Biography (read more)

Thomas Morley was an English composer, theorist, and organist born around 1557 in Norwich and died in 1602 in London, celebrated as the leading figure of the English Madrigal School. A pupil of William Byrd, he served as master of choristers at Norwich Cathedral before moving to London, where he became organist at St Paul’s Cathedral and, from 1598, held a royal monopoly on music printing. Inspired by Nicholas Yonge’s 1588 anthology Musica Transalpina, Morley began publishing his own English madrigals and balletts, adapting the Italian style he especially admired in Luca Marenzio into a lighter, distinctly English idiom. He also wrote instrumental consort music and the influential treatise A Plain and Easie Introduction to Practicall Musicke (1597).

Morley almost single-handedly grafted the Italian madrigal onto English soil, launching the brief but brilliant flowering of the English Madrigal School. His treatise became the standard English-language guide to Renaissance music theory and performance for two centuries, and his own light, singable madrigals such as “Now Is the Month of Maying” remain core repertory. As a music publisher he also helped shape the wider dissemination of English music in print.

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Repertoire

April Is in My Mistress’ Face1594
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Performed by La Ménestraudie, Choral Society of Durham

Now Is the Month of Maying1595
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Performed by Rockport Music, John Rutter & The Cambridge Singers

Sing We and Chant It1595
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Performed by Ars Nova Copenhagen

The First Booke of Consort Lessons1599
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Performed by EARLY MUSIC MIDI

It Was a Lover and His Lass1600
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Performed by mutewoman2

It Was a Lover and His Lass— Ian Bostridge
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Performed by Ian Bostridge

Ayres or Little Short Songs: No. 8, O Mistress Mine— Ian Bostridge
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Performed by Ian Bostridge

Morley: It was a lover and his lasse— Barbara Bonney
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Performed by Barbara Bonney

Nolo mortem peccatoris— John Eliot Gardiner
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Performed by John Eliot Gardiner

Galiarda— Vincent Dumestre
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Performed by Vincent Dumestre

Morley: It was a lover and his lasse— Julian Bream
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Performed by Julian Bream

Thirsis and Milla— Julian Bream
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Performed by Julian Bream

Thirsis and Milla— Nigel North
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Performed by Nigel North

Morley: Come, sorrow, come— Julian Bream
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Performed by Julian Bream

Come sorrow come— Nigel North
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Performed by Nigel North

Morley: With My Love, My Life Was Nestled— Julian Bream
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Performed by Julian Bream

With my love my life was nestled— Nigel North
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Performed by Nigel North

Ayres, Book 1: No. 14, Absence, Hear Thou My Protestation— Julian Bream
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Performed by Julian Bream

Ayres, Book 1: No. 22, Pavane— Julian Bream
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Performed by Julian Bream

Ayres, Book 1: No. 7, Who Is It That This Dark Night— Julian Bream
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Performed by Julian Bream

Mistress Mine, Well May You Fare— Julian Bream
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Performed by Julian Bream

Pavan— Julian Bream
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Performed by Julian Bream

The Sacred End Pavin and Galliard: Pavin— Julian Bream
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Performed by Julian Bream

The Sacred End Pavin and Galliard: Galliard— Julian Bream
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Performed by Julian Bream

Absence— Julian Bream
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Performed by Julian Bream

Who Is It?— Julian Bream
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Performed by Julian Bream

Morley: O mistress mine— Julian Bream
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Performed by Julian Bream

Morley: Thyrsis And Milla— Julian Bream
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Performed by Julian Bream

Morley: I Saw My Ladye Weeping— Julian Bream
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Performed by Julian Bream

Morley: What If My Mistress Now— Julian Bream
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Performed by Julian Bream

A painted tale— Nigel North
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Performed by Nigel North

I saw my lady weeping— Nigel North
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Performed by Nigel North

Who is it that this dark night— Nigel North
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Performed by Nigel North

Can I forget what reasons force— Nigel North
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Performed by Nigel North

Absence, hear thou my protestation— Nigel North
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Performed by Nigel North

Morley: I Saw My Ladye Weeping— Anthony Rooley
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Performed by Anthony Rooley

It was a Lover and His Lass— Stephen Stubbs
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Performed by Stephen Stubbs

Morley: Lute music – England: Pavan— Konrad Ragossnig
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Performed by Konrad Ragossnig

Deep Lamenting— Anthony Rooley
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Performed by Anthony Rooley

Leave Now Mine Eyes— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Arise, Awake, You Silly Shepherds Sleeping— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Besides A Fountain— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: No, No, No, Nigella— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Singing Alone— Anthony Rooley
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Performed by Anthony Rooley

Morley: Ayres: With My Love— Anthony Rooley
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Performed by Anthony Rooley

Morley: Ayres: Mistress Mine— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Stay Heart, Run Not So Fast— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Fire And Lightening— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Phyllis, I Fain Would Die Now— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Hard By A Crystal Fountain— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: In Every Place— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: O Grief E’en On The Bud— Anthony Rooley
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Performed by Anthony Rooley

Morley: Ayres: Absence Hear— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Deep Lamenting— Anthony Rooley
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Performed by Anthony Rooley

Morley: Ayres: Sleep Slumb’ring Eyes— Anthony Rooley
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Performed by Anthony Rooley

Morley: Madrigals: Hark! Alleluia— Anthony Rooley
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Performed by Anthony Rooley

Varietie of Lute Lessons, 1610: Pavin No. 3. Composed by the excellent Musition Thomas Morley…— Matthew Wadsworth
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Performed by Matthew Wadsworth

Mistress Mine Well May Fou Fare— Stephen Stubbs
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Performed by Stephen Stubbs

Sweet nymph, come to thy lover— Desmond Dupré
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Performed by Desmond Dupré

I go before my darling— Desmond Dupré
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Performed by Desmond Dupré

Miraculous Love’s wounding— Desmond Dupré
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Performed by Desmond Dupré

First Book of Ballets: No. 4, Sing We and Chant It— Joel Cohen
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Performed by Joel Cohen