op. 85 (“Omaggio a Paganini”)1935
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Performed by Jorge Caballero

24 Caprichos de Goya, Op. 195: No. 18, El sueño de la razón produce monstruos— Andrew Blanch
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Performed by Andrew Blanch

Capriccio No. 18, from 24 Caprichos de Goya, Op. 195— André Ferreira
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Performed by André Ferreira

Capricho de Goya No. 18 (from 24 Caprichos de Goya, Op. 195)— Cassie Martin
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Performed by Cassie Martin

Caprichos de Goya No. 18, “El Sueño de la Razón Produce Monstruos” (Op. 195)— Carlotta Dalia
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Performed by Carlotta Dalia

Capriccio Diabolico— Ozan Coskun
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Performed by Ozan Coskun

Capriccio Diabolico— Cristina Galietto
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Performed by Cristina Galietto

Capriccio Diabolico— Ana Vidović
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Performed by Ana Vidović

24 Caprichos de Goya, Op. 195: No. 20, Obsequio a el maestro— Andrew Blanch
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Performed by Andrew Blanch

Capricho No. 20, from 24 Caprichos de Goya, Op. 195— Marco Musso
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Performed by Marco Musso

Sonata Omaggio a Boccherini— Fabrizio Proietti
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Performed by Fabrizio Proietti

Prelude & Fugue in E (from Les Guitares bien tempérées, Op. 199)— Tuscan Guitar Duo
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Performed by Tuscan Guitar Duo

24 Caprichos de Goya, Op. 195: No. 16, Brabísimo!— Andrew Blanch
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Performed by Andrew Blanch

Prélude et fugue in F-Sharp Minor— Guitar Duo Reichelt & Nissen
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Performed by Guitar Duo Reichelt & Nissen

Capricho de Goya No.1— Federica Canta
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Performed by Federica Canta

Vivo ed energico from Sonata “Omaggio a Boccherini”— Eliška Lenhartová
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Performed by Eliška Lenhartová

Rondò, Op. 129— Martina Barlotta
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Performed by Martina Barlotta

Caprichos de Goya No. 1— Rebeca Oliveira
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Performed by Rebeca Oliveira

Caprichos de Goya No. 18: El Sueño de la Razón Produce Monstruos— Jeseok Bang
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Performed by Jeseok Bang

Passacaglia, Op. 180 “Omaggio a Roncalli”— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 5, Tonadilla on the Name of Andrés Segovia— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 6, Rondel on the Name of Siegfried Behrend— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 7, Preludio in forma di habanera sul nome di Bruno Tonazzi— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 10, Tanka (Japanese Song) on the Name of Isao Takahashi— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 15, Song of the Azores on the Name of Enos (Joseph Enos)— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 33, Canzone siciliana sul nome Gangi (Mario Gangi)— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 34, Ballatella on the Name of Christopher Parkening— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 36, Sarabande on the Name of Rey de la Torre— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 37, Romanza sul nome di Oscar Ghiglia— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 38, Homage to Purcell, Fantasia on the Names of Ronald and Henry…— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 39, Canción cubana on the Name of Héctor García— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 40, Canción venezuelana sul nome di Alirio Díaz— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 41, Canción argentina sul nome di Ernesto Bitetti— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 42, Estudio sul nome di Manuel López Ramos— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 43, Aria da chiesa sul nome di Ruggero Chiesa— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 44, Brasileira sul nome di Laurindo Almeida— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 46, Japanese Print on the Name of Jiro Matsuda— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 47, Volo d’angeli sul nome di Angelo Gilardino— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 48, Canzone calabrese on the Name of Ernest Calabria— Andrea De Vitis
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Performed by Andrea De Vitis

Greeting Cards, Op. 170: No. 50, Tarantella campana on the Name of Eugene Di Novi— Andrea De Vitis
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Performed by Andrea De Vitis

Sonata “omaggio a boccherini”: allegro con spirito— Andrea De Vitis
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Performed by Andrea De Vitis

Sonata “omaggio a boccherini”: andantino quasi canzone— Andrea De Vitis
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Performed by Andrea De Vitis

Sonata “omaggio a boccherini”: tempo di minuetto— Andrea De Vitis
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Performed by Andrea De Vitis

Sonata “omaggio a boccherini”: vivo ed energico— Andrea De Vitis
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Performed by Andrea De Vitis

Caprichos De Goya: No Hubo Remedio— Andrea De Vitis
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Performed by Andrea De Vitis

Figaro, Paraphrase on “Largo al factotum” from “Il barbiere di Siviglia”: Fantasie (Allegro vivace)— Julian Bream
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Performed by Julian Bream

Sonatina, Op. 205: I. Allegretto grazioso— Lars Hannibal
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Performed by Lars Hannibal

Sonatina, Op. 205: II. Andantino grazioso e malinconico— Lars Hannibal
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Performed by Lars Hannibal

Sonatina, Op. 205: III. Scherzo-rondo: Allegretto con spirito— Lars Hannibal
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Performed by Lars Hannibal

Castelnuovo-Tedesco: Guitar Concerto No. 1 In D Major, Op. 99: 1. Allegretto— Narciso Yepes
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Performed by Narciso Yepes

Castelnuovo-Tedesco: Guitar Concerto No. 1 In D Major, Op. 99: 2. Andantino alla romanza – Largo— Narciso Yepes
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Performed by Narciso Yepes

Castelnuovo-Tedesco: Guitar Concerto No. 1 In D Major, Op. 99: 3. Ritmico e cavalleresco— Narciso Yepes
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Performed by Narciso Yepes

Platero y yo, Op. 190 (Version for Solo Guitar) (Excerpts) : I. Platero— Lars Hannibal
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Performed by Lars Hannibal

Platero y yo, Op. 190 (Version for Solo Guitar) (Excerpts) : II. Angelus— Lars Hannibal
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Performed by Lars Hannibal