Biography (read more)

Sir John Eliot Gardiner (born April 20, 1943) is an English conductor, largely self-taught in conducting, who studied history at King’s College, Cambridge, then continued musical studies under Thurston Dart at King’s College London and with Nadia Boulanger in Paris. He launched his conducting career in 1964 with Monteverdi’s Vespro della Beata Vergine and founded the Monteverdi Choir in 1964 and the Monteverdi Orchestra in 1968, later renamed the English Baroque Soloists as it moved to period instruments. He served as music director of the Opéra National de Lyon (1983–1988) and founded the Orchestre Révolutionnaire et Romantique in 1990. In 2000 he undertook the Bach Cantata Pilgrimage, performing all of Bach’s surviving sacred cantatas across Europe and the United States over 52 weeks.

Gardiner is a pioneering figure in historically informed, period-instrument performance of Baroque and Classical music, recognized with a Gramophone Hall of Fame induction and widely regarded as one of the foremost interpreters of Bach and Monteverdi.

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Repertoire

Symphony No. 3: III. Poco allegretto— Johannes Brahms
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Watermusic Suite No 1 in F Major, HWV 348: I. Alla hornpipe— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: II. Ouverture— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: III. Adagio e staccato— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: IV. Menuet— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: V. Andante— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: VI. Menuet (reprise)— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: VII. Passepied— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: VIII. Air— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: IX. Menuet— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: X. Bourrée— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: XI. Hornpipe. Andante— George Frideric Handel
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Watermusic Suite No 1 in F Major, HWV 348: XII. Allegro— George Frideric Handel
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Water Music Suite No. 2 in D Major, HWV 349: I. Allegro— George Frideric Handel
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Water Music Suite No. 2 in D Major, HWV 349: II. Alla hornpipe— George Frideric Handel
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Water Music Suite No. 2 in D Major, HWV 349: III. Menuet— George Frideric Handel
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Water Music Suite No. 2 in D Major, HWV 349: IV. Lentement— George Frideric Handel
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Water Music Suite No. 2 in D Major, HWV 349: V. Bourrée— George Frideric Handel
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Watermusic Suite No 3 in G Major, HWV 350: I. (Menuet)— George Frideric Handel
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Watermusic Suite No 3 in G Major, HWV 350: II. Rigaudon I & II— George Frideric Handel
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Watermusic Suite No 3 in G Major, HWV 350: III. Menuet I & II— George Frideric Handel
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Watermusic Suite No 3 in G Major, HWV 350: IV. Gigue I & II— George Frideric Handel
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Brahms: Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto – Allegro— Johannes Brahms
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Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto— Johannes Brahms
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Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso— Johannes Brahms
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Brahms: Symphony No. 1 in C Minor, Op. 68: IV. Adagio – Più andante – Allegro non troppo,…— Johannes Brahms
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Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo— Johannes Brahms
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Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo— Johannes Brahms
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Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino)— Johannes Brahms
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Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito— Johannes Brahms
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Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio— Johannes Brahms
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Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante— Johannes Brahms
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Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto— Johannes Brahms
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Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro— Johannes Brahms
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Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo— Johannes Brahms
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Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato— Johannes Brahms
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Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso— Johannes Brahms
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Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato— Johannes Brahms
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Abdelazer, Z. 570: II. Rondeau— Henry Purcell
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Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie— Johann Sebastian Bach
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Rigaudon— Jean-Philippe Rameau
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Scylla et Glaucus, Op. 11, Prologue: Air gracieux— Jean-Marie Leclair
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Hence vain deluding joys”— George Frideric Handel
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme. Moderato semplice— Pyotr Ilyich Tchaikovsky
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Don Juan, Wq. 52: III. Andante— Christoph Willibald Gluck
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Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro— George Frideric Handel
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King Arthur, Z. 628, Act 3: Prelude – Chorus. “See, See, We Assemble” – Dance (Chorus)— Henry Purcell
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Ritournelle gaye— Jean-Philippe Rameau
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The Indian Queen, Z. 630, Act 2: Air. “What Flattering Noise Is This?” (Envy, Two Followers)— Henry Purcell
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Scylla et Glaucus, Op. 11, Prologue: “Ciel ! Quels attentats furieux !” (Chef des peuples,…— Jean-Marie Leclair
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Petit chœur. “Le charmant art d’Eglé”…— Jean-Philippe Rameau
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The Tempest, Z. 631, Act 3: Song. “Kind Fortune Smiles” (Ariel)— Henry Purcell
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Stabat Mater in C Minor: VII. Juxta crucem— Domenico Scarlatti
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Haste thee, nymph”— George Frideric Handel
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King Arthur, Z. 628, Act 2: Chorus. “Come, Shepherds, Lead up a Lively Measure” – Hornpipe (Chorus)— Henry Purcell
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Musette en rondeau (Reprise)— Jean-Philippe Rameau
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Don Juan, Wq. 52: I. Sinfonia – Allegro— Christoph Willibald Gluck
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King Arthur, Z. 628: Overture— Henry Purcell
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Don Juan, Wq. 52: XX. Moderato— Christoph Willibald Gluck
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L’apothéose de Lully: VIII. Accüeil entre-doux et agard, fait à Lulli par Corelli, et par les…— François Couperin
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Concerto grosso in D Minor, Op. 3 No. 5, HWV 316: II. Allegro— George Frideric Handel
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Suite d’orchestre No. 4 “Scènes pittoresques”: II. Air de ballet— Jules Massenet
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Tambourin en rondeau— Jean-Philippe Rameau
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Concerto grosso in F Major, Op. 3 No. 4, HWV 315: III. Allegro— George Frideric Handel
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The Indian Queen, Z. 630, Act 3: “We the Spirits of the Air” (Third Aerial Spirit, Fourth…— Henry Purcell
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Suite d’orchestre No. 6 “Scènes de féerie”: IV. Bacchanale— Jules Massenet
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The Indian Queen, Z. 630: Overture. Allegro— Henry Purcell
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Israel in Egypt, HWV 54: Chorus. “He smote all the first-born of Egypt”— George Frideric Handel
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King Arthur, Z. 628, Act 2: Song and Chorus. “Hither, This Way, This Way Bend” (Philidel, Chorus)— Henry Purcell
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Israel in Egypt, HWV 54: Air. “Their land brought forth frogs”— George Frideric Handel
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The Indian Queen, Z. 630, Act 2: Symphony. Adagio— Henry Purcell
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Suite d’orchestre No. 4 “Scènes pittoresques”: I. Marche— Jules Massenet
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King Arthur, Z. 628, Act 1: Song and Chorus. “Come If You Dare” – First Act Tune (British…— Henry Purcell
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Funeral Sentences: Man That Is Born of a Woman, Z. 27— Henry Purcell
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Don Juan, Wq. 52: XXXI. Allegro non troppo— Christoph Willibald Gluck
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Israel in Egypt, HWV 54: Air with Chorus. “And the children of Israel”— George Frideric Handel
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The Tempest, Z. 631: Overture— Henry Purcell
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. “Or Let the Merry Bells”…— George Frideric Handel
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The Tempest, Z. 631, Act 5: Duet and Chorus. “No Stars Again Shall Hurt You” (Amphitrite,…— Henry Purcell
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Suite d’orchestre No. 6 “Scènes de féerie”: I. Cortège— Jules Massenet
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L’Arlésienne, Op. 23, WD 28, Act 1: No. 1, Prélude— Georges Bizet
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Water Music, Suite No. 3 in G Major, HWV 350: III. Minuets I & II— George Frideric Handel
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Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo— George Frideric Handel
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Funeral Sentences: In the Midst of Life, Z. 17A— Henry Purcell
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Iphigénie en Aulide, Wq. 40: Ouverture— Christoph Willibald Gluck
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Sacrarum cantionum liber primus a 5: No. 3, Ave dulcissima Maria— Carlo Gesualdo
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Water Music Variants, HWV 331: No. 2 in F Major, Alla Hornpipe— George Frideric Handel
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Semele, HWV 58, Act 1: Chorus. “Lucky omens bless our rites” – Recitative, Air and Duet….— George Frideric Handel
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Israel in Egypt, HWV 54: Duet. “The Lord is my strength”— George Frideric Handel
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Coronation Anthem No. 1, HWV 258 “Zadok the Priest”— George Frideric Handel
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Symphony No. 8 in B Minor, D. 759 “Unfinished”: I. Allegro moderato— Franz Schubert
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 1,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 2, Es begab…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 3, Nun wird…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 4, Bereite…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 5, Wie soll…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 6, Und sie…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 7, Er ist…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 8, Großer…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1 “For the First Day of Christmas”: No. 9, Ach,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 10, Sinfonia— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 11, Und es…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 12, Brich…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 13, Und…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 14, Was…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 15, Frohe…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 16, Und…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 17, Schaut…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 18, So…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 19,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 20, Und…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 21, Ehre…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 22, So…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2 “For the Second Day of Christmas”: No. 23, Wir…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 24,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 25, Und da…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 26, Lasset…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 27, Er hat…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 28, Dies…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 29, Herr,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 30, Und sie…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 31,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 32, Ja, ja,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 33, Ich…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 34, Und die…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: No. 35, Seid…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3 “For the Third Day of Christmas”: Recap No. 24,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 36,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 37, Und…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 38,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 39,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 40,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 41, Ich…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 4 “For the Feast of the Circumcision”: No. 42,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 43,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 44,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 45,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 46,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 47,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 48,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 49,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 50,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 51,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 52,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5 “For the First Sunday in the New Year”: No. 53,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 54, Herr, wenn…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 55, Da berief…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 56, Du Falscher,…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 57, Nur ein Wink…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 58, Als sie nun…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 59, Ich steh an…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 60, Und Gott…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 61, So geht!…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 62, Nun mögt ihr…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 63, Was will der…— Johann Sebastian Bach
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J.S. Bach: Christmas Oratorio, BWV 248, Pt. 6 “For the Feast of Epiphany”: No. 64, Nun seid ihr…— Johann Sebastian Bach
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Elgar: Sospiri, Op. 70— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Theme. Andante— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 1. L’istesso tempo “C.A.E.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 2. Allegro “H.D.S-P.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 3. Allegretto “R.B.T.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 4. Allegro di molto “W.M.B.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 5. Moderato “R.P.A.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 6. Andantino “Ysobel”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 7. Presto “Troyte”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 8. Allegretto “W.N.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 9. Adagio “Nimrod”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 10. Intermezzo. Allegretto “Dorabella”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 11. Allegro di molto “G.R.S.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 12. Andante “B.G.N.”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 13. Romanza. Moderato “* * *”— Edward Elgar
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Elgar: Enigma Variations, Op. 36: Var. 14. Finale. Allegro “E.D.U.”— Edward Elgar
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Elgar: In the South (Alassio), Op. 50— Edward Elgar
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Elgar: Introduction & Allegro for Strings, Op. 47— Edward Elgar
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Byrd: Lullaby— William Byrd
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Tavener: The Lamb— John Tavener
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Britten: Spring Symphony, Op. 44: 1. Introduction: Shine out— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 2. The merry cuckoo— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 3. Spring, the sweet Spring— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 4. The driving boy— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 5. The morning star— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 6. Welcome Maids of Honour— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 7. Waters above!— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 8. Out on the lawn I lie in bed— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 9. When will my May come— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 10. Fair and fair— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 11. Sound the flute!— Benjamin Britten
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Britten: Spring Symphony, Op. 44: 12. Finale: London, to thee I do present— Benjamin Britten
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Britten: Hymn to St. Cecilia (1942), Op. 27: In a garden shady— Benjamin Britten
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Britten: Hymn to St. Cecilia (1942), Op. 27: I cannot grow— Benjamin Britten
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Britten: Hymn to St. Cecilia (1942), Op. 27: O ear whose creatures— Benjamin Britten
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Britten: Five Flower Songs op.47: 1. To Daffodils— Benjamin Britten
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Britten: Five Flower Songs op.47: 2. The Succession of the Four Sweet Months— Benjamin Britten
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Britten: Five Flower Songs op.47: 3. Marsh Flowers— Benjamin Britten
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Britten: Five Flower Songs op.47: 4. The Evening Primrose— Benjamin Britten
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Britten: Five Flower Songs op.47: 5. Ballad of Green Broom— Benjamin Britten
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Purcell: The Fairy Queen, Z. 629 / Act 1: Prelude (I)— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: Hornpipe— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: Air— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: Rondeau— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: Overture— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: “Come, come, come, let us leave”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: Scene Of The Drunken Poet: “Fill up the Bowl”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 1: First Act Tune: Jig— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Prelude…Come, All Ye Songsters Of The Sky— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Prelude (II)— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Trio: “May the God of Wit inspire”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Echo— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: A Dance Of Fairies— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Song And Chorus: “Sing while we trip it on the Green”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: “See, even Night herself is here”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: “I am come to lock all fast”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: “One charming night”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: “Hush, no more”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Dance For The Followers Of Night— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 2: Second Act Tune: Air— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: A Song In Two Parts And Chorus: “If Love’s a Sweet…— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Overture: Symphony While The Swans Come Forward— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Dance For The Fairies— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Dance For The Green Men— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Song: “Ye Gentle Spirits of the Air, appear”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Dialog: “Now the Maids and the Men”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Song: “When I have often heard”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: A Dance Of Haymakers— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Song And Chorus: “A Thousand Thousand ways we’ll find”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 3: Third Act Tune: Hornpipe— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Symphony— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Solo & Chorus “Now the night”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Duet: “Let the fifes, and the Clarions”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Entry Of Phoebus— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Song: “When a cruel long Winter”- Chorus: “Hail!…— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Song: “Thus the ever Grateful Spring”— Henry Purcell
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Purcell: The Fairy Queen, Z. 629 / Act 4: Song: “Here’s the Summer, Sprightly, Gay”— Henry Purcell
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Purcell: The Fairy Queen / Act 4: Song: “See my many Colour’d Fields”— Henry Purcell
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Purcell: The Fairy Queen / Act 4: Song And Chorus: “Now Winter comes Slowly”— Henry Purcell
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Purcell: The Fairy Queen / Act 4: Fourth Act Tune: Air— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Prelude (I)— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Epithalamium – Thrice Happy Lovers— Henry Purcell
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Purcell: The Fairy Queen / Act 5: The Plaint— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Entry Dance— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Symphony— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Thus The Gloomy World— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Thus Happy And Free— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Song: “Yes, Daphne, in your Looks I find”— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Monkey’s Dance— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Hark! How All Things— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Hark! The Ech’ing Air— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Sure The Dull God— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Prelude (II)— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Solo: “See, see, I obey”— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Duet: “Turn then thine Eyes”— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Solo: “My Torch, indeed”— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Trio: “They shall be as happy”— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Air— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Chorus: “They shall be as happy”— Henry Purcell
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Purcell: The Fairy Queen / Act 5: Chaconne: Dance For Chinese Man And Woman— Henry Purcell
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Britten: War Requiem, Op. 66 / Requiem aeternam: Requiem aeternam— Benjamin Britten
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Britten: War Requiem, Op. 66 / Requiem aeternam: What passing bells for these who die as cattle?— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Dies irae (I)— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Bugles sang, saddening the evening air— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Liber scriptus proferetur— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Out there, we’ve walked quite friendly up to Death— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Recordare Jesu pie— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Be slowly lifted up— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Dies irae (II)— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Lacrimosa dies illa— Benjamin Britten
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Britten: War Requiem, Op. 66 / Dies Irae: Move him into the sun— Benjamin Britten
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Britten: War Requiem, Op. 66 / Offertorium: Domine Jesu Christe— Benjamin Britten
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Britten: War Requiem, Op. 66 / Offertorium: So Abraham rose, and clave the wood— Benjamin Britten
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Britten: War Requiem, Op. 66 / Sanctus: Sanctus, sanctus, sanctus— Benjamin Britten
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Britten: War Requiem, Op. 66 / Sanctus: After the blast of lightning from the East— Benjamin Britten
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Britten: War Requiem, Op. 66 / Agnus Dei: One ever hangs where shelled roads part— Benjamin Britten
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Britten: War Requiem, Op. 66 / Libera me: Libera me, Domine— Benjamin Britten
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Britten: War Requiem, Op. 66 / Libera me: It seemed that out of battle I escaped— Benjamin Britten
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Britten: War Requiem, Op. 66 / Libera me: Let us sleep now…In paradisum— Benjamin Britten
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March and Canzona for Queen Mary’s Funeral, Z. 860: March— Henry Purcell
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March and Canzona for Queen Mary’s Funeral, Z. 860: Canzona— Henry Purcell
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March and Canzona for Queen Mary’s Funeral, Z. 860: Canzona (Reprise)— Henry Purcell
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Funeral Sentences: Thou Know’st, Lord, Z. 58C— Henry Purcell
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March and Canzona for Queen Mary’s Funeral, Z. 860: March (Reprise)— Henry Purcell
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Les Brigands: Ouverture— Jacques Offenbach
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Water Music, Suite No. 1 in F Major, HWV 348: I. Overture— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: III. (a) Allegro— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: III. (b) Andante— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: V. Passepied— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: VI. Air— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: VII. Minuet— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: VIII. Bourrée – IX. Hornpipe— George Frideric Handel
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Water Music, Suite No. 1 in F Major, HWV 348: X. Allegro— George Frideric Handel
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Dardanus, Act 5: Chaconne— Jean-Philippe Rameau
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Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture— Johann Sebastian Bach
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Orchestral Suite No. 3 in D Major, BWV 1068: II. Air— Johann Sebastian Bach
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Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II— Johann Sebastian Bach
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Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée— Johann Sebastian Bach
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Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue— Johann Sebastian Bach
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Salvator mundi— John Blow
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Symphony in C Major, WD 33: I. Allegro vivo— Georges Bizet
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Symphony in C Major, WD 33: II. Adagio— Georges Bizet
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Symphony in C Major, WD 33: III. Allegro— Georges Bizet
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Symphony in C Major, WD 33: IV. Vivace— Georges Bizet
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Orphée et Eurydice, Wq. 41, Act 3: Air. “J’ai perdu mon Eurydice” (Orphée)— Christoph Willibald Gluck
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Shéhérazade, M. 41: I. Asie— Maurice Ravel
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Shéhérazade, M. 41: II. La flûte enchantée— Maurice Ravel
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Shéhérazade, M. 41: III. L’indifférent— Maurice Ravel
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Scylla et Glaucus, Op. 11: Ouverture— Jean-Marie Leclair
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Symphony— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Chorus. “Hail! Bright Cecilia”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Aria. “‘Tis Nature’s Voice”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Chorus. “Soul of the World”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Aria. “Thou Tun’st This World”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Trio. “With That Sublime Celestial Lay”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Aria. “Wondrous Machine”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Aria. “The Airy Violin”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Duet. “In Vain the Am’rous Flute”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Aria. “The Fife and All the Harmony of War”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Duet. “Let These Amongst Themselves Contest”— Henry Purcell
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Hail! Bright Cecilia, Z. 328 “Ode to St Cecilia”: Final Chorus. “Hail! Bright Cecilia”— Henry Purcell
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Serenade for Cello and Orchestra, Op. 37— Nikolai Rimsky-Korsakov
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Il pastor fido, HWV 8b, Prologue “Terpsicore”: I. Prelude – Chaconne— George Frideric Handel
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Il pastor fido, HWV 8b, Prologue “Terpsicore”: II. Sarabande— George Frideric Handel
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Il pastor fido, HWV 8b, Prologue “Terpsicore”: III. Gigue— George Frideric Handel
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Il pastor fido, HWV 8b, Prologue “Terpsicore”: IV. Air— George Frideric Handel
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Il pastor fido, HWV 8b, Prologue “Terpsicore”: V. Ballo— George Frideric Handel
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L’étoile, Act 1: Romance de l’étoile. “O petite étoile” (Lazuli)— Emmanuel Chabrier
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Les Nuits d’été, Op. 7, H 81b: I. Villanelle, H 82b— Hector Berlioz
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Les Nuits d’été, Op. 7, H 81b: II. Le spectre de la rose, H 83b— Hector Berlioz
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Les Nuits d’été, Op. 7, H 81b: III. Sur les lagunes, H 84b— Hector Berlioz
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Les Nuits d’été, Op. 7, H 81b: IV. Absence, H 85b— Hector Berlioz
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Les Nuits d’été, Op. 7, H 81b: V. Au cimetière, H 86b— Hector Berlioz
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Les Nuits d’été, Op. 7, H 81b: VI. L’île inconnue, H 87b— Hector Berlioz
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King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises – Frost Scene. “What Power Art…— Henry Purcell
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Symphony No. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto— Franz Schubert
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O Maria, vernans rosa— Jacob Clemens non Papa
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Dixit Dominus, HWV 232: II. Virgam virtutis tuae— George Frideric Handel
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Dixit Dominus, HWV 232: III. Tecum principium— George Frideric Handel
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Dixit Dominus, HWV 232: IV. Juravit Dominus— George Frideric Handel
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Dixit Dominus, HWV 232: V. Secundum ordinem Melchisedech— George Frideric Handel
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Dixit Dominus, HWV 232: VI. Dominus a dextris tuis— George Frideric Handel
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Dixit Dominus, HWV 232: VII. De torrente in via bibet— George Frideric Handel
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Dixit Dominus, HWV 232: VIII. Gloria Patri et Filio— George Frideric Handel
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Andante cantabile for Cello and Orchestra (After String Quartet No. 1, Op. 11)— Pyotr Ilyich Tchaikovsky
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Suite d’orchestre No. 4 “Scènes pittoresques”: III. Angélus— Jules Massenet
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Suite d’orchestre No. 4 “Scènes pittoresques”: IV. Fête bohème— Jules Massenet
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Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: I. Vivace— George Frideric Handel
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Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo— George Frideric Handel
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Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: III. Allegro— George Frideric Handel
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Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. Menuet— George Frideric Handel
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Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: V. Gavotte— George Frideric Handel
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Trumpet Sonata in D Major, Z. 850: I. Allegro— Henry Purcell
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Trumpet Sonata in D Major, Z. 850: II. Adagio— Henry Purcell
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Trumpet Sonata in D Major, Z. 850: III. Allegro— Henry Purcell
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Messe de requiem: I. Introït— André Campra
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Messe de requiem: II. Kyrie— André Campra
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Messe de requiem: III. Graduel— André Campra
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Messe de requiem: IV. Offertoire— André Campra
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Messe de requiem: V. Sanctus— André Campra
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Messe de requiem: VI. Agnus Dei— André Campra
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Messe de requiem: VII. Post-communion— André Campra
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L’enfance du Christ, Op. 25, H 130, Pt. 2: “Il s’en va loin de la terre” (Chœur)— Hector Berlioz
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Komm, Jesu, komm, BWV 229— Johann Sebastian Bach
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Der Geist hilft unser Schwachheit auf, BWV 226— Johann Sebastian Bach
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Lobet den Herrn, alle Heiden, BWV 230— Johann Sebastian Bach
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Sei Lob und Preis mit Ehren, BWV 231— Johann Sebastian Bach
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Fürchte dich nicht, ich bin bei dir, BWV 228— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227— Johann Sebastian Bach
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Singet dem Herrn ein neues Lied, BWV 225— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: I. Chorus. Bleib bei uns, denn es…— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: II. Aria. Hochgelobter Gottessohn— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: III. Chorale. Ach bleib bei uns,…— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: IV. Recit. Es hat die Dunkelheit an…— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: V. Aria. Jesu, lass uns auf dich sehen— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: VI. Choral. Beweis dein Macht, Herr…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 30 “Ach nun ist mein Jesu hin”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 31 “Die aber Jesum gegriffen hatten”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 “Mir hat die Welt trüglich gericht”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 “Und wiewohl viel falsche Zeugen…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 34 “Mein Jesus schweigt zu falschen…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 35 “Geduld! Wenn mich falsche Zungen…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 36 “Und der Hohepriester antwortete”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 37 “Wer hat dich so geschlagen”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 38 “Petrus aber saß draußen im Palast”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. Erbarme dich (Alto)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 40 “Bin ich gleich von dir gewichen”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 41 “Des Morgens aber hielten alle…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. Gebt mir meinen Jesum wieder (Bass)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 43 “Sie hielten aber einen Rat”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 44 “Befiehl du deine Wege”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 45 “Auf das Fest aber hatte der…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. Wie wunderbarlich ist doch diese…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 47 “Der Landpfleger sagte”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 48 “Er hat uns allen wohlgetan”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 49 “Aus Liebe will mein Heiland sterben”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 50 “Sie schrieen aber noch mehr”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 51 “Erbarm es Gott”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. Können Tränen meiner Wangen (Alto)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 “Da nahmen die Kriegsknechte”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 “O Haupt voll Blut und Wunden”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 55 “Und da sie ihn verspottet hatten”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 56 “Ja freilich will in uns das…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 57 “Komm, süßes Kreuz”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 58 “Und da sie an die Stätte kamen”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 59 “Ach Golgatha”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 60 “Sehet, Jesus hat die Hand”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 61 “Und von der sechsten Stunde an” -…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 62 “Wenn ich einmal soll scheiden”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 “Und siehe da, der Vorhang im…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 64 “Am Abend, da es kühle war”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Bass)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 “Und Joseph nahm den Leib” – “Herr,…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recit. Nun ist der Herr zur Ruh gebracht…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chorus. Wir setzen uns mit Tränen nieder— Johann Sebastian Bach
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O Jesu Christ, meins Lebens Licht, BWV 118— Johann Sebastian Bach
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Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture— Johann Sebastian Bach
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Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau— Johann Sebastian Bach
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Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande— Johann Sebastian Bach
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Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II— Johann Sebastian Bach
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Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double— Johann Sebastian Bach
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Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet— Johann Sebastian Bach
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Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture— Johann Sebastian Bach
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Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourrées I & II— Johann Sebastian Bach
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Orchestral Suite No. 4 in D Major, BWV 1069: III. Gavotte— Johann Sebastian Bach
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Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuets I & II— Johann Sebastian Bach
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Orchestral Suite No. 4 in D Major, BWV 1069: V. Réjouissance— Johann Sebastian Bach
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Nun ist das Heil und die Kraft, BWV 50— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II— Johann Sebastian Bach
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Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II— Johann Sebastian Bach
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Handel: Water Music Suite No. 1 in F Major, HWV 348: I. Overture. Grave – Allegro— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: IIIa. [Hornpipe. Allegro]— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: IIIb. Andante— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: IIIc. [Allegro da capo]— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: V. Air— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: IV. [Passepied. A tempo di menuetto]— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: VI. [Minuet] for Horns— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: VII. Bourrée – VIII. Hornpipe— George Frideric Handel
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Handel: Water Music Suite No. 1 in F Major, HWV 348: IX. [Gavotte. Allegretto]— George Frideric Handel
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Handel: Water Music Suite No. 2 in D Major, HWV 349: I. Allegro— George Frideric Handel
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Handel: Water Music Suite No. 2 in D Major, HWV 349: II. [Alla Hornpipe]— George Frideric Handel
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Handel: Water Music Suite No. 2 in D Major, HWV 349: III. Coro [Trumpet Minuet]— George Frideric Handel
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Handel: Water Music Suite No. 2 in D Major, HWV 349: IV. Lentement— George Frideric Handel
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Handel: Water Music Suite No. 2 in D Major, HWV 349: V. Air [Bourrée]— George Frideric Handel
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Handel: Water Music Suite No. 3 in G Major, HWV 350: I. [Sarabande]— George Frideric Handel
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Handel: Water Music Suite No. 3 in G Major, HWV 350: II. Aria [Rigaudon I-II]— George Frideric Handel
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Handel: Water Music Suite No. 3 in G Major, HWV 350: III. Minuet – Trio— George Frideric Handel
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Handel: Water Music Suite No. 3 in G Major, HWV 350: IV. [Gigue II-I “Country Dances”]— George Frideric Handel
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Handel: Water Music Suite Variants, HWV 331: II. Alla Hornpipe (F Major Version of HWV 349/2)— George Frideric Handel
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Handel: Water Music Suite Variants, HWV 331: I. Allegro (F Major Version of HWV 349/I)— George Frideric Handel
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Handel: Music for the Royal Fireworks, HWV 351: I. Ouverture— George Frideric Handel
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Handel: Music for the Royal Fireworks, HWV 351: II. Bourrée— George Frideric Handel
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Handel: Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla siciliana— George Frideric Handel
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Handel: Music for the Royal Fireworks, HWV 351: IV. La Réjouissance— George Frideric Handel
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Handel: Music for the Royal Fireworks, HWV 351: V. Menuet I-II— George Frideric Handel
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Handel: Concerto a due cori No. 2, HWV 333: 1. Pomposo— George Frideric Handel
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Handel: Concerto a due cori No. 2, HWV 333: 2. Allegro— George Frideric Handel
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Handel: Concerto a due cori No. 2, HWV 333: 3. A tempo giusto— George Frideric Handel
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Handel: Concerto a due cori No. 2, HWV 333: 4. Largo— George Frideric Handel
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Handel: Concerto a due cori No. 2, HWV 333: 5. Allegro ma non troppo – Adagio— George Frideric Handel
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Handel: Concerto a due cori No. 2, HWV 333: 6. A tempo ordinario— George Frideric Handel
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Handel: Concerto a due cori No. 3, HWV 334: 1. Ouverture— George Frideric Handel
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Handel: Concerto a due cori No. 3, HWV 334: 2. Allegro – Allegro ma non troppo— George Frideric Handel
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Handel: Concerto a due cori No. 3, HWV 334: 3. Adagio— George Frideric Handel
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Handel: Concerto a due cori No. 3, HWV 334: 4. Andante larghetto— George Frideric Handel
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Handel: Concerto a due cori No. 3, HWV 334: 5. Allegro— George Frideric Handel
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Handel: Concerto grosso in C, HWV 318 “Alexander’s Feast”: 1. Allegro (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Concerto grosso in C, HWV 318 “Alexander’s Feast”: 2. Largo – Adagio (Live in Göttingen…— George Frideric Handel
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Handel: Concerto grosso in C, HWV 318 “Alexander’s Feast”: 3. Allegro – Adagio (Live in…— George Frideric Handel
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Handel: Concerto grosso in C, HWV 318 “Alexander’s Feast”: 4. Andante non presto (Live in…— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Sinfonia— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Ballo— George Frideric Handel
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Handel: Agrippina, HWV 6: Sinfonia— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: Overture (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: March— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Sinfonia— George Frideric Handel
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Handel: Hercules, HWV 60: Overture— George Frideric Handel
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Handel: Israel In Egypt, HWV 54: Overture (Live)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: Symphony (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70: Overture – Menuet (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 13, Pifa “Pastoral Symphony”— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 1, Symphony— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: Symphony (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: Symphony (Reprise) (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: March (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: Symphony (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Symphony: Allegro (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Symphony: Allegro (Reprise) (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Symphony: Andante larghetto (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Symphony: Larghetto (Live)— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba— George Frideric Handel
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Handel: Solomon HWV 67: Overture— George Frideric Handel
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Scylla et Glaucus, Op. 11, Prologue: “Reine de la nature” (Chœur, Chef des peuples)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Sarabande— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Prélude – “Quel bruit soudain !” (Chef des peuples)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: “Redoutable Vénus” (Chef des peuples)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: “Quel tonnerre !” (Chef des peuples)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Symphonie pour la descente de Vénus— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: “Cessez de braver ma puissance” (Vénus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Symphonie— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: “Pour vous dont je reçois et l’encens et les vœux”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: “Des nations il triomphe” (Chef des peuples)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Récitatif. “Dans un auguste fils” – Trio. “Que digne fils…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Gigue – “Venez, qu’Amour vous couronne” (Amour)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Passepied – “Votre zèle pour moi brille assez dans vos…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Prologue: Ouverture (Reprise)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Non je ne cesserai jamais de fuir tes dangereuses chaînes”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Que votre empressement” (Scylla, Témire)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Quand on craint d’avoir le cœur tendre” (Témire)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “En vain ces deux amants” (Scylla, Témire)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Annonce de la fête – “Nos bergers, nos silvains approchent de…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Marche de bergers et de silvains – “Aimez, nymphe charmante”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Une beauté sévère nous condamne à souffrir” (Un berger,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Air des sylvains— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Musette – “Loin de nos retraites” (Une bergère, Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Nos bois savent taire” (Une driade, Un silvain, Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Premier menuet pour la musette— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Deuxième menuet pour la musette— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Chantons, que ces retraites” (Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Perdez une vaine espérance” (Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Allons, chère Témire” (Scylla, Témire)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Nymphe, tout sur ces bords célèbre vos appâts” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Air. “L’Amour n’offre qu’un bien trompeur” (Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Croirai-je que les chants que vous venez d’entendre”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: Air. “Quand je ne vous vois pas, je languis, je soupire”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Ciel, dans ces mêmes yeux je lis votre colère” (Glaucus,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 1: “Ne faut-il que l’aimer” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: Prélude – “Oui, je dois craindre encore les amoureuses…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Mon cœur est fait pour s’enflammer” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Apprends ce qu’aujourd’hui mon art m’a fait connaître”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Fille du Dieu brillant” (Glaucus, Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Vous pouvez d’un seul mot, par vos enchantements” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Circé, sensible à vos alarmes, s’intéresse à votre…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Aux champs siciliens captivant tous les cœurs” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Ah, loin de vous piquer d’une constance vaine” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Ministres de mon art” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: Passacaille – “Amants dont le prix n’est qu’un fier mépris”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Quel espoir séduisant” (Glaucus, Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: Prélude – “Quelle secrète puissance retient Glaucus dans ce…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: “Il me fuit hélas” (Circé, Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 2: Entracte— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Serments trompeurs” (Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Témire, l’inconstant n’est plus sur le rivage” – Air. 3″En…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: Air. “On se rend plutôt qu’on ne pense” – Récitatif….— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Me fuirez-vous encore” (Glaucus, Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Mais pourquoi des serments emprunter le langage ?” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Pourquoi vous obstiner à vivre sous mes lois ?” (Scylla,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: Duo. “Que le tendre amour nous engage” (Scylla, Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Vous qui dans l’empire des flots” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Chantez Scylla et célébrez ses charmes” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Chantons Scylla et célébrons ses charmes” (Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: Loure— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: Airs en rondeau – “Jeunes cœurs” (Une fille du chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Ta gloire dans ces lieux t’appelle” (Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Mais que vois-je ?” (Scylla, Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Juste ciel, c’est Circé” (Glaucus, Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: “Tout fuit, tout disparait” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 3: Reprise du premier air— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: Symphonie— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Glaucus, par tout l’amour que j’ai fait éclater” (Circé,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Si l’amour voit languir ses feux” (Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Ne te souvient-il plus de la douceur charmante” – Air….— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Trompé par vos enchantements” (Glaucus, Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Où courrez-vous Glaucus ?” (Scylla, Circé, Glaucus)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Ah c’est trop conserver une inutile ardeur” (Circé, Dorine)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Ah, que la vengeance a de charmes” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Mais déjà de ses voiles sombres la nuit embrase l’univers”…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Et toi, dont les embrassements rendent les champs voisins…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: Invocation. “Noires divinités” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Que Circé vous inspire une fureur nouvelle” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Que Circé nous inspire une fureur nouvelle” (Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: Premier air des démons— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Brillante fille de Latone” – Deuxième air des démons…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Du flambeau de la nuit” (Circé, Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: Troisième air des démons— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “La terre s’ouvre” (Circé)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: “Pour toi seule deux fois j’ai passé l’Achéron” (Hécate,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 4: Troisième air des démons (Reprise)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: “Rien ne s’oppose plus à ma félicité” (Glaucus, Scylla)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: “Chantons, bénissons à jamais” (Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: Premier air de ballet— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: “Peuples de ces climats heureux” – Ariette. “Chantez l’Amour,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: Deuxième air de ballet— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: “Viens Amour, quitte Cithère” (Une Sicilienne, Chœur)— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: Troisième air de ballet— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: “C’est au bord de cette fontaine” (Scylla, Glaucus, Chœur,…— Jean-Marie Leclair
