Biography (read more)

Nigel North was born on 5 June 1954 and is an English lutenist, musicologist, and pedagogue. Largely self-taught on the lute after studying guitar at the Guildhall School of Music and Drama, he later trained at the Royal College of Music and briefly with Diana Poulton. Appointed Professor of Lute at the Guildhall at just twenty-one, he went on to teach in Berlin, and since 1999 has been Professor of Lute at Indiana University’s Jacobs School of Music. He wrote the standard textbook on continuo playing for lute, archlute, and theorbo, and is celebrated for his complete recordings of Bach’s works transcribed for lute and of Dowland’s solo lute music.

Nigel North’s authoritative recordings of Bach’s violin and cello works transcribed for lute, alongside his complete Dowland cycle, have become reference points for performers worldwide. As author of the standard textbook on continuo realization, he shaped how a generation of lutenists approach accompaniment, while decades of teaching in London, Berlin, and Indiana have trained many of today’s leading professional lutenists.

Sources:

Repertoire

Farewell (Fantasie No. 3)— John Dowland
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Fantasia in C minor— Sylvius Leopold Weiss
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Sarabande (Lute Suite)— Johann Sebastian Bach
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Toccata and Fugue in G minor, BWV 565 (lute transcription)— Johann Sebastian Bach
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Fantasia in C minor— Silvius Leopold Weiss
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Pavan in G minor, P. 18— John Dowland
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Partita in G Minor: Sarabande— Silvius Leopold Weiss
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Paduan (Arr. for two lutes by Nigel North)— Composer not established
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Round Battle Galliard (Arr. for two lutes by Nigel North)— Composer not established
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Complaint (Arr. for two lutes by Nigel North)— Composer not established
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My Lord Willoughby’s Welcome Home— Composer not established
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Flat Pavan and Galliard: I. Pavan— Composer not established
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Flat Pavan and Galliard: II. Galliard— Composer not established
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Sellinger’s Round— Composer not established
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Twenty Ways Upon The Bells— Composer not established
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A Fantasie— Composer not established
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A Toy— Composer not established
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The Woods So Wild (Arr. for two lutes by Nigel North)— Composer not established
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La Vecchia Pavan and Galliard: I. Pavan— Composer not established
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La Vecchia Pavan and Galliard: II. Galliard— Composer not established
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Chi Passa— Composer not established
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Upon Lamire (Arr. for two lutes by Nigel North)— Composer not established
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My Lady Carey’s Dump (Arr. for two lutes by Nigel North)— Composer not established
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Ophelia’s Garden— Composer not established
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A Fancy (Marchant)— Composer not established
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A Fancy (Danyel)— Composer not established
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A Fancy (Drewries Accordes)— Composer not established
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A Plain Song— Composer not established
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The Queen’s Goodnight— Composer not established
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De La Tromba Pavan— Composer not established
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Passymeasures Galliard— Composer not established
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La Rossignol— Composer not established
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Le secret des muses: Prélude I— Nicolas Vallet
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Le secret des muses: Courante I— Nicolas Vallet
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Le secret des muses: Gaillarde I— Nicolas Vallet
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Le secret des muses: Ballet – Ballet – Ballet des gueux— Nicolas Vallet
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Le secret des muses: Onder de Lindegröne— Nicolas Vallet
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Le secret des muses: Carillon de village— Nicolas Vallet
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Le secret des muses: La mendiante fantasye— Nicolas Vallet
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Le secret des muses: Pavanne en forme de complainte— Nicolas Vallet
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Le secret des muses: Volte de la complainte— Nicolas Vallet
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Le secret des muses: Courante de la complainte— Nicolas Vallet
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Le secret des muses: Fantasye— Nicolas Vallet
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Le secret des muses: Gaillarde II— Nicolas Vallet
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Le secret des muses: Fantasye sur la passameze d’Italie— Nicolas Vallet
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Le secret des muses: Prélude II— Nicolas Vallet
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Le secret des muses: Courante II— Nicolas Vallet
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Le secret des muses: Ballet— Nicolas Vallet
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Le secret des muses: Gaillarde du comte Essex— Nicolas Vallet
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Le secret des muses: Onse Vader in Hemelryck— Nicolas Vallet
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Le secret des muses: Prélude III— Nicolas Vallet
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Le secret des muses: Courante III— Nicolas Vallet
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Le secret des muses: Passameze par bequare— Nicolas Vallet
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Le secret des muses: Les pantalons— Nicolas Vallet
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Le secret des muses: Une jeune fillette— Nicolas Vallet
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Le secret des muses: Bourrée d’Avignon— Nicolas Vallet
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Captaine Piper his Galiard— John Dowland
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Lachrimæ Antiquæ— John Dowland
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Coranto Were every thought an eye— John Dowland
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The Earle of Essex Galiard— John Dowland
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Lachrimæ Antiquæ Novæ— John Dowland
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M. Henry Noell his Galiard— John Dowland
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Lachrimæ Gementes— John Dowland
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M. John Langtons Pavan— John Dowland
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M. George Whitehead his Almand— John Dowland
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Lachrimæ Tristes— John Dowland
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Dowland’s Adew for Master Oliver Cromwell— John Dowland
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Lachrimæ Coactæ— John Dowland