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Scylla et Glaucus, Op. 11, Act 5: “Voilà cette nymphe si belle” (Circé, Glaucus)— Jean-Marie Leclair
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction. Moderato quasi andante— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I. Tempo del tema— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation II. Tempo del tema— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation IV. Andante grazioso— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto— Pyotr Ilyich Tchaikovsky
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Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VIII and Coda. Allegro…— Pyotr Ilyich Tchaikovsky
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2 Pieces for Cello and Orchestra, Op. 20: No. 1, Mélodie— Alexander Glazunov
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2 Pieces for Cello and Orchestra, Op. 20: No. 2, Sérénade espagnole— Alexander Glazunov
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6 Pieces, Op. 19: No. 4, Nocturne (Version for Cello and Orchestra)— Pyotr Ilyich Tchaikovsky
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2 Pieces for Cello and Orchestra, Op. 36: No. 1, Scherzando— César Cui
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2 Pieces for Cello and Orchestra, Op. 36: No. 2, Cantabile— César Cui
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Pezzo capriccioso, Op. 62— Pyotr Ilyich Tchaikovsky
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Chant du ménestrel, Op. 71 (Orchestral Version)— Alexander Glazunov
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Accompagnato. “Hence loathed Melancholy”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Come, rather, goddess”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “Orpheus’ self may heave his head”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Duet. “As steals the morn upon the night”— George Frideric Handel
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Funeral Anthem for Queen Caroline, HWV 264 “The Ways of Zion Do Mourn”: IV. Soli and Chorus….— George Frideric Handel
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Funeral Anthem for Queen Caroline, HWV 264 “The Ways of Zion Do Mourn”: V. Chorus. “How are the…— George Frideric Handel
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Funeral Anthem for Queen Caroline, HWV 264 “The Ways of Zion Do Mourn”: VI. Chorus. “She…— George Frideric Handel
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Funeral Anthem for Queen Caroline, HWV 264 “The Ways of Zion Do Mourn”: VII. Chorus. “How are…— George Frideric Handel
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Funeral Anthem for Queen Caroline, HWV 264 “The Ways of Zion Do Mourn”: VIII. Soli and Chorus….— George Frideric Handel
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Water Music, Suite No. 3 in G Major, HWV 350: II. Rigaudons I & II— George Frideric Handel
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Water Music, Suite No. 3 in G Major, HWV 350: IV. Gigues I & II— George Frideric Handel
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Tamerlano, HWV 18, Act 1: Aria. “Forte e lieto a morte andrei” (Bajazet)— George Frideric Handel
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Tamerlano, HWV 18, Act 1: Aria. “Se non mi vuol amar” (Asteria)— George Frideric Handel
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Tamerlano, HWV 18, Act 2: Aria. “Cor di padre, e cor d’amante” (Asteria)— George Frideric Handel
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Concerto grosso in F Major, Op. 3 No. 4, HWV 315: I. Andante – Allegro – Adagio— George Frideric Handel
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Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante— George Frideric Handel
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Concerto grosso in F Major, Op. 3 No. 4, HWV 315: IV. Minuetto alternativo— George Frideric Handel
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Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph— George Frideric Handel
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Israel in Egypt, HWV 54: Chorus. “He sent a thick darkness”— George Frideric Handel
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Israel in Egypt, HWV 54: Chorus. “But as for his people”— George Frideric Handel
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Israel in Egypt, HWV 54: Duet. “The Lord is a man of war”— George Frideric Handel
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Israel in Egypt, HWV 54: Chorus. “And with the blast of thy nostrils”— George Frideric Handel
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Israel in Egypt, HWV 54: Air. “The enemy said, I will pursue”— George Frideric Handel
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Semele, HWV 58, Act 1: Air. “Endless pleasure, endless love” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 1: Chorus. “Endless pleasure, endless love” (Priests and Augurs)— George Frideric Handel
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Stabat Mater in C Minor: V. Sancta Mater, istud agas— Domenico Scarlatti
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Stabat Mater in C Minor: VI. Fac me vere tecum flere— Domenico Scarlatti
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Stabat Mater in C Minor: VIII. Inflammatus— Domenico Scarlatti
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Jonas: “Et imperavit Dominus pisci”— Giacomo Carissimi
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Jephte: “Plorate colles”— Giacomo Carissimi
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La Vierge, Pt. 4: Le dernier sommeil de la Vierge— Jules Massenet
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Salve Regina— Francesco Cavalli
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Jehova, quam multi sunt hostes, Z. 135— Henry Purcell
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J.S. Bach: Ich habe genug, BWV 82: I. Aria. Ich habe genug, ich habe den Heiland (Bass)— Johann Sebastian Bach
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J.S. Bach: Ich habe genug, BWV 82: II. Recit. Ich habe genug! Mein Trost ist nur allein (Bass)— Johann Sebastian Bach
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J.S. Bach: Ich habe genug, BWV 82: III. Aria. Schlummert ein, ihr matten Augen (Bass)— Johann Sebastian Bach
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J.S. Bach: Ich habe genug, BWV 82: IV. Recit. Mein Gott! wenn kommt das schöne: Nun! (Bass)— Johann Sebastian Bach
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J.S. Bach: Ich habe genug, BWV 82: V. Aria. Ich freue mich auf meinen Tod (Bass)— Johann Sebastian Bach
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J.S. Bach: Erfreute Zeit im neuen Bunde, BWV 83: I. Aria. Erfreute Zeit im neuen Bunde— Johann Sebastian Bach
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J.S. Bach: Erfreute Zeit im neuen Bunde, BWV 83: II. Intonation & Recit. Herr, nun lässest du— Johann Sebastian Bach
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J.S. Bach: Erfreute Zeit im neuen Bunde, BWV 83: III. Aria. Eile, Herz, voll Freudigkeit— Johann Sebastian Bach
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J.S. Bach: Erfreute Zeit im neuen Bunde, BWV 83: IV. Recit. Ja, merkt dein Glaube noch viel…— Johann Sebastian Bach
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J.S. Bach: Erfreute Zeit im neuen Bunde, BWV 83: V. Chorale. Er ist das Heil und selig Licht— Johann Sebastian Bach
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L’Orfeo, SV 318, Act 1: “Lasciate i monti”— Claudio Monteverdi
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L’Orfeo, SV 318, Act 1: “Vieni Imeneo”— Claudio Monteverdi
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L’Orfeo, SV 348, Act 2: “Ecco pur ch’a voi ritorno”— Claudio Monteverdi
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L’Orfeo, SV 318, Act 5: Moresca— Claudio Monteverdi
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Ottavo libro di madrigali “Guerrieri et amorosi”, No. 22, Il ballo delle ingrate, SV 167: Ballo— Claudio Monteverdi
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Ottavo libro di madrigali “Guerrieri et amorosi”: No. 9, Volgendo il ciel, SV 154— Claudio Monteverdi
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Settimo libro di madrigali “Concerto” No. 29, Tirsi e Clori, SV 145 “Ballo”— Claudio Monteverdi
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Scherzi musicali: No. 18, De la bellezza le dovute lodi, SV 245— Claudio Monteverdi
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Les Boréades: Ouverture— Jean-Philippe Rameau
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Les Boréades, Act 1: “Suivez la chasse, allez” (Alphise, Sémire)— Jean-Philippe Rameau
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Les Boréades, Act 1: “La chasse à mes regards n’offre plus rien d’aimable” (Alphise, Sémire,…— Jean-Philippe Rameau
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Les Boréades, Act 1: Danse. “Si l’Hymen a des chaines” – Gavottes (Sémire)— Jean-Philippe Rameau
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Les Boréades, Act 1: “C’est dans cet aimable séjour” (Casilis)— Jean-Philippe Rameau
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Les Boréades, Act 1: Rondeau vif. “La troupe volage” – Gavottes (Sémire, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 1: “Un horizon serein” (Alphise, Sémire)— Jean-Philippe Rameau
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Les Boréades, Act 1: Contredanse en rondeau— Jean-Philippe Rameau
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Les Boréades, Act 2: “Charmes trop dangereux” (Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 2: “J’aperçois ce mortel” (Adamas, Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 2: “Avec éclat paraissez à mes yeux” (Adamas, Abaris, Chœur, Alphise)— Jean-Philippe Rameau
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Les Boréades, Act 2: “Borée, à la clarté dont brillaient mille éclairs” (Alphise, Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 2: “Chantez le dieu qui nous éclaire” (Abaris, Alphise, Calisis, Borilée,…— Jean-Philippe Rameau
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Les Boréades, Act 2: “Nos peuples, dieu du jour, t’offrent de nouveaux jeux” (Borilée)— Jean-Philippe Rameau
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Les Boréades, Act 2: Gavottes. “C’est la liberté” – Air un peu plus gai (Borilée)— Jean-Philippe Rameau
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Les Boréades, Act 2: “Comme un zéphir qui vole et jamais ne s’engage” (Nymphe)— Jean-Philippe Rameau
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Les Boréades, Act 2: Air gracieux. Andante— Jean-Philippe Rameau
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Les Boréades, Act 2: “Écoutez l’amour qui vous presse” (Calisis, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 2: Air. Andante— Jean-Philippe Rameau
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Les Boréades, Act 2: “C’est des dieux qu’on doit apprendre” (Borilée, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 2: Loure— Jean-Philippe Rameau
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Les Boréades, Act 2: Gavotte vive – Gavotte— Jean-Philippe Rameau
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Les Boréades, Act 2: “Ciel, quels accords harmonieux” (Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 2: “Espère tout de ce trait enchanté” (L’Amour, Alphise, Calisis, Borilée,…— Jean-Philippe Rameau
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Les Boréades, Act 3: “Songe affreux, image cruelle” (Alphise, Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 3: “Triomphe hymen, l’Amour t’appelle” (Calisis, Borilée, Alphise, Abaris,…— Jean-Philippe Rameau
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Les Boréades, Act 3: “Dans ces beaux lieux” (Borilée)— Jean-Philippe Rameau
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Les Boréades, Act 3: Air un peu gai. “Eh ! Pourquoi se défendre” (Calisis)— Jean-Philippe Rameau
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Les Boréades, Act 3: Menuets— Jean-Philippe Rameau
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Les Boréades, Act 3: “Jouissons de nos bons ans” (Calisis, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 3: Gavottes— Jean-Philippe Rameau
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Les Boréades, Act 3: “Aimez, aimez à votre tour” – “Écoutez de ce dieu la volonté suprême”…— Jean-Philippe Rameau
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Les Boréades, Act 3: “Régnez, belle Alphise” (Chœur, Calisis, Borilée)— Jean-Philippe Rameau
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Les Boréades, Act 3: “Borée en fureur” (Alphise, Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 3: Entracte. Suite des vents— Jean-Philippe Rameau
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Les Boréades, Act 4: “Nuit redoutable” (Borilée, Abaris, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 4: “Nous n’implorons que vous” (Adamas, Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 4: Entrée— Jean-Philippe Rameau
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Les Boréades, Act 4: “Commandez aux tendres zéphirs” (Polymnie, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 4: Gavottes pour les heures et les Zéphirs— Jean-Philippe Rameau
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Les Boréades, Act 4: “Parcourez la terre” (Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 4: Air très gai— Jean-Philippe Rameau
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Les Boréades, Act 4: “Mon pouvoir doit servir au bonheur des humains” (Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 4: Air pour les saisons et les zéphirs— Jean-Philippe Rameau
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Les Boréades, Act 4: “Je cours fléchir un dieu sévère” (Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 4: “Volez, que l’amour vous seconde” (Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Obéissez, quittez vos cavernes obscures” (Borée, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Ne suivez plus mes pas, vous irritez ma peine” (Abaris, Borée, Alphise,…— Jean-Philippe Rameau
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Les Boréades, Act 5: “Venez punir son injustice” (Borée, Alphise, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Que vois-je ?” (Abaris, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Trop superbes rivaux” (Borée, Abaris, Calisis, Borilée)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Quel éclat !” (Borée, Chœur)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Je rends pour ce héros ma tendresse éclatante” (Apollon, Borée,…— Jean-Philippe Rameau
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Les Boréades, Act 5: “Délices des mortels” (Apollon)— Jean-Philippe Rameau
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Les Boréades, Act 5: “Que ces moments sont doux” (Alphise, Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 5: Air. Andante – Pas de deux – Menuets— Jean-Philippe Rameau
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Les Boréades, Act 5: “Que l’amour embellit la vie” (Abaris)— Jean-Philippe Rameau
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Les Boréades, Act 5: Contredanses très vives— Jean-Philippe Rameau
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Dardanus, Prologue: Ouverture— Jean-Philippe Rameau
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Dardanus, Prologue: Marche pour les différentes nations— Jean-Philippe Rameau
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Dardanus, Prologue: Menuet tendre en rondeau— Jean-Philippe Rameau
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Dardanus, Prologue: Tambourins I & II— Jean-Philippe Rameau
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Dardanus, Act 1: Entrée pour les guerriers— Jean-Philippe Rameau
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Dardanus, Act 1: Air vif— Jean-Philippe Rameau
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Dardanus, Act 1: Rigaudons I & II— Jean-Philippe Rameau
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Dardanus, Act 2: Ritournelle vive – Entrée d’Isménor— Jean-Philippe Rameau
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Dardanus, Act 3: Entrée d’Iphise— Jean-Philippe Rameau
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Dardanus, Act 3: Air en rondeau— Jean-Philippe Rameau
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Dardanus, Act 3: Menuets I & II— Jean-Philippe Rameau
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Dardanus, Act 3: Tambourins I & II— Jean-Philippe Rameau
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Dardanus, Act 3: Tambourins I & II (Version 1744)— Jean-Philippe Rameau
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Dardanus, Act 4: Entrée des songes— Jean-Philippe Rameau
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Dardanus, Act 4: Sommeil. Rondeau tendre— Jean-Philippe Rameau
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Dardanus, Act 4: Air tendre. Calme des sens— Jean-Philippe Rameau
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Dardanus, Act 4: Passepieds I & II— Jean-Philippe Rameau
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Dardanus, Act 4: Gavotte vive— Jean-Philippe Rameau
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Dardanus, Act 4: Air de triomphe— Jean-Philippe Rameau
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Dardanus, Act 4: Entr’acte. Bruit de guerre— Jean-Philippe Rameau
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Dardanus, Act 4: Contredanse— Jean-Philippe Rameau
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Dardanus, Act 5: Entrée de Vénus— Jean-Philippe Rameau
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Dardanus, Act 5: Gavottes I & II— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Récit. “Que de plaisirs” (Mercure)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Air. “Tu veux avoir la préférence” (Mercure)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Récitatif et petits airs. “Mais il fuit” -…— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Entrée des bergers. “On vient” – Air….— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Musette en rondeau— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Air. “C’est pour l’amour” (Eglé)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Gavottes en rondeau— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Prélude— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Récit. “Mais par les soins” (Mercure)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Entrée de Terpsichore, de ses nymphes, des…— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Loure grave— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Menuets— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Air. “Contre l’Amour, jeunes beautés”…— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Seconde musette en rondeau— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Chœur en rondeau. “Suivez les lois”…— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Tambourin en rondeau (Reprise)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Récit. “Eglé me tient” (Mercure)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Passepieds— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Ariette vive. “L’objet qui règne” (Mercure)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Air gay et gracieux. “Je fais mon bien…— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Chœur. “Non, non dans nos retraites” (Chœur)— Jean-Philippe Rameau
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Les Fêtes d’Hébé, Troisième entrée “La Danse”: Contredanse— Jean-Philippe Rameau
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 1, Chorus. Jauchzet, frohlocket, auf,…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 2, Recit. Es begab sich aber zu der Zeit…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 3, Recit. Nun wird mein liebster Bräutigam— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 4, Aria. Bereite dich, Zion, mit…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 5, Chorale. Wie soll ich dich empfangen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 7, Chorale & Recit. Er ist auf Erden…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 8, Aria. Großer Herr, o starker König— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 9, Chorale. Ach mein herzliebes Jesulein— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 10, Sinfonia pastorale— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 11, Recit. Und es waren Hirten in…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 12, Chorale. Brich an, o schönes Morgenlicht— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 13, Recit. Und der Engel sprach zu ihnen…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 14, Recit. Was Gott dem Abraham verheißen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 15, Aria. Frohe Hirten, eilt, ach eilet— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 17, Chorale. Schaut hin, dort liegt im…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 18, Recit. So geht denn hin, ihr Hirten, geht— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 21, Chorus. Ehre sei Gott in der Höhe— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 23, Chorale. Wir singen dir in deinem Heer— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 24, Chorus. Herrscher des Himmels, erhöre…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 26, Chorus. Lasset uns nun gehen gen Bethlehem— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 27, Recit. Er hat sein Volk getröst— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 28, Chorale. Dies hat er alles uns getan— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 29, Duet. Herr, dein Mitleid, dein Erbarmen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 30, Recit. Und sie kamen eilend (Evangelist)— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 31, Aria. Schließe, mein Herze, dies…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 33, Chorale. Ich will dich mit Fleiß bewahren— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 35, Chorale. Seid froh dieweil— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 35a (No. 24), Chorus da capo. Herrscher…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 36, Chorus. Fallt mit Danken, fallt mit Loben— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 37, Recit. Und da acht Tage um waren…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 38, Recit & Arioso. Immanuel, o süßes…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 39, Aria. Flösst, mein Heiland, flösst…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 40, Recit & Chorale. Wohlan, dein Name…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 41, Aria. Ich will nur dir zu Ehren leben— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 4: No. 42, Chorale. Jesus richte mein Beginnen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 43, Chorus. Ehre sei dir, Gott, gesungen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 45, Chorus with Recit. Wo ist der…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 46, Chorale. Dein Glanz all Finsternis…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 47, Aria. Erleucht auch meine finstre Sinnen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 49, Recit. Warum wollt ihr erschrecken?— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 50, Recit. Und ließ versammlen alle…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 51, Trio. Ach, wenn wird die Zeit erscheinen?— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 53, Chorale. Zwar ist solche Herzensstube— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 54, Chorus. Herr, wenn die stolzen Feinde…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 55, Recit. Da berief Herodes die Weisen…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 56, Recit. Du Falscher, suche nur den…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 57, Aria. Nur ein Wink von seinen Händen— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 58, Recit. Als sie nun den König gehöret…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 59, Chorale. Ich steh an deiner Krippen hier— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 61, Recit. So geht! Genug, mein Schatz…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 62, Aria. Nun mögt ihr stolzen Feinde…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 63, Recit. Was will der Höllen Schrecken nun?— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 64, Chorale. Nun seid ihr wohl gerochen— Johann Sebastian Bach
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J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 1 Sonatina— Johann Sebastian Bach
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J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 2 a-d “Gottes Zeit ist die…— Johann Sebastian Bach
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J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 3 a./b. “In deine Hände…— Johann Sebastian Bach
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J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 4 Chor: “Glorie, Lob, Ehr…— Johann Sebastian Bach
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J.S. Bach: O Jesu Christ, mein’s Lebens Licht Motet, BWV 118— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: II. Recit. Er kommt, er kommt, der…— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Duet). Wann kommst du, mein Heil?— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: V. Recit. So geh herein zu mir— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria. Mein Freund ist mein!— Johann Sebastian Bach
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J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: I. Chorus. Herz und Mund und Tat und Leben— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: II. Recit. Gebenedeiter Mund! (Tenor)— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: III. Aria. Schäme dich, o Seele nicht (Alto)— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: IV. Recit. Verstockung kann Gewaltige…— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: V. Aria. Bereite dir, Jesu (Soprano)— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: VI. Chorale. Wohl mir, dass ich Jesum habe— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: VII. Aria. Hilf, Jesu, hilf (Tenor)— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: VIII. Recit. Der höchsten Allmacht…— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: IX. Aria. Ich will von Jesu Wundern singen…— Johann Sebastian Bach
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J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: X. Chorale. Jesus bleibet meine Freude— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: I. Chorus. Erschallet, ihr Lieder— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: II. Recit. Wer mich liebet, der wird mein Wort— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: III. Aria. Heiligste Dreieinigkeit, großer Gott— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: IV. Aria. O Seelenparadies, das Gottes Geist durchwehet— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: V. Aria (Duet). Komm, laß mich nicht länger warten— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: VI. Chorale. Von Gott kommt mir ein Freudenschein— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 59: I. Wer mich liebet, der wird…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 59: II. O, was sind das für Ehren— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 59: III. Komm, heiliger Geist, Herre…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 59: IV. Die Welt mit allen Königreichen— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 59: V. Du heilige Brunst, süßer…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: I. Chorus. Wer mich liebet, der…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: II. Aria. Komm, mein Herze steht…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: III. Recit. Die Wohnung ist…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: IV. Aria. Ich gehe hin und komme…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: V. Aria. Kommt, kommt, eilet (Tenor)— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: VII. Aria. Nichts kann mich…— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: VIII. Chorale. Kein Menschenkind…— Johann Sebastian Bach
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J.S. Bach: O ewiges Feuer, o Ursprung der Liebe, BWV 34: I. Chorus. O ewiges Feuer, o Ursprung…— Johann Sebastian Bach
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J.S. Bach: O ewiges Feuer, o Ursprung der Liebe, BWV 34: II. Recit. Herr! unsre Herzen halten…— Johann Sebastian Bach
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J.S. Bach: O ewiges Feuer, o Ursprung der Liebe, BWV 34: III. Aria. Wohl euch, ihr auserwählten…— Johann Sebastian Bach
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J.S. Bach: O ewiges Feuer, o Ursprung der Liebe, BWV 34: IV. Recit. Erwählt sich Gott die…— Johann Sebastian Bach
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J.S. Bach: O ewiges Feuer, o Ursprung der Liebe, BWV 34: V. Chorus. Friede über Israel!— Johann Sebastian Bach
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J.S. Bach: Herr Jesu Christ, BWV 113: III. Aria. Für wahr, wenn mir das kommet ein (Bass)— Johann Sebastian Bach
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Il Guarany. Opera – Sento una forza idomita— Georges Bizet
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Manon. Opera in 4 Acts – Act 2: On l´appel, Manon— Charles Gounod
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Pescatori di Perle. The Opera (Les Pecheurs de perles) – Act 1: Au fond de temple— Giacomo Puccini
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Faust. Opera in 5 Acts – Act 3: O, nuit d´amour— Giuseppe Verdi
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Madama Butterfly. Opera in 4 Acts – Act 1: O quanti occhi fisi— Giuseppe Verdi
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Madama Butterfly. Opera in 4 Acts – Act 3: Non ve l´avero detto?— Giuseppe Verdi
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Madama Butterfly. Opera in 4 Acts – Act 1: Amore o grillo— Wolfgang Amadeus Mozart
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Othello. The Opera in 4 Acts – Act 2: Si, pel ciel marmoreo giuro!— Giuseppe Verdi
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Don Carlos. Opera in 5 Acts – Act 1 – Dio, che nell´alma infondere— Giuseppe Verdi
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Il Trovatore – Act 4: Ah! che la morte ognora (Miserere)— Johann Sebastian Bach
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Il Trovatore – Act 4: Ai nostri monti— Antonín Dvořák
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Aida. Opera in 4 Acts – Act 4 – Gia i sacerdoti adunansi— Giuseppe Verdi
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Aida. Opera in 4 Acts – Act 4 – O terra addio— Giuseppe Verdi
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Handel: Messiah, HWV 56, Pt. 1: No. 2, Recit. Comfort Ye, My People (Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 3, Aria. Every Valley Shall Be Exalted (Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 6, Aria. But Who May Abide the Day of His Coming? (Alto)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 7, Chorus. And He Shall Purify the Sons of Levi— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 9, Aria & Chorus. O Thou That Tellest Good Tidings to Zion…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 11, Aria. The People That Walked in Darkness Have Seen a…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 12, Chorus. For Unto Us a Child Is Born— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 14, Recit. There Were Shepherds – And Lo, the Angel of the…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 17, Chorus. Glory to God in the Highest— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 18, Aria. Rejoice Greatly, O Daughter of Zion (Soprano,…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 20, Duet. He Shall Feed His Flock Like a Shepherd (Alto,…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 21, Chorus. His Yoke Is Easy and His Burthen Is Light— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 22, Chorus. Behold the Lamb of God— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 23, Aria. He Was Despised and Rejected of Men (Alto)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 24, Chorus. Surely He Hath Borne Our Griefs— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 26, Chorus. All We Like Sheep Have Gone Astray— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 27, Recit. All They That See Him Laugh Him to Scorn (Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 28, Chorus. He Trusted in God That He Would Deliver Him— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 29, Recit. Thy Rebuke Hath Broken His Heart (Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 30, Aria. Behold and See If There Be Any Sorrow Like Unto…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 32, Aria. But Thou Didst Not Leave His Soul in Hell (Soprano)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 33, Chorus. Lift Up Your Heads, O Ye Gates— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 35, Chorus. Let All the Angels of God Worship Him— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 36, Aria. Thou Art Gone Up on High (Alto)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 37, Chorus. The Lord Gave the Word— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 38, Aria. How Beautiful Are the Feet of Them That Preach…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 39, Chorus. Their Sound Is Gone Out into All Lands— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 41, Chorus. Let Us Break Their Bonds Asunder— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 43, Aria. Thou Shalt Break Them with a Rod of Iron (Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 44, Hallelujah Chorus— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 45, Aria. I Know That My Redeemer Liveth (Soprano)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 46, Chorus. Since By Man Came Death— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 48, Aria. The Trumpet Shall Sound (Bass)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 50, Duet. O Death, Where Is Thy Sting? (Alto, Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 52, Aria. If God Be For Us, Who Can Be Against Us? (Alto)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 53, Chorus. Worthy Is the Lamb That Was Slain – Amen— George Frideric Handel
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Handel: Dixit Dominus, HWV 232: I. Dixit Dominus— George Frideric Handel
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Monteverdi: L’Orfeo, SV 318, Prologue: Toccata— Claudio Monteverdi
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Monteverdi: L’Orfeo / Prologo: Ritornello – Dal mio Permesso amato— Claudio Monteverdi
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Monteverdi: L’Orfeo, SV 318 / Act II: Sinfonia – “Ecco pur ch’a voi ritorno”— Claudio Monteverdi
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Monteverdi: L’Orfeo / Act III: Sinfonia – “Scorto da te, mio nume” – “Ecco l’atra palude” -…— Claudio Monteverdi
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Monteverdi: L’Orfeo / Act IV: Sinfonia-É la virtite un raggio— Claudio Monteverdi
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J.S. Bach: Nun komm, der Heiden Heiland, Cantata BWV 61: No. 1 “Nun komm, der Heiden Heiland”— Johann Sebastian Bach
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J.S. Bach: Nun komm, der Heiden Heiland, Cantata BWV 61: No. 2 “Der Heiland ist gekommen”— Johann Sebastian Bach
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J.S. Bach: Nun komm, der Heiden Heiland, Cantata BWV 61: No. 3 “Komm, Jesu, komm zu deiner Kirche”— Johann Sebastian Bach
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J.S. Bach: Nun komm, der Heiden Heiland, Cantata BWV 61: No. 4 “Siehe, ich stehe vor der Tür”— Johann Sebastian Bach
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J.S. Bach: Nun komm, der Heiden Heiland, Cantata BWV 61: No. 5 “Öffne dich, mein ganzes Herze”— Johann Sebastian Bach
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J.S. Bach: Nun komm, der Heiden Heiland, Cantata BWV 61: No. 6 “Amen”— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 1 Chorus “Schwingt freudig…— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 2 Chorale-Duet “Nun komm,…— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 3 Aria “Die Liebe zieht…— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 4 Chorale “Zwingt die Saiten”— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 5 Aria “Willkommen, werter…— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 6 Chorale “Der du bist dem…— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 7 Aria “Auch mit…— Johann Sebastian Bach
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J.S. Bach: Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 8 Chorale “Lob sei Gott,…— Johann Sebastian Bach
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J.S. Bach: “Nun komm, der Heiden Heiland”, BWV 62: No. 1 Chorus “Nun komm, der Heiden Heiland”— Johann Sebastian Bach
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J.S. Bach: “Nun komm, der Heiden Heiland”, BWV 62: No. 2 Aria “Bewundert, o Menschen”— Johann Sebastian Bach
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J.S. Bach: “Nun komm, der Heiden Heiland”, BWV 62: No. 3 Recitative “So geht aus Gottes…— Johann Sebastian Bach
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J.S. Bach: “Nun komm, der Heiden Heiland”, BWV 62: 4. Aria “Streite, siege, starker Held”— Johann Sebastian Bach
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J.S. Bach: “Nun komm, der Heiden Heiland”, BWV 62: 5. Recitative “Wir ehren diese Herrlichkeit”— Johann Sebastian Bach
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J.S. Bach: “Nun komm, der Heiden Heiland”, BWV 62: 6. Chorale “Lob sei Gott, dem Vater”— Johann Sebastian Bach
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Monteverdi: L’incoronazione di Poppea, SV 308 / Prologue: Sinfonia – Prologue – “Deh,…— Claudio Monteverdi
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J.S. Bach: Mass in B Minor, BWV 232 / Sanctus: Sanctus— Johann Sebastian Bach
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J.S. Bach: Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis (Da Capo)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. Kommt, ihr Töchter, helft mir…— Johann Sebastian Bach
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J.S. Bach: St. John Passion, BWV 245 / Part Two: No.27 Evangelist, Chorus, Evangelist: ” Die…— Johann Sebastian Bach
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J.S. Bach: Johannes-Passion, BWV 245, Pt. 2: No. 39, Chorus. Ruht wohl, ihr heiligen Gebeine— Johann Sebastian Bach
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J.S. Bach: Johannes-Passion, BWV 245, Pt. 2: No. 40, Chorale. Ach Herr, lass dein lieb Engelein— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: I. Chorus. Was frag ich nach der Welt— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: II. Aria. Die Welt ist wie ein Rauch und Schatten— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: III. Recit. & Chorale. Die Welt sucht Ehr’— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: IV. Aria. Betörte Welt— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: V. Recit. & Chorale. Die Welt bekümmert sich— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: VI. Aria. Die Welt kann ihre Lust und Freud— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: VII. Aria. Es halt’ es mit der blinden Welt— Johann Sebastian Bach
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J.S. Bach: Was frag ich nach der Welt, BWV 94: VIII. Chorale. Was frag ich nach der Welt— Johann Sebastian Bach
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J.S. Bach: Tue Rechnung! Donnerwort, BWV 168: I. Aria. Tue Rechnung! Donnerwort— Johann Sebastian Bach
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J.S. Bach: Tue Rechnung! Donnerwort, BWV 168: II. Recit. Es ist nur fremdes Gut— Johann Sebastian Bach
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J.S. Bach: Tue Rechnung! Donnerwort, BWV 168: III. Aria. Capital und Interesse meiner Schulden— Johann Sebastian Bach
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J.S. Bach: Tue Rechnung! Donnerwort, BWV 168: IV. Recit. Jedoch, erschrock’nes Herz— Johann Sebastian Bach
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J.S. Bach: Tue Rechnung! Donnerwort, BWV 168: V. Aria. Herz, zerreiss— Johann Sebastian Bach
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J.S. Bach: Tue Rechnung! Donnerwort, BWV 168: VI. Chorale. Stärk’ mich mit deinem Freudengeist— Johann Sebastian Bach
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J.S. Bach: Herr, gehe nicht ins Gericht, BWV 105: I. Chorus. Herr, gehe nicht ins Gericht— Johann Sebastian Bach
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J.S. Bach: Herr, gehe nicht ins Gericht, BWV 105: II. Recit. Mein Gott, verwirf mich nicht (Alto)— Johann Sebastian Bach
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J.S. Bach: Herr, gehe nicht ins Gericht, BWV 105: III. Aria. Wie zittern und wanken (Soprano)— Johann Sebastian Bach
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J.S. Bach: Herr, gehe nicht ins Gericht, BWV 105: IV. Recit. Wohl aber dem, der seinen Bürgen…— Johann Sebastian Bach
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J.S. Bach: Herr, gehe nicht ins Gericht, BWV 105: V. Aria. Kann ich nur Jesum mir zum Freunde…— Johann Sebastian Bach
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J.S. Bach: Herr, gehe nicht ins Gericht, BWV 105: VI. Chorale. Nun, ich weiss, du wirst mir stillen— Johann Sebastian Bach
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Handel: Acis and Galatea, HWV 49: Oh, The Pleasure Of The Plains— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Ye Verdant Plains— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Hush, Ye Pretty Warbling Quire— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Where Shall I Seek The Charming Fair— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Stay, Shepherd, Stay— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Shepherd, What Art Thou Pursuing— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Lo! Here My Love— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Love In Her Eyes Sits Playing— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Oh! Didst Thou Know— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: As When The Dove Laments Her Love— George Frideric Handel
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Handel: Acis and Galatea, HWV 49: Happy We— George Frideric Handel
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Handel: Acis And Galatea – First Version: Wretched Lovers— George Frideric Handel
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Handel: Acis And Galatea – First Version: I Rage, I Melt, I Burn— George Frideric Handel
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Handel: Acis And Galatea – First Version: O Ruddier Than The Cherry— George Frideric Handel
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Handel: Acis And Galatea – First Version: Whither, Fairest, Art Thou Running— George Frideric Handel
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Handel: Acis And Galatea – First Version: Cease To Beauty To Be Suing— George Frideric Handel
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Handel: Acis And Galatea – First Version: Would You Gain The Tender Creature— George Frideric Handel
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Handel: Acis And Galatea – First Version: His Hideous Love— George Frideric Handel
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Handel: Acis And Galatea – First Version: Love Sounds Th’alarm— George Frideric Handel
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Handel: Acis And Galatea – First Version: Consider, Fond Shepherd— George Frideric Handel
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Handel: Acis And Galatea – First Version: Cease, O Cease— George Frideric Handel
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Handel: Acis And Galatea – First Version: The Flocks Shall Leave The Mountains— George Frideric Handel
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Handel: Acis and Galatea – First Version: Help, Galatea— George Frideric Handel
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Handel: Acis And Galatea – First Version: Mourn, All Ye Muses— George Frideric Handel
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Handel: Acis And Galatea – First Version: Must I My Acis Still Bemoan— George Frideric Handel
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Handel: Acis And Galatea – First Version: ‘Tis Done— George Frideric Handel
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Handel: Acis And Galatea – First Version: Heart, The Seat Of Soft Delight— George Frideric Handel
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Handel: Acis And Galatea – First Version: Galatea, Dry Thy Tears— George Frideric Handel
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Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto – Allegro con brio— Ludwig van Beethoven
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Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto— Ludwig van Beethoven
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Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto (Allegro molto e vivace)— Ludwig van Beethoven
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Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Finale (Adagio – Allegro molto e vivace)— Ludwig van Beethoven
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Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio— Ludwig van Beethoven
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Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto— Ludwig van Beethoven
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Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo (Allegro)— Ludwig van Beethoven
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Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto— Ludwig van Beethoven
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: I. Allegro con brio— Ludwig van Beethoven
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: II. Marcia funebre (Adagio assai)— Ludwig van Beethoven
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: III. Scherzo (Allegro vivace)— Ludwig van Beethoven
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: IV. Finale (Allegro molto)— Ludwig van Beethoven
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Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio – Allegro vivace— Ludwig van Beethoven
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Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio— Ludwig van Beethoven
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Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace— Ludwig van Beethoven
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Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo— Ludwig van Beethoven
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Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio— Ludwig van Beethoven
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Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto— Ludwig van Beethoven
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Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro— Ludwig van Beethoven
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Beethoven: Symphony No. 5 in C Minor, Op. 67: IV. Allegro— Ludwig van Beethoven
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Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei…— Ludwig van Beethoven
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Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral”: II. Szene am Bach: (Andante molto mosso)— Ludwig van Beethoven
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Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral”: III. Lustiges Zusammensein der…— Ludwig van Beethoven
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Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro)— Ludwig van Beethoven
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Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare…— Ludwig van Beethoven
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Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace— Ludwig van Beethoven
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto— Ludwig van Beethoven
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Beethoven: Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto— Ludwig van Beethoven
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Beethoven: Symphony No. 7 In A, Op. 92: IV. Allegro con brio— Ludwig van Beethoven
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Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio— Ludwig van Beethoven
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Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando— Ludwig van Beethoven
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Beethoven: Symphony No. 8 in F, Op. 93: III. Tempo di menuetto— Ludwig van Beethoven
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Beethoven: Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace— Ludwig van Beethoven
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Beethoven: Symphony No. 9 in D Minor, Op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso— Ludwig van Beethoven
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Beethoven: Symphony No. 9 in D Minor, Op. 125 “Choral”: II. Molto vivace— Ludwig van Beethoven
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Beethoven: Symphony No. 9 in D Minor, Op. 125 “Choral”: III. Adagio molto e cantabile— Ludwig van Beethoven
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Beethoven: Symphony No. 9 in D Minor, Op. 125 “Choral”: IV. Presto – Allegro assai— Ludwig van Beethoven
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Beethoven: Symphony No. 9 in D Minor, Op. 125 “Choral”: IV. Presto – “O Freunde nicht diese…— Ludwig van Beethoven
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Beethoven: Ah perfido, Op. 65: Scene. Ah perfido – Aria. Per pietà, non dirmi addio— Ludwig van Beethoven
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Beethoven: Meeresstille und glückliche Fahrt, Op. 112— Ludwig van Beethoven
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Beethoven: Mass in C Major, Op. 86: I. Kyrie— Ludwig van Beethoven
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Beethoven: Mass in C Major, Op. 86: II. Gloria— Ludwig van Beethoven
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Beethoven: Mass in C Major, Op. 86: III. Credo— Ludwig van Beethoven
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Beethoven: Mass in C Major, Op. 86: IV. Sanctus: a. Sanctus – b. Benedictus— Ludwig van Beethoven
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Beethoven: Mass in C Major, Op. 86: V. Agnus Dei— Ludwig van Beethoven
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Beethoven: Leonore: Leonore Overture No. 2, Op. 72a— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Dialogue. Es wahr, in Wahrheit— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Aria. O wär’ ich schon mir dir vereint— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Dialogue. Beharrlich bleibt auf dem Liebespfad— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Duet. Jetzt, Schätzchen, jetzt sind wir allein— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Dialogue. Der Kerkermeister, Rocco, der Vater— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Trio. Ein Mann ist bald genommen— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Dialogue. Fidelio kam – und niemand weiss woher— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Quartet. Mir ist so wunderbar— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Dialogue. Gefühl ist gut, doch Geld ist besser— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Aria. Hat Man nicht auch Gold beineben— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Dialogue. Unantastbar klar birgt Leonores Brust— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act I: Trio. Gut, Söhnchen, gut— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Introduction (WoO 2b)— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Dialogue. Der Gouverneur ist da— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Ha! Welch ein Augenblick!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Dialogue. Postiert eine Trompete auf dem Wachturm!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Duet. Jetzt, Alter, hat es Eile!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Dialogue. Und Leonore begegnet Marzelline— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Um in der Ehe froh zu leben— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Dialogue. Die ernsten Steine des dumpfen Gemäuers— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Ach, brich noch nicht, du mattes Herz! – Komm Hoffnung,…— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: O welche Lust, in freier Luft “Prisoners’ Chorus”— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Entfernt euch jetzt! Nun, könnt ihr eilen? – Nun sprecht,…— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Wir müssen gleich zu Werke schreiten – Ach Vater, eilt!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act II: Auf euch nur will ich bauen— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. Florestans Not im Dunkel tauber Einsamkeit— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Gott! Welch Dunkel hier! – In des Lebens Frühlingstagen— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Melodrama. Wie kalt ist es in diesem unterirdischen Gewölbe!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Duet. Nur hurtig fort, nur frisch gegraben— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. Dort, in der Tiefe— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Euch werde Lohn in bessern Welten— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. Und Rocco eilt— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Quartet. Er sterbe! Doch er soll erst wissen— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. Oh Leonore! Alles was dein Mut gewagt – verloren!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Duet. Ich kann mich noch nicht fassen – O namenlose Freude!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Zur Rache! Zur Rache!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: O Gott! O welch ein Augenblick!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. So müssen endlich Aufgeklärte— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Doch höre erst, du Bösewicht— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. Dann herrscht allgemeine Freiheit und Gleichheit…— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Chorus. Nein, nein, nein! Er ist noch zu gering bestraft!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Dialogue. Ein höherer Geist, vom Himmel gesandt— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Der König wird dein Richter sein!— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Act III: Finale. Wer ein holdes Weib errungen— Ludwig van Beethoven
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Beethoven: Leonore, Op. 72, Appendix: March in B-Flat Major— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72: Overture— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Duet. Jetzt, Schätzchen, jetzt sind wir allein (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Dialogue. Der arme Jacquino, ich war ihm sonst recht gut (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Aria. O wär ich schon mit dir vereint (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Dialogue. Jacquino! Ja, Meister Rocco? (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: No. 3, Quartet. Mir ist so wunderbar (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Dialogue. Höre, Fidelio (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Aria. Hat man nicht auch Gold beineben (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Dialogue. Ihr habt recht, Vater Rocco (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: No. 5, Trio. Gut Söhnchen, gut (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: March (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Dialogue. Drei Schildwachen auf den Wall (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Ha! Welch ein Augenblick! (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Hauptmann! Besteigen Sie mit einem Trompeter… (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Duet. Jetzt, Alter, jetzt hat es Eile! (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: No. 9, Recit. Abscheulicher! – Aria. Komm, Hoffnung, lass…— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Dialogue. Marzelline! Nein, ich will nicht (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: O welche Lust, in freier Luft “Prisoners’ Chorus” (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Nun sprecht, wie… Ach Vater, eilt Verwegner (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act I: Leb wohl, du warmes Sonnenlicht (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: Introduction – Gott! welch Dunkel hier! – In des Lebens…— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: No. 12, Melodrama. Wie kalt ist es – Duet. Nur hurtig…— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: Er erwacht (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: No. 13, Trio. Euch werde Lohn in bessern Welten (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: Alles ist bereit (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: Quartet. Er sterbe! (Live)— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: No. 15, Duet. O namenlose Freude! (Live)— Ludwig van Beethoven
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Beethoven: Leonore Overture No. 3, Op. 72b— Ludwig van Beethoven
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Beethoven: Fidelio, Op. 72, Act II: Finale. Heil sei dem Tag… Des besten Königs Wink und…— Ludwig van Beethoven
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Beethoven: Leonore Overture No. 1, Op. 138— Ludwig van Beethoven
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Beethoven: Missa solemnis, Op. 123: I. Kyrie— Ludwig van Beethoven
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Beethoven: Missa solemnis, Op. 123: II. Gloria— Ludwig van Beethoven
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Beethoven: Missa solemnis, Op. 123: III. Credo— Ludwig van Beethoven
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Beethoven: Missa solemnis, Op. 123: IV. Sanctus— Ludwig van Beethoven
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Beethoven: Missa solemnis, Op. 123: V. Agnus Dei— Ludwig van Beethoven
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Symphony No. 1 in C Minor, Op. 11: I. Allegro di molto— Felix Mendelssohn
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Symphony No. 1 in C Minor, Op. 11: II. Andante— Felix Mendelssohn
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Symphony No. 1 in C Minor, Op. 11: III. Scherzo. Sempre pianissimo e leggiero (1829 London Version)— Felix Mendelssohn
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Symphony No. 1 in C Minor, Op. 11: III. Menuetto. Allegro molto (1824 Original Version)— Felix Mendelssohn
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Symphony No. 1 in C Minor, Op. 11: IV. Allegro con fuoco— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: I. Sinfonia b) Allegretto un poco agitato— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: I. Sinfonia c) Adagio religioso— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: II. a) Allegro moderato maestoso “Alles, was Odem hat, lobe…— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: II. b) Molto più moderato ma con fuoco “Lobe den Herrn,…— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: III. a) Recitativo “Saget es, die ihr erlöst seid durch den…— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: III. b) Allegro moderato “Er zählet unsre Tränen”— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: IV. Chor. A tempo moderato “Sagt es, die ihr erlöst seid”— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: V. Andante “Ich harrete des Herrn”— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: VI. Allegro un poco agitato “Stricke des Todes hatten uns…— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: VII. Allegro maestoso e molto vivace “Die Nacht ist vergangen”— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: VIII. a) Choral. Andante con moto “Nun danket alle Gott”— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: VIII. b) Un poco più animato “Lob, Ehr und Preis sei Gott”— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: IX. Andante sostenuto assai “Drum sing’ ich mit meinem…— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: X. Schlusschor. Allegro non troppo “Ihr Völker! bringet her…— Felix Mendelssohn
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Overture Ruy Blas, Op. 95— Felix Mendelssohn
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Symphony No. 3 in A Minor, Op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato— Felix Mendelssohn
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Symphony No. 3 in A Minor, Op. 56 “Scottish”: II. Vivace non troppo— Felix Mendelssohn
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Symphony No. 3 in A Minor, Op. 56 “Scottish”: III. Adagio— Felix Mendelssohn
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Symphony No. 3 in A Minor, Op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai— Felix Mendelssohn
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Symphony No. 4 in A Major, Op. 90 “Italian”: I. Allegro vivace— Felix Mendelssohn
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Symphony No. 4 in A Major, Op. 90 “Italian”: II. Andante con moto— Felix Mendelssohn
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Symphony No. 4 in A Major, Op. 90 “Italian”: III. Menuetto. Con moto moderato— Felix Mendelssohn
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Symphony No. 4 in A Major, Op. 90 “Italian”: IV. Finale (Saltarello) . Presto— Felix Mendelssohn
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Overture Calm Sea and Prosperous Voyage, Op. 27— Felix Mendelssohn
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Symphony No. 5, Op. 107 “The Reformation”: I. Andante – Allegro con fuoco— Felix Mendelssohn
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Symphony No. 5, Op. 107 “The Reformation”: II. Allegro vivace— Felix Mendelssohn
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Symphony No. 5, Op. 107 “The Reformation”: III. Andante— Felix Mendelssohn
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Symphony No. 5, Op. 107 “The Reformation”: IV. Choral “Ein’ feste Burg ist unser Gott” (Andante…— Felix Mendelssohn
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The Hebrides, Op. 26 “Fingal’s Cave”— Felix Mendelssohn
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Overture to “A Midsummer Night’s Dream”, Op. 21: Allegro di molto— Felix Mendelssohn
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Overture to “A Midsummer Night’s Dream”, Op. 21: Tempo primo— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: “Ay Me! For Aught That I Could Ever Read”— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 1, Scherzo— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 2, L’istesso tempo— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 2a, Allegro vivace— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 4, Andante— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 8, Andante— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch “Wedding March” -…— Felix Mendelssohn
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A Midsummer Night’s Dream, Incidental Music, Op. 61: Finale. Allegro di molto— Felix Mendelssohn
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Symphony No. 2, Op. 52 “Lobgesang”: III. Recitativo “Saget es, die ihr erlöst seid durch den…— Composer not yet identified
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Mass in B Minor, BWV 232: Kyrie eleison— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Christe eleison— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Kyrie eleison II— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Gloria in excelsis Deo— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Laudamus te— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Gratias agimus tibi— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Domine Deus— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Qui tollis peccata mundi— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Qui sedes ad dextram Patris— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Quoniam tu solus Sanctus— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Cum Sancto Spiritu— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Credo in unum Deum— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Et in unum Dominum— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Et incarnatus est— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Crucifixus— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Et resurrexit— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Et in Spiritum Sanctum Dominum— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Confiteor unum baptisma— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Et expecto resurrectionem mortuorum— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Sanctus— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Osanna— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Benedictus— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Osanna (Da capo)— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Agnus Dei— Johann Sebastian Bach
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Mass in B Minor, BWV 232: Dona nobis pacem— Johann Sebastian Bach
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Ha jõ a pusztulás – Tatiana’s Aria (1st Act)— Composer not established
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Voi, che sapete che cosa è amor – The Marriage of Figaro – Cherubino’s Aria (2nd Act)— Wolfgang Amadeus Mozart
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Cosa mi marri! – Che soave zefiretto – The Marriage of Figaro – Duettino (3rd Act)— Wolfgang Amadeus Mozart
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Una voce poco fa – The Barber of Seville – Rosina’s Cavatina (1st Act)— Composer not established
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Dammi tu fora, o cielo! – La Traviata – Scene and Duet (2nd Act)— Giuseppe Verdi
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Or fate cor! – Addio del passato – La Traviata – Violetta’s Aria (3rd Act)— Giuseppe Verdi
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José! – Parle-moi de ma mère! – Carmen – Duet of Micaela and José (1st Act)— Composer not yet identified
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Werther… Werther… – Je vous écris de ma petite chambre – Werther – Charlotte’s Aria (3rd Act)— Composer not yet identified
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Nein, das ist wirklich doch zu keck! – The Merry Wives of Windsor – Duet of Mrs. Fluth and Mrs….— Composer not yet identified
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Ecce vicit Leo— Peter Philips
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Christe qui lux es dies— Robert White
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Suscipe quaeso— Thomas Tallis
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O nata lux de lumine— Thomas Tallis
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Liber secundus sacrarum cantionum: Laudibus in sanctis— William Byrd
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Ne irascaris, Domine: Civitas sancti tui— William Byrd
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Turn Our Captivity, O Lord— William Byrd
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The Great Service: Nunc dimittis— William Byrd
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Vigilate— William Byrd
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Nolo mortem peccatoris— Thomas Morley
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Lamentations (For 6 Voices)— Robert White
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Justorum animae— William Byrd
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Almighty God, the Fountain of All Wisdom— Thomas Tomkins
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Oedipus Rex, Prologue and Act I: “Spectateurs, vous allez entendre…”— Igor Stravinsky
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Oedipus Rex, Act I: “Voici Creon, beau-frere d’Oedipe…”— Igor Stravinsky
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Oedipus Rex, Act I: “Oedipe interroge la fontaine de verite…”— Igor Stravinsky
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Oedipus Rex, Act II: “Gloria, gloria, gloria!”— Igor Stravinsky
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Oedipus Rex, Act II: “Le temoin du meurtre sort de l’ombre…”— Igor Stravinsky
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Oedipus Rex, Act II: “Et maintenant, vous allez entendre…”— Igor Stravinsky
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Apollon musagète: I. Premier Tableau, Naissance d’Apollon— Igor Stravinsky
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Apollon musagète: II. Second Tableau, Variation d’Apollon— Igor Stravinsky
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Apollon musagète: III. Pas d’action— Igor Stravinsky
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Apollon musagète: IV. Variation de Calliope— Igor Stravinsky
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Apollon musagète: V. Variation de Polymnie— Igor Stravinsky
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Apollon musagète: VI. Variation de Terpsichore— Igor Stravinsky
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Apollon musagète: VII. Variation d’Apollon— Igor Stravinsky
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Apollon musagète: VIII. Pas de deux— Igor Stravinsky
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Apollon musagète: IX. Coda— Igor Stravinsky
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Apollon musagète: X. Apothéose— Igor Stravinsky
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Sonatina— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Gottes Zeit ist die allerbeste…— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Arioso. Ach Herr, lehre uns…— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Aria. Bestelle dein Haus (Bass)— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Coro ed Arioso. Es ist der alte…— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Aria. In deine Hände befehle…— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Arioso. Heute wirst du mit mir…— Johann Sebastian Bach
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Gottes Zeit ist die allerbeste Zeit, BWV 106, “Actus tragicus”: Coro. Glorie, Lob, Ehr und…— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Sinfonia— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Adagio— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Coro. Kommt, eilet und laufet (Chorus)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Recitativo. O kalter Männer Sinn! (Soprano, Alto, Tenor, Bass)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Aria. Seele, deine Spezereien (Soprano)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Recitativo. Hier ist die Gruft (Alto, Tenor, Bass)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Aria. Sanfte soll mein Todeskummer (Tenor)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Recitativo. Indessen seufzen wir (Soprano, Alto)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Aria. Saget, saget mit geschwinde (Alto)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Recitativo. Wir sind erfreut (Bass)— Johann Sebastian Bach
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Easter Oratorio, BWV 249: Preis und Dank (Chorus)— Johann Sebastian Bach
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Mass in D Major, Op. 123, “Missa Solemnis”: I. Kyrie— Ludwig van Beethoven
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Mass in D Major, Op. 123, “Missa Solemnis”: II. Gloria— Ludwig van Beethoven
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Mass in D Major, Op. 123, “Missa Solemnis”: III. Credo— Ludwig van Beethoven
▶
Mass in D Major, Op. 123, “Missa Solemnis”: IV. Sanctus— Ludwig van Beethoven
▶
Mass in D Major, Op. 123, “Missa Solemnis”: V. Agnus Dei— Ludwig van Beethoven
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Gott fähret auf mit Jauchzen, BWV 43: Pt. I: Gott fahret auf mit Jauchzen (Chorus)— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. I: Recitative. Es will der Hochste sich ein…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. I: Aria. Ja tausend mal tausend begleiten den Wagen…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. I: Recitative. Und der Herr, nachdem er mit ihnen…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. I: Aria. Mein Jesus hat nunmehr (Soprano)— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. II: Recitative. Es kommt der Helden Held (Bass)— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. II: Aria. Er ists, der ganz allein die Kelter hat…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. II: Recitative. Der Vater hat ihm ja ein ewig Reich…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. II: Aria. Ich sehe schon im Geist (Alto)— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. II: Recitative. Er will mir neben sich die Wohnung…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: Pt. II: Chorale. Du Lebensfurst, Herr Jesu Christ (Chorus)— Johann Sebastian Bach
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Wer da gläubet und getauft wird, BWV 37: Wer da glaubet und getauft wird, der wird selig werden…— Johann Sebastian Bach
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Wer da gläubet und getauft wird, BWV 37: Aria. Der Glaube ist das Pfand der Liebe (Tenor)— Johann Sebastian Bach
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Wer da gläubet und getauft wird, BWV 37: Chorale. Herr Gott Vater, mein starker Held! (Soprano,…— Johann Sebastian Bach
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Wer da gläubet und getauft wird, BWV 37: Recitative. Ihr Sterblichen, verlanget ihr (Bass)— Johann Sebastian Bach
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Wer da gläubet und getauft wird, BWV 37: Aria. Der Glaube schafft der Seele Flugel (Bass)— Johann Sebastian Bach
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Wer da gläubet und getauft wird, BWV 37: Chorale. Den Glauben mir verleihe (Chorus)— Johann Sebastian Bach
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Auf Christi Himmelfahrt allein, BWV 128: Auf Christi Himmelfahrt allein (Chorus)— Johann Sebastian Bach
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Auf Christi Himmelfahrt allein, BWV 128: Recitative. Ich bin bereit, komm, hole mich! (Tenor)— Johann Sebastian Bach
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Auf Christi Himmelfahrt allein, BWV 128: Aria. Auf, auf, mit hellem Schall (Bass)— Johann Sebastian Bach
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Auf Christi Himmelfahrt allein, BWV 128: Aria. Sein Allmacht zu ergrunden (Alto, Tenor)— Johann Sebastian Bach
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Auf Christi Himmelfahrt allein, BWV 128: Chorale. Alsdenn so wirst du mich (Chorus)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Lobet Gott in seinen Reichen (Chorus)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Recitative. Der Herr Jesus hub seine Hande auf (Tenor)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Recitative. Ach, Jesu, ist dein Abschied schon so nah? (Bass)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Aria. Ach bleibe doch, mein liebstes Leben (Alto)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Recitative. Und ward aufgehoben zusehends (Tenor)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Chorale. Nun lieget alles unter dir (Chorus)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Recitative. Und da sie ihm nachsahen (Tenor, Bass)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Recitative. Ach ha! So kmme bald zuruck (Alto)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Recitative. Sie aber beteten ihn an (Tenor)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano)— Johann Sebastian Bach
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Himmelfahrtsoratorium, BWV 11: Chorale. Wenn soll es doch geschehen (Chorus)— Johann Sebastian Bach
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Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: II. Allegretto— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: III. Presto, assai meno presto— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio— Ludwig van Beethoven
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Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio— Ludwig van Beethoven
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Symphony No. 5 in C Minor, Op. 67: II. Andante con moto— Ludwig van Beethoven
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Symphony No. 5 in C Minor, Op. 67: III. Allegro— Ludwig van Beethoven
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Symphony No. 5 in C Minor, Op. 67: IV. Allegro— Ludwig van Beethoven
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King Arthur, Z. 628: Air— Henry Purcell
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King Arthur, Z. 628: Overture (Reprise)— Henry Purcell
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King Arthur, Z. 628, Act 1: Trio and Chorus. “Woden, First to Thee” – “To Woden, Our Defender,…— Henry Purcell
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King Arthur, Z. 628, Act 1: Chorus. “Brave Souls, to Be Renown’d in Story” (Chorus)— Henry Purcell
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King Arthur, Z. 628, Act 2: Song and Chorus. “Come, Follow Me” (Philidel, Chorus)— Henry Purcell
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King Arthur, Z. 628, Act 2: Song and Chorus. “How Blest Are Shepherds” (Tenor, Chorus)— Henry Purcell
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King Arthur, Z. 628, Act 2: Second Act Tune. Air— Henry Purcell
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King Arthur, Z. 628, Act 3: Song. “What Ho! Thou Genius of This Isle” (Cupid)— Henry Purcell
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King Arthur, Z. 628, Act 3: Ritornello. “Tis I That Have Warm’d Ye” – Chorus. “Tis Love That…— Henry Purcell
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King Arthur, Z. 628, Act 3: Duet. “Sound a Parley” – Ritornello – Chorus. “Tis Love That Has…— Henry Purcell
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King Arthur, Z. 628, Act 3: Third Act Tune. Hornpipe— Henry Purcell
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King Arthur, Z. 628, Act 4: Duet. “Two Daughters of This Aged Stream Are We” (Syrens)— Henry Purcell
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King Arthur, Z. 628, Act 4: Song and Chorus. “How Happy the Lover” – Duet and Chorus. “For Love…— Henry Purcell
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King Arthur, Z. 628, Act 5: Trumpet Tune— Henry Purcell
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King Arthur, Z. 628, Act 5: Song and Chorus. “Your Hay It Is Mow’d” (Peasant, Chorus)— Henry Purcell
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King Arthur, Z. 628, Act 5: Song. “Fairest Isle” (Venus)— Henry Purcell
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King Arthur, Z. 628, Act 5: Trumpet Tune. Warlike Consort— Henry Purcell
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King Arthur, Z. 628, Act 5: Song and Chorus. “Saint George” (Honour, Chorus)— Henry Purcell
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King Arthur, Z. 628, Act 5: Chaconne— Henry Purcell
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My Beloved Spake, Z. 28— Henry Purcell
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O God, Thou Hast Cast Us Out, Z. 36— Henry Purcell
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Hear My Prayer, O Lord, Z. 15— Henry Purcell
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Rejoice in the Lord Alway, Z. 49 “The Bell Anthem”— Henry Purcell
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My Heart Is Inditing, Z. 30— Henry Purcell
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Herr, wende dich und sei mir gnadig— Johann Christoph Bach
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Mit Weinen hebt sichs an— Johann Christoph Bach
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Wie bist du denn o Gott— Johann Christoph Bach
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Der Gerechte, ob er gleich zu zeitlich stirbt— Johann Christoph Bach
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Ach, dass ich Wassers genug hatte— Johann Christoph Bach
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Fürchte dich nicht: Furchte dich nicht— Johann Christoph Bach
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Es ist nun aus mit meinem Leben— Johann Christoph Bach
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Mein Freundin, du bist schon— Johann Christoph Bach
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Concierto de Aranjuez: I. Allegro con spirito— Joaquín Rodrigo
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Concierto de Aranjuez: II. Adagio— Joaquín Rodrigo
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Concierto de Aranjuez: III. Allegro gentile— Joaquín Rodrigo
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3 Piezas Españolas: No. 1, Fandango— Joaquín Rodrigo
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3 Piezas Españolas: No. 2, Passacaglia— Joaquín Rodrigo
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3 Piezas Españolas: No. 3, Zapateado— Joaquín Rodrigo
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Invocación y Danza— Joaquín Rodrigo
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En los Trigales— Joaquín Rodrigo
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Fantasía para un Gentilhombre: Ia. Villano— Joaquín Rodrigo
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Fantasía para un Gentilhombre: Ib. Ricercare— Joaquín Rodrigo
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Fantasía para un Gentilhombre: IIa. Españoleta— Joaquín Rodrigo
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Fantasía para un Gentilhombre: IIb. Fanfarria de la Caballería de Nápoles— Joaquín Rodrigo
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Fantasía para un Gentilhombre: III. Danza de las Hachas. Allegro con brio— Joaquín Rodrigo
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Fantasía para un Gentilhombre: IV. Canario— Joaquín Rodrigo
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St. John Passion, BWV 245: Pt. I: Chorale. Herr, unser Herrscher (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Recitative. Jesus ging mit seinen Jungern (Evangelist, Jesus)…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Chorale. O grosse Lieb (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Recitative. Auf dass das Wort erfullet wurde (Evangelist, Jesus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Chorale. Dein Will gescheh, Herr Gott, zugleich (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Recitative. Die Schar aber und der Oberhauptmann (Evangelist)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Aria. Von den Stricken meiner Sunden (Alto)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Recitative. Simon Petrus aber folgete Jesu nach (Evangelist)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Aria. Ich folge dir gleichfalls (Soprano)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Recitative. Derselbige Junger war dem Hohenpriester bekannt…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Chorale. Wer hat dich so geschlagen (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Recitative. Und Hannas sandte ihn gebunden (Evangelist) -…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Aria. Ach, mein Sinn (Tenor)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. I: Chorale. Petrus, der nicht denkt zuruck (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Christus, der uns selig macht (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Da fuhreten sie Jesum (Evangelist, Pilatus) -…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Ach, grosser Konig (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Da sprach Pilatus zu ihm (Evangelist, Pilatus,…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Arioso. Betrachte, meine Seel (Bass)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Aria. Erwage, wie sein blutgefarbter Rucken (Tenor)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Und die Kriegsknechte flochten eine Krone…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Durch dein Gefangnis, Gottes Sohn (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Die Juden aber schrieen und sprachen…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Aria. Eilt, ihr angefochtnen Seelen (Bass, Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Allda kreuzigten sei ihn (Evangelist) – Schreibe…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. In meines Herzens Grunde (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Die Kriegsknechte aber (Evangelist) – Lasset uns…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Er nahm alles wohl in acht (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Und von Stund an nahm sie der Junger…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Aria. Es ist vollbracht (Alto)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Und neiget das Haupt (Evangelist)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Aria. Mein teurer Heiland, lass dich fragen (Bass, Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Und siehe da, der Vorhang im Tempel zerriss…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Arioso. Mein Herz, indem die ganze Welt (Tenor)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Aria. Zerfliesse, mein Herze (Soprano)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Die Juden aber, dieweil es der Rusttag war…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. O hilf, Christe, Gottes Sohn (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Recitative. Darnach bat Pilatum Joseph von Arimathia…— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Ruht wohl, ihr heiligen Gebeine (Chorus)— Johann Sebastian Bach
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St. John Passion, BWV 245: Pt. II: Chorale. Ach Herr, lass dein lieb Engelein (Chorus)— Johann Sebastian Bach
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Hence loathed Melancholy” (Tenor I)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Hence vain deluding joyes” (Soprano I)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Come, thou Goddess” (Soprano II)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Come, rather, Goddess” (Soprano III)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Haste thee, nymph” (Tenor I)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Haste thee, nymph” (Chorus)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Come, and trip it” (Tenor II, Chorus)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Come, pensive nun” (Soprano III)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Come, but keep thy wonted state”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Hence, loathed Melancholy” (M. Hill) -…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “First, and chief, on golden wing”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “If I give thee honour due” (Bass)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Oft on a plat of rising ground”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Far from all resort of Mirth” (Soprano II)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “If I give thee honour due” (Tenor II)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Straight mine eye” (Soprano II)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 1: “Or let the merry bells” (Soprano IV) -…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “Hence, vain deluding joys” (Soprano III)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “Thus night oft see me” (Soprano I)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “Populous cities” (Bass, Chorus)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “There let Hymen oft appear” (Tenor II)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “Me, when the sun begins to fling”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “I’ll to the well-trod stage anon”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “And ever against eating cares”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “Orpheus’ self may heave his head”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “These delights if thou canst give”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “But let my due feet never fail”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “There let the pealing organ blow”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 2: “May at last my weary age” (J. Smith) -…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 3: “Hence, boast not” (Bass) – “All this…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 3: “Come, with gentle hand restrain”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 3: “No more short life” (Tenor I)— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 3: “As steals the morn upon the night”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Part 3: “Thy pleasures, Moderation, give” (Chorus)— George Frideric Handel
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Tamerlano : Overture to Act 1— George Frideric Handel
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Tamerlano : Menuet— George Frideric Handel
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Tamerlano : Act 1 “Esci, oh Signore!” [Andronico, Bajazet]— George Frideric Handel
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Tamerlano : Act 1 “Forte e lieto a morte andrei” [Bajazet]— George Frideric Handel
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Tamerlano : Act 1 “Non si perda di vista il disperato” [Andronico, Tamerlano]— George Frideric Handel
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Tamerlano : Act 1 “Vo’ dar pace a un alma altiera” [Tamerlano]— George Frideric Handel
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Tamerlano : Act 1 “Il Tartaro ama Asteria” [Andronico]— George Frideric Handel
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Tamerlano : Act 1 “Bella Asteria, il tuo cor mi difenda” [Andronico]— George Frideric Handel
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Tamerlano : Act 1 “Non è più tempo Asteria – Serve Asteria di prezzo” [Tamerlano, Asteria]— George Frideric Handel
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Tamerlano : Act 1 “Se non mi vuol amar” [Asteria]— George Frideric Handel
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Tamerlano : Act 1 “Non ascolto più nulla” [Bajazet, Andronico, Asteria]— George Frideric Handel
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Tamerlano : Act 1 “Ciel e terra armi di sdegno” [Bajazet]— George Frideric Handel
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Tamerlano : Act 1 “Asteria non parlate?” [Andronico, Asteria]— George Frideric Handel
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Tamerlano : Act 1 “Deh, lasciatemi il nemico” [Asteria]— George Frideric Handel
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Tamerlano : Act 1 “Così la sposa il Tamerlano accoglie?” [Irene, Leone, Andronico]— George Frideric Handel
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Tamerlano : Act 1 “Dal crudel che m’ha tradita” [Irene]— George Frideric Handel
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Tamerlano : Act 1 “Chi vide mai più sventurato amante?” [Andronico]— George Frideric Handel
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Tamerlano : Act 1 “Benchè mi sprezzi l’idol ch’adoro” [Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Amico, tengo un testimon fedele” [Tamerlano, Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Bella gara che faronno” [Tamerlano]— George Frideric Handel
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Tamerlano : Act 2 “Qui l’infedel! cogliamo” [Asteria, Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Non è più tempo” [Asteria]— George Frideric Handel
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Tamerlano : Act 2 “Ah nò! dove trascorri, idolo mio?” [Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Cerco in vano di placare” [Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Signor, vergine illustre” [Leone, Tamerlano, Irene, Asteria]— George Frideric Handel
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Tamerlano : Act 2 “Par che mi nasce in seno un raggio di speranza” [Irene]— George Frideric Handel
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Tamerlano : Act 2 “Dov’è mia figlia, Andronico?” [Bajazet, Andronico]— George Frideric Handel
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Tamerlano : Act 2 “A suoi piedi padre esangue” [Bajazet]— George Frideric Handel
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Tamerlano : Act 2 “Se Asteria mi tradisce” [Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Più d’una tigre altero” [Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Al soglio, oh bella!” [Tamerlano, Asteria, Bajazet, Andronico, Irene]— George Frideric Handel
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Tamerlano : Act 2 “Ecco il cor, sarò contenta” “Voglio stragi, voglio sangue” “Ecco il petto,…— George Frideric Handel
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Tamerlano : Act 2 “Padre, dimmi son più l’indegna figlia” [Asteria]— George Frideric Handel
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Tamerlano : Act 2 “No, il tuo sdegno mi placò” [Bajazet]— George Frideric Handel
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Tamerlano : Act 2 “Andronico, son più l’infida amante?” [Asteria]— George Frideric Handel
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Tamerlano : Act 2 “No, che del tuo gran cor” [Andronico]— George Frideric Handel
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Tamerlano : Act 2 “Amica, son quella superba donna?” [Asteria]— George Frideric Handel
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Tamerlano : Act 2 “No, che sei tanto costante nella la fede” [Irene]— George Frideric Handel
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Tamerlano : Act 2 “Sì, sì, son vendicata” [Asteria]— George Frideric Handel
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Tamerlano : Act 2 “Cor di padre, e cor d’amante” [Asteria]— George Frideric Handel
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Tamerlano : Act 3 “Figlia, siam rei, io di schernito sdegno” [Bajazet, Asteria]— George Frideric Handel
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Tamerlano : Act 3 “Sù la sponda del pigro Lete” [Bajazet]— George Frideric Handel
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Tamerlano : Act 3 “Andronico, il mio amore” [Tamerlano, Andronico, Asteria, Bajazet]— George Frideric Handel
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Tamerlano : Act 3 “A dispetto d’un volto ingrato” [Andronico]— George Frideric Handel
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Tamerlano : Act 3 “L’empietà de’ ministri” [Leone, Andronico, Asteria]— George Frideric Handel
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Tamerlano : Act 3 “Vivo in te, mio caro bene!” [Asteria, Andronico]— George Frideric Handel
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Tamerlano : Act 3 “Eccoti Bajazete” [Tamerlano, Bajazet, Andronico]— George Frideric Handel
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Tamerlano : Act 3 “Eccomi, che si chiede?” [Asteria, Tamerlano, Andronico, Bajazet]— George Frideric Handel
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Tamerlano : Act 3 “Padre, amante” [Asteria] “Folle sei” [Asteria] “Beva dunque la rea”…— George Frideric Handel
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Tamerlano : Act 3 “E il soffrirete” [Bajazet]— George Frideric Handel
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Tamerlano : Act 3 “Empio, per farti guerra” [Bajazet]— George Frideric Handel
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Tamerlano : Act 3 “Signor, fra tante cure” [Irene, Tamerlano]— George Frideric Handel
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Tamerlano : Act 3 “Vieni, Asteria” [Leono, Andronico, Tamerlano, Asteria]— George Frideric Handel
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Tamerlano : Act 3 “Oh per me lieto” [Bajazet, Tamerlano] … “Sù, via, furie, e ministre”…— George Frideric Handel
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Tamerlano : Act 3 “Barbaro! al fin sei sazio ancor?” [Andronico, Asteria] “Mirami, io quella…— George Frideric Handel
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Tamerlano : Act 3 “Padre amato, in me riposa” [Asteria]— George Frideric Handel
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Tamerlano : Act 3 “Io più non posso vivere” [Andronico, Tamerlano, Irene]— George Frideric Handel
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Tamerlano : Act 3 “Coronata di gigli e di rose” [Andronico, Tamerlano]— George Frideric Handel
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Tamerlano : Act 3 “Ora invitta regina” [Tamerlano, Irene]— George Frideric Handel
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Tamerlano : Act 3 “D’atra notte già mirasi a scorno” [Irene, Andronico, Tamerlano, Leone]— George Frideric Handel
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Alcina : Prelude – Overture— George Frideric Handel
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Alcina : Prelude – Musette— George Frideric Handel
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Alcina : Prelude – Menuet— George Frideric Handel
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Alcina : Act 1 Ballo – Sarabande – Ballo da capo— George Frideric Handel
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Alcina : Act 1 Menuet— George Frideric Handel
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Alcina : Act 1 [Gavotte]— George Frideric Handel
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Alcina : Act 3 Sinfonia— George Frideric Handel
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Alcina : Act 3 Entrée— George Frideric Handel
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Alcina : Act 3 Tambourino— George Frideric Handel
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Alcina : Act 3 Entrée des songes agréables— George Frideric Handel
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Alcina : Act 3 Entrée des songes funestes— George Frideric Handel
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Alcina : Act 3 Entrée des songes agréables et effrayés – Combat des songes funestes et…— George Frideric Handel
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Alcina : Act 3 Entrée de Mori— George Frideric Handel
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Alcina : Act 3 Rondeau— George Frideric Handel
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Terpsichore : I Prelude – Chaconne— George Frideric Handel
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Terpsichore : II Sarabande— George Frideric Handel
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Terpsichore : III Gigue— George Frideric Handel
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Terpsichore : IV Air— George Frideric Handel
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Terpsichore : V Ballo— George Frideric Handel
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Il pastor fido : I A tempo di bourrée— George Frideric Handel
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Il pastor fido : II Bourrée— George Frideric Handel
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Il pastor fido : III Musette – Bourrée da capo— George Frideric Handel
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Il pastor fido : IV Menuet— George Frideric Handel
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Il pastor fido : V Menuet— George Frideric Handel
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Il pastor fido : VI Menuet— George Frideric Handel
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Il pastor fido : VII Gavotte— George Frideric Handel
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Il pastor fido : VIII Gigue— George Frideric Handel
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Ich armer Mensch, ich Sündenknecht, BWV 55: Aria. Ich armer Mensch, ich Sundenknecht (Tenor)— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: Recitative. Ich habe wider Gott gehandelt (Tenor)— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: Aria. Erbarme dich! (Tenor)— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: Recitative. Erbarme dich! (Tenor)— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: Chorale. Bin ich gleich von dir gewichen (Chorus)— Johann Sebastian Bach
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Was soll ich aus dir machen, Ephraim, BWV 89: Aria. Was soll ich aus dir machen, Ephraim? (Bass)— Johann Sebastian Bach
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Was soll ich aus dir machen, Ephraim, BWV 89: Recitative. Ja, freilich sollte Gott (Alto)— Johann Sebastian Bach
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Was soll ich aus dir machen, Ephraim, BWV 89: Aria. Ein unbarmherziges Gerichte (Alto)— Johann Sebastian Bach
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Was soll ich aus dir machen, Ephraim, BWV 89: Recitative. Wohlan! Mein Herze legt (Soprano)— Johann Sebastian Bach
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Was soll ich aus dir machen, Ephraim, BWV 89: Aria. Gerechter Gott, ach rechnest du? (Soprano)— Johann Sebastian Bach
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Was soll ich aus dir machen, Ephraim, BWV 89: Chorale. Mir mangelt zwar sehr viel (Chorus)— Johann Sebastian Bach
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Mache dich, mein Geist, bereit, BWV 115: Mache dich, mein Geist, bereit (Chorus)— Johann Sebastian Bach
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Mache dich, mein Geist, bereit, BWV 115: Aria. Ach schlafrige Seele (Alto)— Johann Sebastian Bach
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Mache dich, mein Geist, bereit, BWV 115: Recitative. Gott, so vor deine Seele wacht (Bass)— Johann Sebastian Bach
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Mache dich, mein Geist, bereit, BWV 115: Aria. Bete aber auch dabei (Soprano)— Johann Sebastian Bach
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Mache dich, mein Geist, bereit, BWV 115: Recitative. Er sehnet sich nach unserm Schreien (Tenor)— Johann Sebastian Bach
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Mache dich, mein Geist, bereit, BWV 115: Chorale. Drum so lasst uns immerdar (Chorus)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 60: Aria. O Ewigkeit, du Donnerwort (Alto, Tenor)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 60: Recitative. O schwerer Gang (Alto, Tenor)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 60: Aria. Mein letztes Lager (Duet. Alto, Tenor)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 60: Recitative. Der Tod Bleibt doch (Alto, Bass)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 60: Chorale. Es ist genung (Chorus)— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: Wohl dem, der sich auf seinen Gott (Chorus)— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: Aria. Gott ist mein Freund (Tenor)— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: Recitative. Der Heiland sendet ja die Seinen (Alto)— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: Aria. Das Ungluck schlagt auf allen Seiten (Bass)— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: Recitative. Ja, trag ich gleich den grossten Feind…— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: Chorale. Dahero Trotz der Hollen Heer! (Chorus)— Johann Sebastian Bach
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Nur jedem das Seine, BWV 163: Aria. Nur jedem das Seine! (Tenor)— Johann Sebastian Bach
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Nur jedem das Seine, BWV 163: Recitative. Du bist, mein Gott (Bass)— Johann Sebastian Bach
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Nur jedem das Seine, BWV 163: Aria. Lass mein Herz die Munze sein (Bass)— Johann Sebastian Bach
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Nur jedem das Seine, BWV 163: Recitative. Ich wollte dir (Soprano, Alto)— Johann Sebastian Bach
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Nur jedem das Seine, BWV 163: Aria : Nimm mich mir und gib mich dir! (Soprano, Alto)— Johann Sebastian Bach
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Nur jedem das Seine, BWV 163: Chorale. Fuhr auch mein Herz und Sinn (Chorus)— Johann Sebastian Bach
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Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia— Johann Sebastian Bach
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Falsche Welt, dir trau ich nicht, BWV 52: Recitative. Falsche Welt, dir trau ich nicht! (Soprano)— Johann Sebastian Bach
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Falsche Welt, dir trau ich nicht, BWV 52: Aria. Immerhin, immerhin, wenn ich gleich verstossen…— Johann Sebastian Bach
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Falsche Welt, dir trau ich nicht, BWV 52: Recitative. Gott ist getreu! (Soprano)— Johann Sebastian Bach
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Falsche Welt, dir trau ich nicht, BWV 52: Aria. Ich halt es mit dem lieben Gott (Soprano)— Johann Sebastian Bach
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Falsche Welt, dir trau ich nicht, BWV 52: Chorale. In dich hab ich gehoffet, Herr (Chorus)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Wachet auf, ruft uns die Stimme (Chorus)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Recitative. Er kommt, er kommt (Tenor)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet. Wenn kommst du, mein Heil (Soprano, Bass)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Zion hort die Wachter singen (Chorus)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Recitative. So geh herein zu mir (Bass)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet. Mein Freund ist mein (Soprano, Bass)— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Gloria sei dir gesungen (Chorus)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Chorale. Christen, atzet diesen Tag (Chorus)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Recitative. O selger Tag! O ungemeines Heute! (Alto)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Aria. Gott, du hast es wohl gefuget (Soprano, Bass)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Recitative. So kehret sich nun heut das bange Leid (Tenor)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Aria. Ruft und fleht den Himmel an (Alto, Tenor)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Recitative. Verdoppelt euch demnach (Bass)— Johann Sebastian Bach
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Christen, ätzet diesen Tag, BWV 63: Chorale. Hochster, schau in Gnaden an (Chorus)— Johann Sebastian Bach
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Gloria in excelsis Deo, BWV 191: Gloria in excelsis Deo (Chorus)— Johann Sebastian Bach
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Gloria in excelsis Deo, BWV 191: Duet. Gloria Patri et Filio et Spiritui sancto (Soprano, Tenor)— Johann Sebastian Bach