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Lachrimæ Pavan— John Dowland
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Galiard To Lachrimæ— John Dowland
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Lachrimæ Amantis— John Dowland
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Sir John Souch His Galiard— John Dowland
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Lachrimæ Veræ— John Dowland
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Come my Celia— Alfonso II Ferrabosco
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Like hermit poor— Alfonso II Ferrabosco
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So so, leave off this last lamenting kisse— Alfonso II Ferrabosco
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Fire fire— Thomas Campion
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I care not for these ladies— Thomas Campion
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A painted tale— Thomas Morley
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Thirsis and Milla— Thomas Morley
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With my love my life was nestled— Thomas Morley
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I saw my lady weeping— Thomas Morley
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Beauty sat bathing— William Corkine
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Tis true, tis day— William Corkine
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Who is it that this dark night— Thomas Morley
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Can I forget what reasons force— Thomas Morley
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Fair, sweet, cruell— Thomas Ford
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Goe passions to the cruell faire— Thomas Ford
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Not full twelve years— Thomas Ford
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Whither runneth my sweet hart— Robert II Jones
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Come sorrows— Robert II Jones
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Aye mee, she frownes— Francis Pilkington
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Absence, hear thou my protestation— Thomas Morley
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Come sorrow come— Thomas Morley
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When Laura smiles— Philip Rosseter
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What then is love but mourning— Philip Rosseter
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Suite in G Minor, BWV 995: I. Prelude— Johann Sebastian Bach
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Suite in G Minor, BWV 995: II. Allemande— Johann Sebastian Bach
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Suite in G Minor, BWV 995: III. Courante— Johann Sebastian Bach
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Suite in G Minor, BWV 995: IV. Sarabande— Johann Sebastian Bach
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Suite in G Minor, BWV 995: V. Gavottes I & II— Johann Sebastian Bach
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Suite in G Minor, BWV 995: VI. Gigue— Johann Sebastian Bach
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Suite in C Minor, BWV 997: I. Preludio— Johann Sebastian Bach
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Suite in C Minor, BWV 997: II. Fugue— Johann Sebastian Bach
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Suite in C Minor, BWV 997: III. Sarabande— Johann Sebastian Bach
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Suite in C Minor, BWV 997: IV. Gigue & V. Double— Johann Sebastian Bach
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Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude— Johann Sebastian Bach
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Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fugue— Johann Sebastian Bach
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Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro— Johann Sebastian Bach
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Prelude in C Minor, BWV 999— Johann Sebastian Bach
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Fugue in G Minor, BWV 1000— Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme after BWV 645 (transcr. for lute by Nigel North)— Johann Sebastian Bach
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Suite in E Minor, BWV 996: I. Praeludio. Passaggio – Presto— Johann Sebastian Bach
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Suite in E Minor, BWV 996: II. Allemande— Johann Sebastian Bach
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Suite in E Minor, BWV 996: III. Courante— Johann Sebastian Bach
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Suite in E Minor, BWV 996: IV. Sarabande— Johann Sebastian Bach
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Suite in E Minor, BWV 996: V. Bourée— Johann Sebastian Bach
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Suite in E Minor, BWV 996: VI. Giga— Johann Sebastian Bach
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Partita in A Minor, BWV 1013 (transcr. for lute by Nigel North) : I. Allemande— Johann Sebastian Bach
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Partita in A Minor, BWV 1013 (transcr. for lute by Nigel North) : II. Corrente— Johann Sebastian Bach
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Partita in A Minor, BWV 1013 (transcr. for lute by Nigel North) : III. Sarabande— Johann Sebastian Bach
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Partita in A Minor, BWV 1013 (transcr. for lute by Nigel North) : IV. Bourée Angloise— Johann Sebastian Bach
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Partita in E Major, BWV 1006a: I. Prelude— Johann Sebastian Bach
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Partita in E Major, BWV 1006a: II. Loure— Johann Sebastian Bach
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Partita in E Major, BWV 1006 : III. Gavotte en Rondeaux— Johann Sebastian Bach
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Partita in E Major, BWV 1006a: IV. Menuets I & II— Johann Sebastian Bach
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Partita in E Major, BWV 1006a: V. Bourée— Johann Sebastian Bach
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Partita in E Major, BWV 1006a: VI. Gigue— Johann Sebastian Bach
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Ouverture and Aria in C Major: I. Ouverture— Composer not established
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Ouverture and Aria in C Major: II. Aria— Composer not established
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Ouverture, Sonata and Fuga in D Minor: I. Ouverture— Composer not established
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Ouverture, Sonata and Fuga in D Minor: II. Sonata— Composer not established
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Ouverture, Sonata and Fuga in D Minor: III. Fuga— Composer not established
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Fantasie, Concerto and Plainte in B-Flat Major: I. Fantasie— Composer not established
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Fantasie, Concerto and Plainte in B-Flat Major: II. Concerto— Composer not established
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Fantasie, Concerto and Plainte in B-Flat Major: III. Plainte— Composer not established
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Tombeau sur la Mort de Mr Comte de Logy (1721)— Composer not established
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Fantasie, Fuga and Capriccio in D Major: I. Fantasie— Composer not established
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Fantasie, Fuga and Capriccio in D Major: II. Fuga— Composer not established
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Fantasie, Fuga and Capriccio in D Major: III. Capriccio— Composer not established
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Fantasie and Fuga in C Major: I. Fantasie— Composer not established