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Gloria in excelsis Deo, BWV 191: Sicut erat in principio (Chorus)— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Sie werden aus Saba alle kommen (Chorus)— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Chorale. Die Kon’ge aus Saba kamen dar (Chorus)— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Recitative. Was dort Jesaias vorhergesehn (Bass)— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Aria. Gold aus Ophir ist zu schlecht (Bass)— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Recitative. Verschmahe nicht, du meiner Seele Licht…— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Aria. Nimm mich dir zu eigen hin (Tenor)— Johann Sebastian Bach
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Sie werden aus Saba alle kommen, BWV 65: Chorale. Ei nun, mein Gott, so fall ich dir (Chorus)— Johann Sebastian Bach
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Liebster Immanuel, Herzog der Frommen, BWV 123: Liebster Immanuel, Herzog der Frommen (Chorus)— Johann Sebastian Bach
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Liebster Immanuel, Herzog der Frommen, BWV 123: Recitative. Die Himmelssussigkeit, der…— Johann Sebastian Bach
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Liebster Immanuel, Herzog der Frommen, BWV 123: Aria. Auch die harte Kreuzesreise (Tenor)— Johann Sebastian Bach
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Liebster Immanuel, Herzog der Frommen, BWV 123: Recitative. Kein Hollenfeind kann mich…— Johann Sebastian Bach
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Liebster Immanuel, Herzog der Frommen, BWV 123: Aria. Lass, o Welt, mich aus Verachtung (Bass)— Johann Sebastian Bach
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Liebster Immanuel, Herzog der Frommen, BWV 123: Chorale. Drum fahrt nur immer hin, ihr…— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Aria. Mein liebster Jesus ist verloren (Tenor)— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Recitative. Wo treff ich meinen Jesum an (Tenor)— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Chorale. Jesu, mein Hort und Erretter— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Aria. Jesu, lass dich finden (Alto)— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Arioso. Wisset ihr nicht, dass ich sein muss (Bass)— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Recitative. Dies ist die Stimme meines Freundes (Tenor)— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Aria. Wohl mir, Jesus ist gefunden (Alto, Tenor)— Johann Sebastian Bach
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Mein liebster Jesus ist verloren, BWV 154: Chorale. Meinen Jesum lass ich nicht— Johann Sebastian Bach
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Meinen Jesum lass ich nicht, BWV 124: Meinen Jesum lass ich nicht (Chorus)— Johann Sebastian Bach
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Meinen Jesum lass ich nicht, BWV 124: Recitative. Solange sich ein Tropfen Blut (Tenor)— Johann Sebastian Bach
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Meinen Jesum lass ich nicht, BWV 124: Aria. Und wenn der harte Todesschlag (Tenor)— Johann Sebastian Bach
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Meinen Jesum lass ich nicht, BWV 124: Recitative. Doch ach! Welch schweres Ungemach (Bass)— Johann Sebastian Bach
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Meinen Jesum lass ich nicht, BWV 124: Aria. Entziehe dich eilands, mein Herze, der Welt…— Johann Sebastian Bach
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Meinen Jesum lass ich nicht, BWV 124: Chorale. Jesum lass ich nicht von mir (Chorus)— Johann Sebastian Bach
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Liebster Jesu, mein Verlangen, BWV 32: Aria. Liebster Jesu, mein Verlangen (Soprano)— Johann Sebastian Bach
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Liebster Jesu, mein Verlangen, BWV 32: Recitative. Was ist’s, dass du mich gesuchet? (Bass)— Johann Sebastian Bach
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Liebster Jesu, mein Verlangen, BWV 32: Aria. Hier, in meines Vaters Statte (Bass)— Johann Sebastian Bach
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Liebster Jesu, mein Verlangen, BWV 32: Recitative. Ach! Heiliger und grosser Gott (Soprano, Bass)— Johann Sebastian Bach
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Liebster Jesu, mein Verlangen, BWV 32: Aria. Nun verschwinden alle Plagen (Soprano, Bass)— Johann Sebastian Bach
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Liebster Jesu, mein Verlangen, BWV 32: Chorale. Mein Gott, offne mir die Pforten (Chorus)— Johann Sebastian Bach
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Mariam matrem virginem— Composer not yet identified
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Ave virgo sanctissima— Francisco Guerrero
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Lamentationes Ieremiae Prophetae— Alonso Lobo
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Crux fidelis— Joao IV (King of Portugal),
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O lux et decus Hispaniae— Tomás Luis de Victoria
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O vos omnes— Tomás Luis de Victoria
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Duo Seraphim— Francisco Guerrero
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Versa est in luctum— Alonso Lobo
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Non mortui— Manuel Cardoso
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Salva nos, Domie— Philippe Rogier
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Coriolan Overture, Op. 62: Overture to Collin’s Coriolan, Op. 62, “Coriolan Overture”— Ludwig van Beethoven
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Symphoniae Sacrae (1615) : Sanctus-Benedictus a 12— Giovanni Gabrieli
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Symphoniae sacrae III, Op. 12: Symphoniarum sacrarum III, Op. 12: No. 18, Saul, Saul, was…— Heinrich Schütz
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Nach dir, Herr, verlanget mich, BWV 150: Meine Augen sehen stets zu dem Herrn— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Ciacona. Meine Tage in dem Leide— Johann Sebastian Bach
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Geistliches Lied, Op. 30 (Arr. J.E. Gardiner for chorus and strings)— Johannes Brahms
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Fest- und Gedenksprüche (Festive and Memorial Verses) , Op. 109: No. 1, Unsere Vater hofften…— Johannes Brahms
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Fest- und Gedenksprüche (Festive and Memorial Verses) , Op. 109: No. 2, Wenn ein starker…— Johannes Brahms
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Fest- und Gedenksprüche (Festive and Memorial Verses) , Op. 109: No. 3, Wo ist ein so herrlich…— Johannes Brahms
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Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo— Johannes Brahms
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Symphony No. 4 in E Minor, Op. 98: II. Andante moderato— Johannes Brahms
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Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso – Poco meno presto— Johannes Brahms
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Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato – Più allegro— Johannes Brahms
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Nun komm, der Heiden Heiland, BWV 61: Overture – Nun komm, der Heiden Heiland (Chorus)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 61: Recitative. Der Heiland ist gekommen (Tenor)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 61: Aria. Komm, Jesu, komm zu deiner Kirche (Tenor)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 61: Recitative. Siehe, ich stehe vor der Tur (Bass)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 61: Aria. Offne dich, mein ganzes Herze (Soprano)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 61: Amen, Amen (Chorus)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 62: Nun komm, der Heiden Heiland (Chorus)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 62: Aria. Bewundert, o Menschen, dies grosse Geheimnis (Tenor)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 62: Recitative. So geht aus Gottes Herrlichkeit und Thron (Bass)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 62: Aria. Streite, siege, starker Held! (Bass)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 62: Recitative. Wir ehren diese Herrlichkeit (Soprano, Alto)— Johann Sebastian Bach
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Nun komm, der Heiden Heiland, BWV 62: Chorale. Lob sei Gott, dem Vater, ton— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Schwingt freudig euch empor (Chorus)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Chorale. Nun komm, der Heiden Heiland (Soprano, Alto)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Aria. Die Liebe zieht mit sanften Schritten (Tenor)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Chorale. Zwingt die Saiten in Cythara (Chorus)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Aria. Willkommen, werter Schatz! (Bass)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Chorale. Der du bist dem Vater gleich (Tenor)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Aria. Auch mit gedampften, schwachen Stimmen (Soprano)— Johann Sebastian Bach
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Schwingt freudig euch empor, BWV 36: Chorale. Lob sei Gott, dem Vater, ton (Chorus)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Wachet! Betet! Betet! Wachet! (Chorus)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Erschrecket, ihr verstocken Sunder (Bass)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Wenn kommt der Tag (Alto)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Auch bei dem himmlischen Verlangen (Tenor)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Lasst der Spotter Zungen schmahen (Soprano)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Jedoch bei dem unartigen Geschlechte (Tenor)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Chorale. Freu dich sehr, o meine Seele (Chorus)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Hebt euer Haupt empor (Tenor)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Ach, soll nicht dieser grosse Tag (Bass)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Seligster Erquickungstag (Bass)— Johann Sebastian Bach
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Wachet! Betet! Betet! Wachet!, BWV 70: Chorale. Nicht nach Welt, nach Himmel nicht (Chorus)— Johann Sebastian Bach
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Bereitet die Wege, bereitet die Bahn, BWV 132: Aria. Bereitet die Wege, bereitet die Bahn!…— Johann Sebastian Bach
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Bereitet die Wege, bereitet die Bahn, BWV 132: Recitative. Willst du dich Gottes Kind (Tenor)— Johann Sebastian Bach
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Bereitet die Wege, bereitet die Bahn, BWV 132: Aria. Wer bist du? Frage dein Gewissen (Bass)— Johann Sebastian Bach
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Bereitet die Wege, bereitet die Bahn, BWV 132: Recitative. Ich will, mein Gott (Alto)— Johann Sebastian Bach
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Bereitet die Wege, bereitet die Bahn, BWV 132: Aria. Christi Glieder, ach bedenket (Alto)— Johann Sebastian Bach
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Bereitet die Wege, bereitet die Bahn, BWV 132: Ertot uns durch dein Gute (Chorus)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Chorus. Herz und Mund und Tat und Leben— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Accompanied Recitative. Gebenedeiter Mund! (Tenor)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Aria. Schame dich, o Seele, nicht (Alto)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Recitative. Verstockung kann Gewaltige verblenden (Bass)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Aria. Bereite dir, Jesu, noch itzo die Bahn (Soprano)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Chorale. Wohl mir, dass ich Jesum habe— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Aria. Hilf, Jesu, hilf, dass ich auch dich bekenne…— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Recitative. Der hochsten Allmacht Wunderhand (Alto)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Aria. Ich will von Jesu Wundern singen (Bass)— Johann Sebastian Bach
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Herz und Mund und Tat und Leben, BWV 147: Chorale. Jesus bleibet meine Freude— Johann Sebastian Bach
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O ewiges Feuer, o Ursprung der Liebe, BWV 34: O ewiges Feuer, o Ursprung der Liebe (Chorus)— Johann Sebastian Bach
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Ihr werdet weinen und heulen, BWV 103: Chorale and Aria; Ihr werdet weinen und heulen (Bass)— Johann Sebastian Bach
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Ein feste Burg ist unser Gott, BWV 80: Ein feste Burg ist unser Gott (Chorus)— Johann Sebastian Bach
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Wo Gott der Herr nicht bei uns halt, BWV 178: Wo Gott der Herr nicht bei uns halt— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Nimm von uns Herr, du treuer Gott— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. I: Brich dem Hungrigen dein Brot (Chorus)— Johann Sebastian Bach
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Weinen, Klagen (Chorus)— Johann Sebastian Bach
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Es ist ein trotzig und verzagt Ding, BWV 176: I. Es ist ein trotzig und verzagt Ding (Live)— Johann Sebastian Bach
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Es erhub sich ein Streit, BWV 19: Es erhub sich ein Streit (Chorus)— Johann Sebastian Bach
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Wer weiss, wie nahe mir mein Ende!, BWV 27: Chorale and Recitative. Wer weiss, wie nahe mir…— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort (I) , BWV 20, Pt. I: Chorale. O Ewigkeit, du Donnerwort— Johann Sebastian Bach
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Argre dich, o Seele, nicht, BWV 186: Argre dich, o Seele, nicht— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Chorus and Recitative. Christus, der ist mein Leben— Johann Sebastian Bach
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Liebster Gott, wenn werd ich sterben, BWV 8: Liebster Gott, wenn werd ich sterben?— Johann Sebastian Bach
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5 Lieder, Op. 41: No. 1, Ich schwing mein Horn ins Jammertal— Johannes Brahms
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4 Gesänge, Op. 17 (text by F. Ruperti) : 4 Gesänge, Op. 17: No. 1, Es tont ein voller Harfenklang— Johannes Brahms
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5 Gesänge, Op. 104: No. 1, Nachtwache I— Johannes Brahms
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13 Canons, Op. 113 (Ruckert settings only) : 13 Canons, Op. 113: No. 13, Einformig ist der…— Johannes Brahms
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Gesang der Parzen, Op. 89— Johannes Brahms
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Symphony No. 3 in F Major, Op. 90: I. Allegro con brio – Un poco sostenuto— Johannes Brahms
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Symphony No. 3 in F Major, Op. 90: II. Andante— Johannes Brahms
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Symphony No. 3 in F Major, Op. 90: III. Poco allegretto— Johannes Brahms
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Symphony No. 3 in F Major, Op. 90: IV. Allegro – Un poco sostenuto— Johannes Brahms
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Nänie, Op. 82: Nanie, Op. 82— Johannes Brahms
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Wo Gott der Herr nicht bei uns halt, BWV 178: Recitative and Chorale. Was Menschenkraft und…— Johann Sebastian Bach
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Wo Gott der Herr nicht bei uns halt, BWV 178: Aria. Gleichwie die wilden Meereswellen (Bass)— Johann Sebastian Bach
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Wo Gott der Herr nicht bei uns halt, BWV 178: Chorale. Sie stellen uns wie Ketzern nach (Tenor)— Johann Sebastian Bach
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Wo Gott der Herr nicht bei uns halt, BWV 178: Chorale and Recitative. Auf sperren sie den…— Johann Sebastian Bach
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Wo Gott der Herr nicht bei uns halt, BWV 178: Aria. Schweig, schweig nur, taumelnde Vernunft!…— Johann Sebastian Bach
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Wo Gott der Herr nicht bei uns halt, BWV 178: Chorale. Die Feind sind all in deiner Hand— Johann Sebastian Bach
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Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Chorus. Erforsche mich, Gott, und erfahre…— Johann Sebastian Bach
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Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Recitative. Ach, dass der Fluch, so dort…— Johann Sebastian Bach
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Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Aria. Es kommt ein Tag (Alto)— Johann Sebastian Bach
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Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Recitative. Die Himmel selber sind nicht…— Johann Sebastian Bach
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Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Duet. Uns treffen zwar der Sunden (Tenor,…— Johann Sebastian Bach
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Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Chorale. Dein Blut, der edle Saft— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Es ist dir gesagt, Mensch, was gut ist (Chorus)— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Recitative. Der Hochste lasst mich seinen…— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Aria. Weiss ich Gottes Rechte (Tenor)— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Arioso. Es werden viele zu mir sagen (Bass)— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Aria. Wer Gott bekennt aus wahrem Herzensgrund…— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Recitative. So wird denn Herz und Mund (Alto)— Johann Sebastian Bach
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Es ist dir gesagt, Mensch, was gut ist, BWV 45: Chorale. Gib, dass ich tu mit Fleiss (Chorus)— Johann Sebastian Bach
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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: Schauer doch und sehet (Chorus)— Johann Sebastian Bach
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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: Recitative. So klage, du zerstorte…— Johann Sebastian Bach
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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: Aria. Dein Wetter zog sich auf von…— Johann Sebastian Bach
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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: Recitative. Doch bildet euch, o…— Johann Sebastian Bach
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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: Aria. Doch Jesus will auch bei der…— Johann Sebastian Bach
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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: Chorale. O grosser Gott von Treu…— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Aria. Handle nicht nach deinen Rechten (Tenor)— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Recitative. Ach! Herr Gott, durch die Treue dein…— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Aria. Warum willst du so zornig sein? (Bass)— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Recitative. Die Sund hat uns verderbet sehr (Tenor)— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Aria Duet. Gedenk an Jesu bittern Tod! (Soprano, Alto)— Johann Sebastian Bach
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Nimm von uns Herr, du treuer Gott, BWV 101: Chorale. Leit uns mit deiner rechten Hand (Chorus)— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. I: Herr, deine Augen sehen nach dem…— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. I: Recitative. Wo ist das Ebenbild, das…— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. I: Aria. Weh der Seele, die den Schaden…— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. I: Arioso. Verachtest du den Reichtum…— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. II: Aria. Erschrecke doch, du allzu…— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. II: Recitative. Beim Warten ist Gafahr…— Johann Sebastian Bach
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Herr, deine Augen sehen nach dem Glauben, BWV 102: Pt. II: Chorale. Heut lebst du, heut bekehre…— Johann Sebastian Bach
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Begräbnisgesang, Op. 13: Begrabnisgesang, Op. 13— Johannes Brahms
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3 Kirchenmusiken, Op. 23, MWV SD 7: 3 Kirchenmusiken, Op. 23: No. 3, Mitten wir im Leben sind— Felix Mendelssohn
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Schicksalslied, Op. 54— Johannes Brahms
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Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto – Allegro— Johannes Brahms
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Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto— Johannes Brahms
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Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso— Johannes Brahms
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Symphony No. 1 in C Minor, Op. 68: IV. Adagio – Più andante – Allegro non troppo ma con brio— Johannes Brahms
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Wahrlich, wahrlich, ich sage euch, BWV 86: Aria. Wahrlich, wahrlich, ich sage euch (Bass)— Johann Sebastian Bach
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Wahrlich, wahrlich, ich sage euch, BWV 86: Aria. Ich will doch wohl Rosen brechen (Alto)— Johann Sebastian Bach
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Wahrlich, wahrlich, ich sage euch, BWV 86: Chorale. Und was der ewig gutig Gott (Soprano)— Johann Sebastian Bach
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Wahrlich, wahrlich, ich sage euch, BWV 86: Recitative. Gott macht es nicht gleichwie die Welt…— Johann Sebastian Bach
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Wahrlich, wahrlich, ich sage euch, BWV 86: Aria. Gott hilft gewiss (Tenor)— Johann Sebastian Bach
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Wahrlich, wahrlich, ich sage euch, BWV 86: Chorale. Die Hoffnung wart’ der rechten Zeit (Chorus)— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen (Bass)— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87: Recitative. O Wort! Das Geist und Seel…— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87: Aria. Vergib, o Vater! Unsre Schuld (Alto)— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87: Recitative. Wenn unsre Schuld bis an…— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87: In der Welt habt ihr Angst (Bass)— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87: Aria. Ich will leiden, ich will…— Johann Sebastian Bach
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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87: Chorale. Muss ich sein betrubet? (Chorus)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: In allen meinen Taten (Chorus)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Aria. Nichts ist es spat und fruhe (Bass)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Recitative. Es kann mir nichts geschehen (Tenor)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Aria. Ich traue seiner Gnaden (Tenor)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Recitative. Er wolle meiner Sunden (Alto)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Aria. Leg ich mich spate nieder (Alto)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Duet. Hat er es denn beschlossen (Soprano, Bass)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Aria. Ihm hab ich mich ergeben (Soprano)— Johann Sebastian Bach
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In allen meinen Taten, BWV 97: Chorale. So sei nun, Seele, deine (Chorus)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Aria Duet. Sie werden euch in den Bann tun (Tenor, Bass)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Es kommt aber die Zeit (Chorus)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Aria. Christen mussen auf der Erden (Alto)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Chorale. Ach Gott, wie manches Herzeleid (Tenor)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Recitative. Es sucht der Antichrist (Bass)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Aria. Es ist und bleibt der Christen Trost (Soprano)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 44: Chorale. So sei nun, Seele, deine (Chorus)— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Sinfonia— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich (Chorus)— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Aria. Doch bin und bleibe ich vergnugt (Soprano)— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus)— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Aria (Terzett) : Zedern mussen von den Winden (Alto,…— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Meine Augen sehen stets zu dem Herrn (Chorus)— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Ciacona. Meine Tage in dem Leide (Chorus)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 183: Recitative. Sie werden euch in den Bann tun (Bass)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 183: Aria. Ich furchte nicht des Todes Schrecken (Tenor)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 183: Recitative. Ich bin bereit, mein Blut und armes Leben…— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 183: Aria. Hochster Troster, Heilger Geist (Soprano)— Johann Sebastian Bach
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Sie werden euch in den Bann tun, BWV 183: Chorale. Du bist ein Geist, der lehret (Chorus)— Johann Sebastian Bach
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Orphée et Eurydice, Wq. 41: Ouverture (Allegro molto)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1: Chœur. “Ah ! Dans ce bois tranquille et sombre” (Nymphes,…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Récitatif, “Vos plaintes, vos regrets augmentent…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1: Pantomime des nymphes et des bergers— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, “Ah! dans ce bois tranquille et sombre”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Récitatif, “Eloignez-vous, ce lieu convient à mes…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Ritournelle (Lentement)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 2: Récitatif, “Eurydice! Eurydice! ombre chère”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 2: Air en rondeau, “Objet de mon amour” (Orphée)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 2: Récitatif, “Eurydice! Eurydice! De ce doux nom”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 2: Air, “Accablé de regrets” (Orphée)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 2: Récitatif, “Divinités de l’Achéron” (Orphée)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 3: Récitatif, “L’Amour vient au secours” (L’Amour)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 3: Air, “Si les doux accords de ta lyre” (L’Amour)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 3: Récitatif, “Dieux! Je la reverrais!” (Orphée,…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 3: Air, “Soumis au silence, contrains ton désir”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 4: Récitatif, “Qu’entends-je? Qu’a-t-il dit?” (Orphée)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 1 Scene 4: Ariette, “Amour, viens rendre à mon âme” (Orphée)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Maestoso— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air de Furies (Vif)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Choeur, “Quel est l’audacieux … Que la peur, la…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, “Laissez-vous toucher par mes pleurs” (Orphée,…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 1: “La tendresse qui me presse calmera votre fureur ……— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air de Furies (Vivement)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 2: Ballet des ombres heureuses, 1. Lent, très doux -…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 2: Ballet des ombres heureuses, 2. Air (Dolce con…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 2: Air, “Cet asile aimable et tranquille” (Une ombre…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 3: Récitatif, “Quel nouveau ciel pare ces lieux?”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 3: Choeur, “Viens dans ce séjour paisible” (Ombres…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 3: Danse des ombres heureuses (Lent)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 3: Récitatif, “Ô vous, ombres que j’implore”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 2 Scene 4: Choeur, “Près du tendre objet qu’on aime” (Ombres…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 1: Récitatif, “Viens, viens, Eurydice, suis-moi”…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 1: Duo, “Viens, suis un époux qui t’adore” (Orphée,…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 1: Récitatif, “Mais d’où vient qu’il persiste à…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3: “Fortune ennemie! Quelle barbarie! … Je goûtais les…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 1: Récitatif, “Quelle épreuve cruelle!” (Orphée,…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 1: Récitatif, “Ah! puisse ma douleur” (Orphée)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 2: Récitatif, “Arrête, Orphée! … Ô ciel, qui…— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 2: Trio, “Tendre amour” (Eurydice, Orphée, L’Amour)— Christoph Willibald Gluck
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Orphée et Eurydice, Wq. 41, Act 3 Scene 3: Choeur général, “L’amour triomphe, et tout ce qui…— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Brillant auteur de la lumière” (Agamemnon)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “C’est trop faire de résistance” (Chœur, Agamemnon, Calchas)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “D’une sainte terreur” – “Tu veux que par ma main…— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Nommez-nous la victime” (Chœur)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Au faîte des grandeurs” (Calchas)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Que d’attraits !” (Chœur)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Armez-vous d’un noble courage” (Clytemnestre)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Hélas ! Mon coeur sensible !” (Iphigénie)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Cruelle, non jamais” (Achille)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 1: “Ne doutez jamais de ma flamme” (Achille, Iphigénie)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Rassurez-vous, belle Princesse” (Iphigénie, Chœur)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Par la crainte et par l’espérance” (Iphigénie)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Chantez, célébrez votre reine” (Achille, Chœur)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Achille est couronné” (Première femme grecque, Deuxième…— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Ami sensible, ennemi redoutable” (Chœur)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: Air gai— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: Air pour les esclaves— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Jamais à tes autels” (Iphigénie, Clytemnestre, Achille,…— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Par un père cruel” (Clytemnestre)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “C’est mon père, Seigneur” (Iphigénie, Clytemnestre,…— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “De votre audace téméraire” (Agamemnon, Achille)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 2: “Ô toi, l’objet le plus aimable” (Agamemnon)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Il faut, de mon destin” (Iphigénie)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Adieu, conservez dans votre âme” (Iphigénie)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Calchas, d’un trait mortel percé” (Achille)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Adieu, vivez pour Oreste” (Iphigénie, Chœur)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Ma fille, je la vois” (Clytemnestre)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Jupiter, lance la foudre” (Clytemnestre)— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Mon coeur ne saurait contenir” (Iphigénie, Clytemnestre,…— Christoph Willibald Gluck
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Iphigénie en Aulide, Wq. 40, Act 3: “Jusqu’aux voûtes éthérées” (Chœur)— Christoph Willibald Gluck
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Symphony No. 9 in C Major, D. 944 “The Great”: I. Andante – Allegro ma non troppo— Franz Schubert
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Symphony No. 9 in C Major, D. 944 “The Great”: II. Andante con moto— Franz Schubert
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Symphony No. 9 in C Major, D. 944 “The Great”: III. Scherzo. Allegro vivace – Trio— Franz Schubert
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Symphony No. 9 in C Major, D. 944 “The Great”: IV. Finale. Allegro vivace— Franz Schubert
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L’étoile: Ouverture— Emmanuel Chabrier
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L’étoile, Act I: Introduction et choeur. “Méfions nous”— Emmanuel Chabrier
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L’étoile, Act I: Entrée du Roi. “Ouf, Ouf le premier ! C’est moi le Roi” (Ouf, Patacha, Zalzal)— Emmanuel Chabrier
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L’étoile, Act I: Chanson. “Du monde ! De ma main, cher camarade” (Ouf, Patacha, Zalzal)— Emmanuel Chabrier
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L’étoile, Act I: Dialogue. “Que diable !” (Ouf, Siroco)— Emmanuel Chabrier
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L’étoile, Act I: Quatuor. “Nous voyageons incognito” (Hérisson, Tapioca, Laoula, Aloès)— Emmanuel Chabrier
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L’étoile, Act I: Chanson. “Aussitôt que l’aurore” (Hérisson, Laoula)— Emmanuel Chabrier
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L’étoile, Act I: Dialogue. “Ah ! la la, quel voyage !” (Aloès, Laoula, Hérisson, Tapioca)— Emmanuel Chabrier
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L’étoile, Act I: Sortie. “Nous voyageons incognito” (Aloès, Laoula, Hérisson, Tapioca)— Emmanuel Chabrier
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L’étoile, Act I: Dialogue. “Ah ! mon Dieu !” (Laoula, Aloès)— Emmanuel Chabrier
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L’étoile, Act I: Trio de chatouillement. “Il faut le chatouiller” (Aloès, Laoula)— Emmanuel Chabrier
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L’étoile, Act I: Couplet 1. “Mon Dieu ! Mais au fait” (Laoula)— Emmanuel Chabrier
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L’étoile, Act I: Couplet 2. “Ce n’est qu’une histoire de rire” (Aloès)— Emmanuel Chabrier
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L’étoile, Act I: Récitatif. “Ciel, qu’ai-je vu ?” (Lazuli, Laoula, Aloès)— Emmanuel Chabrier
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L’étoile, Act I: Dialogue. “Qui êtes vous ?” (Laoula, Lazuli, Aloès)— Emmanuel Chabrier
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L’étoile, Act I: Rondeau du colporteur. “Je suis Lazuli” (Lazuli)— Emmanuel Chabrier
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L’étoile, Act I: Dialogue. “Je suis furieux” (Hérisson, Laoula, Ouf)— Emmanuel Chabrier
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L’étoile, Act I: Finale. “Jeune homme ! tu viens de gifler le Roi !” (Ouf, Tapioca, Laoula,…— Emmanuel Chabrier
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L’étoile, Act I: Couplets du pal. “Ce fauteuil” (Ouf, Chorus)— Emmanuel Chabrier
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L’étoile, Act I: Dialogue. “Arrêtez ! Arrêtez !” – Récitatif. “Holà! Qu’on m’apporte” -…— Emmanuel Chabrier
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L’étoile, Act I: Entracte— Emmanuel Chabrier
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L’étoile, Act II: Chanson. “Ah ! le charmant garçon !” (Chorus, Lazuli)— Emmanuel Chabrier
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L’étoile, Act II: Couplets du mari. “Quand on aime” (Lazuli)— Emmanuel Chabrier
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L’étoile, Act II: Dialogue. “Et puis, s’il n’est pas content” (Lazuli, Ouf, Siroco, Tapioca,…— Emmanuel Chabrier
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L’étoile, Act 2: Quatuor des baisers. “Quand on veut ranimer sa belle” (Lazuli, Aloès,…— Emmanuel Chabrier
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L’étoile, Act II: Dialogue. “C’est parfait” (Ouf, Lazuli, Laoula)— Emmanuel Chabrier
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L’étoile, Act II: Couplets de Laoula. “Moi, je n’ai pas une âme ingrate” (Laoula)— Emmanuel Chabrier
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L’étoile, Act II: Trio de l’enlèvement. “Maintenant il faut partir vite !” (Ouf, Lazuli, Laoula)— Emmanuel Chabrier
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L’étoile, Act II: Dialogue. “Ah, ah, ah !” (Aloès, Ouf, Tapioca)— Emmanuel Chabrier
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L’étoile, Act II: Choeur. “Nous allons donc voir” (Chorus)— Emmanuel Chabrier
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L’étoile, Act II: Dialogue. “La Princesse, la princesse” (Hérisson, Ouf)— Emmanuel Chabrier
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L’étoile, Act II: Finale. “Un coup de feu” (Chorus, Ouf, Siroco, Aloès)— Emmanuel Chabrier
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L’étoile, Act II: Couplets. “Tous deux assis dans le bateau” (Laoula, Tous, Ouf, Siroco)— Emmanuel Chabrier
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L’étoile, Act II: Choeur des condoléances. “Ma foi, ça nous est bien égal !” (Chorus, Ouf,…— Emmanuel Chabrier
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L’étoile, Act II: Final. “C’est un malheur !” (Chorus)— Emmanuel Chabrier
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L’étoile, Act II: Entracte— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Une heure!” (Ouf, Siroco, Chef de la police, Lazuli)— Emmanuel Chabrier
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L’étoile, Act III: Couplets. “Enfin, je me sens mieux !” (Lazuli)— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Je viens de prendre un petit verre” (Ouf, Siroco)— Emmanuel Chabrier
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L’étoile, Act III: Duetto de la Chartreuse verte. “Je me sens, hélas, tout chose !” (Ouf, Siroco)— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Ah !” (Laoula, Aloès, Lazuli)— Emmanuel Chabrier
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L’étoile, Act III: Couplets et terzetto. “Un amoureux, Princesse” (Aloès, Laoula, Lazuli)— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Vivant, il est vivant !” (Laoula, Lazuli, Ouf, Hérisson)— Emmanuel Chabrier
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L’étoile, Act III: Couplets de la rose. “Ainsi que la rose nouvelle” (Laoula)— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Assez de musique” (Ouf, Laoula, Hérisson)— Emmanuel Chabrier
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L’étoile, Act III: Choeur. “Voici venir Monsieur le Maire !”— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Princesse !” (Ouf, Laoula, Siroco)— Emmanuel Chabrier
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L’étoile, Act III: Musique de scène— Emmanuel Chabrier
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L’étoile, Act III: Dialogue. “Eh bien !” (Ouf, Siroco, Chef de la police, Laoula, Lazuli)— Emmanuel Chabrier
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L’étoile, Act III: Couplet final. “Nous voici, Messieurs, à la fin” (Laoula, Lazuli, Chorus)— Emmanuel Chabrier
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Elgar: In the South (Alassio) , Op. 50— Edward Elgar
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Gluck: Alceste – French version, 1776: Ouverture— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Dieux, rendez-nous notre roi… O Dieux!”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “O malheureux Admète!… Sujets du roi”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 / Act 1: “Grands Dieux!… Suivez-moi dans le temple..O…— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: Pantomime— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Dieu puissant”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Dispensateur de la lumière!”… Pantomime— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Immortel Apollon!”… Pantomime pour le Sacrifice— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Apollon est sensible..Le roi doit mourir..Tout…— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Où suis-je?..Arbitres du sort des humains”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Tes destins sont remplis”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 1: “Ombres, larves”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “Que les plus doux transports”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: Ballet..”Que les plus doux transports”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “O mon roi!..Alceste, chère Alceste!”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “Alceste! – chèr époux!… Transports flatteurs”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “Parez vos fronts”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “O Dieux! Soutenez mon courage!… O moments…— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “Bannis la crainte..Ciel! – Tu pleures?”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 2: “Je n’ai jamais chéri la vie. sans toi je ne…— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 / Act 2: “Grands Dieux… Dérobez-moi vos pleurs”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 / Act 2: “Ah, malgré moi… Oh que le songe de la vie”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Nous ne pouvons… Pleure, ô patrie!”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Après de longs traveux… Pleure, ô patrie!”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Au pouvoir de la mort… C’est en vain que l’enfer”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Grands Dieux!… Malheureuse, où vas-tu?”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Ah, Divinités implacables!”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Ciel! Admète… Vis, pour garder… Vivre sans…— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Alceste, au nom des dieux!… Aux cris de la…— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Caron t’appelle… Qu’il vive!”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Alceste! Le jour fuit”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Ami, leur rage est vaine… Des mains de l’amité”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Poursuis, ô digne fils”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “Reçois, dieu bienfaisant”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: “O mes amis… Qu’ils vivent à jamais”— Christoph Willibald Gluck
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Gluck: Alceste – French version, 1776 – Act 3: Chaconne— Christoph Willibald Gluck
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Bruckner: Mass No. 1 in D Minor, WAB 26: I. Kyrie— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: II. Gloria— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: III. Credo— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: IV. Sanctus— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: V. Benedictus— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei— Anton Bruckner
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Bruckner: Ave Maria, WAB 6— Anton Bruckner
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Bruckner: Tota pulchra es, WAB 46— Anton Bruckner
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Bruckner: Locus iste, WAB 23— Anton Bruckner
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Bruckner: Os justi, WAB 30— Anton Bruckner
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Bruckner: Christus factus est, WAB 11— Anton Bruckner
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: I. Chorus. Christen, ätzet diesen Tag— Johann Sebastian Bach
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: II. Recit. O sel’ger Tag— Johann Sebastian Bach
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: III. Aria. Gott, Du hast es wohl gefüget— Johann Sebastian Bach
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: IV. Recit. So kehret sich nun heut das bange Leid— Johann Sebastian Bach
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: V. Aria. Ruft und fleht den Himmel an— Johann Sebastian Bach
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: VI. Recit. Verdoppelt euch demnach, ihr heißen…— Johann Sebastian Bach
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J.S. Bach: Christen, ätzet diesen Tag, BWV 63: VII. Chorus. Höchster, schau in Gnaden an— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: I. Chorus. Sehet, welch eine Liebe— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: II. Chorale. Das hat er alles uns getan— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: III. Recit. Geh’ Welt! behalte nur das Deine (Alto)— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: IV. Chorale. Was frag’ ich nach der Welt— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: V. Aria. Was die Welt in sich hält (Soprano)— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: VI. Recit. Der Himmel bleibet mir gewiß (Bass)— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: VII. Aria. Von der Welt verlang ich nichts (Alto)— Johann Sebastian Bach
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J.S. Bach: Sehet, welch eine Liebe, BWV 64: VIII. Chorale. Gute Nacht, o Wesen— Johann Sebastian Bach
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J.S. Bach: Christum wir sollen loben schon, BWV 121: I. Chorus. Christum wir sollen loben schon— Johann Sebastian Bach
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J.S. Bach: Christum wir sollen loben schon, BWV 121: II. Aria. O du von Gott erhöhte Kreatur…— Johann Sebastian Bach
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J.S. Bach: Christum wir sollen loben schon, BWV 121: III. Recit. Der Gnade unermesslich’s Wesen…— Johann Sebastian Bach
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J.S. Bach: Christum wir sollen loben schon, BWV 121: IV. Aria. Johannis freudenvolles Springen…— Johann Sebastian Bach
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J.S. Bach: Christum wir sollen loben schon, BWV 121: V. Recit. Doch wie erblickt es dich in…— Johann Sebastian Bach
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J.S. Bach: Christum wir sollen loben schon, BWV 121: VI. Chorale. Lob, Ehr und Dank sei dir gesagt— Johann Sebastian Bach
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J.S. Bach: Ich freue mich in Dir, BWV 133: I. Chorus. Ich freue mich in Dir— Johann Sebastian Bach
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J.S. Bach: Ich freue mich in Dir, BWV 133: II. Aria. Getrost, getrost! (Countertenor)— Johann Sebastian Bach
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J.S. Bach: Ich freue mich in Dir, BWV 133: III. Recit. Ein Adam mag sich voller Schrecken (Tenor)— Johann Sebastian Bach
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J.S. Bach: Ich freue mich in Dir, BWV 133: IV. Aria. Wie lieblich klingt es in den Ohren (Soprano)— Johann Sebastian Bach
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J.S. Bach: Ich freue mich in Dir, BWV 133: V. Recit. Wohlan des Todes Furcht (Bass)— Johann Sebastian Bach
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J.S. Bach: Ich freue mich in Dir, BWV 133: VI. Chorale. Wohlan! So will ich mich— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Sinfonia— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus I: Christ lag in Todesbanden (Chorus)— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus II: Den Tod niemand zwingen kunnt (Soprano Chorus,…— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus III: Jesus Christus, Gottes Sohn (Tenor Chorus)— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus IV: Es war ein wunderlicher Krieg (Chorus)— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus V: Hier ist das rechte Osterlamm (Bass Chorus)— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus VI: So feiern wir das hohe Fest (Soprano Chorus,…— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: Versus VII: Chorale – Wir essen und leben wohl— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Sonata— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Der Himmel lacht! Die Erde jubilieret (Chorus)— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Recitative. Erwunschter Tag! Sei, Seele, wieder…— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Aria. Furst des Lebens, starker Streiter (Bass)— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Recitative. So stehe dann, du gottergebne Seele…— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Aria. Adam muss in uns verwesen (Tenor)— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Recitative. Weil dann das Haupt sein Glied (Soprano)— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Aria and Chorale. Letzte Stunde, brich herein…— Johann Sebastian Bach
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Der Himmel lacht! Die Erde jubilieret, BWV 31: Chorale. So fahr ich hin zu Jesu Christ (Chorus)— Johann Sebastian Bach
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Erfreut euch, ihr Herzen, BWV 66: Erfreut euch, ihr Herzen (Chorus)— Johann Sebastian Bach
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Erfreut euch, ihr Herzen, BWV 66: Recitative. Es bricht das Grab und damit unsre Not (Bass)— Johann Sebastian Bach
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Erfreut euch, ihr Herzen, BWV 66: Aria. Lasset dem Hochsten ein Danklied erschallen (Bass)— Johann Sebastian Bach
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Erfreut euch, ihr Herzen, BWV 66: Recitative and Aria. Bei Jesu Leben freudig sein (Tenor, Alto)— Johann Sebastian Bach
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Erfreut euch, ihr Herzen, BWV 66: Aria. Ich furchte zwar des Grabes Finsternissen (Alto, Tenor)— Johann Sebastian Bach
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Erfreut euch, ihr Herzen, BWV 66: Chorale. Halleluja! Halleluja! Halleluja! (Chorus)— Johann Sebastian Bach
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Bleib bei uns, denn es will Abend werden, BWV 6: Bleib bei uns, denn es will Abend werden (Chorus)— Johann Sebastian Bach
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Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto)— Johann Sebastian Bach
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Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Ach bleib bei uns, Herr Jesu Christ…— Johann Sebastian Bach
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Bleib bei uns, denn es will Abend werden, BWV 6: Recitative. Es hat die Dunkelheit (Bass)— Johann Sebastian Bach
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Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Jesu, lass uns auf dich sehen (Tenor)— Johann Sebastian Bach
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Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Beweis dein Macht, Herr Jesu Christ…— Johann Sebastian Bach
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Ein Herz, das seinen Jesum lebend weiß, BWV 134: Recitative. Ein Herz, das seinen Jesum lebend…— Johann Sebastian Bach
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Ein Herz, das seinen Jesum lebend weiß, BWV 134: Aria. Auf, glaubige, singet die lieblich…— Johann Sebastian Bach
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Ein Herz, das seinen Jesum lebend weiß, BWV 134: Recitative. Wohl dir, Gott hat an dich gedacht…— Johann Sebastian Bach
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Ein Herz, das seinen Jesum lebend weiß, BWV 134: Aria. Wir danken und preisen dein brunstiges…— Johann Sebastian Bach
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Ein Herz, das seinen Jesum lebend weiß, BWV 134: Recitative. Doch wurke selbst den Dank in…— Johann Sebastian Bach
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Ein Herz, das seinen Jesum lebend weiß, BWV 134: Erschallet, ihr Himmel, erfreue dich, Erch…— Johann Sebastian Bach
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Ich lebe, mein Herze, zu deinem Ergotzen, BWV 145: Aria. Ich lebe, mein Herze, zu deinem…— Johann Sebastian Bach
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Ich lebe, mein Herze, zu deinem Ergotzen, BWV 145: Recitative. Nun fordre, Moses, wie du willt…— Johann Sebastian Bach
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Ich lebe, mein Herze, zu deinem Ergotzen, BWV 145: Aria. Merke, mein Herze, bestandig nur dies…— Johann Sebastian Bach
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Ich lebe, mein Herze, zu deinem Ergotzen, BWV 145: Recitative. Mein Jesu lebt (Soprano)— Johann Sebastian Bach
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Ich lebe, mein Herze, zu deinem Ergotzen, BWV 145: ChoraleL Drum wir auch billig frohlich sein…— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Chorale and Recitative. Warum betrubst du dich…— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Recitative. Ich bin veracht (Bass)— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Chorale and Recitative. Er kann und will dich…— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Recitative. Ach susser Trost (Tenor)— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Aria. Auf Gott steht meine Zuversicht (Bass)— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Recitative. Ei nun! (Alto)— Johann Sebastian Bach
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Warum betrübst du dich, mein Herz, BWV 138: Chorale. Weil du mein Gott und Vater bist— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 99: Was Gott tut, das ist wohlgetan (Chorus)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 99: Recitative. Sein Wort der Wahrheit stehet fest (Bass)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 99: Aria. Erschuttre dich nur nicht, verzagte Seele (Tenor)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 99: Recitative. Nun, der von Ewigkeit geschloss’ne Bund (Alto)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 99: Duet Aria. Wenn des Kreuzes Bitterkeiten (Soprano, Alto)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 99: Chorale. Was Gott tut, das ist wohlgetan— Johann Sebastian Bach
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Jauchzet Gott in allen Landen!, BWV 51: Aria. Jauchzet Gott in allen Landen! (Soprano)— Johann Sebastian Bach
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Jauchzet Gott in allen Landen!, BWV 51: Recitative. Wir beten zu dem Temel an (Soprano)— Johann Sebastian Bach
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Jauchzet Gott in allen Landen!, BWV 51: Aria. Hochster, mach deine Gute (Soprano)— Johann Sebastian Bach
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Jauchzet Gott in allen Landen!, BWV 51: Chorale. Sei Lob und Preis mit Ehren (Soprano)— Johann Sebastian Bach
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Jauchzet Gott in allen Landen!, BWV 51: Aria. Alleluja! (Soprano)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 100: Chorale. Was Gott tut, das ist wohlgetan— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 100: Duet. Was Gott tut, das ist wohlgetan (Alto, Tenor)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 100: Aria. Was Gott tut, das ist wohlgetan (Soprano)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 100: Aria. Was Gott tut, das ist wohlgetan (Bass)— Johann Sebastian Bach
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Was Gott tut, das ist wohlgetan, BWV 100: Aria. Was Gott tut, das ist wohlgetan (Alto)— Johann Sebastian Bach
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Komm, du susse Todesstunde, BWV 161: Aria with Chorale. Komm, du susse Todesstunde (Alto)— Johann Sebastian Bach
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Komm, du susse Todesstunde, BWV 161: Recitative. Welt, deine Lust ist Last (Tenor)— Johann Sebastian Bach
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Komm, du susse Todesstunde, BWV 161: Aria. Mein Verlangen (Tenor)— Johann Sebastian Bach
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Komm, du susse Todesstunde, BWV 161: Recitative. Der Schluss ist schon gemacht (Alto)— Johann Sebastian Bach
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Komm, du susse Todesstunde, BWV 161: Wenn es meines Gottes Wille (Chorus)— Johann Sebastian Bach
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Komm, du susse Todesstunde, BWV 161: Chorale. Der Leib zwar in der Erden— Johann Sebastian Bach
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Wer weiss, wie nahe mir mein Ende!, BWV 27: Recitative. Mein Leben hat kein ander Ziel (Tenor)— Johann Sebastian Bach
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Wer weiss, wie nahe mir mein Ende!, BWV 27: Aria. Wilkommen! Will ich sagen (Alto)— Johann Sebastian Bach
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Wer weiss, wie nahe mir mein Ende!, BWV 27: Recitative. Ach, wer doch schon im Himmel war!…— Johann Sebastian Bach
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Wer weiss, wie nahe mir mein Ende!, BWV 27: Aria. Gute Nacht, du Weltgetummel! (Bass)— Johann Sebastian Bach
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Wer weiss, wie nahe mir mein Ende!, BWV 27: Chorale. Welt, ade! Ich bin dein mude— Johann Sebastian Bach
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Liebster Gott, wenn werd ich sterben, BWV 8: Aria. Was willst du dich, mein Geist, entsetzen…— Johann Sebastian Bach
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Liebster Gott, wenn werd ich sterben, BWV 8: Accompanied Recitative. Zwar fuhlt mein schwaches…— Johann Sebastian Bach
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Liebster Gott, wenn werd ich sterben, BWV 8: Aria. Doch weichet, ihr tollen, vergeblichen…— Johann Sebastian Bach
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Liebster Gott, wenn werd ich sterben, BWV 8: Recitative. Behalte nur, o Welt, das Meine! (Soprano)— Johann Sebastian Bach
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Liebster Gott, wenn werd ich sterben, BWV 8: Chorale. Herrscher uber Tod und Leben— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Recitative. Nun, falsche Welt! (Soprano)— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Chorale. Valet will ich dir geben (Soprano)— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Recitative. Ach konnte mir bald so wohl geschehn (Tenor)— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Aria. Ach, schlage doch bald, selge Stunde (Tenor)— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Recitative. Denn ich weiss dies (Bass)— Johann Sebastian Bach
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Christus, der ist mein Leben, BWV 95: Chorale. Weil du vom Tod erstanden bist— Johann Sebastian Bach
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Dum pater familias (Codex Calixtinus)— Anonymous
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Congaudeant catholici (Codex Calixtinus)— Composer not yet identified
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Llibre Vermell de Montserrat (Catalonia, 14th Century) : O Virgo splendens (Llibre Vermell de…— Composer not established
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Officium defunctorum: Parce mihi Domine— Cristóbal de Morales
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Alma perpetui (Codex Calixtinus)— Anonymous
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Jesu, Rex admirabile: Jesu, rex admirabilis— Giovanni Pierluigi da Palestrina
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RitE Majorem Jacobum— Guillaume Dufay
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O quam gloriosum— Tomás Luis de Victoria
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Missa O quam gloriosum: Kyrie— Tomás Luis de Victoria
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Psallat chorus celestium (Codex Calixtinus)— Anonymous
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Missa O quam gloriosum: Gloria— Tomás Luis de Victoria
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O lux et decus Hispaniae (Codex Calixtinus)— Anonymous
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Missa O quam gloriosum: Sanctus— Tomás Luis de Victoria
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Missa O quam gloriosum: Benedictus— Tomás Luis de Victoria
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O venerande Christi (Codex Calixtinus)— Anonymous
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Missa O quam gloriosum: Agnus Dei— Tomás Luis de Victoria
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Nesciens mater— Jean Mouton
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O Maria vernans rosa— Jacobus Clemens non Papa
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Vadam et circuibo civitatem: Vadam, et circumibo civitatem— Tomás Luis de Victoria
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Sanctus— Jacobus Clemens non Papa
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Ihr Menschen, ruhmet Gottes Liebe, BWV 167: Aria. Ihr Menschen, ruhmet Gottes Liebe (Tenor)— Johann Sebastian Bach
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Ihr Menschen, ruhmet Gottes Liebe, BWV 167: Recitative. Gelobet sei der Herr Gott Israel (Alto)— Johann Sebastian Bach
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Ihr Menschen, ruhmet Gottes Liebe, BWV 167: Duet. Gottes Wort, das truget nicht (Soprano, Alto)— Johann Sebastian Bach
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Ihr Menschen, ruhmet Gottes Liebe, BWV 167: Recitative. Des Weibes Samen kam (Bass)— Johann Sebastian Bach
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Ihr Menschen, ruhmet Gottes Liebe, BWV 167: Chorale. Sei Lob und Preis mit Ehren (Chorus)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Christ unser Herr zum Jordan kam (Chorus)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Aria. Merkt und hort, ihr Menschenkinder (Bass)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Recitative. Dies hat Gott klar (Tenor)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Aria. Des Vaters Stimme liess sich horen (Tenor)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Recitative. Als Jesus dort nach seinen Leiden (Bass)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Aria. Menschen, glaubt doch dieser Gnade (Alto)— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: Chorale. Das Aug allein das Wasser sieht— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. I: Freue dich, erloste Schar (Chorus)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. I: Recitative. Wir haben Rast (Bass)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. I: Aria. Gelobet sei Gott, gelobet sein Name (Bass)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. I: Recitative. Der Herold kommt und meldt den Konig an…— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. I: Aria. Kommt, ihr angefochtnen Sunder (Alto)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. I: Chorale. Eine Stimme lasst sich horen (Chorus)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. II: Recitative. So bist du denn, mein Heil, bedacht (Bass)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. II: Aria. Ich will nun hassen (Bass)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. II: Recitative. Und obwohl sonst der Unbestand (Soprano)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. II: Aria. Eilt, ihr Stunden, kommt herbei (Soprano)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. II: Recitative. Geduld, der angenehme Tag (Tenor)— Johann Sebastian Bach
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Freue dich, erlöste Schar, BWV 30: Pt. II: Freue dich, geheilgte Schar (Chorus)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Die Elenden sollen essen (Chorus)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Recitative. Was hilft des Purpurs Majestat (Bass)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Aria. Mein Jesus soll mein alles sein! (Tenor)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Recitative. Gott sturzet und erhohet (Tenor)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Aria. Ich nehme mein Leiden mit Freuden auf mich (Soprano)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Recitative. Indes schenkt Gott ein gut Gewissen (Soprano)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. I: Chorale. Was Gott tut, das ist wohlgetan (Chorus)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Sinfonia— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Recitative. Nur eines krankt ein christliches Gemute…— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Aria. Jesus macht mich geistlich reich (Alto)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Recitative. Wer nur in Jesu bleibt (Bass)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Aria. Mein Herze glaubt und liebt (Bass)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Recitative. O Armut, der kein Reichtum gleicht! (Tenor)— Johann Sebastian Bach
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Die Elenden sollen essen, BWV 75: Pt. II: Chorale. Was Gott tut, das ist wohlgetan (Chorus)— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. I: Recitative. Der reiche Gott wirft seinen…— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. I: Aria. Seinem Schopfer noch auf Erden (Alto)— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. II: Aria. Wohlzutun und mitzuteilen vergesset nicht…— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. II: Aria. Hochster, was ich habe (Soprano)— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. II: Recitative. Wie soll ich dir, o Herr! (Alto)— Johann Sebastian Bach
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Brich dem Hungrigen dein Brot, BWV 39: Pt. II: Chorale. Selig sind, die aus Erbarmen (Chorus)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Recitative. Kein Ungluck ist in aller Welt zu finden…— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Aria. Ewigkeit, du machst mir bange (Tenor)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Recitative. Gesetzt, es dau’rte der Verdammten Qual…— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Aria. Gott ist gerecht in seinen Werken (Bass)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Aria. O Mensch, errette deine Seele (Alto)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Chorale. Solang ein Gott im Himmel lebt (Chorus)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. II: Aria. Wacht auf, wacht auf, verlornen Schafe (Bass)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. II: Recitative. Verlass, o Mensch, die Wollust dieser…— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. II: Duet. O Menschenkind, hor auf geschwind (Alto, Tenor)— Johann Sebastian Bach
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O Ewigkeit, du Donnerwort, BWV 20: Pt. II: Chorale. O Ewigkeit, du Donnerwort (Chorus)— Johann Sebastian Bach
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J.S. Bach: Erschallet, ihr Lieder, BWV 172: V. Aria (Duet) . Komm, laß mich nicht länger warten— Johann Sebastian Bach
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J.S. Bach: Wer mich liebet, der wird mein Wort halten, BWV 74: VI. Recit. Es ist nichts…— Johann Sebastian Bach
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Ein ungefärbt Gemüte, Bwv 24: Aria. Ein ungegefärbt Gemute (Alto)— Johann Sebastian Bach
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Ein ungefärbt Gemüte, Bwv 24: Recitative. Die Redlichkeit ist eine (Tenor)— Johann Sebastian Bach
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Ein ungefärbt Gemüte, Bwv 24: Alles nun, das ihr wollet (Chorus)— Johann Sebastian Bach
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Ein ungefärbt Gemüte, Bwv 24: Recitative. Die Heuchelei ist eine Brut (Bass)— Johann Sebastian Bach
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Ein ungefärbt Gemüte, Bwv 24: Aria. Treu und Wahrheit sei der Grund (Tenor)— Johann Sebastian Bach
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Ein ungefärbt Gemüte, Bwv 24: Chorale. O Gott, du frommer Gott— Johann Sebastian Bach
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Barmherziges Herze der ewigen Liebe, BWV 185: Aria Duet. Barmherziges Herze der ewigen Liebe…— Johann Sebastian Bach
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Barmherziges Herze der ewigen Liebe, BWV 185: Recitative. Ihr Herzen, die ihr euch (Alto)— Johann Sebastian Bach
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Barmherziges Herze der ewigen Liebe, BWV 185: Aria. Sei bemuht in dieser Zeit (Alto)— Johann Sebastian Bach
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Barmherziges Herze der ewigen Liebe, BWV 185: Recitative. Die Eigenliebe schmeichelt sich (Bass)— Johann Sebastian Bach
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Barmherziges Herze der ewigen Liebe, BWV 185: Aria. Das ist der Christen Kunst (Bass)— Johann Sebastian Bach
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Barmherziges Herze der ewigen Liebe, BWV 185: Chorale. Ich ruf zu dir, Herr Jesu Christ (Chorus)— Johann Sebastian Bach
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Ich ruf zu dir, Herr Jesu Christ, Bwv 177: Ich ruf zu dir, Herr Jesu Christ (Chorus)— Johann Sebastian Bach
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Ich ruf zu dir, Herr Jesu Christ, Bwv 177: Aria. Ich bitt noch mehr, o Herre Gott (Alto)— Johann Sebastian Bach
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Ich ruf zu dir, Herr Jesu Christ, Bwv 177: Aria. Verleih, dass ich aus Herzensgrund (Soprano)— Johann Sebastian Bach
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Ich ruf zu dir, Herr Jesu Christ, Bwv 177: Aria. Lass mich kein Lust noch Furcht von dir (Tenor)— Johann Sebastian Bach
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Ich ruf zu dir, Herr Jesu Christ, Bwv 177: Chorale. Ich lieg im Streit und widerstreb (Chorus)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Gott ist mein Konig von altersher (Soprano, Alto, Tenor, Bass, Chorus)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Aria. Ich bin nun achtzig Jahr (Soprano, Tenor)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Fuga. Dein Alter sei wie deine Jugend (Soprano, Alto, Tenor, Bass)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Arioso. Tag und Nacht ist dein (Bass)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Aria. Durch machtige Kraft (Aria)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Du wollest dem Feinde (Chorus)— Johann Sebastian Bach
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Gott ist mein Konig, BWV 71: Das neue Regiment (Soprano, Alto, Tenor, Bass, Chorus)— Johann Sebastian Bach
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Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Sinfonia. Aus der Tiefen rufe ich, Herr, zu dir…— Johann Sebastian Bach
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Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Arioso with Chorale. So du willst, Herr, Sunde…— Johann Sebastian Bach
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Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn, meine Seele harret (Chorus)— Johann Sebastian Bach
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Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Aria with Chorale. Meine Seele wartet auf den…— Johann Sebastian Bach
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Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Israel hoffe auf den Herrn (Chorus)— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Wer nur den lieben Gott lasst walten (Chorus)— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Recitative and Chorale. Was helfen uns die…— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Aria. Man halte nur ein wenig stille (Tenor)— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Aria Duet. Er kennt die rechten Freudesstunden…— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Recitative and Chorale. Denk nicht in deiner…— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Aria. Ich will auf den Herren schaun (Soprano)— Johann Sebastian Bach
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Wer nur den lieben Gott lasst walten, BWV 93: Chorale. Sing, bet und geh aug Gottes Wegen (Chorus)— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Aria. Siehe, ich will viel Fischer aussenden (Bass)— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Recitative. Wie leichtlich konnte doch der…— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Aria, Ritornello: Nein, nein! Gott ist allezeit…— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Recitative and Arioso. Jesus sprach zu Simon…— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Aria Duet. Beruft Gott selbst, so muss der…— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Recitative. Was kann dich denn in deinem Wandel…— Johann Sebastian Bach
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Siehe, ich will viel Fischer aussenden, BWV 88: Chorale. Sing, bet und geh auf Gottes Wegen…— Johann Sebastian Bach
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Nach dir, Herr, verlanget mich, BWV 150: Aria (Terzetto) : Zedern mussen von den Winden (Alto,…— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Halt im Gedachtnis Jesum Christ (Chorus)— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Aria. Mein Jesus ist erstanden (Tenor)— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Recitative. Mein Jesu, heissest du des Todes Gift (Alto)— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Chorale. Erschienen ist der herrlich Tag (Chorus)— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Recitative. Doch scheinet fast (Alto)— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Aria. Friede sei mit euch! (Bass, Chorus)— Johann Sebastian Bach
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Halt im Gedächtnis Jesum Christ, BWV 67: Chorale. Du Friedefurst, Herr Jesu Christ (Chorus)— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Sinfonia— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Recitative. Am Abend aber desselbigen Sabbats (Tenor)— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Aria. Wo zwei und drei versammelt sind (Alto)— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Chorale (Duet) : Verzage nicht, o Hauflein klein…— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Recitative. Man kann hiervon ein schon Exempel sehen…— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Aria. Jesus ist ein Schild der Seinen (Bass)— Johann Sebastian Bach
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Am Abend aber desselbigen Sabbats, BWV 42: Chorale. Verleih uns Frieden gnadiglich (Chorus)— Johann Sebastian Bach
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Der Friede sei mit dir, BWV 158: Recitative. Der Freide sei mit dir (Bass)— Johann Sebastian Bach
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Der Friede sei mit dir, BWV 158: Aria with Chorale. Welt, ade, ich bin dein mude (Bass, Soprano…— Johann Sebastian Bach
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Der Friede sei mit dir, BWV 158: Recitative and Arioso. Nun Herr, regiere meinen Sinn (Bass)— Johann Sebastian Bach
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Der Friede sei mit dir, BWV 158: Chorale. Hier ist das rechte Osterlamm (Chorus)— Johann Sebastian Bach
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Du Hirte Israel, höre, BWV 104: Du Hirte Israel, hore (Chorus)— Johann Sebastian Bach
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Du Hirte Israel, höre, BWV 104: Recitative. Der hochste Hirte sorgt vor mich (Tenor)— Johann Sebastian Bach
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Du Hirte Israel, höre, BWV 104: Aria. Verbirgt mein Hirte sich zu lange (Tenor)— Johann Sebastian Bach
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Du Hirte Israel, höre, BWV 104: Recitative. Ja, dieses Wort ist meiner Seelen Speise (Bass)— Johann Sebastian Bach
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Du Hirte Israel, höre, BWV 104: Aria. Begluckte Herde, Jesu Schafe (Bass)— Johann Sebastian Bach
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Du Hirte Israel, höre, BWV 104: Chorale. Der Herr ist mein getreuer Hirt (Chorus)— Johann Sebastian Bach
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Ich bin ein guter Hirt, BWV 85: Aria. Ich bin ein guter Hirt (Bass)— Johann Sebastian Bach
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Ich bin ein guter Hirt, BWV 85: Aria. Jesus ist ein guter Hirt (Alto)— Johann Sebastian Bach
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Ich bin ein guter Hirt, BWV 85: Chorale. Der Herr ist mein getreuer Hirt (Soprano)— Johann Sebastian Bach
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Ich bin ein guter Hirt, BWV 85: Recitative. Wenn die Mietlinge schlafen (Tenor)— Johann Sebastian Bach
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Ich bin ein guter Hirt, BWV 85: Aria. Seht, was die Liebe tut (Tenor)— Johann Sebastian Bach
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Ich bin ein guter Hirt, BWV 85: Chorale. Ist Gott mein Schutz und treuer Hirt (Chorus)— Johann Sebastian Bach
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Der Herr ist mein getreuer Hirt, BWV 112: Versus I: Chorale. Der Herr ist mein getreuer Hirt…— Johann Sebastian Bach
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Der Herr ist mein getreuer Hirt, BWV 112: Versus II: Aria. Zum reinen Wasser er mich weist (Alto)— Johann Sebastian Bach
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Der Herr ist mein getreuer Hirt, BWV 112: Versus III: Recitative. Und ob ich wandert im…— Johann Sebastian Bach
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Der Herr ist mein getreuer Hirt, BWV 112: Versus IV: Duet. Du bereitest fur mir einen Tisch…— Johann Sebastian Bach
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Der Herr ist mein getreuer Hirt, BWV 112: Versus V: Chorale. Gutes und die Barmherzigkeit (Chorus)— Johann Sebastian Bach
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Tritt auf die Glaubensbahn, BWV 152: Sinfonia— Johann Sebastian Bach
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Tritt auf die Glaubensbahn, BWV 152: Aria. Tritt auf die Glaubensbahn (Bass)— Johann Sebastian Bach
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Tritt auf die Glaubensbahn, BWV 152: Recitative. Der Heiland ist gesetzt in Israel (Bass)— Johann Sebastian Bach
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Tritt auf die Glaubensbahn, BWV 152: Aria. Stein, der uber alle Schatze, hilf (Soprano)— Johann Sebastian Bach
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Tritt auf die Glaubensbahn, BWV 152: Recitative. Es argre sich die kluge Welt (Bass)— Johann Sebastian Bach
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Tritt auf die Glaubensbahn, BWV 152: Duet. Wie soll ich dich, Liebster der Seelen, umfassen…— Johann Sebastian Bach
▶
Das neugeborne Kindelein, BWV 122: Das neugeborne Kindelein (Chorus)— Johann Sebastian Bach
▶
Das neugeborne Kindelein, BWV 122: Aria. O Menschen, die ihr taglich sundigt (Bass)— Johann Sebastian Bach
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Das neugeborne Kindelein, BWV 122: Recitative. Die Engel, welche sich zuvor (Soprano)— Johann Sebastian Bach
▶
Das neugeborne Kindelein, BWV 122: Aria and Chorale. Ist Gott versohnt und unser Freund…— Johann Sebastian Bach
▶
Das neugeborne Kindelein, BWV 122: Recitative. Dies ist ein Tag (Bass)— Johann Sebastian Bach
▶
Das neugeborne Kindelein, BWV 122: Chorale. Es bringt das rechte Jubeljahr— Johann Sebastian Bach
▶
Gottlob! Nun geht das Jahr zu Ende, BWV 28: Aria. Gottlob! Nun geht das Jahr zu Ende (Soprano)— Johann Sebastian Bach
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Gottlob! Nun geht das Jahr zu Ende, BWV 28: Nun lob, mein Seel, den Herren (Chorus)— Johann Sebastian Bach
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Gottlob! Nun geht das Jahr zu Ende, BWV 28: Recitative. So spricht der Herr (Bass)— Johann Sebastian Bach
▶
Gottlob! Nun geht das Jahr zu Ende, BWV 28: Recitative. Gott ist ein Quell, wo lauter Gute…— Johann Sebastian Bach
▶
Gottlob! Nun geht das Jahr zu Ende, BWV 28: Aria. Gott hat uns im heurigen Jahre gesegnet…— Johann Sebastian Bach
▶
Gottlob! Nun geht das Jahr zu Ende, BWV 28: Chorale. All solch dein Gut wir preisen (Chorus)— Johann Sebastian Bach
▶
Singet dem Herrn ein neues Lied, BWV 190: Singet dem Herrn ein neues Lied (Chorus)— Johann Sebastian Bach
▶
Singet dem Herrn ein neues Lied, BWV 190: Chorale and Recitative. Herr Gott, dich loben wir…— Johann Sebastian Bach
▶
Singet dem Herrn ein neues Lied, BWV 190: Aria. Lobe, Zion, deinen Gott (Alto)— Johann Sebastian Bach
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Singet dem Herrn ein neues Lied, BWV 190: Recitative. Es wunsche sich die Welt (Bass)— Johann Sebastian Bach
▶
Singet dem Herrn ein neues Lied, BWV 190: Duet. Jesus soll mein alles sein (Tenor, Bass)— Johann Sebastian Bach
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Singet dem Herrn ein neues Lied, BWV 190: Recitative. Nun, Jesus, gebe (Tenor)— Johann Sebastian Bach
▶
Singet dem Herrn ein neues Lied, BWV 190: Chorale. Lass uns das Jahr vollbringen (Chorus)— Johann Sebastian Bach
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Erschallet, ihr Lieder, BWV 172: Erschallet, ihr Lieder, erklinget, ihr Saiten (Chorus)— Johann Sebastian Bach
▶
Erschallet, ihr Lieder, BWV 172: Recitative. Wer mich liebet, der wird meine Wort (Bass)— Johann Sebastian Bach
▶
Erschallet, ihr Lieder, BWV 172: Aria. Heiligste Dreieinigkeit (Bass)— Johann Sebastian Bach
▶
Erschallet, ihr Lieder, BWV 172: Aria. O Seelenparadies (Tenor)— Johann Sebastian Bach
▶
Erschallet, ihr Lieder, BWV 172: Aria. Komm, lass mich nicht (Duet. Soprano, Alto)— Johann Sebastian Bach
▶
Erschallet, ihr Lieder, BWV 172: Von Gott kommt mir ein Freudenschein (Chorus)— Johann Sebastian Bach
▶
Erschallet, ihr Lieder, BWV 172: Erschallet, ihr Lieder, Erklinget, ihr Saiten! (Chorus)— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 59: Duet. Wer mich liebet, der wird mein Wort…— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 59: Recitative. O, was sind das vor Ehren (Soprano)— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 59: Chorale. Komm, Heiliger Geist, Herre Gott— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 59: Aria. Die Welt mit allen Konigreichen (Bass)— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 59: Chorale. Du heilige Brunst, susser Trost— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Wer mich liebet, der wird mein Wort halten…— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Aria. Komm, komm, mein Herze steht dir…— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Recitative. Die Wohnung ist bereit (Alto)— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Aria. Ich gehe hin und komme wieder zu euch…— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Aria. Kommt, eilet, stimmet Sait und Lieder…— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Recitative. Es ist nichts Verdammliches an…— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Aria. Nichts kann mich erretten (Alto)— Johann Sebastian Bach
▶
Wer mich liebet, der wird mein Wort halten, BWV 74: Chorale. Kein Menschenkind hier auf der Erd…— Johann Sebastian Bach
▶
O ewiges Feuer, o Ursprung der Liebe, BWV 34: Recitative. Herr, unsre Herzen halten dir (Tenor)— Johann Sebastian Bach
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O ewiges Feuer, o Ursprung der Liebe, BWV 34: Aria. Wohl euch, ihr auserwahlten Seelen (Alto)— Johann Sebastian Bach
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O ewiges Feuer, o Ursprung der Liebe, BWV 34: Recitative. Erwahlt sich Gott die heilgen Hutten…— Johann Sebastian Bach
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O ewiges Feuer, o Ursprung der Liebe, BWV 34: Friede uber Israel (Chorus)— Johann Sebastian Bach
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Erhöhtes Fleisch und Blut, BWV 173: Recitative. Erhohtes Fleisch und Blut (Tenor)— Johann Sebastian Bach
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Erhöhtes Fleisch und Blut, BWV 173: Aria. Ein geheiligtes Gemute (Tenor)— Johann Sebastian Bach
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Erhöhtes Fleisch und Blut, BWV 173: Aria. Gott will, o ihr Menschenkinder (Alto)— Johann Sebastian Bach
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Erhöhtes Fleisch und Blut, BWV 173: Aria. So hat Gott die Welt geliebt (Bass, Soprano)— Johann Sebastian Bach
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Erhöhtes Fleisch und Blut, BWV 173: Recitative. Unendlichster, den man doch Vater nennt…— Johann Sebastian Bach
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Erhöhtes Fleisch und Blut, BWV 173: Ruhre, Hochster, unsern Geist (Chorus)— Johann Sebastian Bach
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Also hat Gott die Welt geliebt, BWV 68: Chorale. Also hat Gott die Welt geliebt (Chorus)— Johann Sebastian Bach
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Also hat Gott die Welt geliebt, BWV 68: Aria. Mein glaubiges Herze (Soprano)— Johann Sebastian Bach
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Also hat Gott die Welt geliebt, BWV 68: Recitative. Ich bin mit Petro nicht vermessen (Bass)— Johann Sebastian Bach
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Also hat Gott die Welt geliebt, BWV 68: Aria. Du bist geboren mir zugute (Bass)— Johann Sebastian Bach
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Also hat Gott die Welt geliebt, BWV 68: Wer an ihn glaubet (Chorus)— Johann Sebastian Bach
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Ich liebe den Höchsten von ganzem Gemüte, BWV 174: Sinfonia— Johann Sebastian Bach
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Ich liebe den Höchsten von ganzem Gemüte, BWV 174: Aria. Ich liebe den Hochsten von ganzem…— Johann Sebastian Bach
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Ich liebe den Höchsten von ganzem Gemüte, BWV 174: Recitative. O Liebe, welcher keine gleich!…— Johann Sebastian Bach
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Ich liebe den Höchsten von ganzem Gemüte, BWV 174: Aria. Greifet zu (Bass)— Johann Sebastian Bach
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Ich liebe den Höchsten von ganzem Gemüte, BWV 174: Chorale. Herzlich lieb hab ich dich o Herr— Johann Sebastian Bach
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Gelobet seist du, Jesu Christ, BWV 91: Chorale. Gelobet seist du, Jesu Christ (Chorus)— Johann Sebastian Bach
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Gelobet seist du, Jesu Christ, BWV 91: Recitative and Chorale. Der Glanz der hochsten…— Johann Sebastian Bach
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Gelobet seist du, Jesu Christ, BWV 91: Aria; Gott, dem der Erden Kreis zu klein (Tenor)— Johann Sebastian Bach
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Gelobet seist du, Jesu Christ, BWV 91: Recitative. O Christenheit! (Bass)— Johann Sebastian Bach
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Gelobet seist du, Jesu Christ, BWV 91: Aria Duet. Die Armut, so Gott auf sich nimmt (Soprano, Alto)— Johann Sebastian Bach
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Gelobet seist du, Jesu Christ, BWV 91: Chorale. Das hat er alles uns getan— Johann Sebastian Bach
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Christum wir sollen loben schon, BWV 121: Chorale. Christum wir sollen loben schon (Chorus)— Johann Sebastian Bach
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Christum wir sollen loben schon, BWV 121: Aria. O du von Gott erhohte Kreatur (Tenor)— Johann Sebastian Bach
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Christum wir sollen loben schon, BWV 121: Recitative. Der Gnade unermesslich’s Wesen (Alto)— Johann Sebastian Bach
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Christum wir sollen loben schon, BWV 121: Aria. Johannis fredenvolles Springen (Bass)— Johann Sebastian Bach
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Christum wir sollen loben schon, BWV 121: Recitative. Doch wie erblickt es dich in deiner…— Johann Sebastian Bach
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Christum wir sollen loben schon, BWV 121: Chorale. Lob, Ehr und Dank sei dir gesagt— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Chorale. Dazu ist erschienen der Sohn Gottes— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Recitative. Das Wort ward Fleisch und wohnet in…— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Chorale. Die Sund macht Leid— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Aria. Hollische Schlange (Bass)— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Recitative. Die Schlange, so im Paradies (Alto)— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Chorale; Schuttle deinen Kopf und sprich— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Aria. Christenkinder, freueteuch! (Tenor)— Johann Sebastian Bach
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Darzu ist erschienen der Sohn Gottes, BWV 40: Chorale. Jesu, nimm dich deiner Glieder— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Chorale. Unser Mund sei voll Lachens— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Aria. Ihr Gedanken und ihr Sinnen (Tenor)— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Recitative. Dir, Herr, ist niemand gleich (Bass)— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Aria. Ach Herr, was ist ein Menschenkind (Alto)— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Aria Duet. Ehre sei Gott in der Hohe (Soprano, Tenor)— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Aria. Wacht auf, ihr Adern und ihr Glieder (Bass)— Johann Sebastian Bach
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Unser Mund sei voll Lachens, BWV 110: Chorale. Halleluja! Halleluja! Gelobt sei Gott— Johann Sebastian Bach
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Mein Gott, wie lang, ach lange, BWV 155: Recitative. Mein Gott, wie lang, ach lange? (Soprano)— Johann Sebastian Bach
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Mein Gott, wie lang, ach lange, BWV 155: Aria Duet. Du musst glauben, du musst hoffen (Alto, Tenor)— Johann Sebastian Bach
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Mein Gott, wie lang, ach lange, BWV 155: Recitative. So sei, o Seele, sei zufrieden! (Bass)— Johann Sebastian Bach
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Mein Gott, wie lang, ach lange, BWV 155: Aria. Wirf mein Herze, wirf dich noch (Soprano)— Johann Sebastian Bach
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Mein Gott, wie lang, ach lange, BWV 155: Chorale. Ob sichs anliess, als wollt er nicht— Johann Sebastian Bach
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Ach Gott, wie manches Herzeleid, BWV 3: Ach Gott, wie manches Herzeleid (Chorus)— Johann Sebastian Bach
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Ach Gott, wie manches Herzeleid, BWV 3: Recitative and Chorale. Wie schwerlich lasst sich…— Johann Sebastian Bach
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Ach Gott, wie manches Herzeleid, BWV 3: Aria. Empfind ich Hollenangst und Pein (Bass)— Johann Sebastian Bach
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Ach Gott, wie manches Herzeleid, BWV 3: Recitative. Es mag mir Leib und Geist verschmachten (Tenor)— Johann Sebastian Bach
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Ach Gott, wie manches Herzeleid, BWV 3: Aria Duet : Wenn Sorgen auf mich dringen (Soprano, Alto)— Johann Sebastian Bach
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Ach Gott, wie manches Herzeleid, BWV 3: Chorale. Erhalt mein Herz im Glauben rein— Johann Sebastian Bach
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Meine Seufzer, meine Tränen, BWV 13: Aria. Meine Seufzer, meine Tranen (Tenor)— Johann Sebastian Bach
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Meine Seufzer, meine Tränen, BWV 13: Recitative. Mein liebster Gott lasst mich annoch (Alto)— Johann Sebastian Bach
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Meine Seufzer, meine Tränen, BWV 13: Chorale. Der Gott, der mir hat versprochen (Alto)— Johann Sebastian Bach
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Meine Seufzer, meine Tränen, BWV 13: Recitative. Mein Kummer nimmet zu (Soprano)— Johann Sebastian Bach
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Meine Seufzer, meine Tränen, BWV 13: Aria. Achzen und erbarmlich Weinen (Bass)— Johann Sebastian Bach
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Meine Seufzer, meine Tränen, BWV 13: Chorale; so sei nun, Seele— Johann Sebastian Bach
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Ach wie flüchtig, ach wie nichtig, BWV 26: Ach wie fluchtig, ach wie nichtig (Chorus)— Johann Sebastian Bach
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Ach wie flüchtig, ach wie nichtig, BWV 26: Aria. So schnell ein rauschend Wasser schiesst (Tenor)— Johann Sebastian Bach
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Ach wie flüchtig, ach wie nichtig, BWV 26: Recitative. Die Freude wird zur Traurigkeit (Alto)— Johann Sebastian Bach
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Ach wie flüchtig, ach wie nichtig, BWV 26: Aria. An irdische Schatze das Herze zu hangen (Bass)— Johann Sebastian Bach
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Ach wie flüchtig, ach wie nichtig, BWV 26: Recitative. Die hochste Herrlichkeit und Pracht…— Johann Sebastian Bach
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Ach wie flüchtig, ach wie nichtig, BWV 26: Chorale. Ach wie fluchtig, ach wie nichtig— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Aria. Jesus schlaft, was soll ich hoffen? (Alto)— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Recitative. Herr, warum trittest du so ferne? (Tenor)— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Aria. Die schaumenden Wellen von Belials Bachen…— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Arioso. Ihr Kleinglaubigen, warum seid ihr so…— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Aria. Schweig, aufgeturmtes Meer! (Bass)— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Recitative. Wohl mir, mein Jesus spricht ein Wort…— Johann Sebastian Bach
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Jesus schläft, was soll ich hoffen, BWV 81: Chorale. Unter deinen Schirmen— Johann Sebastian Bach
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Wär Gott nicht mit uns diese Zeit, BWV 14: War Gott nicht mit uns diese Zeit (Chorus)— Johann Sebastian Bach
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Wär Gott nicht mit uns diese Zeit, BWV 14: Aria. Unsre Starke heisst zu schwach (Soprano)— Johann Sebastian Bach
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Wär Gott nicht mit uns diese Zeit, BWV 14: Recitative. Ja, hatt ess Gott nur zugegeben (Tenor)— Johann Sebastian Bach
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Wär Gott nicht mit uns diese Zeit, BWV 14: Aria. Gott, bei deinem starken Schutzen (Bass)— Johann Sebastian Bach
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Wär Gott nicht mit uns diese Zeit, BWV 14: Chorale. Gott Lob und Dank— Johann Sebastian Bach
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Jesu, meine Freude— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Es ist nun nichts Verdammliches— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Unter deinem Schirmen— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Denn das Gesetz des Geistes— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Trotz dem alten Drachen— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Ihr aber seid nicht fleischlich— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Weg mit allen Schatzen!— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: So aber Christus in euch ist— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Gute Nacht, o Wesen— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: So nun der Geist— Johann Sebastian Bach
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Jesu, meine Freude, BWV 227: Weicht, ihr Trauergeister— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: I. Chorus. Erfreut Euch, ihr Herzen— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: II. Recit. Es bricht das Grab und damit unsere Not— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: III. Aria. Lasset dem Höchsten ein Danklied…— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: IV. Recit. (Dialogue) & Arioso. Bei Jesu Leben…— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: V. Duet. Ich fürchte zwar/nicht des Grabes Finsternis— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: VI. Chorale. Halleluja! Des solln wir alle froh sein— Johann Sebastian Bach
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J.S. Bach: Alles nur nach Gottes Willen, BWV 72: I. Chorus. Alles nur nach Gottes Willen— Johann Sebastian Bach
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J.S. Bach: Alles nur nach Gottes Willen, BWV 72: II. Recit. Arioso & Aria. O selger Christ— Johann Sebastian Bach
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J.S. Bach: Alles nur nach Gottes Willen, BWV 72: III. Recit. So glaube nun!— Johann Sebastian Bach
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J.S. Bach: Alles nur nach Gottes Willen, BWV 72: IV. Aria. Mein Jesus will es tun— Johann Sebastian Bach
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J.S. Bach: Alles nur nach Gottes Willen, BWV 72: V. Chorale. Was mein Gott will, das g’scheh…— Johann Sebastian Bach
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J.S. Bach: Herr, wie du willt, so schick’s mit mir, BWV 73: I. Chorus & Recit. Herr, wie du…— Johann Sebastian Bach
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J.S. Bach: Herr, wie du willt, so schick’s mit mir, BWV 73: II. Aria. Ach senke doch den Geist…— Johann Sebastian Bach
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J.S. Bach: Herr, wie du willt, so schick’s mit mir, BWV 73: III. Recit. Ach, unser Wille bleibt…— Johann Sebastian Bach
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J.S. Bach: Herr, wie du willt, so schick’s mit mir, BWV 73: IV. Aria. Herr, so du willt (Bass)— Johann Sebastian Bach
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J.S. Bach: Herr, wie du willt, so schick’s mit mir, BWV 73: V. Chorale. Das ist des Vaters Wille— Johann Sebastian Bach
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J.S. Bach: Was mein Gott will, das g’scheh allzeit, BWV 111: I. Chorus. Was mein Gott will, das…— Johann Sebastian Bach
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J.S. Bach: Was mein Gott will, das g’scheh allzeit, BWV 111: II. Aria. Entsetze dich, mein…— Johann Sebastian Bach
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J.S. Bach: Was mein Gott will, das g’scheh allzeit, BWV 111: III. Recit. O Törichter! der sich…— Johann Sebastian Bach
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J.S. Bach: Was mein Gott will, das g’scheh allzeit, BWV 111: IV. Aria. So geh ich mit beherzten…— Johann Sebastian Bach
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J.S. Bach: Was mein Gott will, das g’scheh allzeit, BWV 111: V. Recit. Drum wenn der Tod…— Johann Sebastian Bach
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J.S. Bach: Was mein Gott will, das g’scheh allzeit, BWV 111: VI. Chorale. Noch eins, Herr, will…— Johann Sebastian Bach
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J.S. Bach: Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia “Arioso”— Johann Sebastian Bach
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J.S. Bach: Ich steh mit einem Fuß im Grabe, BWV 156: II. Chorale & Aria. Ich steh mit einem…— Johann Sebastian Bach
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J.S. Bach: Ich steh mit einem Fuß im Grabe, BWV 156: III. Recit. Mein Angst und Not (Bass)— Johann Sebastian Bach
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J.S. Bach: Ich steh mit einem Fuß im Grabe, BWV 156: IV. Aria. Herr, was du willt, soll mir…— Johann Sebastian Bach
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J.S. Bach: Ich steh mit einem Fuß im Grabe, BWV 156: V. Recit. Und willst du, daß ich nicht…— Johann Sebastian Bach
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J.S. Bach: Ich steh mit einem Fuß im Grabe, BWV 156: VI. Chorale. Herr, wie du willt, so…— Johann Sebastian Bach
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia— Johann Sebastian Bach
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Recitative. Wir mussen durch viel Trubsal (Alto)— Johann Sebastian Bach
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Kreuz und Krone sigs verbunden (Alto)— Johann Sebastian Bach
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Ich folge Christo nach (Bass)— Johann Sebastian Bach
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria and Chorale. Sei getreu, alle Pein (Tenor)— Johann Sebastian Bach
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Chorale. Was Gott tut— Johann Sebastian Bach
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Ihr werdet weinen und heulen, BWV 103: Recitative. Wer sollte nicht in Klagen untergehn (Tenor)— Johann Sebastian Bach
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Ihr werdet weinen und heulen, BWV 103: Aria. Kein Arzt ist ausser dir zu finden (Alto)— Johann Sebastian Bach
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Ihr werdet weinen und heulen, BWV 103: Recitative. Du wirst mich nach der Angst (Alto)— Johann Sebastian Bach
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Ihr werdet weinen und heulen, BWV 103: Aria. Erholet euch, betrubte Sinnen (Tenor)— Johann Sebastian Bach
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Ihr werdet weinen und heulen, BWV 103: Chorale. Ich hab dich einen Augenblick— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Sinfonia— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Chorale. Wir mussen durch viel Trubsal— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Aria. Ich will nach dem Himmel zu (Alto)— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Recitative. Ach! Wer doch schon im Himmel war! (Soprano)— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Aria. Ich sae meine Zahren (Soprano)— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Recitative. Ich bin bereit (Tenor)— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Aria Duet. Wie will ich mich freuen (Tenor, Bass)— Johann Sebastian Bach
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Wir müssen durch viel Trübsal, BWV 146: Chorale. Denn wer selig dahin fahret— Johann Sebastian Bach
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Wo gehest du hin?, BWV 166: Aria. Wo gehest du hin? (Bass)— Johann Sebastian Bach
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Wo gehest du hin?, BWV 166: Aria. Ich will an den Himmel denken (Tenor)— Johann Sebastian Bach
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Wo gehest du hin?, BWV 166: Chorale. Ich bitte dich, Herr Jesu Christ (Soprano)— Johann Sebastian Bach
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Wo gehest du hin?, BWV 166: Recitative. Gleichwie die Regenwasser bald verfliessen (Bass)— Johann Sebastian Bach
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Wo gehest du hin?, BWV 166: Aria. Man nehme sich in Acht (Alto)— Johann Sebastian Bach
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Wo gehest du hin?, BWV 166: ChoraleL Wer weiss, wie nahe mir mein Ende!— Johann Sebastian Bach
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Es ist euch gut, dass ich hingehe, BWV 108: Aria. Es ist euch gut, dass ich hingehe (Bass)— Johann Sebastian Bach
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Es ist euch gut, dass ich hingehe, BWV 108: Aria. Mich kann kein Zweifel storen (Tenor)— Johann Sebastian Bach
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Es ist euch gut, dass ich hingehe, BWV 108: Recitative. Dein Gesit wird mich also regieren (Tenor)— Johann Sebastian Bach
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Es ist euch gut, dass ich hingehe, BWV 108: Chorale. Wenn aber jener, der Geist der Wahrheit— Johann Sebastian Bach
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Es ist euch gut, dass ich hingehe, BWV 108: Aira: Was mein Herz von dir begehrt (Alto)— Johann Sebastian Bach
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Es ist euch gut, dass ich hingehe, BWV 108: Chorale. Dein Geist, den Gott vom Himmel gibt— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Chorale. Sei Lob und Ehr dem hochsten Gut— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Recitative. Es danken dir die Himmelsheer (Bass)— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Aria. Was unser Gott geschaffen hat (Tenor)— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Chorale. Ich rief dem Herrn in meiner Not— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Recitative. Der Herr ist noch und nimmer nicht (Alto)— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Aria. Wenn Trost und Hulf ermangeln muss (Bass)— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Aria. Ich will dich all mein Leben lang— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Recitative. Ihr, die ihr CHristi Namen nennt (Tenor)— Johann Sebastian Bach
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Sei Lob und Ehr dem höchsten Gut, BWV 117: Chorale. So kommet vor sein Angesicht— Johann Sebastian Bach
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Jesus nahm zu sich die Zwölfe, BWV 22: Arioso. Jesus nahm zu sich die Zwolfe (Tenor, Bass, Chorus)— Johann Sebastian Bach
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Jesus nahm zu sich die Zwölfe, BWV 22: Aria. Mein Jesu, ziehe mich nach dir (Alto)— Johann Sebastian Bach
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Jesus nahm zu sich die Zwölfe, BWV 22: Recitative. Mein Jesu, ziehe mich nach dir (Bass)— Johann Sebastian Bach
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Jesus nahm zu sich die Zwölfe, BWV 22: Aria. Mein alles in allem, mein ewiges Gut (Tenor)— Johann Sebastian Bach
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Jesus nahm zu sich die Zwölfe, BWV 22: Ertot uns durch dein Gute (Chorus)— Johann Sebastian Bach
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Du wahrer Gott und Davids Sohn, BWV 23: Duet. Du wahrer Gott und Davids Sohn (Soprano, Alto)— Johann Sebastian Bach
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Du wahrer Gott und Davids Sohn, BWV 23: Recitative. Ach! Gehe nicht voruber (Tenor)— Johann Sebastian Bach
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Du wahrer Gott und Davids Sohn, BWV 23: Aller Augen warten, Herr (Chorus)— Johann Sebastian Bach
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Du wahrer Gott und Davids Sohn, BWV 23: Chorale. Christe, du Lamm Gottes— Johann Sebastian Bach
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Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127: Chorale. Herr Jesu Christ, wahr’ Mensch und…— Johann Sebastian Bach
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Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127: Recitative. Wenn alles sich zur letzten Aeit…— Johann Sebastian Bach
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Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127: Aria; Die Seel ruht in Jesu Handen (Soprano)— Johann Sebastian Bach
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Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127: Recitative and Aria. Wenn einstens die…— Johann Sebastian Bach
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Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127: Chorale. Ach, Herr, vergib all unsre Schuld— Johann Sebastian Bach
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Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Arioso and Recitative. Sehet! Wir gehn hinauf…— Johann Sebastian Bach
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Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Aria and Chorale. Ich folge dir nach (Alto and…— Johann Sebastian Bach
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Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Recitative. Nun will ich mich (Tenor)— Johann Sebastian Bach
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Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Aria. Es ist vollbracht (Bass)— Johann Sebastian Bach
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Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Chorale. Jesu, deine Passion— Johann Sebastian Bach
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Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127: Herr Jesu Christ, wahr’ Mensch und Gott, BWV…— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Sonata— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Himmelskonig, sei willkommen (Chorus)— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Recitative. Siehe, siehe, ich komme (Bass)— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Aria. Starkes Lieben (Bass)— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Aria. Leget euch dem Heiland unter (Alto)— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Aria. Jesu, lass durch Wohl und Weh (Tenor)— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: Chorale. Jesu, deine Passion— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: So lasset uns gehen in Salem der Freuden (Chorus)— Johann Sebastian Bach
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Widerstehe doch der Sünde, BWV 54: Aria. Widerstehe doch der Sunde (Alto)— Johann Sebastian Bach
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Widerstehe doch der Sünde, BWV 54: Recitative. Die Art verruchter Sunden (Alto)— Johann Sebastian Bach
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Widerstehe doch der Sünde, BWV 54: Aria. Wer Sunde tut (Alto)— Johann Sebastian Bach
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Wie schön leuchtet der Morgenstern, BWV 1: Wie schon leuchtet der Morgenstern (Chorus)— Johann Sebastian Bach
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Wie schön leuchtet der Morgenstern, BWV 1: Recitative. Du wahrer Gottes und Marien Sohn (Tenor)— Johann Sebastian Bach
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Wie schön leuchtet der Morgenstern, BWV 1: Aria. Erfullet, ihr himmlischen gottlichen Flammen…— Johann Sebastian Bach
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Wie schön leuchtet der Morgenstern, BWV 1: Recitative. Ein irdscher Glanz, ein leiblich Licht…— Johann Sebastian Bach
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Wie schön leuchtet der Morgenstern, BWV 1: Aria. Unser Mund und Ton Der Saiten (Tenor)— Johann Sebastian Bach
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Wie schön leuchtet der Morgenstern, BWV 1: Chorale. Wie bin ich doch so herzlich froh— Johann Sebastian Bach