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Fantasie and Fuga in C Major: II. Fuga— Composer not established
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Prelude in E-Flat Major— Composer not established
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Tombeau sur la Mort de Mr Cajetan Baron d’Hartig (1719)— Composer not established
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Sonata in F Major for Two Oboes, Bassoon, and Continuo, Zv 181/5: I. Allegro— Composer not established
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Sonata in F Major for Two Oboes, Bassoon, and Continuo, Zv 181/5: II. Adagio— Composer not established
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Sonata in F Major for Two Oboes, Bassoon, and Continuo, Zv 181/5: III. Allegro— Composer not established
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Sonata in C Minor for Oboe and Continuo, RV 53: I. Adagio— Antonio Vivaldi
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Sonata in C Minor for Oboe and Continuo, RV 53: II. Allegro— Antonio Vivaldi
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Sonata in C Minor for Oboe and Continuo, RV 53: III. Andante— Antonio Vivaldi
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Sonata in C Minor for Oboe and Continuo, RV 53: IV. Allegro— Antonio Vivaldi
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Sonata in G Minor for Two Oboes and Continuo, Zv181/4: I. Andante— Composer not established
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Sonata in G Minor for Two Oboes and Continuo, Zv181/4: II. Allegro— Composer not established
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Sonata in G Minor for Two Oboes and Continuo, Zv181/4: III. Adagio— Composer not established
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Sonata in G Minor for Two Oboes and Continuo, Zv181/4: IV. Allegro ma non troppo— Composer not established
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Sonata in C Minor for Two Oboes and Continuo, Zv181/6: I. Andante— Composer not established
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Sonata in C Minor for Two Oboes and Continuo, Zv181/6: II. Allegro— Composer not established
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Sonata in C Minor for Two Oboes and Continuo, Zv181/6: III. Adagio— Composer not established
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Sonata in C Minor for Two Oboes and Continuo, Zv181/6: IV. Allegro— Composer not established
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Ricercar No. 6— Composer not established
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Fantasia No. 61— Composer not established
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Fantasia No. 67— Composer not established
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Fantasia No. 65— Composer not established
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Fantasia No. 23— Composer not established
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Ricercar No. 70— Composer not established
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Ricercar No. 71— Composer not established
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Ricercar No. 88— Composer not established
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Fantasia No. 55— Composer not established
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Ricercar No. 78— Composer not established
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Fantasia No. 29— Composer not established
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Ricercar No. 91— Composer not established
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Fantasia No. 5— Composer not established
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Ricercar Nos. 14, 75 & 14— Composer not established
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Ricercar No. 44— Composer not established
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Fantasia No. 64— Composer not established
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Fantasia No. 25— Composer not established
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Ricercar No. 69— Composer not established
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Fantasia No. 83— Composer not established
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Fantasia No. 82— Composer not established
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Ricercar No. 50— Composer not established
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Fantasia No. 26— Composer not established
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Ricercar No. 52— Composer not established
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Fantasia No. 21— Composer not established
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Fantasia No. 63— Composer not established
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Fantasia No. 20— Composer not established
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Ricercar No. 18— Composer not established
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Fantasia No. 19 “Bellissima”— Composer not established
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Fantasia de Francesco Milanese divina— Composer not established
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Dido and Aeneas, Z. 626, Act I: “Ah! Belinda”— Henry Purcell
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Don Quixote, Z. 578/9: From Rosy Bow’rs— Henry Purcell
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Oedipus, Z. 583: II. Musick for a While— Henry Purcell
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Fly Swift, Ye Hours, Z. 369— Henry Purcell
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Come, Ye Sons of Art Away, Z. 323: V. Strike the Viol— Henry Purcell
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Pausanius, Z. 585: I. Sweeter Than Roses— Henry Purcell
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The Indian Queen, Z. 630: “I Attempt from Love’s Sickness”— Henry Purcell
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From Silent Shades, Z. 370— Henry Purcell
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The Spanish Friar, or The Double Discovery, Z. 610: Whilst I With Grief Did on You Look— Henry Purcell
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What a Sad Fate Is Mine, Z. 428 B— Henry Purcell
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Tyrannic Love, or The Royal Martyr, Z. 613/2: Ah! How Sweet It Is to Love— Henry Purcell
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Dioclesian, Z. 627: “Since from My Dear Astrea’s Sight”— Henry Purcell
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The Fairy Queen, Z. 629: “Ye Gentle Spirits of the Air”— Henry Purcell
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The Fairy Queen, Z. 629: “Thrice Happy Lovers”— Henry Purcell
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The Fairy Queen, Z. 629: “Hark! How All Things”— Henry Purcell
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Hail, Bright Cecilia, Z. 328: “Tis Nature’s Voice”— Henry Purcell
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King Arthur, Z. 628: “Fairest Isle”— Henry Purcell
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The Tempest, Z. 631: “Dear Pritty Youth”— Henry Purcell
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Bonduca, Z. 574: “Oh! Lead Me to Some Peacefull Gloom”— Henry Purcell
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Timon of Athens, Z. 632: “The Cares of Lovers”— Henry Purcell
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If Musick Be the Food of Love, Z. 379 C— Henry Purcell
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Voluntary in G Major, Z. 720— Henry Purcell
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A Morning Hymn, Z. 198: “Thou Wakeful Shepherd”— Henry Purcell
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A Divine Hymn, Z. 192: “Lord, What Is Man?”— Henry Purcell
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Voluntary in D Minor, Z. 718— Henry Purcell
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The Aspiration, Z. 189: “How Long, Great God”— Henry Purcell
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In the Black Dismal Dungeon of Despair, Z. 190— Henry Purcell
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Oh Solitude, Z. 406— Henry Purcell
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Voluntary in C Major, Z. 714— Henry Purcell
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The Blessed Virgin’s Expostulation, Z. 196: “Tell Me, Some Pitying Angel”— Henry Purcell
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Voluntary in D Minor, for Double Organ, Z. 719— Henry Purcell
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On our Saviour’s Passion, Z. 197: “The Earth Trembled”— Henry Purcell
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With Sick and Famished Eyes, Z. 200— Henry Purcell
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Verset in F Major, Z. 716— Henry Purcell
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Full of Wrath, Z. 185— Henry Purcell
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Voluntary in A Major on the 100th Psalm, Z. 721— Henry Purcell
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Adam’ Sleep, Z. 195: “Sleep, Adam, Sleep”— Henry Purcell
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An Evening Hymn, Z. 193: “Now That the Sun”— Henry Purcell
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Parthie in D Minor: I. Fantasia— Composer not established
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Parthie in D Minor: II. Allemande— Composer not established
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Parthie in D Minor: III. Courante— Composer not established
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Parthie in D Minor: IV. Gavotte— Composer not established
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Parthie in D Minor: V. Sarabande— Composer not established
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Parthie in D Minor: VI. Menuet— Composer not established
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Parthie in D Minor: VII. Gigue— Composer not established
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Sonata in C Minor: I. Prelude— Composer not established
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Sonata in C Minor: II. Allemande (Andante)— Composer not established
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Sonata in C Minor: III. Gavotte— Composer not established
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Sonata in C Minor: IV. Rondeau— Composer not established
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Sonata in C Minor: V. Sarabande— Composer not established
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Sonata in C Minor: VI. Menuet— Composer not established
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Sonata in C Minor: VII. Rigaudon – Angloise (La Belle Tiroloise)— Composer not established
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Sonata in F Minor: I. Allemande— Composer not established
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Sonata in F Minor: II. Courante— Composer not established
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Sonata in F Minor: III. Bourrée— Composer not established
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Sonata in F Minor: IV. Sarabande (Adagio)— Composer not established
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Sonata in F Minor: V. Tempo di Menuetto— Composer not established
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Sonata in F Minor: VI. Gigue— Composer not established
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Ricercar No. 4— Composer not established
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Ricercar No. 1— Composer not established
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Ricercar No. 72— Composer not established
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Fantasia No. 2— Composer not established
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Fantasia No. 27— Composer not established
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Fantasia No. 62— Composer not established
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Fantasia No. 3— Composer not established
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Ricercar No. 8— Composer not established
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Fantasias Nos. 32 & 41— Composer not established
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Qunata beltà, Jacques Arcadelt— Composer not established
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Fantasia, sopra Qunata beltà— Composer not established
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Fantasias Nos. 31 & 7— Composer not established
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Fantasia No. 57— Composer not established
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Fantasia No. 84— Composer not established
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Ricercar No. 81— Composer not established
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Fantasia No. 73— Composer not established
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Ricercar No. 40— Composer not established
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Ricercar No. 16— Composer not established
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Ricercar No. 17— Composer not established
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Fantasia No. 30— Composer not established
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Ricercar No. 15— Composer not established
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Ricercar No. 51— Composer not established
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Fantasia No. 28— Composer not established
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Fantasia “Dolcissima et Amorosa”— Composer not established
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Fantasia No. 58— Composer not established
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Fantasias Nos. 38 & 39— Composer not established
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Ricercar No. 35— Composer not established
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Fantasia No. 56— Composer not established
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Ricercar No. 10— Composer not established
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De mon triste de desplaisir, Jean Richafort— Composer not established
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Fantasia de mon triste No. 36— Composer not established
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Fantasia et Ricercar “La compagna”— Composer not established
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The Queen’s Epicedium, Z. 383— Henry Purcell
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Here the Deities Approve— Henry Purcell
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Pausanius, Z. 585: No. 1, Sweeter Than Roses— Henry Purcell
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Music for a While, Z. 583— Henry Purcell
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If Music Be the Food of Love, Z. 379— Henry Purcell
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An Evening Hymn, Z. 193— Henry Purcell
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Chaconne in G Minor, Z. 730— Henry Purcell
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Dioclesian, Z. 627: I. First Music— Henry Purcell
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Dioclesian, Z. 627: III. Overture— Henry Purcell
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Dioclesian, Z. 627: IV. First Act Tune— Henry Purcell
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Dioclesian, Z. 627: IX. Dance of the Furies— Henry Purcell
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Dioclesian, Z. 627: X. Second Act Tune— Henry Purcell
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Dioclesian, Z. 627: XI. Two in Once Upon a Ground— Henry Purcell