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Stravinsky: The Rake’s Progress / Act I / Prelude: Prelude— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “The Woods Are Green”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “Anne, My Dear” (Trulove)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “Here I Stand” / “Since It Is not by Merit”…— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “Tom Rakewell?” (Nick)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “Fair Lady, Gracious Gentlemen” / “I Wished…— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “I’ll Call the Coachman, Sir”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “Farewell for Now” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “All Is Ready, Sir” (Nick)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene I: “Dear Father Trulove” / “Laughter and Light”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “With Air Commanding and Weapon Handy”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “Come, Tom”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “Soon Dawn Will Glitter” (Whores)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “Sisters of Venus, Brothers of Mars” (Shadow)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “Love, Too Frequently Betrayed”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “How Sad a Song” (Whores)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene II: “The Sun Is Bright, the Grass Is Green”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “No Word from Tom”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “Quietly, Night” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “My Father! Can I Desert Him” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “I Go, I Go to Him” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “Vary the Song, O London, Change!”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “Nature, Green Unnatural Mother” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “Always the Quarry” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “Master, Are You Alone?” (Nick)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “Come Master, Observe the Host” (Nick)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “In Youth the Panting Slave” (Nick)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene I: “My Tale Shall Be Told” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene II: Introduction— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene II: “How Strange” / “O Heart Be Stronger” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene II: “Anne! Here!”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene II: “My Love, Am I to Remain in Here for Ever?”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene II: “Could It Then Have Been Known” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act II / Scene II: “I Have Not Run Away Dear Heart” (Baba)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “As I Was Saying” / “Come, Sweet, Come” /…— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “My Heart Is Cold, I Cannot Weep”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: Pantomime – “Fa la la” (Nick)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “O I Wish It Were True” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “Thanks To This Excellent Device” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act I / Scene III: “Forgive Me, Master” (Shadow)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene I: “Ruin, Disaster, Shame”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene I: “Ladies, Both Fair and Gracious” (Sellem)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene I: “Who Hears Me, Knows Me” / “Seven -…— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene I: “Sold! Annoyed!” / “Now What Was That!”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene I: “You Love Him” / “If Boys Had Wings”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene I: “I Go to Him” / “Who Cares a Fig”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene II: Prelude— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene II: “How Dark and Dreadful Is This Place”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene II: “Very Well, Then, My Dear and Good Tom”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene II: “Well, Then” – “My Heart Is Wild with Fear”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene II: “I Burn! I Burn! I Freeze!”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene II: “With Roses Crowned” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “Prepare Yourselves, Heroic Shades” /…— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “There He Is. Have No Fear”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “I Have Waited” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “In a Foolish Dream” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “I Am Exceedingly Weary” (Tom)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “Gently, Little Boat”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “Anne, My Dear, the Tale Is Ended Now”…— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “Every Wearied Body” (Anne)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “Where Art Thou Venus?”— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Scene III: “Mourn for Adonis” (Chorus)— Igor Stravinsky
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Stravinsky: The Rake’s Progress / Act III / Epilogue: “Good People, Just a Moment”— Igor Stravinsky
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Schumann: Requiem für Mignon, Op. 98b— Robert Schumann
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Schumann: Nachtlied for Chorus and Orchestra, Op. 108— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 1, Vor Edens Tor im Morgenprangen— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 2, Wie glücklich sie wandeln, die…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 3, Der hehre Engel – Dir, Kind des Stamms— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 4, Wo find’ ich sie? Wo blüht, wo liegt…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 5, So sann sie nach – O süßes Land!— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 6, Doch seine Ströme sind jetzt rot— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 7, Und einsam – Komm, kühner Held –…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 8, Weh, weh, weh, er fehlte das Ziel— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 1: No. 9, Die Peri sah das Mal – Sei…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 10, Die Peri tritt mit – Gern grüßen…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 11, Ihr erstes Himmelshoffen – Hervor…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 12, Fort streift von hier – Für euren…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 13, Die Peri weint— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 14, Im Waldesgrün am – Ach, einen…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 15, Verlassener Jüngling – Doch sieh…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 16, O laß mich von der Luft – Sie…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 2: No. 17, Schlaf nun und ruhe in Träumen voll…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 18, Schmücket die – Auch der…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 19, Dem Sang von Ferne – Noch nicht!…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 20, Verstoßen! Verschlossen aufs neu…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 21, Jetzt sank des Abends goldner Schein— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 22, Und wie sie – Peri, ist’s wahr –…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 23, Hinab zu – Sie schwebt – Doch…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 24, O heil’ge Tränen inn’ger Reue— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 25, Es fällt ein Tropfen – Und sieh,…— Robert Schumann
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Schumann: Das Paradies und die Peri, Op. 50, Pt. 3: No. 26, Freud’, ew’ge Freude –…— Robert Schumann
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Cowper: Gloria in excelsis Deo— Robert Cowper
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Anonymous: Ave Maria, gratia plena— Anonymous
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Anonymous: Angelus ad virginem— Anonymous
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Palestrina: Alma Redemptoris Mater – Ed. J. Dixon— Giovanni Pierluigi da Palestrina
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Anonymous: Gabriel’s Message (Basque Carol)— Anonymous
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Bassano: Hodie Christus natus est— Giovanni Bassano
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Anonymous: Jolly sheperd— Anonymous
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Sweelinck: Hodie Christus natus est— Jan Pieterszoon Sweelinck
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Anonymous: Past Three a Clock— Anonymous
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Anonymous: Es ist ein’ Ros’ entsprungen – Arr. M. Praetorius; Canon a 4 by Melchior Vulpius…— Anonymous
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There is no rose of such virtu— Composer not yet identified
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Bárdos: Ave maris stella— Lajos Bárdos
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Howells: A spotless Rose— Herbert Howells
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Byrd: O magnum mysterium— William Byrd
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Schütz: Ach Herr, Du Schöpfer— Heinrich Schütz
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Anonymous: This endris night— Anonymous
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Anonymous: Entre le boeuf— Anonymous
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Anonymous: Guillô, pran ton tamborin— Anonymous
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Anonymous: Psallite. French Anonymous Chanson “Ho la hé” – In Latin and German— Anonymous
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Dering: Quem vidistes pastores?— Richard Dering
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The Cradle— Composer not yet identified
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Anonymous: El Rorro— Anonymous
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Anonymous: Once As I Remember— Anonymous
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J.G. Walther: Joseph, lieber Joseph mein— Johann Gottfried Walther
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Gardner: Entry Of The Three Kings – Introit— John Linton Gardner
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Anonymous: The King of all Kings— Anonymous
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R. Armstrong: Ring out ye crystal spheres – Written for the “Springhead Christmas Play”, 1955— Robert Armstrong
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Weelkes: Gloria in excelsis deo— Thomas Weelkes
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Berlioz: Roméo et Juliette, Op. 17 / Part 1: Introduction Combats – Tumulte-Intervention du Prince— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 1: Prologue: “D’anciennes haines endormies”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 1: Prologue: “La fête est terminée… “— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 – Version with original parts. – Part 1: Strophes “Premiers…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 1: “Mab la messagère… “— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 1: “Bientôt la mort est souveraine… “— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 2: Roméo seul— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 3: Scène d’amour— Hector Berlioz
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Berlioz: Roméo et Juliet, Op. 17 / Part 4: Scherzo: La reine Mab ou la fée des songes— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 1: Prologue:…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 1: Prologue: “Pousée…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 /Version with original parts / Part 1: “Tel sont d’abord,…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Deuxieme Prologue: “Plus de…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 5: “Jetez des fleurs…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 5: “Requiem aeternam”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 6: Invocation – Réveil de Juliette— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 7: “Quoi! Roméo de retour!”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 7: “Mais vous avez repris la guerre de famille”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 7: “Mais notre sang rougit leur gleve”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 7: “Jurez donc par l’auguste symbole”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Part 5: “Jetez des fleurs pour la vierge expirée”— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 7: “Quoi! Roméo de…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 7: “Mais vous avez…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 7: “Mais notre sang…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 7: “Jurez donc par…— Hector Berlioz
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Berlioz: Roméo et Juliette, Op. 17 / Version with original parts / Part 7: “Et nous voulons par…— Hector Berlioz
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Schumann: Symphony No. 1 in B-Flat Major, Op. 38 “Spring”: I. Andante un poco maestoso –…— Robert Schumann
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Schumann: Symphony No. 1 in B-Flat Major, Op. 38 “Spring”: II. Larghetto— Robert Schumann
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Schumann: Symphony No. 1 in B-Flat Major, Op. 38 “Spring”: III. Scherzo. Molto vivace— Robert Schumann
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Schumann: Symphony No. 1 in B-Flat Major, Op. 38 “Spring”: IV. Allegro animato e grazioso— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam – Lebhaft— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120: IVa. Langsam— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120: IVb. Lebhaft – Schneller – Presto— Robert Schumann
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Schumann: Konzertstück for 4 Horns and Orchestra, Op. 86: I. Lebhaft –— Robert Schumann
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Schumann: Konzertstück for 4 Horns and Orchestra, Op. 86: II. Romanze— Robert Schumann
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Schumann: Konzertstück for 4 Horns and Orchestra, Op. 86: III. Sehr lebhaft— Robert Schumann
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Dans la crèche, en ce temps, Jésus venait de…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Qui vient ? … Rome … Avancez !” (Centurion,…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Toujours ce rêve ! Encore cet enfant” (Herod)— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Seigneur ! … Lâches, tremblez !” (Polydorus,…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Les sages de Judée, ô roi, te reconnaissent”…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Ô mon cher fils, donne cette herbe tendre à ces…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 1: “Joseph! Marie!” (Choeur, Marie, Joseph)— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 2: Overture— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 2: “Les pèlerins étant venus” (Narrateur, Choeur)— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 3: “Depuis trois jours, malgré l’ardeur du vent”…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 3: “Dans cette ville immense … Entrez, entrez,…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 3: Trio of Ishmaelite Children— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 3: “Vous pleurez, jeune mère” (Un Père de famille,…— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130,Part 3: “Ce fut ainsi que, par un infidèle” (Narrateur)— Hector Berlioz
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L’enfance du Christ, Op. 25, H. 130, Part 3: “O mon âme!” (Choeur, Narrator)— Hector Berlioz
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Handel: Agrippina, HWV 6 / Act 1: Nerone, amato, figlio!— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Col saggio tuo consiglio— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Per cosí grande impresa— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: La mia sorte fortunata— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Or che Pallante è vinto— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Volo pronto, e lieto il core— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Quanto fa, quanto puote… L’alma mia fra le tempeste— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Qual piacere a un cor pietoso… Prendi tu ancora, prendi……— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Amici, al sen vi stringo— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Voi, che dell’alta Roma… Il tuo figlio— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Ma qual di liete trombe… Allegrezza, allegrezza!… Che sento!— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Alle tue piante, o Augusta— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Tu ben degno— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: L’ultima del gioir mèta gradita… Lusinghiera mia speranza— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Vaghe perle, eletti fiori— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Otton, Claudio, Nerone— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: E un foco quel d’amore— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Ma qui Agrippina viene— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Ho un non so nel cor— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Cieli, quai strani casi… Fa quanto vuoi— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Non veggo alcun— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Pur ritorno a rimirarvi— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Ma, oh ciel, mesta e confusa— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Vieni, o cara— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Che mai farò!… E quando mai i frutti… Pur al fin si riandò— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Non ho cor che per amarti— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 1: Se Ottone m’ingannò… Se giunge un dispetto— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Dunque noi siam traditi?— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Coronato il crin d’alloro… Roma, più ch’il trionfo— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Ecco il superbo— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Di timpani e trombe— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Nelle Britannia vinta… Cade il mondo soggiogato— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Signor, quanto il mio core— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Nulla sperar da me… E tu, Poppea… Tuo ben è ‘l trono……— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Otton, qual portentoso fulmine— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Voi che udite il mio lamento— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Bella pur del mio diletto… Il tormento d’Ottone— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Vaghe fonti… Ottone traditore!— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Ti vo’ giusta e non pietosa— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Di quali ordite trame— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Pur al fine ti ritrovo!— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Col peso del tuo amor— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Qual bramato piacere… Quando invita la donna l’amante— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Pensieri, voi mi tormentate!— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Se ben nemica sorte— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Col raggio placido— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Di giunger non dispero al mio desire— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Spererò, poi che mel dice— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Per dar la pace al core— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Basta sol che tu chieda— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 2: Favorevol la sorte oggi m’arride… Ogni vento ch’al porto lo…— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Il caro Ottone al precipizio io spinsi— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Tacerò, tacerò— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Attendo qui Nerone e Claudio ancora— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Coll’ardor del tuo bel core— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Amico ciel, seconda il mio disegno— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Io di Roma il Giove sono— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Pur al fin se ne andò— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Pur ch’io ti stringa al sen— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Piega pur del mio cor… Bel piacer— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Cotanto osò Poppea?— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Come nube che fugge dal vento— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Evvi donna più empia?— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Adorato mio sposo— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Se vuoi pace, o volto amato— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Ecco la mia rivale— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: Lieto il Tebro increspi l’onda— George Frideric Handel
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Handel: Agrippina, HWV 6 / Act 3: D’Otton e di Poppea sul grande innesto… V’accendano le tede— George Frideric Handel
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Da Jesus an dem Kreuze stund, SWV 478— Heinrich Schütz
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Es gingen zweene Menschen hinauf, SWV 444— Heinrich Schütz
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Weib, was weinest du?, SWV 443— Heinrich Schütz
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Ich beschwöre euch, ihr Töchter zu Jerusalem, SWV 339— Heinrich Schütz
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Mein Sohn, warum hast du uns das getan, Op. 12 No. 4, SWV 401— Heinrich Schütz
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Hodie Christus Natus Est— Composer not yet identified
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Adeste fideles— Composer not established
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Imitatio super Alleluja paschale— Composer not yet identified
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Jesus bleibet meine Freude— Johann Sebastian Bach
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Thais. The Opera – Meditation— Composer not yet identified
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Chtíc, aby spal— Composer not established
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Italienisches Konzert— Johann Sebastian Bach
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My Lovely Nightingale— Composer not established
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Toccata And Fugue in D major— Composer not yet identified
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Erbarme Dich— Composer not yet identified
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Ave Maria— Composer not yet identified
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Wachet auf, ruft uns die Stimme— Composer not yet identified
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Xerxes. The Opera – Act 1 – Ombra mai fu— Composer not established
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Půlnoční krajinou andělé jdou— Composer not established
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Štědrý večer nastal— Composer not yet identified
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Silent Night (Stille Nacht)— Composer not yet identified
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Rachmaninoff: Symphonic Dances, Op. 45: I. Non allegro— Sergei Rachmaninoff
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Rachmaninoff: Symphonic Dances, Op. 45: II. Andante con moto. Tempo di valse— Sergei Rachmaninoff
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Rachmaninoff: Symphonic Dances, Op. 45: III. Lento assai – Allegro vivace— Sergei Rachmaninoff
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Janáček: Taras Bulba, JW VI/15: I. The Death of Andrei— Leoš Janáček
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Janáček: Taras Bulba, JW VI/15: II. The Death of Ostap— Leoš Janáček
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Janáček: Taras Bulba, JW VI/15: III. The Prophecy and Death of Taras Bulba— Leoš Janáček
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Grainger: The Warriors— Percy Grainger
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Holst: The Planets, Op. 32: I. Mars, The Bringer Of War— Gustav Holst
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Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace— Gustav Holst
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Holst: The Planets, Op. 32: III. Mercury, the Winged Messenger— Gustav Holst
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Holst: The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity— Gustav Holst
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Holst: The Planets, Op. 32: V. Saturn, the Bringer of Old Age— Gustav Holst
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Holst: The Planets, Op. 32: VI. Uranus, the Magician— Gustav Holst
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Holst: The Planets, Op. 32: VII. Neptune, the Mystic— Gustav Holst
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Mozart: Le nozze di Figaro, K. 492: Overture (Live)— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act I: No. 2, Duet. Se a caso madama la notte ti chiama— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act I: No. 3, Se vuol ballare, signor Contino— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act I: No. 4, La vendetta, oh, la vendetta!— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act I: No. 6, Non so più cosa son, cosa faccio— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act I: No. 8, Chorus. Giovani liete, fiori spargete— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act I: No. 10, Non più andrai— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act II: No. 11, Porgi amor— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act II: No. 13, Venite inginocchiatevi— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act II: No. 16, Finale: h-i. Voi signor, che giusto siete— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act III: No. 17, Duet. Crudel! perchè finora (Live)— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K.492 / Act 3: Hai già vinta la causa!…Vedrò mentr’io sospiro…— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K.492 / Act 3: E Susanna non vien…Dove sono i biei momenti…Io— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act III: Recit. E decisa la lite— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act III: No. 19, Sextet. Riconosci in questo amplesso— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act III: No. 21, Sull’ aria… Che soave zeffiretto “Letter…— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act IV: No. 24, L’ho perduta, me meschina— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act IV: No. 27, Aprite un po’ quegl’ occhi— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act IV: No. 28a, Giunse alfin il momento— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act IV: No. 28b, Deh vieni, non tardar— Wolfgang Amadeus Mozart
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Mozart: Le nozze di Figaro, K. 492, Act IV: No. 29, Finale: e-g. Gente, gente, all’armi……— Wolfgang Amadeus Mozart
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Verdi: Messa da Requiem: 1. Requiem— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Dies irae— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Tuba Mirum— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Liber scriptus— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Quid sum miser— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Rex Tremendae— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Recordare— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Ingemisco— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Confutatis— Giuseppe Verdi
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Verdi: Messa da Requiem: 2. Lacrymosa— Giuseppe Verdi
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Verdi: Messa da Requiem: 3. Offertorium— Giuseppe Verdi
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Verdi: Messa da Requiem: 4. Sanctus— Giuseppe Verdi
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Verdi: Messa da Requiem: 5. Agnus Dei— Giuseppe Verdi
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Verdi: Messa da Requiem: 6. Lux aeterna— Giuseppe Verdi
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Verdi: Messa da Requiem: 7. Libera me— Giuseppe Verdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 1. Deus in adjutorium…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 3. Psalmus 109: Dixit…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 4. Concerto: Nigra sum— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 5. Psalmus 112:…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 6. Concerto: Pulchra es— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 7. Psalmus 121:…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 8. Concerto: Duo Seraphim— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 9. Psalmus 126: Nisi…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 10. Concerto: Audi, coelum— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 11. Psalmus 147; Lauda,…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 12. Sonata sopra…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 13. Hymnus: Ave Maria…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 14. Magnificat: Magnificat— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 15. Magnificat: Et…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 16. Magnificat: Quia…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 17. Magnificat: Quia…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 18. Magnificat: Et…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 19. Magnificat: Fecit…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 20. Deposuit potentes— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 21. Esurientes implevit…— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 22. Suscepit Israel— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 23. Sicut locutus est— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 24. Gloria Patri— Claudio Monteverdi
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Vespro della Beata Vergine – Performing Edition by John Eliot Gardiner: 25. Sicut erat in principio— Claudio Monteverdi
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G. Gabrieli: Audite principes a 16, C 123 – Transc. Denis Arnold/Edited for performance John…— Giovanni Gabrieli
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Bassano: Hodie Christus natus est – Trans. Denis Arnold/Edited for performance John Eliot Gardiner— Giovanni Bassano
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G. Gabrieli: Angelus ad pastores – Transc. Denis Arnold/Edited for performance John Eliot Gardiner— Claudio Monteverdi
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G. Gabrieli: Quem Vidistis pastores a 12, C 77 – Trans. Denis Arnold/Edited for performance…— Giovanni Gabrieli
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G. Gabrieli: Salvator noster a 15, C 80 – Trans. Denis Arnold/Edited for performance John Eliot…— Claudio Monteverdi
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G. Gabrieli: Hodie Christus natus est – Trans. Denis Arnold/Edited for performance John Eliot…— Giovanni Gabrieli
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Monteverdi: Exultent caeli – Trans. Denis Arnold/Edited for performance John Eliot Gardiner— Claudio Monteverdi
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Handel: Silete venti, HWV 242: 1. Symphonia – Silete venti— George Frideric Handel
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Handel: Silete venti, HWV 242: 2. Dulcis amor, Jesus care— George Frideric Handel
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Handel: Silete venti, HWV 242: 3. O fortunata anima— George Frideric Handel
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Handel: Silete venti, HWV 242: 4. Date serta, date flores— George Frideric Handel
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Handel: Silete venti, HWV 242: 5. Alleluia— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 1. Laudate pueri— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 2. Sit nomen Domini— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 3. A solis ortu— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 4. Excelsus super omnes— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 5. Quis sicut Dominus— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 6. Suscitans a terra— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 7. Qui habitare facit— George Frideric Handel
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Handel: Laudate pueri Dominum, HWV 237: 8. Gloria Patri— George Frideric Handel
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Mozart: Exsultate, jubilate, K.165: 1. Exsultate, jubilate— Wolfgang Amadeus Mozart
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Mozart: Exsultate, jubilate, K.165: 2. Fulget amica dies— Wolfgang Amadeus Mozart
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Mozart: Exsultate, jubilate, K.165: 3. Tu virginum corona— Wolfgang Amadeus Mozart
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Mozart: Exsultate, jubilate, K.165: 4. Alleluia— Wolfgang Amadeus Mozart
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Dvořák: Symphonic Variations, Op. 78— Antonín Dvořák
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Dvořák: Czech Suite, Op. 39: 1. Preludium: Pastorale (Allegro moderato)— Antonín Dvořák
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Dvořák: Czech Suite, Op. 39: 2. Polka (Allegretto grazioso)— Antonín Dvořák
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Dvořák: Czech Suite, Op. 39: 3. Sousedská (Allegro giusto)— Antonín Dvořák
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Dvořák: Czech Suite, Op. 39: 4. Romanza (Andante con moto)— Antonín Dvořák
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Dvořák: Czech Suite, Op. 39: 5. Finale: Furiant (Presto)— Antonín Dvořák
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Brahms: 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Orch. Brahms)— Composer not established
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Brahms: 21 Hungarian Dances, WoO 1: No. 3 in F Major. Allegretto (Orch. Brahms)— Composer not established
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Brahms: 21 Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Schmeling)— Johannes Brahms
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Brahms: 21 Hungarian Dances, WoO 1: No. 10 in F Major. Presto (Orch. Brahms)— Composer not yet identified
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Brahms: 21 Hungarian Dances, WoO 1: No. 16 in F Minor. Con moto (Orch. Parlow)— Johannes Brahms
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Brahms: 21 Hungarian Dances, WoO 1: No. 18 in D Major. Molto vivace (Orch. Dvořák)— Johannes Brahms
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Brahms: 21 Hungarian Dances, WoO 1: No. 19 in B Minor. Allegretto (Orch. Dvořák)— Johannes Brahms
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Brahms: 21 Hungarian Dances, WoO 1: No. 20 in E Minor. Poco allegretto (Orch. Dvořák)— Johannes Brahms
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Brahms: 21 Hungarian Dances, WoO 1: No. 21 in E Minor. Vivace (Orch. Dvořák)— Johannes Brahms
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Mozart: Die Entführung aus dem Serail, K.384: Ouvertüre— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Hier soll ich dich denn sehen” – “Aber…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: Wer ein Liebchen hat gefunden— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: Nun, wie steht’s, Osmin?— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Solche hergelauf’ne Laffen”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Geh nur, verwünschter Aufpasser”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Konstanze, dich wiederzusehen” – “O wie…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Herr, geschwind auf die Seite” – Marsch— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Singt dem großen Bassa Lieder”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Immer noch traurig, geliebte Konstanze?”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Ach ich liebte, war so glücklich”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Du bist so großmütig, so gut” – “Ha,…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 1: “Marsch! Trollt euch fort!”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Gift und Dolch!”-“O, des Zankens,…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: Zärtlichkeit! Schmeicheln!— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Ich gehe, doch rate ich dir”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Wie traurig Konstanze daherkommt!” -…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Ach mein bestes Fräulein!” – “Nun,…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Martern aller Arten”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: Ist das ein Traum?— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: Bst, bst, Blondchen!— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Welche Wonne, welche Lust”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Ah, daß es schon vorbei wäre!” -…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Ha! Geht’s hier so lustig zu?”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Vivat Bacchus! Bacchus lebe!”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Wein – das ist wahr – Wein” – “Pedrillo,…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Wenn der Freude Tränen fließen” – “Ich…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 2: “Ach Belmonte! Ach, mein Leben!”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: Pedrillo! Pedrillo!— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: “Ich baue ganz auf deine Stärke”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: “Alles liegt auf dem Ohr” – No. 18 “In…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: “Sie macht auf, Herr!” -“Gift und Dolch!…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: “Ha, wie will ich triumphieren”— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: Was gibt’s Osmin?— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: “Welch ein Geschick” -“Meinetwegen willst…— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: Nun, Sklave! Erwartest du dein Urteil?— Wolfgang Amadeus Mozart
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Mozart: Die Entführung aus dem Serail, K.384 / Act 3: “Nie werd’ ich deine Huld verkennen” -…— Wolfgang Amadeus Mozart
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 1….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 2. Am…— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 3. O…— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 4….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 5….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 6….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 7….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 8….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 9. Am…— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 10. O…— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 11….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 12….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 13….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 14….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 15….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 16….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 17….— Johannes Brahms
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Brahms: Liebeslieder-Walzer, Op. 52 – Verses from “Polydora”, translated by G.F. Daumer – 18….— Johannes Brahms
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Brahms: 4 Gesänge, Op. 17 – 1. Es tönt ein voller Harfenklang (F. Ruperti)— Johannes Brahms
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Brahms: 4 Gesänge, Op. 17 – 2. Lied von Shakespeare— Johannes Brahms
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Brahms: 4 Gesänge, Op. 17 – 3. Der Gärtner (J. Eichendorff)— Johannes Brahms
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Brahms: 4 Gesänge, Op. 17 – 4. Gesang aus Fingal (Ossian)— Johannes Brahms
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Brahms: 3 Gesänge, Op. 42 – 1. Abendständchen (C. Brentano)— Johannes Brahms
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Brahms: 3 Gesänge, Op. 42 – 2. Vineta (W. Müller)— Johannes Brahms
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Brahms: 3 Gesänge, Op. 42 – 3. Darthulas Grabesgesang (J.G. Herder after Ossian)— Johannes Brahms
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Brahms: 4 Quartets, Op. 92 – 1. O schöne Nacht (G.F. Daumer)— Johannes Brahms
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Brahms: 4 Quartets, Op. 92 – 2. Spätherbst (H. Allmers)— Johannes Brahms
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Brahms: 4 Quartets, Op. 92 – 3. Abendlied (F. Hebbel)— Johannes Brahms
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Brahms: 4 Quartets, Op. 92 – 4. Warum (J.W. Goethe)— Johannes Brahms
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Brahms: 5 Gesänge, Op. 104 – 1. Nachtwache I (F. Rückert)— Johannes Brahms
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Brahms: 5 Gesänge, Op. 104 – 2. Nachtwache II (F. Rückert)— Johannes Brahms
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Brahms: 5 Gesänge, Op. 104 – 3. Letztes Glück (M. Kallbeck)— Johannes Brahms
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Brahms: 5 Gesänge, Op. 104 – 4. Verlorne Jugend (J. Wenzig after a Bohemian poem)— Johannes Brahms
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Brahms: 5 Gesänge, Op. 104 – 5. Im Herbst (K. Groth)— Johannes Brahms
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Mozart: La clemenza di Tito, K. 621: Overture— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Ma che? sempre l’istesso”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Come ti piace imponi” – “Fan mille affetti insieme”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Amico, il passo affretta”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Deh se piacer mi vuol”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K.621 / Act 1: “Amico, ecco il momento”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Deh prendi un dolce amplesso”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K.621 / Act 1: Marcia— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K.621 / Act 1: “Serbate, oh Dei custodi” (I)— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Te della patria il Padre” – “Basta, basta, oh…— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Serbate, oh Dei custodi” (II)— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Adesso, oh Sesto, parla per me”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Del più sublime soglio”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Non ci pentiam”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Ah perdona al primo affetto”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Servilia! Augusta!”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Ah, se fosse intorno al trono”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Felice me!” – “Ancora mi schernisce?”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621, Act I: No. 9, Aria. Parto, ma tu ben mio (Live)— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Vedrai, Tito, vedrai”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Vengo… aspettate… Sesto!…”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621, Act I: No. 11, Accompagnato. Oh Dei, che smania è questa— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act I: “Deh conservate, oh Dei” – “Sesto!”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Sesto, come tu credi”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Torna di Tito a lato”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Partir deggio, o restar?” – “Sesto! – Che chiedi?”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Se al volto mai ti senti”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Ah, grazie si rendano” – “È tutto colà d’intorno”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Tardi s’avvede”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “No, così scellerato” – “Cesare, nol diss’io”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Tu fosti tradito”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Che orror! che tradimento!” – “Ingrato!”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Quello di Tito è il volto!”-“Odimi, oh Sesto”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Deh per questo istante solo”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Dove s’intese mai più contumace infedeltà?” -…— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Se all’impero”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: Ah, Vitellia!…Ah, principessa!— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “S’altro che lagrime”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Ecco il punto, oh Vitellia”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Non più di fiori”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Che del ciel, che degli Dei”— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: Sesto, de’tuoi delitti…Ma che giorno è mai questo?— Wolfgang Amadeus Mozart
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Mozart: La clemenza di Tito, K. 621 / Act II: “Tu, è ver, m’assolvi, Augusto”— Wolfgang Amadeus Mozart
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Handel: Saul, HWV 53 / Act 1: “How excellent thy name, O Lord” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “An infant rais’d by thy command… Along the monster atheist…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “The youth inspir’d by Thee, O Lord” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “How excellent thy name, O Lord” (Reprise) (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “He comes… O godlike youth!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Behold, O King, the brave victorious youth” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “O King, your favours with delight I take… O early piety! (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “What abject thoughts a Prince can have… Yet think, on whom…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Birth and fortune I despise!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Go on, illustrious pair!… While yet thy tide of blood runs…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Thou, Merab, first in birth… My soul rejects the thought……— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: Symphony… “Already see the daughters… Welcome, welcome mighty…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “What do I hear?… David his ten thousands slew… To him ten…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “With rage I shall burst his praises to hear!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Imprudent women!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Fell rage and black despair possessed” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “This but the smallest part of harmony… By thee this universal…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Rack’d with infernal pains” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “O Lord, whose mercies”… Symphony (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “‘Tis all in vain… A serpent in my bosom warm’d… Has he…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Capricious man” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “O filial piety!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “No, no cruel father, no!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “O Lord, whose providence ever wakes for their defence” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 1: “Preserve him for the glory of thy name” (Live)— George Frideric Handel
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Audience Applause Act 1 (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Envy! Eldestborn of hell! (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Ah! dearest friend” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “But sooner Jordan’s stream, I swear” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “O strange vicissitude!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Such haughty beauties” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “My father comes… Hast thou obey’d my orders” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Sin not, o King, against the youth” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “As great Jehovah lives” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “From cities storm’d, and battles won” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Appear, my friend” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Your words, O King… Yes he shall wed my daughter!” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “A Father’s will” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “O fairest of ten thousand fair… Is there a man” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Thy father is as cruel” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “At persecution I can laugh” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Whom dost thou seek?” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “No, no, let the guilty tremble” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Mean as he was” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “Author of peace” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “The time at length is come… Where is the son of Jesse” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 2: “O fatal consequence of rage” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Wretch that I am… ‘Tis said, here lives a woman… With me…— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Infernal Spirits” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Why hast thou forc’d me from the realms of peace” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Whence comest thou?… Impious wretch, of race accurst” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Mourn Israel” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “O let it not in Gath be heard” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “From this unhappy day” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Brave Jonathan his bow ne’er drew” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Eagles were not so swift as they” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “In sweetest harmony” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “O fatal Day” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Ye men of Judah, weep no more” (Live)— George Frideric Handel
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Handel: Saul, HWV 53 / Act 3: “Gird on thy sword” (Live)— George Frideric Handel
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Audience Applause Act 3 (Live)— George Frideric Handel
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Purcell: Ode for St Cecilia’s Day, “Welcome to all the pleasures”, Z339 – original version:…— Henry Purcell
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Purcell: Dido and Aeneas: Overture— Henry Purcell
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Purcell: Dido and Aeneas / Act 1: “Shake the cloud from off your brow”— Henry Purcell
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Purcell: Dido and Aeneas / Act 1: “Ah! Belinda, I am prest with torment”— Henry Purcell
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Purcell: Dido and Aeneas / Act 1: “Whence could so much virtue spring?” – “Fear no danger”— Henry Purcell
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Purcell: Dido and Aeneas / Act 1: “See, your Royal Guest appears” – “If not for mine”— Henry Purcell
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Corbetta: Ciaccona— Henry Purcell
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Purcell: Dido and Aeneas / Act 1: “To the hills and the vales” – The Triumphing Dance— Henry Purcell
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Purcell: Dido and Aeneas / Act 2: Prelude for the Witches – “Wayward sisters”— Henry Purcell
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Purcell: Dido and Aeneas / Act 2: “In our deep vaulted cell” – Echo Dance of the Furies— Henry Purcell
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Purcell: Dido and Aeneas / Act 2: Ritornelle – “Thanks to these lonesome vales”— Henry Purcell
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Sanz: Folías— Gaspar Sanz
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Purcell: Dido and Aeneas / Act 2: “Oft she visits”— Henry Purcell
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Purcell: Dido and Aeneas / Act 2: “Behold, upon my bending spear”— Henry Purcell
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Purcell: Dido and Aeneas / Act 3: Prelude – “Come away, fellow sailors” – Sailor’s Dance— Henry Purcell
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Purcell: Dido and Aeneas / Act 3: “See the flags” – Destruction’s our delight – The Wit- ches’…— Henry Purcell
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Purcell: Dido and Aeneas / Act 3: “Your counsel all is urged in vain”— Henry Purcell
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Purcell: Dido and Aeneas / Act 3: “But death, alas!”— Henry Purcell
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Purcell: Dido and Aeneas / Act 3: “Thy hand, Belinda… When I am laid in earth”— Henry Purcell
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Purcell: Dido and Aeneas / Act 3: “With drooping wings”— Henry Purcell
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Mozart: Symphony No. 38 in D Major, K. 504 “Prague”: I. Adagio – Allegro— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 38 in D Major, K. 504 “Prague”: II. Andante— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 38 in D Major, K. 504 “Prague”: III. Finale. Presto— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro— Wolfgang Amadeus Mozart