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Dioclesian, Z. 627: XII. The Chair Dance— Henry Purcell
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Dioclesian, Z. 627: XIV. Third Act Tune— Henry Purcell
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Dioclesian, Z. 627: XV. Butterfly Dance— Henry Purcell
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Dioclesian, Z. 627: XIX. Country Dance— Henry Purcell
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Dioclesian, Z. 627: XXIX. Dance of the Bacchanals— Henry Purcell
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Dioclesian, Z. 627: XXX. Still I’m Wishing— Henry Purcell
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Dioclesian, Z. 627: XXXI. Canaries— Henry Purcell
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Dioclesian, Z. 627: XXXIII. Dance— Henry Purcell
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Dioclesian, Z. 627: XXXV. Dance— Henry Purcell
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Timon of Athens, Z. 632: XIV. Curtain Tune— Henry Purcell
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Sonata in D Major: I. Prelude— Composer not established
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Sonata in D Major: II. Allemande— Composer not established
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Sonata in D Major: III. Courante— Composer not established
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Sonata in D Major: IV. Angloise— Composer not established
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Sonata in D Major: V. Sarabande— Composer not established
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Sonata in D Major: VI. Menuet— Composer not established
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Sonata in D Major: VII. Passacaille— Composer not established
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Sonata in A Major: I. Prelude— Composer not established
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Sonata in A Major: II. Allemande— Composer not established
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Sonata in A Major: III. Courante— Composer not established
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Sonata in A Major: IV. Bourée— Composer not established
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Sonata in A Major: V. Sarabanda— Composer not established
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Sonata in A Major: VI. Menuet— Composer not established
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Sonata in A Major: VII. Gigue— Composer not established
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Sonata in A Major: VIII. Ciaccona— Composer not established
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Sonata in G Major: I. Prelude— Composer not established
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Sonata in G Major: II. Toccata – Fuga— Composer not established
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Sonata in G Major: III. Courante— Composer not established
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Sonata in G Major: IV. Bourée— Composer not established
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Sonata in G Major: V. Sarabande (un poco andante)— Composer not established
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Sonata in G Major: VI. Menuet— Composer not established
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Sonata in G Major: VII. Allegro— Composer not established
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Au joly bois— Claudin de Sermisy
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O felichi occhi miei— Jacques Arcadelt
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3 Fantasias— Francesco Da Milano
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Tant que vivray— Claudin de Sermisy
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Les miens aussi— Tielman Susato
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Ricercare— Francesco Da Milano
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Pulchra es amica mea— Giovanni Pierluigi da Palestrina
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Dump— Philip Van Wilder
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Ricercata terza— Giovanni Bassano
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Sfogava con le stelle— Giulio Caccini
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Canzona quarta per soprano e basso— Girolamo Frescobaldi
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Si je languis d’un martire incogneu— Joachim Thibaut de Courville
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Si jamais mon ame blessée— Pierre Guédron
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Que ferons-nous— Constantijn Huygens
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Prélude— Robert de Visée
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Rochers, je ne veux point— Jacques-Martin Hotteterre
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Entrée des Espagnols de Mr. de Lully— Robert de Visée
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L’autre jour ma Cloris— Jacques-Martin Hotteterre
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Logistille de Mr. de Lully— Robert de Visée
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Vous qui faites votre modelle— Jacques-Martin Hotteterre
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Première suite: Prélude— Jacques-Martin Hotteterre
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Première suite: Allemande “La Royalle”— Jacques-Martin Hotteterre
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Première suite: Rondeau “Le Duc d’Orleans”— Jacques-Martin Hotteterre
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Première suite: Sarabande “La d’Armagnac”— Jacques-Martin Hotteterre
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Première suite: Gigue “La Folichon”— Jacques-Martin Hotteterre
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Preludium— John Dowland
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The Most Sacred Queen Elizabeth, Her Galliard— John Dowland
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Go from My Window— John Dowland
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The Frog Galliard— John Dowland
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Galliard: Can She Excuse— John Dowland
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Mrs Vaux’s Jig— John Dowland
▶
My Lord Willoughby’s Welcome Home— John Dowland
▶
Mrs Winter’s Jump— John Dowland
▶
Fortune— John Dowland
▶
Robin— John Dowland
▶
The Battle Galliard— John Dowland
▶
Piper’s Pavan— John Dowland
▶
Galliard to Piper’s Pavan— John Dowland
▶
Walsingham— John Dowland
▶
Galliard “Mignarda”— John Dowland
▶
Semper Dowland, Semper Dolens— John Dowland
▶
Forlorn Hope Fancy— John Dowland
▶
Sir John Smith, His Almain— John Dowland
▶
The Shoemaker’s Wife. A Toy— John Dowland
▶
Melancholy Galliard— John Dowland
▶
My Lady Hunsdon’s Almain— John Dowland
▶
Galliard to Lachrimæ— John Dowland
▶
Fantasie— John Dowland
▶
Toccata XIII (Chitarrone)— Alessandro Piccinini
▶
Partite variate sopra “La folia aria Romanesca” (Chitaronne)— Alessandro Piccinini
▶
Corrente prima (Chitarrone)— Alessandro Piccinini
▶
Toccata cromatica (Chitarrone)— Alessandro Piccinini
▶
Gagliarda prima (Chitarrone)— Alessandro Piccinini
▶
Romanesca con partite variate (Chitarrone)— Alessandro Piccinini
▶
Toccata XV (Arciliuto)— Alessandro Piccinini
▶
Gagliarda seconda (Arciliuto)— Alessandro Piccinini
▶
Corrente XIII (Arciliuto)— Alessandro Piccinini
▶
Corrente XI (Arciliuto)— Alessandro Piccinini
▶
Toccata II (Arciliuto)— Alessandro Piccinini
▶
Aria prima affetvosa (Arciliuto)— Alessandro Piccinini
▶
Canzone prima (Arciliuto)— Alessandro Piccinini
▶
Toccata VI (Chitarrone)— Alessandro Piccinini
▶
Partite variate sopra quest’ aria francese detta “L’Alemana” (Chitarrone)— Alessandro Piccinini
▶
Corrente VI sopra “L’Alemana” (Chitarrone)— Alessandro Piccinini
▶
Gagliarda III (Chitarrone)— Alessandro Piccinini
▶
Toccata XX (Arciliuto)— Alessandro Piccinini
▶
Aria di saravanda in varie partite (Arciliuto)— Alessandro Piccinini
▶
Corrente prima (Arciliuto)— Alessandro Piccinini
▶
Toccata Cromatica XII (Arciliuto)— Alessandro Piccinini
▶
Aria III con parte variate (Arciliuto)— Alessandro Piccinini
▶
Toccata X (Chitarrone)— Alessandro Piccinini
▶
Chiaccona in partite variate (Chitarrone)— Alessandro Piccinini
▶
Suite in E Major, BWV 1006a: I. Prelude— Johann Sebastian Bach
▶
Suite in E Major, BWV 1006a: II. Loure— Johann Sebastian Bach
▶
Suite in E Major, BWV 1006a: III. Gavotte en Rondeau— Johann Sebastian Bach
▶
Suite in E Major, BWV 1006a: IV. Menuets 1 & 2— Johann Sebastian Bach
▶
Suite in E Major, BWV 1006a: V. Bouree— Johann Sebastian Bach
▶
Suite in E Major, BWV 1006a: VI. Gigue— Johann Sebastian Bach
▶
Suite in G Minor, BWV 995: I. Prelude-Tres vite— Johann Sebastian Bach
▶
Suite in G Minor, BWV 995: V. Gavottes 1 & 2— Johann Sebastian Bach
▶
Overture in B-Flat Major— Composer not established
▶
Partita in G Minor: No. 1. Prelude— Composer not established
▶
Partita in G Minor: No. 2. Allemande— Composer not established
▶
Partita in G Minor: No. 3. Courante— Composer not established
▶
Partita in G Minor: No. 4. Bourrée— Composer not established
▶
Partita in G Minor: No. 6. Menuet I & II— Composer not established
▶
Sonata in F Major: No. 1. Prelude— Composer not established
▶
Sonata in F Major: No. 2. Allemande— Composer not established
▶
Sonata in F Major: No. 3. Courante— Composer not established
▶
Sonata in F Major: No. 4. Bourrée— Composer not established
▶
Sonata in F Major: No. 5. Sarabande— Composer not established
▶
Sonata in F Major: No. 6. Menuet— Composer not established
▶
Sonata in F Major: No. 7. Gigue— Composer not established
▶
Fantasie in C Minor— Composer not established
▶
Suite in C Minor: No. 1. Allemande— Composer not established
▶
Suite in C Minor: No. 2. Courante— Composer not established
▶
Suite in C Minor: No. 3. Gavotte— Composer not established
▶
Suite in C Minor: No. 4. Sarabande— Composer not established
▶
Suite in C Minor: No. 5. Menuet— Composer not established
▶
Suite in C Minor: No. 6. Gigue— Composer not established
▶
Ciaccona in E-Flat Major— Composer not established
▶
The Most Sacred Queen Elizabeth, her Galliard, P. 41— John Dowland
▶
The Queen’s Galliard, P. 97— John Dowland
▶
Galliard in G minor, P. 22, “Dowland’s First Galliard”— John Dowland
▶
Galliard in G minor, P. 21, “John Dowland’s Galliard”— John Dowland
▶
Complaint, P. 63, “Fortune my foe”— John Dowland
▶
The Frog Galliard, P. 23— John Dowland
▶
Aloe, P. 68— John Dowland
▶
Galliard in G minor, P. 31, “Galliard on Walsingham”— John Dowland
▶
Walsingham, P. 67— John Dowland
▶
Coranto, P. 100— John Dowland
▶
Galliard in F minor, P. 27— John Dowland
▶
Come away, P. 60 (arr. of Come again, Sweet love doth now invite, new version by N. North)— John Dowland
▶
Sir John Souch’s Galliard, P. 26— John Dowland
▶
Go from my window, P. 64— John Dowland
▶
Galliard in D major, P. 24, “Awake sweet love, thou art returned”— John Dowland
▶
Galliard in D major, P. 24, “Awake sweet love, thou art returned” (new version by N. North)— John Dowland
▶
What if a day, P. 79— John Dowland
▶
Galliard in C minor, P. 35— John Dowland
▶
My Lord Willoughby’s Welcome Home, P. 66— John Dowland
▶
Can she excuse, P. 42— John Dowland
▶
Robin, P. 70— John Dowland
▶
Fortune my foe, P. 62— John Dowland
▶
Loth to depart, P. 69— John Dowland
▶
Dowland’s Galliard, P. 20— John Dowland
▶
The Most High and Mighty Christianus the Fourth, King of Denmark, His Galliard, P. 40— John Dowland
▶
Traditional: Passava amor su arco dessarmado (A Musicall Banquet, No. 15)— Traditional
▶
Dowland: Lady If You So Spite Me (A Musicall Banquet, No. 10)— John Dowland
▶
Caccini: Dovro dunque morire? (A Musicall Banquet, No. 19)— Giulio Caccini
▶
Caccini: Amarilli mia bella (A Musicall Banquet, No. 20)— Giulio Caccini
▶
Guédron: Si le parler & le silence (A Musicall Banquet, No. 12)— Pierre Guédron
▶
Megli: Se di farmi morire (A Musicall Banquet, No. 18)— Domenico Maria Megli
▶
Hales: O Eyes, Leave Off Your Weeping (A Musicall Banquet, No. 4)— Robert Hales
▶
Vuestros ojos tienen d’amor (A Musicall Banquet, No. 17)— Composer not established
▶
Tessier: In a Grove Most Rich of Shade (A Musicall Banquet, No. 8)— Guillaume Tessier
▶
Dowland: Lady Rich, Her Galliard— John Dowland
▶
Traditional: Go My Flock, Go Get You Hence (A Musicall Banquet, No. 5)— Traditional
▶
O bella più che le stelle (A Musicall Banquet, No. 21)— Composer not established
▶
Holborne: My Heavy Sprite (A Musicall Banquet, No. 2)— Anthony Holborne
▶
Bacheler: Galliard— Daniel Bacheler
▶
Bacheler: To Plead My Faith (A Musicall Banquet, No. 7)— Daniel Bacheler
▶
Guédron: Ce penser qui sans fin tirannise ma vie (A Musicall Banquet, No. 13)— Pierre Guédron
▶
Traditional: O Dear Life, When Shall It Be? (A Musicall Banquet, No. 6)— Traditional
▶
Dowland: Sir Robert Sidney, His Galliard (A Musicall Banquet, No. 1)— John Dowland
▶
Richard Martin: Change Thy Mind Since She Doth Change (A Musicall Banquet, No. 3)— Richard Martin
▶
Dowland: Sir Thomas Monson, His Pavin and Galliard— Robert Dowland
▶
Guédron: Vous que le bonheur rappelle (A Musicall Banquet, No. 14)— Pierre Guédron
▶
Dowland: In Darkness Let Me Dwell (A Musicall Banquet, No. 11)— John Dowland
▶
Sta notte mi sognava (A Musicall Banquet, No. 16)— Composer not established
▶
Dowland: Far from Triumphing Court (A Musicall Banquet, No. 9)— John Dowland
▶
Melancholy Galliard, P. 25— John Dowland
▶
Sir John Smith, his Almain, P. 47— John Dowland
▶
The Lady Russell’s Pavan, P. 17— John Dowland
▶
Dowland’s Bells, P. 43a, “The Lady Rich’s Galliard”— John Dowland
▶
Lady Laiton’s Almain, P. 48— John Dowland
▶
Mrs Brigide Fleetwood’s Pavan, P. 11, “Solus sine sola”— John Dowland
▶
Mr Knight’s Galliard, P. 36— John Dowland
▶
Mrs Clifton’s Almain, P. 53— John Dowland
▶
Dr Case’s Pavan, P. 12— John Dowland
▶
The Right Honourable the Lord Viscount Lisle, his Galliard, P. 91, “Sir Robert Sidney’s Galliard”— John Dowland
▶
Sir Henry Guilforde, his Almain— John Dowland
▶
Pavana Doulant— John Dowland
▶
The Earl of Derby’s Galliard, P. 44— John Dowland
▶
Almain in D major, P. 51— John Dowland
▶
La mia Barbara, P. 95— John Dowland
▶
Round Battle Galliard, P. 39— John Dowland
▶
Almain in G major, P. 49— John Dowland
▶
Pavan in C minor, P. 94, “Pavana Johan Douland”— John Dowland
▶
Galliard (on a galliard by Daniel Bacheler)— John Dowland
▶
Almain in C minor, P. 96— John Dowland
▶
Galliard to Lachrimae, P. 46— John Dowland
▶
Pavan in G minor, P. 16— John Dowland
▶
The Earl of Essex, his Galliard, P. 42, “Can she excuse”— John Dowland
▶
M. Giles Hobie’s Galliard, P. 29— John Dowland
▶
Dowland’s Tears (arr. N. North of I Saw My Lady Weep)— Nigel North
▶
Sir Henry Umpton’s Funeral, H. 9 (arr. for lute)— John Dowland
▶
Mr Langton’s Galliard, P. 33— John Dowland
▶
Piper’s Pavan, P. 8— John Dowland
▶
Captain Digorie Piper’s Galliard, P. 19— John Dowland
▶
Dowland’s Adieu for Master Oliver Cromwell (arr. for lute)— John Dowland
▶
Galliard in G minor, P. 30— John Dowland
▶
Mignarda, P. 34, “Mr Henry Noel’s Galliard”— John Dowland
▶
Lachrimae (alternative Version)— John Dowland
▶
Semper Dowland semper dolens, P. 9— John Dowland
▶
Lord Strange’s March, P. 65— John Dowland
▶
Mrs. White’s Thing, P. 50— John Dowland
▶
Mrs. White’s Nothing, P. 56— John Dowland
▶
Fancy (Fantasia) in G major, P. 73, “Tremolo”— John Dowland
▶
Mrs. Nichols’ Almain, P. 52— John Dowland
▶
7 Fantasies: No. 1. A Fantasie, P. 1— John Dowland
▶
Prelude, P. 98— John Dowland
▶
7 Fantasies: No. 5. A Fancy, P. 5— John Dowland
▶
A Dream, P. 75— John Dowland
▶
7 Fantasies: No. 7. A Fancy, P. 7— John Dowland
▶
Mrs. Winter’s Jump, P. 55— John Dowland
▶
Lady Clifton’s Spirit, P. 45— John Dowland
▶
Mrs. Vaux’s Galliard, P. 32— John Dowland
▶
Mrs. Vaux’s Jig, P. 57— John Dowland
▶
Tarleton’s Resurrection, P. 59— John Dowland
▶
7 Fantasies: No. 6. A Fancy, P. 6— John Dowland
▶
7 Fantasies: No. 2. Forlorn Hope Fancy, P. 2— John Dowland
▶
The Shoemaker’s Wife, A Toy, P. 58— John Dowland
▶
Lady Hunsdon’s Puffe, P. 54— John Dowland
▶
Orlando Sleepeth, P. 61— John Dowland
▶
Mr. Dowland’s Midnight, P. 99— John Dowland