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 2 “Da Jesus diese Rede vollendet hatte”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. Herzliebster Jesu, was hast du…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 4 “Da versammelten sich die Hohenpriester”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 5 “Du lieber Heiland du”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. Buss und Reu (Alto)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 7 “Da ging hin der Zwölfen einer”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. Blute nur, du liebes Herz (Soprano)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 9 “Aber am ersten Tage der süßen Brot”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 10 “Ich bin’s, ich sollte büßen”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 11 “Er antwortete und sprach”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 12 “Wiewohl mein Herz in Tränen schwimmt”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 13 “Ich will dir mein Herz schenken”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 14 “Und da sie den Lobgesang gesprochen…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 15 “Erkenne mich, mein Hüter”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 16 “Petrus aber antwortete”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 17, Chorale. Ich will hier bei dir stehen— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 18 “Da kam Jesus mit ihnen zu einem Hofe”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 19 “O Schmerz! Hier zittert das…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria. Ich will bei meinem Jesu wachen…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 21 “Und ging hin ein wenig”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 22, Recit. Der Heiland fällt vor seinem Vater…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 23, Aria. Gerne will ich mich bequemen (Bass)— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 24 “Und er kam zu seinen Jüngern”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Chorale. Was mein Gott will, das g’scheh…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 26 “Und er kam und fand sie aber…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 27 “So ist mein Jesus nun gefangen” -…— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 28 “Und siehe, einer aus denen”— Johann Sebastian Bach
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J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil: No. 29 “O Mensch, bewein dein Sünde groß”— Johann Sebastian Bach
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Mozart: Symphony No. 31 in D Major, K. 297 “Paris”: I. Allegro assai— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 31 in D Major, K. 297 “Paris”: II. Andante— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 31 in D Major, K. 297 “Paris”: II. Andante (Alternative Version in 3/4)— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 31 in D Major, K. 297 “Paris”: III. Allegro— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 34 in C Major, K. 338: I. Allegro vivace— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 34 in C Major, K. 338: II. Andante di molto— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 34 in C Major, K. 338: IIa. Minuet, K. 409 (Proposed for K. 338)— Wolfgang Amadeus Mozart
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Mozart: Symphony No. 34 in C Major, K. 338: III. Finale. Allegro vivace— Wolfgang Amadeus Mozart
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Gluck: Iphigénie en Tauride / Act 1: Introduction et choeur. “Grands Dieux ! soyez-nous…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 1: Récitatif. “Iphigénie, ô ciel!” – Choeur. “O songe…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 1: Air. “O toi qui prolongeas mes jours” – Choeur. “Quand…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 1: Scène 2. Récitatif. “Dieux! le malheur en” – Air. “De…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 1: Scène 3. Choeur. “Les Dieux apaisent” – Récitatif….— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 1: Ballet – Scène 5. Choeur. “Il nous fallait du sang”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Scène 1. Récitatif. “Quel silence effrayant!”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Air. “Dieux qui me poursuivez” – Récitatif. “Quel langage…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Air. “Unis dès la plus tendre enfance”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Scène 2. Récitatif. “Etrangers malheureux” – Scène 3….— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Air. “Le calme rentre dans mon coeur”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Scène 4. Pantomime – Choeur et danse. “Vengeons et la…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Scène 5. Récitatif. “Je vois toute” – Scène 6. Choeur….— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Air et choeur. “O malheureuse Iphigénie!”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 2: Récitatif. “Honorez avec moi” – Choeur. “Contemplez ces…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 3: Récitatif. “Je cède à vos” – Air. “D’une image, hélas!…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 3: Trio. “Je pourrais du tyran tromper la” – Scène 4….— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 3: Duo. “Et tu prétends encore que” – Récitatif. “Quoi! je…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 3: Air. “Ah! mon ami, j’implore ta pitié” – Duo. “Pylade! -…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 3: Scène 5. Récitatif. “Malgré toi, je saurai” – “Quoi?…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 3: Scène 7. Air. “Divinité des grands âmes”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 4: Scène 1. Récitatif. “Non, cet affreux devoir” – Air. “Je…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 4: Scène 2. Choeur. “O Diane sois-nous” – Récitatif. “La…— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 4: Hymne. “Chaste fille de Latone”— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 4: Récitatif. “Quel moment! Dieux puissants” – Scène 3….— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 4: Scène 4. Air. “De tes forfaits la trame” – Récitatif….— Christoph Willibald Gluck
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Gluck: Iphigénie en Tauride / Act 4: Scène 7. Récitatif. “Ta soeur! qu’ai-je entendu?” – Air….— Christoph Willibald Gluck
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J.S. Bach: Magnificat In D Major, BWV 243: 1. Magnificat anima mea— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 2. Et exultavit spiritus meus— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 3. Quia respexit humilitatem— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 4. Omnes generationes— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 5. Quia fecit mihi magna— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 6. Et misericordia— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 7. Fecit potentiam— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 8. Deposuit potentes— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 9. Esurientes implevit bonis— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 10. Suscepit Israel— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 11. Sicut locutus est— Johann Sebastian Bach
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J.S. Bach: Magnificat In D Major, BWV 243: 12. Gloria Patri— Johann Sebastian Bach
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J.S. Bach: Jauchzet Gott in allen Landen Cantata, BWV 51: Aria: “Jauchzet Gott in allen Landen”— Johann Sebastian Bach
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J.S. Bach: Jauchzet Gott in allen Landen Cantata, BWV 51: Recitativo: “Wir beten zu dem Tempel an”— Johann Sebastian Bach
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J.S. Bach: Jauchzet Gott in allen Landen Cantata, BWV 51: Aria: “Höchster, Höchster mache…— Johann Sebastian Bach
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J.S. Bach: Jauchzet Gott in allen Landen Cantata, BWV 51: Chorale: “Sei Lob und Preis mit Ehren”— Johann Sebastian Bach
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J.S. Bach: Jauchzet Gott in allen Landen Cantata, BWV 51: Aria: “Alleluja”— Johann Sebastian Bach
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Handel: Hercules, HWV 60 / Act 1: Recit. acc. “See with what sad dejection”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Aria: “No longer, Fate, relentless frown”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit. acc: “O Herkules!” – Aria: “The world, when day’s…— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “Princess! be comforted, and hope the best”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Aria: “I feel, I feel the god”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “Then I am lost!” – Aria:”There in myrtle ..”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “Despair not!” – Aria: “Where congealed the northern…— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Chorus: “O filial piety! O generous love!”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “Banish your fears!” – Aria: “Begone, my fears”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “A train of captives, red with honest wounds”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “Thanks to the powers above”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Aria: “My father! Ah! methinks I see”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Recit: “Now farewell, arms!” – Aria: “The god of battle quits…— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 1: Chorus: “Crown with festal pomp the day”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Aria: “How blest the maid ordained to dwell”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “It must be so!”- Aria: “When beauty sorrow’s”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “Whence this unjust suspicion?”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Aria: “Ah! think what ills the jealous prove”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “It is too sure that Hercules is false”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Chorus: “Jealousy! Infernal pest”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “She knows my passion”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Aria: “From celestial seats descending”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Chorus: “Wanton god of amorous fires”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “Yes, I congratulate” – Aria: “Alcides’ name”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “O glorious pattern” – Aria: “Resign thy club”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “You are deceived! Some villain has belied”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Aria: “Cease, ruler of the day, to rise”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: “Some kinder power inspire me to regain”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Duet: “Joys of freedom, joys of power”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 2: Recit: Father of Hercules” – Chorus: “Love and Hymen”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit: “Ye sons of Trachin, mourn you valiant chief”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Aria: “O scene of unexampled woe”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Chorus: “Tyrants now no more shall dread”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit. acc: “O Jove! what land is this”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit: “Great Jove! relieve his pains!”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Aria: “Let not fame the tidings spread”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit. acc: “Where shall I fly?”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit: “Lo! the fair fatal cause of all this ruin!”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Aria: “My breast with tender pity swells”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit: “Princess, rejoice! whose heaven-directed hand”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit: “Words are too faint”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Duet: “O prince, whose virtues all admire”— George Frideric Handel
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Handel: Hercules, HWV 60 / Act 3: Recit: “Ye sons of freedom” – Chorus: “To him your grateful…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 8, Recit. Behold, a Virgin Shall Conceive, and Bear a Son…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 1: No. 19, Recit. Then Shall the Eyes of the Blind Be Opened (Alto)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 31, Recit. He Was Cut Off Out of the Land of the Living (Tenor)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 34, Recit. Unto Which of the Angels Said He at Any Time?…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 42, Recit. He That Dwelleth in Heaven Shall Laugh Them to…— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 47, Recit. Behold, I Tell You a Mystery (Bass)— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 3: No. 49, Recit. Then Shall Be Brought to Pass (Alto)— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: I Alla hornpipe— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: II Ouverture— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: III Adagio e staccato— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: IV (Menuet)— George Frideric Handel
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Suite in F Major, HWV348, ‘Water Music’: V Andante— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’ : VI Menuet (reprise)— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: VII (Passepied)— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’ : VIII Air— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: IX Menuet— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’: X Bourrée— George Frideric Handel
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Suite in F Major, HWV 348, ‘Water Music’ : XI Hornpipe (Andante)— George Frideric Handel
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Suite in F major HWV 348, ‘Water Music’ : XII (Allegro)— George Frideric Handel
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Suite in G Major, HWV 350, ‘Water Music’: I (Menuet)— George Frideric Handel
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Suite in G Major, HWV 350, ‘Water Music’: II Rigaudon I & II— George Frideric Handel
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Suite in G major, HWV 350, ‘Water Music’: III Menuet I & II— George Frideric Handel
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Suite in G Major, HWV 350, ‘Water Music’ : IV (Gigue) I & II— George Frideric Handel
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Suite in D Major, HWV 349, ‘Water Music’: I (Allegro)— George Frideric Handel
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Suite in D Major, HWV 349, ‘Water Music’: II Alla hornpipe— George Frideric Handel
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Suite in D Major, HWV 349, ‘Water Music’: III Menuet— George Frideric Handel
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Suite in D Major, HWV 349, ‘Water Music’: IV Lentement— George Frideric Handel
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Suite in D Major, HWV 349, ‘Water Music’: V Bourrée— George Frideric Handel
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Concerto grosso in F Major, Op.3, No.4a, HWV 315: I Largo – Allegro— George Frideric Handel
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Concerto grosso in F Major, Op.3, No.4a, HWV 315: II Andante— George Frideric Handel
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Concerto grosso in F Major, Op.3, No.4a, HWV 315: III Allegro— George Frideric Handel
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Concerto grosso in F Major, Op.3, No.4a, HWV 315: IV Menuet – Alternat – Allegro— George Frideric Handel
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Concerto grosso in D Minor, Op.3, No.5, HWV 316: I Largo— George Frideric Handel
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Concerto grosso in D Minor, Op.3, No.5, HWV 316 : II Allegro— George Frideric Handel
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Concerto grosso in D Minor, Op.3, No.5, HWV 316: III Adagio— George Frideric Handel
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Concerto grosso in D Minor, Op.3, No.5, HWV 316: IV Allegro, ma non troppo— George Frideric Handel
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Concerto grosso in D Minor, Op.3, No.5, HWV 316: V Allegro— George Frideric Handel
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Concerto grosso in D Major, Op.3, No.6, HWV 317: I Vivace— George Frideric Handel
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Concerto grosso in D Major, Op.3, No.6, HWV 317: II Allegro— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.2, HWV 313: I Vivace— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.2, HWV 313: II Largo— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.2, HWV 313: III Allegro— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.2, HWV 313: IV Minuet— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.2, HWV 313: V Gavotte— George Frideric Handel
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Concerto grosso in G Major, Op.3, No.3, HWV 314: I Largo e staccato – Allegro— George Frideric Handel
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Concerto grosso in G Major, Op.3, No.3, HWV 314: II Adagio – Allegro— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3 No.1, HWV 312: I Allegro— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.1, HWV 312: II Largo— George Frideric Handel
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Concerto grosso in B Flat Major, Op.3, No.1, HWV312: III Allegro— George Frideric Handel
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Israel in Egypt, HWV 54, Overture: “Lamentations of the Israelites for the death of Joseph”— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “Now there arose” (Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “And the children of Israel sighed by reason of the bondage”…— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “Then sent He Moses” (Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “They loathed to drink” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “Their land brought” (Counter-Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “He spake the word” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “He gave them hailstones” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “He sent a thick darkness” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “He smote all the first-born” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “But as for His people” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “Egypt was glad” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “He rebuked the Red Sea” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “He led them” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “But the waters” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “And Israel saw” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Exodus: “And believed the Lord” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Moses, and the children” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “I will sing” (Chorus)— George Frideric Handel
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Israel in Egypt, HWW 54, Moses’ song: “The Lord is my strength” (Sopranos)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “He is my God” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song “And I will exalt him” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “The Lord is a man of war” (Basses)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “The depths have covered them” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Thy right hand” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “And in the greatness” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Thou sentest forth” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “And with the blast” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “The enemy said” (Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Thou didst blow” (Soprano)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Who is like unto Thee” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “The earth swallowed them” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Thou in thy mercy” (Counter-Tenor, Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “The people shall hear” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Thou shalt bring” (Counter-Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “The Lord shall reign” (Chorus)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “For the horse of Pharoah” (Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “And Miriam the prophetess” (Tenor)— George Frideric Handel
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Israel in Egypt, HWV 54, Moses’ song: “Sing ye to the Lord, for he hath triumphed gloriusly!…— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: I Sinfonia— George Frideric Handel
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The ways of Zion do Mourn, HWV 264: II. The ways of Zion do Mourn— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: III “How are the mighty fall’n” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: IV “She put on righteousness” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: V “When the ear heard her” (Chorus, Bass, Counter-Tenor,…— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: VI “How are the mighty fall’n!” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: VII “She deliver’d the poor that cried” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: VIII “How are the mighty fall’n!” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264 : IX “The righteous shall be had in everlasting remembrance”…— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: X “Their bodies are buried in peace” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: XI “The people will tell of their wisdom” (Chorus)— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: XII “They shall receive a glorious kingdom” (Chorus, Bass,…— George Frideric Handel
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The Ways of Zion do Mourn, HWV 264: XIII “The merciful goodness of the Lord endureth forever”…— George Frideric Handel
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Semele, HWV 58: Overture to Act 1— George Frideric Handel
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Semele, HWV 58, Act 1: “Behold! Auspicious flashes rise” (Priest)— George Frideric Handel
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Semele, HWV 58, Act 1: “Lucky omens bless our rites” (Chorus) “Daughter obey” (Cadmus, Athamas)— George Frideric Handel
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Semele, HWV 58, Act 1: “Ah me! What refuge now is left me?” “O Jove! in pity teach me which to…— George Frideric Handel
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Semele, HWV 58, Act 1: “Why dost thou untimely grieve” (Cadmus, Ino, Athamas, Semele)— George Frideric Handel
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Semele, HWV 58, Act 1: “Avert these omens, all ye pow’rs!” (Chorus) “Again auspicious flashes…— George Frideric Handel
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Semele, HWV 58, Act 1: “Cease, cease your vows” (Chorus)— George Frideric Handel
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Semele, HWV 58, Act 1: “Oh Athamas; what torture hast thou borne!” (Athamas) “Turn, hopeless…— George Frideric Handel
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Semele, HWV 58, Act 1: “You’ve undone me” (Ino, Athamas)— George Frideric Handel
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Semele, HWV 58, Act 1: “Ah, wretched prince” (Cadmus, Athamas) “Wing’d with our fears” (Cadmus)— George Frideric Handel
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Semele, HWV 58, Act 1: “See, see! Jove’s Priests and holy Augurs come” (Cadmus) “Hail Cadmus,…— George Frideric Handel
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Semele, HWV 58, Act 1: “Endless pleasure” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 1: “Endless pleasure” (Chorus)— George Frideric Handel
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Semele, HWV 58, Act 2: Symphony “Iris, impatient of thy stay” (Juno, Iris)— George Frideric Handel
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Semele, HWV 58, Act 2: “Look, where Cithaeron proudly stands” (Iris) “There, from mortal cares…— George Frideric Handel
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Semele, HWV 58, Act 2: “Hence, Iris, hence away!” (Juno)— George Frideric Handel
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Semele, HWV 58, Act 2: “Come, Zephyrs, come” (Cupid) “O sleep, why dost thou leave me?” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 2: “Let me not another moment” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 2: “Lay your doubts and fears aside” “You are mortal” (Jupiter)— George Frideric Handel
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Semele, HWV 58, Act 2: “With fond desiring” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 2: “How engaging, how endearing” (Chorus) “Ah me! Why sighs my Semele?”…— George Frideric Handel
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Semele, HWV 58, Act 2: “Too well I read her meaning” (Jupiter) “I must with speed amuse her”…— George Frideric Handel
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Semele, HWV 58, Act 2: “Now Love” (Chorus)— George Frideric Handel
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Semele, HW 58, Act 2: “By my command” (Jupiter, Semele)— George Frideric Handel
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Semele, HWV 58, Act 2: “See, she appears” (Jupiter) “Where’er you walk” (Jupiter)— George Frideric Handel
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Semele, HWV 58, Act 2: “Dear sister, how was your journey hither?” (Semele, Ino) “But hark! the…— George Frideric Handel
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Semele, HWV 58, Act 2: “Prepare then, ye immortal choir” (Semele, Ino)— George Frideric Handel
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Semele, HWV 58, Act 2: “Bless the glad earth” (Chorus)— George Frideric Handel
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Semele, HWV 58, Act 3: Symphony “Somnus, awake!” (Juno, Iris)— George Frideric Handel
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Semele, HWV 58, Act 3: “Leave me, loathsome light!” (Somnus) “Dull God, canst thou attend the…— George Frideric Handel
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Semele, HWV 58, Act 3: “More sweet is that name” (Somnus) “My will obey, she shall be thine”…— George Frideric Handel
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Semele, HWV 58, Act 3: “Obey my will” (Juno, Somnus)— George Frideric Handel
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Semele, HWV 58, Act 3: “My racking thoughts” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 3: “Thus shap’d like Ino” (Juno, Semele)— George Frideric Handel
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Semele, HWV 58, Act 3: “O ecstasy of happiness!” (Semele) “Myself I shall adore” (Semele) “Be…— George Frideric Handel
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Semele, HWV 58, Act 3: “Conjure him by his oath” (Juno)— George Frideric Handel
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Semele, HWV 58, Act 3: “Thus let my thanks be pay’d” (Semele) “Rich odours fill the fragrant…— George Frideric Handel
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Semele, HWV 58, Act 3: “Come to my arms” (Jupiter) “Oh Semele! Why art thou thus insensible?”…— George Frideric Handel
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Semele, HWV 58, Act 3: “I ever am granting” (Semele) ,… “Then cast off this human shape” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 3: “Ah, take heed what you press!” (Jupiter)— George Frideric Handel
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Semele, HWV 58, Act 3: “No, no, I’ll take no less” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 3: “Ah, whither is she gone!” (Jupiter)— George Frideric Handel
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Semele, HWV 58, Act 3: “Above measure is the pleasure” (Juno)— George Frideric Handel
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Semele, HWV 58, Act 3: “Ah, me! too late I now repent” (Semele)— George Frideric Handel
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Semele, HWV 58, Act 3: “If my ill-boding dream” (Ino) “Oh terror and astonishment!… “…— George Frideric Handel
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Semele, HWV 58, Act 3: “See from above the bellying clouds descend” (Cadmus) Sinfonia “Apollo…— George Frideric Handel
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Semele, HWV 58, Act 3: “Happy, happy shall we be” (Chorus)— George Frideric Handel
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Falstaff, Act I Pt. 1: Falstaff! Olà! (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 1: Sei polli, sei scellini (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 1: So che se andiam, la notte (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 1: Ma è tempo d’assottigliar l’ingegno (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 1: L’onore! Ladri! (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Alice! Meg! Nannetta! (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Fulgida Alice, amor t’offro (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Mostro! Quell’otre! Quel tino! (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Ripeti! In due parole (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Pst, pst, Nannetta (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Falstaff m’ha canzonata (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Torno all’assalto (Live)— Giuseppe Verdi
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Falstaff, Act I Pt. 2: Udrai quanta egli sfoggia (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 1: Siam pentiti e contriti (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 1: Alice è mia! Va’, vecchio John (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 1: Signore, v’assista il cielo! (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 1: C’è a Windsor, una dama (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 1: È sogno, o realtà? (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 1: Eccomi qua. Son pronto (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Presenteremo un bill (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Gaie comari di Windsor, è l’ora! (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Alfin t’ho colto, raggiante fior! (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Quand’ero paggio del Duca di Norfolk (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Mia signora! (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Vien qua, che chiasso! (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Al ladro! Al pagliardo! (Live)— Giuseppe Verdi
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Falstaff, Act II Pt. 2: Se t’agguanto (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 1: Ehi! Taverniere! (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 1: Reverenza. La bella Alice (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 1: Quando il rintocco della mezzanotte (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 1: Brava. Quelle corna saranno la mia gioia! (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Dal labbro il canto estasiato vola (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Nossignore! Tu indossa questa cappa (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Una, due, tre, quattro (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Odo soave un passo! (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Ninfe! Elfi! Silfi! (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Sul fil d’un soffio etesio (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Alto là! (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Un poco di pausa. Son stanco (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Ogni sorta di gente dozzinale (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Già s’avanza la coppia degli sposi (Live)— Giuseppe Verdi
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Falstaff, Act III Pt. 2: Facciamo il parentado (Live)— Giuseppe Verdi
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Symphony No. 5 in B-Flat Major, D. 485: I. Allegro (Live)— Franz Schubert
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Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto (Live)— Franz Schubert
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Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto (Live)— Franz Schubert
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Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace (Live)— Franz Schubert
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Serenade No. 2 in A Major, Op. 16: I. Allegro moderato (Live)— Johannes Brahms
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Serenade No. 2 in A Major, Op. 16: II. Scherzo. Vivace (Live)— Johannes Brahms
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Serenade No. 2 in A Major, Op. 16: III. Adagio non troppo (Live)— Johannes Brahms
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Serenade No. 2 in A Major, Op. 16: IV. Quasi menuetto (Live)— Johannes Brahms
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Serenade No. 2 in A Major, Op. 16: V. Rondo. Allegro (Live)— Johannes Brahms
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Stabat Mater (Live)— Domenico Scarlatti
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Mein Herze schwimmt im Blut, BWV 199 (Live)— Johann Sebastian Bach
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Dixit Dominus, HWV 232 (Live)— George Frideric Handel
▶
Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro molto (Live)— Ludwig van Beethoven
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Symphony No. 2 in D Major, Op. 36: II. Larghetto (Live)— Ludwig van Beethoven
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Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro – Trio (Live)— Ludwig van Beethoven
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Symphony No. 2 in D Major, Op. 36: IV. Allegro molto (Live)— Ludwig van Beethoven
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Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio (Live)— Ludwig van Beethoven
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Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando (Live)— Ludwig van Beethoven
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Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto (Live)— Ludwig van Beethoven
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Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace (Live)— Ludwig van Beethoven
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Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso— Composer not yet identified
▶
Piano Concerto in A Minor, Op. 54: II. Intermezzo: Andantino grazioso— Composer not yet identified
▶
Piano Concerto in A Minor, Op. 54: III. Allegro vivace— Composer not established
▶
Concerto in D Major for Lute and Strings, RV 93: I. Allegro giusto— Antonio Vivaldi
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Concerto in D Major for Lute and Strings, RV 93: II. Largo— Antonio Vivaldi
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Concerto in D Major for Lute and Strings, RV 93: III. Allegro— Antonio Vivaldi
▶
Concerto in F for Lute and Strings: Allegro— Karl Kohaut
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Concerto in F for Lute and Strings: Adagio— Karl Kohaut
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Concerto in F for Lute and Strings: Tempo di Minuetto— Karl Kohaut
▶
Concerto in B-Flat for Two Lutes, Strings, and Recorders, Op. 4, No. 6: Allegro— Georg Friedrich Händel
▶
Concerto in B-Flat for Two Lutes, Strings, and Recorders, Op. 4, No. 6: Larghetto— Georg Friedrich Händel
▶
Concerto in B-Flat for Two Lutes, Strings, and Recorders, Op. 4, No. 6: Allegro moderato— Georg Friedrich Händel
▶
Concerto in G Major for Two Lutes and Strings, RV 532: I. Allegro— Antonio Vivaldi
▶
Concerto in G Major for Two Lutes and Strings, RV 532: II. Andante— Antonio Vivaldi
▶
Concerto in G Major for Two Lutes and Strings, RV 532: III. Allegro— Antonio Vivaldi
▶
Alles mit Gott und nichts ohn’ ihn, BWV 1127— Johann Sebastian Bach
▶
Himmelskönig, sei willkommen, BWV 182: No. 1, Sonata (Live)— Johann Sebastian Bach
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Himmelskönig, sei willkommen, BWV 182: No. 2, Himmelskönig, sei willkommen (Live)— Johann Sebastian Bach
▶
Widerstehe doch der Sünde, BWV 54: No. 1, Widerstehe doch der Sünde (Live)— Johann Sebastian Bach
▶
Gott ist mein König, BWV 71: No. 6, Du wollest dem Feinde nicht geben (Live)— Johann Sebastian Bach
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Mein Gott, wie lang, ach lange, BWV 155: No. 4, Wirf, mein Herze, wirf dich noch (Live)— Johann Sebastian Bach
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Jesu, der du meine Seele, BWV 78: No. 2, Wir eilen mit schwachen, doch emsigen Schritten (Live)— Johann Sebastian Bach
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Singet dem Herrn ein neues Lied, BWV 190: No. 5, Jesus soll mein alles sein (Live)— Johann Sebastian Bach
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Süßer Trost, mein Jesus kömmt, BWV 151: No. 1, Süßer Trost, mein Jesus kömmt— Johann Sebastian Bach
▶
Sehet, wir geh’n hinauf gen Jerusalem, BWV 159: No. 4, Es ist vollbracht (Live)— Johann Sebastian Bach
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Sehet, wir geh’n hinauf gen Jerusalem, BWV 159: No. 5, Jesu, deine Passion ist mir lauter…— Johann Sebastian Bach
▶
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor”: I. Allegro— Ludwig van Beethoven
▶
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor”: II. Adagio un poco moto –— Ludwig van Beethoven
▶
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor”: III. Rondo. Allegro ma non…— Ludwig van Beethoven
▶
Beethoven: Fantasia in C Minor, Op. 80 “Choral Fantasy”: I. Adagio— Ludwig van Beethoven
▶
Beethoven: Fantasia in C Minor, Op. 80 “Choral Fantasy”: II. Finale. Allegro – Allegretto, ma…— Ludwig van Beethoven
▶
Beethoven: Fantasia in C Minor, Op. 80 “Choral Fantasy”: I. Adagio. Alternative Improvised…— Ludwig van Beethoven
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Handel: Gloria in Excelsis Deo: Gloria in excelsis Deo— George Frideric Handel
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Handel: Gloria in Excelsis Deo: Et in terra pax— George Frideric Handel
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Handel: Gloria in Excelsis Deo: Laudamus te… gratius agimus— George Frideric Handel
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Handel: Gloria in Excelsis Deo: Domine Deus— George Frideric Handel
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Handel: Gloria in Excelsis Deo: Qui tollis peccata mundi— George Frideric Handel
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Handel: Gloria in Excelsis Deo: Quoniam… cum Sancto Spiritu— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Your harps and cymbals”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Praise ye the Lord”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “With pious heart”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Almighty Power”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Imperial Solomon” – “Sacred rapture”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Throughout the land”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Bless’d be the Lord” – “What though I trace”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “And see my Queen”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Bless’d the day”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “Thou fair inhabitant” – “Welcome as the dawn of day”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “My blooming fair” – “Haste, haste”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “When thou art absent” – “With thee th’unshelter”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 1: “May no rash intruder”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “From the censer”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Prais’d be the Lord” – “When the sun”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Great prince” – “Thrice bless’d”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “My sovereign liege”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Thou son of David ” – “Words are weak”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “What says the other” – “Thy sentence, great king”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Withhold the executing hand” – “Can I see my infant gor’d”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Israel’ attend”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Thrice bless’d be the king”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “From the east unto the west”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “No more shall armed bands” – “Beneath the vine”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 2: “Swell, swell the full chorus”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “From Arabia’s spicy shores”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Sweep, sweep the string” – “Music, spread thy voice”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Now a diff’rent measure” – “Shake the dome”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Then at once from rage” – “Draw the tear”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Next the tortur’d soul” – “Thus rolling surges rises”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Thy harmony’s divine”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Thrice happy king” – “Golden columns”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “May peace in Salem ever dwell” – “Will the sun for- get to streak”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Adieu, fair queen” – “Ev’ry joy that wisdom knows”— George Frideric Handel
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Handel: Solomon HWV 67 / Act 3: “Praise the Lord”— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “T’was at the royal feast” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “Happy, happy, happy pair!” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “Timotheus placed on high” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast, HWV.75 / Part 1: “The song began from Jove” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “The listening crowd admired the lofty sound” (Live in…— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “With ravish’d ears” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “The praise of Bacchus then” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “Bacchus, ever fair and young” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “Soothed with the sound, the king grew vain” (Live in…— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “He chose a mournful Muse” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “He sung Darius, great and good” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “With downcast looks the joyless victor sate” (Live in…— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “Behold Darius great and good” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “The mighty master smiled to see” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “Softly sweet in Lydian measures” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “War, he sung, is toil and trouble” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “The many rend the skies with loud applause” (Live in…— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “The prince, unable to conceal his pain” (Live in Göttingen…— George Frideric Handel
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Handel: Alexander’s Feast / Part 1: “The many rend the skies with loud applause” (Reprise -…— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Now strike the golden lyre again… Break his bond……— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Revenge, revenge, Timotheus cries… Behold, a ghastly…— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Give the vengeance due” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “The princes applaud with a furious joy” (Live in Göttingen…— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Thaïs led the way… The princes applaud” (Live in…— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Thus, long ago” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “At last divine Cecilia came” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Your voices tune, and raise them high” (Live in Göttingen…— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Let’s imitate her notes above!” (Live in Göttingen / 1987)— George Frideric Handel
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Handel: Alexander’s Feast / Part 2: “Let old Timotheus yield the prize” (Live in Göttingen / 1987)— George Frideric Handel
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 1: No. 6, Recit. Und sie gebar ihren ersten Sohn…— Johann Sebastian Bach
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J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 16, Recit. Und das habt zum Zeichen…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 20, Recit. Und alsobald war da bei dem…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 2: No. 22, Recit. So recht, ihr Engel, jauchzt…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 25, Recit. Und da die Engel von ihnen gen…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 32, Recit. Ja, ja, mein Herz soll es bewahren— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 3: No. 34, Recit. Und die Hirten kehrten wieder…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 44, Recit. Da Jesus geboren war zu…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 48, Recit. Da das der König Herodes hörte…— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 5: No. 52, Recit. Mein Liebster herrschet schon— Johann Sebastian Bach
▶
J.S. Bach: Weihnachts-Oratorium, BWV 248, Pt. 6: No. 60, Recit. Und Gott befahl ihnen im Traum…— Johann Sebastian Bach
▶
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (Live)— Composer not established
▶
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 (Live)— Composer not established
▶
Vespro della Beata Vergine, SV 206: III. Nigra sum a 1 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: IV. Laudate, pueri Dominum a 8 (Live)— Composer not established
▶
Vespro della Beata Vergine, SV 206: V. Pulchra es a 2 (Live)— Composer not established
▶
Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus a 10 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem a 7 (Live)— Composer not established
▶
Vespro della Beata Vergine, SV 206: Sonata sopra Sancta Maria a 1 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: Ave maris stella a 8 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: Magnificat I a 7 (Live)— Composer not yet identified
▶
Vespro della Beata Vergine, SV 206: Magnificat II a 6 (Live)— Composer not yet identified
▶
Purcell: The Fairy Queen, Z. 629 / Act 2: Chorus: “Now Joyn your Warbling Voices all”— Henry Purcell
▶
Handel: Jephtha, HWV 70 / Act 1: “It must be so: or these vile Ammonites” (Live in Göttingen /…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “Pour forth no more unheeded pray’rs” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “No more to Ammon’s god and king” (Live in Göttingen / 1988)— George Frideric Handel
▶
Handel: Jephtha, HWV 70 / Act 1: “But Jephta comes” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “Virtue my soul shall still embrace” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “‘Twill be a painful separation, Jephta…In gentle murmurs…— George Frideric Handel
▶
Handel: Jephtha, HWV 70 / Act 1: “Happy this embassy, my charming Iphis…Dull delay, in…— George Frideric Handel
▶
Handel: Jephtha, HWV 70 / Act 1: “Ill suits the voice of love when glory calls…Take the heart…— George Frideric Handel
▶
Handel: Jephtha, HWV 70 / Act 1: “I go. My soul, inspir’d by thy command…These labours past,…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “What mean these doubtful fancies” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “O God, behold our sore distress” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “Some dire event hangs o’er our heads…Scenes of horror,…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “Say, my dear mother” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “The smiling dawn of happy days” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “Such, Jephta, was the haughty king’s reply” (Live in…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 1: “When his loud voice in thunder spoke” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Glad tidings of great joy to thee, dear Iphis” (Live in…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Cherub and Seraphim, unbodied forms” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Up the dreadful steep ascending” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “‘Tis well. Haste, haste, ye maidens…Tune the soft melodious…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Heav’n smiles once more on his repentant people…His mighty…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “In glory high, in might serene” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha / Act 2: Symphony – “Hail, glorious conqueror” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Welcome as the cheerful light” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Horror! confusion!…Open thy marble jaws, O tomb” (Live in…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Why is my brother thus afflicted” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “First perish thou, and perish all the world” (Live in…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “If such thy cruel purpose…On me let blind mistaken zeal”…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “O spare your daughter” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Such news flies swift” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Happy they! this vital breath” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “Deeper, and deeper still” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 2: “How dark, O Lord, are Thy decrees!” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Hide thou thy hated beams, O sun” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Waft her, angels, through the skies” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha / Act 3: “Ye sacred priests…Farewell, ye limpid springs and floods” (Live in…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Doubtful fear and rev’rent awe” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Rise, Jephta, and ye rev’rend priests” (Live in Göttingen /…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Happy, Iphis shalt thou live” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “For ever blessed be Thy holy name” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Theme sublime of endless praise” (Live in Göttingen / 1988)— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “O let me fold thee in a mother’s arms…Sweet as sight (Live…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “My faithful Hamor, may that Providence…All that is in Hamor…— George Frideric Handel
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Handel: Jephtha, HWV 70 / Act 3: “Ye house of Gilead, with one voice” (Live in Göttingen / 1988)— George Frideric Handel
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Applause— Composer not established
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Mozart: Idomeneo, re di Creta, K.366: Ouverture (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: “Quando avran fine omai” – “Padre, germani,…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: “Radunate i Troiani” – “Non ho colpa, e mi…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: “Ecco il misero resto de’Troiani” – “Scingete le…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: “Godiam la pace” – “Prence, signor” – “Ma quel…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: “Vedrommi intorno” – “Cieli!che veggo?” -…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, K. 366, Act I: No. 7, Aria. Il padre adorato (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: Intermezzo: Marcia (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 1: “Nettuno s’onori” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Tutto m’è noto” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Se il tuo duol, se il mio desio” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Se mai pomposo apparse” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Se il padre perdei” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Qual mi conturba i sensi” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Fuor del mar” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Frettolosa e giuliva Elettra vien” – “Chi mai…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Idol mio, se ritroso” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Odo da lunge armonioso suono” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Sidonie sponde!” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 2: “Placido è il mar” – “Soavi Zeffiri” -“Vattene…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Solitudini amiche” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Zeffiretti lusinghieri” – “Ei stesso vien… oh…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Principessa, a’ tuoi sguardi” – “S’io non moro a…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Dunque io me n’andrò” – “Andrò ramingo e solo”…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Sire, alla reggia tua” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Sventurata Sidon!” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Se colà ne’ fati è scritto” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Volgi intorno lo sguardo” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “O voto tremendo” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: Marcia (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Accogli, o rè del mar” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Appendix – Act 2, scena 3 (fine) – scena 4: “Frettolosa…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Stupenda vittoria!” – “Qual risuona” – “Sire, il…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Padre, mio caro padre” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, K. 366, Act III: Aria. No, la morte io non pavento (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Ma che più tardi” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Ferma, oh sire, che fai?” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Ha vinto Amore” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Oh ciel pietoso!” – “Oh smania! oh furie!” -…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Popoli, a voi l’ultima legge” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Torna la pace al core” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Act 3: “Scenda Amor, scenda Imeneo” (Live)— Wolfgang Amadeus Mozart
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Mozart: Ballet Music From “Idomeneo”, K.367: Chaconne – Larghetto – La chaconne, qui reprend -…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Appendix – Act 3, scena 10: “Ferma, oh sire, che fai?”…— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Appendix – Act 3, scena 10: “A Idomeneo perdona” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Appendix – Act 3, scena 10: “Ha vinto amore” (Live)— Wolfgang Amadeus Mozart
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Mozart: Idomeneo, re di Creta, K.366 / Appendix – Act 3, scena 10: “Oh ciel pietoso!” – “Oh…— Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Cadenza: Bilson)— Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 20 in D Minor, K. 466: II. Romance (Cadenza: Bilson)— Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai (Cadenza: Bilson)— Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 21 in C Major, K. 467: I. Allegro (Cadenza: Bilson)— Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante— Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai (Cadenza: Bilson)— Wolfgang Amadeus Mozart