▶
No. 4. Farewell [on In Nomine] , P. 4— John Dowland
▶
No. 3. Farewell, P. 3— John Dowland
▶
Sweetest love I do not goe— Anonymous
▶
Spoken: The Sunne Rising (with lute version of “Sweetest Love”)— Anonymous
▶
Sweet stay a while— Henry Lawes
▶
Break of day— William Corkine
▶
Spoken: The good-morrow— Anonymous
▶
Wherefore peep’st thou— John Wilson
▶
John come kiss me now (Instrumental)— Anonymous
▶
Goe and catch a fallinge star— Anonymous
▶
Spoken: The Flea— Anonymous
▶
The Expiration— Alfonso Ferrabosco the younger
▶
Spoken: The Apparition— Anonymous
▶
The Noble man (Instrumental)— Robert Johnson
▶
Wilt thou forgive that sinne (An Hymne to God the Father)— John HILTON
▶
Pavan— Robert Johnson
▶
Spoken: The triple Foole— Anonymous
▶
Select Ayres & Dialogues: Loves Sweet Repose— Henry Lawes
▶
Select Ayres & Dialogues: Love’s Flattery— William Lawes
▶
Chaconne in D— Francesco Corbetta
▶
Select Ayres & Dialogues: Gather ye rosebuds while ye may— William Lawes
▶
Select Ayres & Dialogues: The Rose— Henry Lawes
▶
Prelude in A Minor— John Wilson
▶
Select Ayres & Dialogues: The Selfe Banished— Henry Lawes
▶
Prelude in F— John Wilson
▶
Select Ayres & Dialogues: Peace, mutt’ring thoughts— John Wilson
▶
Prelude in B-Flat— John Wilson
▶
Select Ayres & Dialogues: Have you e’er seen the morning sun— Henry Lawes
▶
Valses Benoît: Waltz in the House & Wedding Waltz— TRADITIONAL
▶
Joli bois— TRADITIONAL
▶
Summa— Arvo Pärt
▶
Cantata Christ unser Herr Zum Jordan Kam, BWV 7: Christ unser Herr zum Jordan kam (Chorus)— Johann Sebastian Bach
▶
Cantata Christ unser Herr Zum Jordan Kam, BWV 7: Merkt und hört, ihr Menschenkinder (Bass)— Johann Sebastian Bach
▶
Cantata Ihr Menschen, rühmet gottes liebe, BWV 167: (Chorus)— Johann Sebastian Bach
▶
Entrée des luths— Robert Ballard
▶
Book of Songs, Book 3: Me, me, and none but me— John Dowland
▶
L’Orfeo, Act II: Vi ricorda, o boschi ombrosi (Orfeo)— Claudio Monteverdi
▶
Canzon No. 28: No. 28, Galliarde Battaglia A 5— Samuel Scheidt
▶
O quam suavis à 7— Giovanni Gabrieli
▶
Messe à quatre choeurs: No. 4, Sanctus— Marc-Antoine Charpentier
▶
Messe à quatre choeurs: No. 5, Agnus dei— Marc-Antoine Charpentier
▶
3e Livre de danseries: Pavane et gaillarde de la guerre à 4— Claude Gervaise
▶
Transcription pour clavecin de la Pavane “Lachrimæ” de Dowland: Lachrimæ— TRADITIONAL
▶
L’Orfeo, Act II: Prologue “Ritournello”— Claudio Monteverdi
▶
L’Orfeo, Act I: Rosa del ciel (Orfeo)— Claudio Monteverdi
▶
Captain Humes Poeticall Musicke: My Hope Is Revived— Tobias Hume
▶
Captain Humes Poeticall Musicke: My Joys Are Coming— Tobias Hume
▶
Air de cour: Quel espoir de guarir— Pierre Guédron
▶
Jane Pickering Lute Book, 1616: La Rosignol pour deux luths— TRADITIONAL
▶
Air: Odi, Euterpe, il dolce canto— Giulio Caccini
▶
Fitzwilliam Virginal Book: Toccata pour clavecin— Giovanni Picchi
▶
Le Musiche del Cavalier, Libro quarto: Lamento d’Orfeo or Que vegg’io ohimè— Sigismondo d’India
▶
Transcription pour deux luths de la pavane “Lachrimæ” de Dowland: Lachrimæ— TRADITIONAL
▶
Book of Songs, Book 4, A Pilgrimes Solace: Lasso mia vita— John Dowland
▶
Captain Humes Poeticall Musicke: Cease Leaden Slumber— John Dowland
▶
L’Orfeo, Act II: Prologue Ritournello— Claudio Monteverdi
▶
L’Orfeo, Act V: Lamento Questi i campi di tracia (Orfeo)— Claudio Monteverdi
▶
The Second Booke of Songs or Ayres: Flow my tears— John Dowland
▶
Greensleeves— Francis Cutting
▶
Robyn Is to the Greenwood Gone— Anonymous
▶
Tinternell (Or Short Almain)— Anonymous
▶
The Old Medley— John Johnson
▶
Carman’s Whistle— John Johnson
▶
John, Come Kiss Me Now— Anonymous
▶
The Leaves Be Greene— John Danyel
▶
Une jeune fillette— Daniel Bachelar
▶
The Spanish Pavan— Thomas Robinson
▶
The Woods so Wild (Arr. for Lute)— William Byrd
▶
Come Cheerful Day— Thomas Campion
▶
The Peaceful Western Wind— Thomas Campion
▶
Turn Back You Wanton Flyer— Thomas Campion
▶
It Fell on a Summer’s Day— Thomas Campion
▶
When to Her Lute— Thomas Campion
▶
Break Now My Heart and Die— Thomas Campion
▶
My Love Hath Vowed— Thomas Campion
▶
Shall I Come, Sweet Love, to Thee?— Thomas Campion
▶
Fire, Fire— Thomas Campion
▶
All Looks Be Pale— Thomas Campion
▶
Jack and Joan— Thomas Campion
▶
There Is a Garden in Her Face— Thomas Campion
▶
Fain Would I Wed— Thomas Campion
▶
Sweet, Exclude Me Not— Thomas Campion
▶
Could My Heart More Tongues Employ— Thomas Campion
▶
Kind Are Her Answers— Thomas Campion
▶
A Secret Love or Two— Thomas Campion
▶
Beauty Is But a Painted Hell— Thomas Campion
▶
Oft Have I Sighed— Thomas Campion
▶
I Must Complain— Thomas Campion
▶
Leave Prolonging Thy Distress— Thomas Campion
▶
The Cypress Curtain of the Night Is Spread— Thomas Campion
▶
Author of Light— Thomas Campion
▶
Never Weather-Beaten Sail— Thomas Campion
▶
Fantasie No. 2— Composer not established
▶
Pavan No. 2— Anthony Holborne
▶
The Right Honourable the Lady Clifton’s Spirit, P. 45— John Dowland
▶
Volt No. 1 – Volt No. 2— Anonymous
▶
Monsieur Saman His Coranto— Mounsier René Saman
▶
Fantasia sopra la canzon degli ucelli (From Lord Herbert of Cheruby’s Lute Book)— Diomedes Cato
▶
Pavan No. 4— Daniel Batchelar
▶
The King of Denmark’s Galliard— John Dowland
▶
Fantasie No. 4— Laurencini of Rome
▶
Fantasie No. 5— Alfonso Ferrabosco the younger
▶
Pavan No. 6— Alfonso Ferrabosco the younger
▶
Coranto No. 1 – Coranto No. 2— Robert Ballard
▶
Fantasie No. 6— Gregorio Huwet
▶
Pavan No. 1— Moritz Landgraf
▶
Monsieurs Almaine— Daniel Batchelar
▶
Suite No. 3 In G Major (After BWV 1009) : I. Prélude— Johann Sebastian Bach
▶
Suite No. 3 In G Major (After BWV 1009) : II. Allemande— Johann Sebastian Bach
▶
Suite No. 3 In G Major (After BWV 1009) : III. Courante— Johann Sebastian Bach
▶
Suite No. 3 In G Major (After BWV 1009) : IV. Sarabande— Johann Sebastian Bach
▶
Suite No. 3 In G Major (After BWV 1009) : V. Bourrée I & II— Johann Sebastian Bach
▶
Suite No. 3 In G Major (After BWV 1009) : VI. Gigue— Johann Sebastian Bach
▶
Suite No. 5 In G Minor (after BWV 995 & 1011) : I. Prélude (Très vite)— Johann Sebastian Bach
▶
Suite No. 5 In G Minor (after BWV 995 & 1011) : II. Allemande— Johann Sebastian Bach
▶
Suite No. 5 In G Minor (after BWV 995 & 1011) : III. Courante— Johann Sebastian Bach
▶
Suite No. 5 In G Minor (after BWV 995 & 1011) : IV. Sarabande— Johann Sebastian Bach
▶
Suite No. 5 In G Minor (after BWV 995 & 1011) : V. Gavotte I & II— Johann Sebastian Bach
▶
Suite No. 5 In G Minor (after BWV 995 & 1011) : VI. Gigue— Johann Sebastian Bach
▶
Suite No. 6 In D Major (after BWV 1012) : I. Prélude— Johann Sebastian Bach
▶
Suite No. 6 In D Major (after BWV 1012) : II. Allemande (Adagio)— Johann Sebastian Bach
▶
Suite No. 6 In D Major (after BWV 1012) : III. Courante— Johann Sebastian Bach
▶
Suite No. 6 In D Major (after BWV 1012) : IV. Sarabande— Johann Sebastian Bach
▶
Suite No. 6 In D Major (after BWV 1012) : V. Gavotte I & II— Johann Sebastian Bach
▶
Suite No. 6 In D Major (after BWV 1012) : VI. Gigue— Johann Sebastian Bach
▶
Suite No. 1 in D Minor: I. Fantasy— William Lawes
▶
Suite No. 1 in D Minor: II. Aire— William Lawes
▶
Suite No. 1 in D Minor: III. Alman— William Lawes
▶
Suite No. 1 in D Minor: IV. Corant— William Lawes
▶
Suite No. 1 in D Minor: V. Corant— William Lawes
▶
Suite No. 1 in D Minor: VI. Saraband— William Lawes
▶
Suite No. 1 in D Minor: VII. Ecco— William Lawes
▶
Suite No. 2 in D Minor: I. Pavan— William Lawes
▶
Suite No. 2 in D Minor: II. Aire— William Lawes
▶
Suite No. 2 in D Minor: III. Aire— William Lawes
▶
Suite No. 2 in D Minor: IV. Corant— William Lawes
▶
Suite No. 2 in D Minor: V. Corant— William Lawes
▶
Suite No. 2 in D Minor: VI. Saraband— William Lawes
▶
Suite No. 2 in D Minor: VII. Saraband— William Lawes
▶
Suite No. 3 in D Minor: I. Aire— William Lawes
▶
Suite No. 3 in D Minor: II. Aire— William Lawes
▶
Suite No. 3 in D Minor: III. Corant— William Lawes
▶
Suite No. 3 in D Minor: IV. Corant— William Lawes
▶
Suite No. 3 in D Minor: V. Alman— William Lawes
▶
Suite No. 3 in D Minor: VI. Corant— William Lawes
▶
Suite No. 3 in D Minor: VII. Saraband— William Lawes
▶
Suite No. 4 in D Major: I. Paven— William Lawes
▶
Suite No. 4 in D Major: II. Aire— William Lawes
▶
Suite No. 4 in D Major: III. Aire— William Lawes
▶