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 1, Introduction & Recit. Seht wie der…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 2, Chorus. Komm, holder Lenz!— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 3, Recit. Vom Widder strahlet jetzt— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 4, Aria. Schon eilet froh der Akkermann— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 5, Recit. Der Landman hat sein Werk…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 6, Trio & Chorus. Sei nun gnädig,…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 7, Recit. Erhört ist unser Flehn— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Frühling: No. 8, Freudenlied. O, wie lieblich ist der…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 9, Introduction & Recit. In grauem Schleier— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 10, Aria. Der muntre Hirt— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 11, Trio & Chorus. Sie steigt herauf die Sonne— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 12, Recit. Nun regt und bewegt – Die…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 13, Cavatina. Dem Druck erlieget die Natur— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 14, Recit. Willkommen jetzt— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 15, Aria. Welche Labung für die Sinne— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 16, Recit. O seht! Es steiget in der…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 17, Chorus. Ach! Das Ungewitter naht— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Sommer: No. 18, Trio & Chorus. Die düstren Wolken…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 19, Introduction & Recit. Was durch – Den…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 20, Trio & Chorus. So lohnet die Natur den…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 21, Recit. Seht, wie zum Haselbusche dort— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 22, Duet. Ihr schönen aus der Stadt— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 23, Recit. Nun zeiget das entblösste Feld— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 24, Aria. Seht auf die breiten Wiesen hin!— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 25, Recit. Hier treibt ein dichter Kreis— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 26, Chorus. Hört, hört das laute Getön— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 27, Recit. Am Rebenstocke blinket jetzt— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 28, Chorus. Juhe! Juhe! Der Wein ist da!— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 29, Introduction & Recit. Nun senket sich…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 30, Cavatina. Licht und Leben sind…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 31, Recit. Gefesselt steht der breite See— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 32, Aria. Hier steht der Wand’rer nun— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 33, Recit. So wie er naht— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 34, Song & Chorus. Knurre, schnurre, knurre— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 35, Recit. Abgesponnen ist der Flachs— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 36, Song & Chorus. Ein Mädchen, das auf…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 37, Recit. Vom dürren Osten dringt— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 38, Aria & Recit. Erblicke hier, betörter…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Winter: No. 39, Trio & Double Chorus. Dann bricht der…— Joseph Haydn
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Haydn: Die Jahreszeiten, Hob. XXI:3, Der Herbst: No. 19a, Introduction & Recit. Was durch seine…— Joseph Haydn
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Berlioz: Symphonie fantastique, H. 48: I. Rêveries – Passions— Hector Berlioz
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Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse— Hector Berlioz
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Berlioz: Symphonie fantastique, H. 48: III. Scène aux champs— Hector Berlioz
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Berlioz: Symphonie fantastique, H. 48: IV. Marche au supplice— Hector Berlioz
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Berlioz: Symphonie fantastique, H. 48: V. Songe d’une nuit du Sabbat— Hector Berlioz
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Schumann: Symphony No. 4 in D Minor, Op. 120 (1841 Original Version): I. Andante con moto –…— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120 (1841 Original Version): II. Romanza. Andante— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120 (1841 Original Version): III. Scherzo. Presto— Robert Schumann
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Schumann: Symphony No. 4 in D Minor, Op. 120 (1841 Original Version): IV. Largo – Finale….— Robert Schumann
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Lehár: Die lustige Witwe: Overture— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Camille, ich muß mit Ihnen sprechen”— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “So kommen Sie! ‘s ist niemand hier!”— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Nun, Njegus, haben Sie meine Botschaft überbracht?”— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Was hat das zu bedeuten?” – “Bitte meine Herr’n” – “Hab’ in…— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Camille!” – “Ja?”— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Also Njegus, hier bin ich und wo ist das Vaterland?” – “O…— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Habe schon die vierte Nacht nicht geschlafen!”— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Ich bitte Sie..” – “Ja, was?” – Ein trautes Zimmerlein— Franz Lehár
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Lehár: Die lustige Witwe / Act I: “Also, lieber Graf..” – “Damenwahl! Hört man rufen rings im…— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Ich bitte, hier jetzt zu verweilen” – “Es lebt’ eine Vilja”— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Gospodina, dieses vaterländische Fest…”— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Heia, Mädel, aufgeschaut”— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Wir werden uns noch schlagen um die Witwe” – “Wie die…— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Mein tapferer Reitersmann” – “So wie die Dinge sich…— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Nein, nein, nein” – “Mein Freund! Vernunft!” – “Wie eine…— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Ah, die Baronin und der Herr Rosillon”— Franz Lehár
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Lehár: Die lustige Witwe / Act II: “Ha!Ha!” – “Wir fragen, was man von uns will!”— Franz Lehár
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Lehár: Die lustige Witwe / Act III: “Also, also, also”— Franz Lehár
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Lehár: Die lustige Witwe / Act III: Tanzszene— Franz Lehár
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Lehár: Die lustige Witwe / Act III: “Graf Dailowitsch..” – “Ja, wir sind es, die Grisetten”— Franz Lehár
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Lehár: Die lustige Witwe / Act III: “Exzellenz, Exzellenz, Graf, eine Expreßdepesche!”— Franz Lehár
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Lehár: Die lustige Witwe / Act III: “Aber dort bin ich zu Hause..” Lippen schweigen— Franz Lehár
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Lehár: Die lustige Witwe / Act III: “Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon…— Franz Lehár
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Lehár: Die lustige Witwe / Act III: “Ja, das Studium der Weiber ist schwer”— Franz Lehár
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Grainger: I’m Seventeen Come Sunday – Folk song from Lincolnshire and Somerset— Percy Grainger
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Grainger: Brigg Fair – Folksong from Lincolnshire, arranged for Tenor and Chorus— Percy Grainger
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Grainger: Love Verses from the Song of Solomon— Percy Grainger
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Grainger: The Merry Wedding – Bridal dance/Faeroese folk poems translated by Rose and Percy…— Percy Grainger
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Grainger: Shallow Brown – Sailor’s sea-chanty— Percy Grainger
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Grainger: Father and Daughter – A Faeroe Island dancing ballad— Composer not yet identified
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Grainger: My Nighean Dubh (My Dark-haired Maiden)— Percy Grainger
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Grainger: The Bride’s Tragedy— Percy Grainger
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Traditional: Irish Tune from County Derry (“Danny Boy”) – Also known as “Londonderry Air”— Traditional
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Grainger: Scotch Strathspey and Reel – Inlaid with several Irish and Scotch tunes and a sea-chanty— Percy Grainger
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Grainger: The Lost Lady Found – English dance-folksong— Percy Grainger
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Grainger: The Three Ravens – Old English Song— Percy Grainger
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Grainger: Danny Deever— Percy Grainger
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Grainger: Tribute to Foster – Based on a melody by Stephen Foster/Text: Stephen Foster and…— Percy Grainger
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Weill: Die sieben Todsünden (Original Version): Prologue. Andante sostenuto “Meine Schwester”— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): I. Sloth. Allegro vivace “Müssiggang ist aller…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): II. Pride. Allegretto, quasi Andantino “Als wir…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): III. Anger. Molto agitato “Das geht nicht…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): IV. Gluttony. Largo “Das ist ein Brief aus…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): V. Lust. Moderato “Und wir fanden einen Mann in…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): VI. Avarice. Allegro giusto “Wie hier in der…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): VII. Envy. Allegro non troppo “Und die letzte…— Kurt Weill
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Weill: Die sieben Todsünden (Original Version): Epilogue. Andante sostenuto “Darauf kehrten wir…— Kurt Weill
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Weill: Lady in the Dark: No. 3, My Ship— Kurt Weill
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Weill: Lady in the Dark: No. 1, One Life to Live— Kurt Weill
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Weill: Buddy On The Nightshift— Kurt Weill
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Weill: Nannas Lied— Kurt Weill
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Weill: Happy End: I. Bilbao Song— Kurt Weill
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Weill: Happy End: X. Surabaya Johnny— Kurt Weill
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Weill: Happy End: XI. Das Lied von der harten Nuss— Kurt Weill
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Weill: Je ne t’aime pas— Kurt Weill
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Weill: Schickelgruber— Kurt Weill
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Weill: Der Abschiedsbrief— Kurt Weill
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Weill: One Touch Of Venus: Foolish Heart— Kurt Weill
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Weill: One Touch Of Venus: Speak Low— Kurt Weill
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Weill: One Touch of Venus: I’m a Stranger Here Myself— Kurt Weill
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L. Boulanger: Psalm XXIV for Chorus, Brass, Timpani, Harps & Organ— Lili Boulanger
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L. Boulanger: Psalm CXXIX for Chorus and Orchestra— Lili Boulanger
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L. Boulanger: Vielle prière bouddhique— Lili Boulanger
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L. Boulanger: Psalm CXXX for 2 Voices, Chorus & Orchestra— Lili Boulanger
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Stravinsky: Symphony of Psalms, K52: I. Exaudi orationem meam, Domine (Psalm 39)— Igor Stravinsky
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Stravinsky: Symphony of Psalms, K52: II. Expectans expectavi Dominum (Psalm 40)— Igor Stravinsky
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Stravinsky: Symphony of Psalms, K52: III. Alleluia, laudate Dominum (Psalm 150)— Igor Stravinsky
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Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro— Wolfgang Amadeus Mozart
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Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto— Wolfgang Amadeus Mozart
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Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto— Wolfgang Amadeus Mozart
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Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro— Wolfgang Amadeus Mozart
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Symphony No. 41 in C Major, K. 551 “Jupiter”: I. Allegro vivace— Wolfgang Amadeus Mozart
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Symphony No. 41 in C Major, K. 551 “Jupiter”: II. Andante cantabile— Wolfgang Amadeus Mozart
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Symphony No. 41 in C Major, K. 551 “Jupiter”: III. Menuetto. Allegretto— Wolfgang Amadeus Mozart
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Symphony No. 41 in C Major, K. 551 “Jupiter”: IV. Molto Allegro— Wolfgang Amadeus Mozart
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The Indian Queen, Z. 630: First Music. Air I— Henry Purcell
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The Indian Queen, Z. 630: First Music. Air II— Henry Purcell
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The Indian Queen, Z. 630: Second Music. Hornpipe I— Henry Purcell
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The Indian Queen, Z. 630: Second Music. Hornpipe II— Henry Purcell
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The Indian Queen, Z. 630: Overture. Adagio— Henry Purcell
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The Indian Queen, Z. 630: Trumpet Tune— Henry Purcell
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The Indian Queen, Z. 630: Prologue. “Wake, Quivera” (Indian Boy)— Henry Purcell
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The Indian Queen, Z. 630: Prologue. “Why Should Men Quarrel” (Indian Girl)— Henry Purcell
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The Indian Queen, Z. 630: Prologue. “By Ancient Prophecies” (Indian Boy, Indian Girl)— Henry Purcell
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The Indian Queen, Z. 630: Prologue. Trumpet Tune— Henry Purcell
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The Indian Queen, Z. 630, Act 2: Symphony. Canzona— Henry Purcell
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The Indian Queen, Z. 630, Act 2: Symphony. Allegro— Henry Purcell
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The Indian Queen, Z. 630, Act 2: “I Come to Sing Great Zempoalla Story” (Fame, Chorus)— Henry Purcell
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The Indian Queen, Z. 630, Act 2: “Scorn’d Envy, Here’s Nothing” (Fame)— Henry Purcell
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The Indian Queen, Z. 630, Act 2: “I Fly from the Place” (Envy)— Henry Purcell
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The Indian Queen, Z. 630, Act 2: “Begone, Curst Fiends of Hell” (Fame)— Henry Purcell
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The Indian Queen, Z. 630, Act 2: “I Come to Sing” (Fame)— Henry Purcell
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The Indian Queen, Z. 630, Act 3: Air— Henry Purcell
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The Indian Queen, Z. 630, Act 3: Minuet— Henry Purcell
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The Indian Queen, Z. 630, Act 3: “Ye Twice Ten Hundred Deities” (Ismeron)— Henry Purcell
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The Indian Queen, Z. 630, Act 3: Symphony for Hautboys— Henry Purcell
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The Indian Queen, Z. 630, Act 3: “Seek Not to Know” (God of Dreams)— Henry Purcell
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The Indian Queen, Z. 630, Act 3: Trumpet Overture— Henry Purcell
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The Indian Queen, Z. 630, Act 3: “Ah, How Happy Are We” (First Aerial Spirit, Second Aerial Spirit)— Henry Purcell
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The Indian Queen, Z. 630, Act 3: “I Attempt From Love’s Sickness” (Zempoalla)— Henry Purcell
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The Indian Queen, Z. 630, Act 3: “We the Spirits of the Air” (Third Aerial Spirits, Fourth…— Henry Purcell
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The Indian Queen, Z. 630, Act 3: Third Act Tune— Henry Purcell
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The Indian Queen, Z. 630, Act 4: “They Tell Us” – Fourth Act Tune – “To Suffer for Him” (Orazia)— Henry Purcell
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The Indian Queen, Z. 630, Act 5: “While Thus We Bow” (Chorus, High Priest)— Henry Purcell
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The Tempest, Z. 631, Act 2: Duet and Chorus. “Where Does the Black Fiend” (First Devil, Second…— Henry Purcell
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The Tempest, Z. 631, Act 2: Chorus. “Around, Around We Pace” (Chorus)— Henry Purcell
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The Tempest, Z. 631, Act 2: Song. “Arise, Ye Subterranean Winds” (First Devil)— Henry Purcell
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The Tempest, Z. 631, Act 2: Dance of Winds— Henry Purcell
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The Tempest, Z. 631, Act 3: Song and Chorus. “Comme unto These Yellow Sands” (Ariel, Chorus)— Henry Purcell
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The Tempest, Z. 631, Act 3: Song and Chorus. “Full Fathom Five” (Ariel, Chorus)— Henry Purcell
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The Tempest, Z. 631, Act 3: Song. “Dry Those Eyes” (Ariel)— Henry Purcell
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The Tempest, Z. 631, Act 4: Dance of Devils— Henry Purcell
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The Tempest, Z. 631, Act 4: The Sailor’s Dance— Henry Purcell
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The Tempest, Z. 631, Act 4: Song. “Dear Pretty Youth” (Dorinda)— Henry Purcell
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The Tempest, Z. 631, Act 5: Recitative and Song. “Great Neptune!” (Amphitrite, Neptune)— Henry Purcell
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The Tempest, Z. 631, Act 5: Chorus. “The Nereids and Tritons” (Chorus)— Henry Purcell
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The Tempest, Z. 631, Act 5: Recitative and Song. “Aeolus, You Must Appear” (Neptune)— Henry Purcell
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The Tempest, Z. 631, Act 5: Recitative and Song. “Your Awful Voice I Hear” (Aeolus)— Henry Purcell
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The Tempest, Z. 631, Act 5: Song. “Halcyon Days” (Amphitrite)— Henry Purcell
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The Tempest, Z. 631, Act 5: Song. “See, See, the Heavens Smile” (Neptune)— Henry Purcell
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The Married Beau, Z. 603: Overture— Henry Purcell
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Timon of Athens, Z. 632: Overture— Henry Purcell
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Timon of Athens, Z. 632: Duet. “Hark! How the Songsters of the Grove” (Two Nymphs)— Henry Purcell
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Timon of Athens, Z. 632: Song. “Love in Their Little Veins” (Nymph)— Henry Purcell
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Timon of Athens, Z. 632: Trio. “But Ah! How Much Are Our Delights” (Two Nymphs, Shepherd)— Henry Purcell
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Timon of Athens, Z. 632: Song. “Hence With Your Trifling Deity!” – Trio. “But Over Us no Griefs…— Henry Purcell
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Timon of Athens, Z. 632: Song. “Come All, Come All to Me” (Cupid)— Henry Purcell
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Timon of Athens, Z. 632: Chorus. “Who Can Resist” (Chorus)— Henry Purcell
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Timon of Athens, Z. 632: Song. “Return, Revolting Rebels!” (Bacchus)— Henry Purcell
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Timon of Athens, Z. 632: Song. “The Care of Lovers” (A Nymph)— Henry Purcell
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Timon of Athens, Z. 632: Song. “Love Quickly Is Pall’d” (A Bacchanal)— Henry Purcell
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Timon of Athens, Z. 632: Duet and Chorus. “Come, Let Us Agree” (Cupid, Bacchus, Chorus)— Henry Purcell
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Timon of Athens, Z. 632: Curtain Tune on a Ground— Henry Purcell
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Dioclesian, Z. 627: First Music— Henry Purcell
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Dioclesian, Z. 627: Second Music— Henry Purcell
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Dioclesian, Z. 627: Overture— Henry Purcell
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Dioclesian, Z. 627, Act 1: First Act Tune. Hornpipe— Henry Purcell
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Dioclesian, Z. 627, Act 2: Song. “Great Diocles” – Chorus. “Sing Lo’s”— Henry Purcell
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Dioclesian, Z. 627, Act 2: Song. “Charon, the Peaceful Shade” – Sinfonia – Duet and Chorus….— Henry Purcell
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Dioclesian, Z. 627, Act 2: Martial Song. “Let the Soldiers Rejoice” – Chorus. “Rejoice, Rejoice”— Henry Purcell
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Dioclesian, Z. 627, Act 2: Ritornello and Trio. “To Mars Let ’em Raise” – Chorus. “Rejoice,…— Henry Purcell
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Dioclesian, Z. 627, Act 2: A Symphony of Flutes – Song. “Since the Toils” – Quartet. “Let the…— Henry Purcell
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Dioclesian, Z. 627, Act 2: Dance of Furies— Henry Purcell
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Dioclesian, Z. 627, Act 2: Second Act Tune— Henry Purcell
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Dioclesian, Z. 627, Act 3: Chaconne. Two in One Upon a Ground— Henry Purcell
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Dioclesian, Z. 627, Act 3: Song. “When First I Saw”— Henry Purcell
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Dioclesian, Z. 627, Act 3: The Chair Dance— Henry Purcell
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Dioclesian, Z. 627, Act 3: Song. “What Shall I Do”— Henry Purcell
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Dioclesian, Z. 627, Act 3: Third Act Tune— Henry Purcell
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Dioclesian, Z. 627, Act 4: Butterfly Dance— Henry Purcell
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Dioclesian, Z. 627, Act 4: Trumpet Tune— Henry Purcell
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Dioclesian, Z. 627, Act 4: Song. “Sound, Fame” – Chorus. “Let All Rehearse”— Henry Purcell
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Dioclesian, Z. 627, Act 4: Fourth Act Tune— Henry Purcell
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Dioclesian, Z. 627, Act 5: Country Dance— Henry Purcell
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Dioclesian, Z. 627, Act 5: Prelude to the Masque – Chorus. “Call the Nymphs”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Duet. “Come, Come Away”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Prelude – Chorus. “Behold, O Mightiest of Gods” – Paspe— Henry Purcell
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Dioclesian, Z. 627, Act 5: Duet. “Ah the Sweet Delights of Love”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Song. “Let Monarchs Fight”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Song. “Since from My Dear”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Song and Chorus. “Make Room” – Dance of Bacchanals— Henry Purcell
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Dioclesian, Z. 627, Act 5: Song. “Still I’m Wishing”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Canaries – Dialogue. “Tell Me Why My Charming Fair”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Dance— Henry Purcell
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Dioclesian, Z. 627, Act 5: Song and Chorus. “All Our Days” – Song and Chorus. “Let Us Dance”— Henry Purcell
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Dioclesian, Z. 627, Act 5: Dance – Trio. “Triumph, Victorious Love” & Chorus. “Then All Rehearse”— Henry Purcell
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King Arthur, Z.628: Overture— Henry Purcell
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King Arthur, Z.628: Air— Henry Purcell
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King Arthur, Z.628: Overture to Act 1— Henry Purcell
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King Arthur, Z.628, Act 1: “The lot is cast” (Soprano)— Henry Purcell
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King Arthur, Z.628, Act 1: “Brave souls” (Chorus)— Henry Purcell
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King Arthur, Z.628, Act 1: “I call you all to Woden’s Hall” (Contralto, Chorus)— Henry Purcell
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King Arthur, Z.628, Act 1: “Come if you dare” (Tenor, Chorus)— Henry Purcell
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King Arthur, Z.628, Act 2: “Hither, this way” (Philidel, Chorus)— Henry Purcell
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King Arthur, Z.628, Act 2: “Let not a moonborn elf” (Grimbald)— Henry Purcell
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King Arthur, Z.628, Act 2: “Hither, this way” (Chorus)— Henry Purcell
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King Arthur, Z.628, Act 2: “How blest are shepherds” (Shepherd, Chorus)— Henry Purcell
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King Arthur, Z.628, Act 2: “Shepherd, leave decoying” (Shepherdesses)— Henry Purcell
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King Arthur, Z.628, Act 2: Hornpipe “Come shepherds” (Chorus)— Henry Purcell
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King Arthur, Z.628, Act 2: Air— Henry Purcell
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King Arthur, Z.628, Act 3: Prelude “What ho! thou genius of this isle” (Cupid)— Henry Purcell
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King Arthur, Z.628, Act 3: “What power art thou” (Cold Genius)— Henry Purcell
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King Arthur, Z.628, Act 3: “Thou doting fool” (Cupid)— Henry Purcell
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King Arthur, Z.628, Act 3: “Great love” (Cold Genius)— Henry Purcell
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King Arthur, Z.628, Act 3: “No part of my dominion” (Cupid)— Henry Purcell
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King Arthur, Z.628, Act 3: Prelude “See, see, we assemble” (Chorus)— Henry Purcell
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King Arthur, Z.628, Act 3: “Tis I that have warm’d ye… Tis Love that has warm’d us” (Cupid,…— Henry Purcell
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King Arthur, Z.628, Act 3: “Sound a parley” (Chorus, Cupid, Genius)— Henry Purcell
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King Arthur, Z.628, Act 3: Hornpipe— Henry Purcell
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King Arthur, Z.628, Act 4: “Two daughters of this aged stream” (Sirens)— Henry Purcell
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King Arthur, Z.628, Act 4: Air— Henry Purcell
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King Arthur, Z.628, Act 5: Trumpet Tune— Henry Purcell
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King Arthur, Z.628, Act 5: “Ye blust’ring brethren” (Aeolus)— Henry Purcell
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King Arthur, Z.628, Act 5: Symphony— Henry Purcell
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King Arthur, Z.628, Act 5: “Round thy coast” (Nereid, Pan, Chorus)— Henry Purcell
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King Arthur, Z.628, Act 5: “For folded flocks” (Contralto, Tenor, Baritone)— Henry Purcell
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King Arthur, Z.628, Act 5: “Your hay it is mow’d” (Comus, Men)— Henry Purcell
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King Arthur, Z.628, Act 5: “Fairest isle” (Venus)— Henry Purcell
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King Arthur, Z.628, Act 5: “You say ’tis love” (She, He)— Henry Purcell
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King Arthur, Z.628, Act 5: “St George… Our natives not alone appear” (Honour, Chorus)— Henry Purcell
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King Arthur, Z.628, Act 5: Chaconne— Henry Purcell
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Come ye Sons of Art, Z.323: I Overture— Henry Purcell
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Come ye Sons of Art, Z. 323: II. “Come, ye Sons of Art, come away” (Countertenor, Chorus)— Henry Purcell
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Come ye Sons of Art, Z.323: III “Sound the trumpet” (Counter-Tenors)— Henry Purcell
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Come ye Sons of Art, Z.323: IV “Come, ye Sons of Art, come away” (Chorus)— Henry Purcell
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Come ye Sons of Art, Z.323: V “Strike the viol” (Counter-Tenor)— Henry Purcell
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Come ye Sons of Art, Z.323: VI “The day that such a blessing” (Bass, Chorus)— Henry Purcell
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Come ye Sons of Art, Z.323: VII “Bid the Virtues” (Soprano)— Henry Purcell
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Come ye Sons of Art, Z.323: VIII “These, are the sacred charms” (Bass)— Henry Purcell
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Come ye Sons of Art, Z.323: IX “See Nature, rejoicing” (Soprano, Bass, Chorus)— Henry Purcell
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Funeral Sentences for the death of Queen Mary II, Z.27: I March— Henry Purcell
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Funeral Sentences for the death of Queen Mary II, Z.27: II “Man that is born”— Henry Purcell
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Funeral Sentences for the death of Queen Mary II, Z.27: III Canzona— Henry Purcell
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Funeral Sentences for the death of Queen Mary II, Z. 27: IV. In the midst of life— Henry Purcell
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Funeral Sentences for the death of Queen Mary II, Z.27: V Canzona— Henry Purcell
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Funeral Sentences for the death of Queen Mary II, Z.27: VII March— Henry Purcell
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Hail! Bright Cecilia, Z.328: I Symphony— Henry Purcell
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Hail! Bright Cecilia, Z.328: II “Hail! Bright Cecilia” (Soprano, Alto, Tenor, Baritone, Bass,…— Henry Purcell
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Hail! Bright Cecilia, Z.328: IV “‘Tis Nature’s voice” (Tenor)— Henry Purcell
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Hail! Bright Cecilia, Z.328: V “Soul of the world” (Chorus)— Henry Purcell
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Hail! Bright Cecilia, Z.328: VI “Thou tun’st this world” (Soprano)— Henry Purcell
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Hail! Bright Cecilia, Z.328: VII “With that sublime celestial lay” (Altos, Bass)— Henry Purcell
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Hail! Bright Cecilia, Z.328: VIII “Wondrous machine” (Bass)— Henry Purcell
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Hail! Bright Cecilia, Z.328: IX “The airy violin” (Alto)— Henry Purcell
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Hail! Bright Cecilia, Z.328: X “In vain the am’rous flute” (Alto, Tenor)— Henry Purcell
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Hail! Bright Cecilia, Z.328: XII “The fife and all the harmony of war” (Alto)— Henry Purcell
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Hail! Bright Cecilia, Z.328: XIII “Let these amongst themselves contest” (Baritone, Bass)— Henry Purcell
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Hail! Bright Cecilia, Z.328: XIV “Hail! Bright Cecilia” (Altos, Tenor, Bass, Chorus)— Henry Purcell
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Timon of Athens, Z.632 : Overture to The Masque— Henry Purcell
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Timon of Athens, Z.632 : I “Hark! how the songsters of the grove” (Two Nymphs)— Henry Purcell
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Timon of Athens, Z.632: II “Love in their little veins inspires” (Nymph)— Henry Purcell
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Timon of Athens, Z.632: The Masque “But ah! how much are our delights” (Two Nymphs, Shepherd)— Henry Purcell
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Timon of Athens, Z.632: V “Come all, come all to me” (Cupid)— Henry Purcell
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Timon of Athens, Z.632: VI “Who can resist” (Chorus)— Henry Purcell
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Timon of Athens, Z.632: VII “Return, revolting rebels!” (Bacchus)— Henry Purcell
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Timon of Athens, Z.632: VIII “The care of lovers” (A Nymph)— Henry Purcell
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Timon of Athens, Z.632: IX “Love quickly is pall’d” (A Bacchanal)— Henry Purcell
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Timon of Athens, Z.632: X “Come, let us agree” (Cupid, Bacchus, Chorus)— Henry Purcell
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Timon of Athens, Z.632: Curtain Tune— Henry Purcell
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Dioclesian, Z.627 : First Music— Henry Purcell
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Dioclesian, Z.627: Second Music— Henry Purcell
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Dioclesian, Z.627: Overture to Act 1— Henry Purcell
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Dioclesian, Z.627, Act 1: First Act Tune— Henry Purcell
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Dioclesian, Z.627, Act 2: “Great Diocles” (Bass, Chorus)— Henry Purcell
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Dioclesian, Z.627, Act 2: “Let the soldiers rejoice” (Tenor, Chorus)— Henry Purcell
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Dioclesian, Z.627, Act 2: “To Mars let’em raise” (Tenor, Bass, Chorus)— Henry Purcell
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Dioclesian, Z.627, Act 2: “Since the tolis ” (Tenor) “Let the priests” (Soprano, Tenor, Bass,…— Henry Purcell
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Dioclesian, Z.627, Act 2: Dance of Furies— Henry Purcell
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Dioclesian, Z.627, Act 2: Second Act Tune— Henry Purcell
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Dioclesian, Z.627, Act 3: Chaconne— Henry Purcell
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Dioclesian, Z.627, Act 3: “When first I saw” (Soprano)— Henry Purcell
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Dioclesian, Z.627, Act 3: The Chair Dance— Henry Purcell
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Dioclesian, Z.627, Act 3: “What shall I do” (Soprano)— Henry Purcell
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Dioclesian, Z.627, Act 3: Third Act Tune— Henry Purcell
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Dioclesian, Z.627, Act 4: Butterfly Dance— Henry Purcell
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Dioclesian, Z.627, Act 4: Trumpet Tune— Henry Purcell
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Dioclesian, Z.627, Act 4: “Sound, Fame” (Tenor, Chorus)— Henry Purcell
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Dioclesian, Z.627, Act 4: Fourth Act Tune— Henry Purcell
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Dioclesian, Z.627, Act 5: Country Dance— Henry Purcell
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Dioclesian, Z.627, Act 5: Prelude to The Masque: “Call the Nymphs” (Cupid, Chorus)— Henry Purcell
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Dioclesian, Z.627, Act 5: “Come, come away” (A Bacchanalian, A Silvan)— Henry Purcell
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Dioclesian, Z.627, Act 5: Prelude & Chorus: “Behold, O mightiest of Gods”— Henry Purcell
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Dioclesian, Z.627, Act 5: “Ah the sweet delights of love” (2 Wood-Gods)— Henry Purcell
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Dioclesian, Z.627, Act 5: “Let monarchs fight” (A Faun)— Henry Purcell
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Dioclesian, Z.627, Act 5: “Since from my dear” (Another Faun)— Henry Purcell
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Dioclesian, Z.627, Act 5: One of Cupid’s Followers (Tenor)— Henry Purcell
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Dioclesian, Z.627, Act 5: “Tell me why my charming fair” (Shepherd, Shepherdess)— Henry Purcell
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Dioclesian, Z.627, Act 5: Dance— Henry Purcell
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Dioclesian, Z.627, Act 5: “All our days” (Tenor, Chorus) “Let us dance” (Soprano)— Henry Purcell
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Dioclesian, Z.627, Act 5: “Triumph, victorious love” (Tenor, Tenor, Bass, Chorus)— Henry Purcell
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The Indian Queen, Z.630, Act 1: First Air— Henry Purcell
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The Indian Queen, Z.630, Act 1: Second Air— Henry Purcell
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The Indian Queen, Z.630, Act 1: First Hornpipe— Henry Purcell
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The Indian Queen Z.630, Act 1: Second Hornpipe— Henry Purcell
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The Indian Queen, Z.630, Act 1: Adagio— Henry Purcell
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The Indian Queen, Z.630, Act 1: Allegro— Henry Purcell
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The Indian Queen Z.630, Act 1: Trumpet Tune— Henry Purcell
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The Indian Queen, Z.630, Act 1: “Wake, Quivera” (Boy)— Henry Purcell
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The Indian Queen, Z.630, Act 1: “Why should men quarrel” (Girl)— Henry Purcell
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The Indian Queen, Z.630, Prologue to Act 1: “By ancient prophecies” (Girl, Boy)— Henry Purcell
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The Indian Queen, Z.630, Prologue to Act 1: Trumpet Tune— Henry Purcell
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The Indian Queen, Z.630, Act 2: Canzona— Henry Purcell
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The Indian Queen, Z.630, Act 2: Adagio— Henry Purcell
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The Indian Queen, Z.630, Act 2: Allegro— Henry Purcell
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The Indian Queen, Z.630, Act 2: “I come to sing great Zempoalla Story” (Fame)— Henry Purcell
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The Indian Queen, Z.630, Act 2: “What flattering noise is this” (Envy, 1st & 2nd follower)— Henry Purcell
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The Indian Queen, Z.630, Act 2: “Scorn’d Envy, here’s nothing” (Fame)— Henry Purcell
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The Indian Queen, Z.630, Act 2: “I fly from the place” (Envy)— Henry Purcell
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The Indian Queen, Z.630, Act 2: “Begone, curst fiends of Hell” (Fame)— Henry Purcell
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The Indian Queen, Z.630, Act 2: “I come to sing” (Fame)— Henry Purcell
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The Indian Queen, Z.630, Act 3: Air— Henry Purcell
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The Indian Queen, Z.630, Act 3: Minuet— Henry Purcell
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The Indian Queen, Z.630, Act 3: “Ye twice ten hundred deities” (Ismeron)— Henry Purcell
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The Indian Queen, Z.630, Act 3: Symphony for hautboys— Henry Purcell
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The Indian Queen, Z.630, Act 3: “Seek not to know” (God of Dreams)— Henry Purcell
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The Indian Queen, Z.630, Act 3: Trumpet Overture— Henry Purcell
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The Indian Queen, Z.630, Act 3: “Ah, how happy are we” (1st & 2nd aerial spirits)— Henry Purcell
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The Indian Queen, Z.630, Act 3: “We the spirits of the Air” (3rd & 4th aerial spirits)— Henry Purcell
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The Indian Queen, Z.630, Act 3: “I attempt from love’s sickness” (Soprano)— Henry Purcell
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The Indian Queen, Z.630, Act 3: Air (Spirits of the air, Chorus)— Henry Purcell
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The Indian Queen, Z.630, Act 3: Third Act Tune— Henry Purcell
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The Indian Queen, Z.630, Act 4: “They tell us that your mighty powers” (Soprano) Fourth Act Tune— Henry Purcell
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The Indian Queen, Z.630, Act 4: “While thus we bow” (High Priest)— Henry Purcell
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The Tempest, Z.631/10: Overture— Henry Purcell
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The Tempest, Z.631/10, Act 2: “Where does the black fiend” (First Devil, Second Devil, Chorus)— Henry Purcell
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The Tempest, Z.631/10, Act 2: “Around, around we pace” (Chorus)— Henry Purcell
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The Tempest, Z.631/10, Act 2: “Arise, ye subterranean winds” (First Devil)— Henry Purcell
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The Tempest, Z.631/10, Act 2: Dance of Winds— Henry Purcell
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The Tempest, Z.631/10, Act 3: “Comme unto these yellow sands” (Ariel, Chorus)— Henry Purcell
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The Tempest, Z.631/10, Act 3: “Full fathom five” (Ariel, Chorus)— Henry Purcell
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The Tempest, Z.631/10, Act 3: “Dry those eyes” (Ariel)— Henry Purcell
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The Tempest, Z.631/10, Act 3: “Kind fortune smiles” (Ariel)— Henry Purcell
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The Tempest, Z.631/10, Act 4: Dance of Devils— Henry Purcell
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The Tempest, Z.631/10, Act 4: The sailor’s dance— Henry Purcell
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The Tempest, Z.631/10, Act 4: “Dear pretty youth” (Dorinda)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “Great neptune!” (Amphitrite, Neptune)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “The nereids and Tritons” (Chorus)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “Aeolus, you must appear” (Neptune)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “Your awful voice I hear” (Aeolus)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “Halcyon days” (Amphitrite)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “See, see, the heavens smile” (Neptune)— Henry Purcell
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The Tempest, Z.631/10, Act 5: “No stars again shall hurt you” (Amphitrite, Neptune, Chorus)— Henry Purcell
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Locke : “How doth the city sit solitary”— Matthew Locke (1622-1677)
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Humfrey : “O Lord my God”— Pelham Humfrey
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Suite d’orchestre No. 3 “Scènes dramatiques”: I. Prélude et divertissement – La Tempête -…— Jules Massenet
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Suite d’orchestre No. 3 “Scènes dramatiques”: II. Mélodrame – Le sommeil de Desdémone— Jules Massenet
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Suite d’orchestre No. 3 “Scènes dramatiques”: III. Scène finale – Macbeth – Les sorcières -…— Jules Massenet
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Suite d’orchestre No. 6 “Scènes de féerie”: II. Ballet— Jules Massenet
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Suite d’orchestre No. 6 “Scènes de féerie”: III. Apparition— Jules Massenet
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Suite d’orchestre No. 7 “Scènes alsaciennes”: I. Dimanche matin— Jules Massenet
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Suite d’orchestre No. 7 “Scènes alsaciennes”: II. Au cabaret— Jules Massenet
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Suite d’orchestre No. 7 “Scènes alsaciennes”: III. Sous les tilleuls— Jules Massenet
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Suite d’orchestre No. 7 “Scènes alsaciennes”: IV. Dimanche soir— Jules Massenet
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Don Quichotte, Act 2: Interlude “Sérénade de Don Quichotte”— Jules Massenet
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Don Quichotte, Act 4: Interlude “La tristesse de Dulcinée”— Jules Massenet
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Fleurs des landes, Op. 13, H 124: IV. Le jeune pâtre breton, H 65d— Hector Berlioz
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La captive orientale, Op. 12, H 60f— Hector Berlioz
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Le chasseur danois, H 104b— Hector Berlioz
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Zaïde, H 107b— Hector Berlioz
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Irlande, Op. 2, H 38: IV. La belle voyageuse, H 42a— Hector Berlioz
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Aubade, H 78b— Hector Berlioz
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La Mort d’Ophélie, H 92a— Hector Berlioz
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Come Ye Sons of Art, Z. 323 “Ode for Queen Mary’s Birthday”: No. 2, Aria and Chorus. “Come Ye…— Henry Purcell
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Come Ye Sons of Art, Z. 323 “Ode for Queen Mary’s Birthday”: No. 3, Duet. “Sound the Trumpet”— Henry Purcell
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Saul and the Witch of Endor, Z. 134: Trio. “In Guilty Night”— Henry Purcell
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The Indian Queen, Z. 630, Act III: Minuet— Henry Purcell
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King Arthur, Z. 628, Act V: Song. “Fairest Isle”— Henry Purcell
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Upon a Quiet Conscience, Z. 184 “Close Thine Eyes and Sleep Secure”— Henry Purcell
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Dido and Aeneas, Z. 626, Act III: Recitative. “Thy Hand, Belinda” – Song. “When I Am Laid in…— Henry Purcell
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King Arthur, Z. 628, Act III: Prelude— Henry Purcell
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King Arthur, Z. 628, Act I: Song and Chorus. “Come If You Dare” – First Act Tune— Henry Purcell
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King Arthur, Z. 628, Act III: Song. “What Ho! Thou Genius of This Isle”— Henry Purcell
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King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises – Frost Scene. “What Power Art Thou”— Henry Purcell
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King Arthur, Z. 628, Act III: Song. “Thou Doting Fool”— Henry Purcell
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King Arthur, Z. 628, Act III: Song. “Great Love, I Know Thee Now”— Henry Purcell
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King Arthur, Z. 628, Act III: Song. “No Part of My Dominion”— Henry Purcell
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King Arthur, Z. 628, Act III: Prelude (Reprise)— Henry Purcell
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King Arthur, Z. 628, Act III: Chorus. “See, See, We Assemble”— Henry Purcell
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King Arthur, Z. 628, Act III: Song and Chorus. “Tis Love That Has Warm’d Us”— Henry Purcell
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King Arthur, Z. 628, Act III: Duet. “Sound a Parley” – Ritornello – Chorus. “Tis Love That Has…— Henry Purcell
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King Arthur, Z. 628, Act III: Third Act Tune. Hornpipe— Henry Purcell
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Manfred, Op. 115: Overture— Composer not yet identified
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The Swan— Camille Saint-Saëns
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Méditation— Jules Massenet
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Jesu, Joy of Mans Desiring— Johann Sebastian Bach
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Humoresque No. 7— Antonín Dvořák
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Träumerei— Composer not yet identified
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Euryanthe, Op. 81: Overture— Carl Maria von Weber
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Overture, Scherzo & Finale, Op. 52: I. Overture. Andante con moto— Robert Schumann
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Overture, Scherzo & Finale, Op. 52: II. Scherzo. Vivo— Robert Schumann
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Overture, Scherzo & Finale, Op. 52: III. Finale. Allegro molto vivace— Robert Schumann
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Genoveva, Op. 81: Overture— Composer not yet identified
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La Boheme. Opera in 4 Acts (La Boheme) – Act 1 – Che gelida manina!— Giacomo Puccini
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Manon. Opera in 4 Acts – Act 2: Moment placut (Moment placut)— Giacomo Puccini
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Louise. Opera in 4 Acts – Act 3: Depuis le jour, ou je me suis donnée— Giacomo Puccini
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Piano Concerto in A Minor, Op. 54 (Intermediate Version) : I. Allegro affettuoso— Robert Schumann
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Piano Concerto in A Minor, Op. 16: II. Adagio— Edvard Grieg
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Semele, HWV 58, Act II Scene 3: Where’er You Walk, Cool Gales Shall Fan the Glade (Live)— George Frideric Handel
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Semele, HWV 58, Act II Scene 2: O Sleep, Why Dost Thou Leave Me (Live)— George Frideric Handel
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Semele, HWV 58, Act I Scene 1: Avert These Omens, All Ye Pow’rs (Live)— George Frideric Handel
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Violin Concerto in D Minor, BWV 1052R: I. Allegro— Johann Sebastian Bach
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Violin Concerto in A Minor, BWV 1041: I. Allegro— Johann Sebastian Bach
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Guitar Concerto, Op. 88: I. Andantino – Allegretto – Meno vivo— Lennox Berkeley
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Guitar Concerto, Op. 88: II. Lento – Tranquillo— Lennox Berkeley
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Guitar Concerto, Op. 88: III. Allegro con brio – Un poco meno vivo— Lennox Berkeley
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Lobet den Herrn, alle Heiden, BWV 230: Lobet den Herrn, alle Heiden, BWV 230— Composer not yet identified
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Komm, Jesu, komm, BWV 229— Composer not yet identified
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Der Geist hilft unser Schwachheit auf, BWV 226— Composer not yet identified
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Jesu, meine Freude— Composer not yet identified
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Jesu, meine Freude, BWV 227: Es ist nun nichts Verdammliches an denen— Composer not established
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Jesu, meine Freude, BWV 227: Unter deinen Schirmen— Composer not yet identified
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Jesu, meine Freude, BWV 227: Weg mit allen Schatzen— Composer not established
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Fürchte dich nicht, ich bin bei dir, BWV 228: Furchte dich nicht, ich bin bei dir, BWV 228— Composer not yet identified
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Singet dem Herrn ein neues Lied— Composer not yet identified
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Singet dem Herrn ein neues Lied, BWV 225: Wie sich ein Vater erbarmet – Gott, nimm dich ferner…— Composer not yet identified
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Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten (Live)— Composer not yet identified
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Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: I. Introduction— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: II. Kyrie— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: III.Gloria— Composer not established
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Berlioz: Messe solennelle, H. 20a: IV. Gratias agimus tibi— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: V. Quoniam tu solus— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: VI. Credo— Composer not established
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Berlioz: Messe solennelle, H. 20a: VII. Et incarnatus est— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: VIII. Crucifixus— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: IX. Resurrexit (Original Version)— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: X. Motet pour l’Offertoire— Composer not established
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Berlioz: Messe solennelle, H. 20a: XI. Sanctus— Composer not established
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Berlioz: Messe solennelle, H. 20a: XII. O salutaris hostia— Composer not established
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Berlioz: Messe solennelle, H. 20a: XIII. Agnus Dei— Composer not established
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Berlioz: Messe solennelle, H. 20a: XIV. Domine salvum fac— Composer not yet identified
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Berlioz: Messe solennelle, H. 20a: IX. Resurrexit (Revised Version)— Composer not yet identified
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Brich dem Hungrigen dein Brot, BWV 39: Pt. I: Brich dem Hungrigen dein Brot (Chorus)— Composer not yet identified
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O Ewigkeit, du Donnerwort (I) , BWV 20, Pt. I: Chorale. O Ewigkeit, du Donnerwort— Composer not yet identified
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