Suite No. 4 in D Major: IV. Aire— William Lawes
▶
Suite No. 4 in D Major: V. Corant— William Lawes
▶
Suite No. 4 in D Major: VI. Saraband— William Lawes
▶
Suite No. 5 in D Major: I. Aire— William Lawes
▶
Suite No. 5 in D Major: II. Aire— William Lawes
▶
Suite No. 5 in D Major: III. Alman— William Lawes
▶
Suite No. 5 in D Major: IV. Aire— William Lawes
▶
Suite No. 5 in D Major: V. Corant— William Lawes
▶
Suite No. 5 in D Major: VI. Aire (Saraband)— William Lawes
▶
Suite No. 5 in D Major: VII. Saraband— William Lawes
▶
Suite No. 6 in D Major: I. Fantasy— William Lawes
▶
Suite No. 6 in D Major: II. Aire— William Lawes
▶
Suite No. 6 in D Major: III. Alman— William Lawes
▶
Suite No. 6 in D Major: IV. Corant— William Lawes
▶
Suite No. 6 in D Major: V. Ecco— William Lawes
▶
Suite No. 6 in D Major: VI. Aire. Morriss— William Lawes
▶
Suite No. 7 in A Minor: I. Pavan— William Lawes
▶
Suite No. 7 in A Minor: II. Ayre— William Lawes
▶
Suite No. 7 in A Minor: III. Allmain— William Lawes
▶
Suite No. 7 in A Minor: IV. Allmain— William Lawes
▶
Suite No. 7 in A Minor: V. Ayre— William Lawes
▶
Suite No. 7 in A Minor: VI. Corant— William Lawes
▶
Suite No. 7 in A Minor: VII. Saraband— William Lawes
▶
Suite No. 8 in C Major: I. Pavan— William Lawes
▶
Suite No. 8 in C Major: II. Ayre— William Lawes
▶
Suite No. 8 in C Major: III. Alman— William Lawes
▶
Suite No. 8 in C Major: IV. Ayre. Corant— William Lawes
▶
Suite No. 8 in C Major: V. Corant— William Lawes
▶
Suite No. 8 in C Major: VI. Saraband— William Lawes
▶
Suite No. 9 in F Major: I. Pavin— William Lawes
▶
Suite No. 9 in F Major: II. Aire— William Lawes
▶
Suite No. 9 in F Major: III. Allmain— William Lawes
▶
Suite No. 9 in F Major: IV. Corant— William Lawes
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Suite No. 9 in F Major: V. Allmain— William Lawes
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Suite No. 9 in F Major: VI. Corant— William Lawes
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Suite No. 9 in F Major: VII. Saraband— William Lawes
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Suite No. 10 in B-Flat Major: I. Pavan— William Lawes
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Suite No. 10 in B-Flat Major: II. Allmain— William Lawes
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Suite No. 10 in B-Flat Major: III. Corant— William Lawes
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Suite No. 10 in B-Flat Major: IV. Allmain— William Lawes
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Suite No. 10 in B-Flat Major: V. Corant— William Lawes
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Suite No. 10 in B-Flat Major: VI. Saraband— William Lawes
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Se i languidi miei sguardi, SV 141: “Lettera amorosa”— Claudio Monteverdi
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Queste lagrim’amare— Giulio Caccini
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Per quel vago boschetto (from Euridice)— Jacopo Peri
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Le musiche, Book 5: No. 11, Torna il sereno Zefiro— Sigismondo D’India
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Piangono al pianger mio— Sigismondo D’India
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Le musiche, Book 4: No. 5, Mentre che’l cor— Sigismondo D’India
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Lamento della Regina Maria Stuarda— Giacomo Carissimi
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Quando spiega la notte— Luigi Rossi
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Canzonetta spirituale sopra alla nanna— Tarquinio Merula
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Lamento della sposa (from Sant’Alessio)— Stefano Landi
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L’Eraclito amoroso, Op. 2: No. 14 “Cantate, arietta, e duetti”— Barbara Strozzi
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Sonata No. 29 in A Minor “L’infidèle”: I. Entrée— Sylvius Leopold Weiss
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Sonata No. 29 in A Minor “L’infidèle”: II. Courante— Sylvius Leopold Weiss
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Sonata No. 29 in A Minor “L’infidèle”: III. Sarabande— Sylvius Leopold Weiss
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Sonata No. 29 in A Minor “L’infidèle”: IV. Menuet— Sylvius Leopold Weiss
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Sonata No. 29 in A Minor “L’infidèle”: V. Musette— Sylvius Leopold Weiss
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Sonata No. 29 in A Minor “L’infidèle”: VI. Paysanne— Sylvius Leopold Weiss
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Prelude in C Major— Sylvius Leopold Weiss
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Fantasia in C Major— Sylvius Leopold Weiss
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Fugue in C Major— Sylvius Leopold Weiss
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Concerto in F Major: I. Allegro (Arr. for Lute)— Antonio Vivaldi
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Concerto in F Major: II. Larghetto (Arr. for Lute)— Antonio Vivaldi
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Concerto in F Major: III. Allegro (Arr. for Lute)— Antonio Vivaldi
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Tombeau sur la mort de M. Comte de Logy— Sylvius Leopold Weiss
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Violin Partita No. 2 in D Minor, BWV 1004: Chaconne— Johann Sebastian Bach
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Sonata No. 3 in G Minor, Op.2a: I. Largo— Composer not established
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Sonata No. 3 in G Minor, Op.2a: II. Allegro – Largo— Composer not established
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Sonata No. 3 in G Minor, Op.2a: III. Allegro— Composer not established
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Flute Sonata in C Major, BWV 1033: I. Andante— Johann Sebastian Bach
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Flute Sonata in C Major, BWV 1033: II. Allegro— Johann Sebastian Bach
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Flute Sonata in C Major, BWV 1033: III. Adagio— Johann Sebastian Bach
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Flute Sonata in C Major, BWV 1033: IV. Menuetto 1- Menuetto 2— Johann Sebastian Bach
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Flute Sonata in A Minor, H.555: I. Andante— Composer not established
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Flute Sonata in A Minor, H.555: II. Allegro— Composer not established
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Flute Sonata in A Minor, H.555: III. Vivace— Composer not established
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Gran Duetto Concertante, Op. 52: I. Andante sostenuto— Composer not established
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Gran Duetto Concertante, Op. 52: II. Menuetto – Allegro vivace— Composer not established
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Gran Duetto Concertante, Op. 52: III. Rondo militaire – Allegretto— Composer not established
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36 Originaltänze, D.365 (Arr. Diabelli) : Deutscher Tanz No. 7 in A-Flat Major— Franz Schubert
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Pot-pourri aus Beethoven’s beliebtesten Werken— Composer not established
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36 Originaltänze, D.365 (Arr. Diabelli) : Deutscher Tanz No. 1 in A-Flat Major— Franz Schubert
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Vivaldi: Concerto for Violin and Strings in E, Op. 8, No. 1, RV.269 “La Primavera”: 1. Allegro— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in E, Op. 8, No. 1, R.269 “La Primavera”: 2. Largo— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in E, Op. 8, No. 1, R.269 “La Primavera”: 3. Allegro…— Antonio Vivaldi
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Vivaldi: Concerto For Violin And Strings In G Minor, Op. 8, No. 2, RV 315 “L’estate”: 1….— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in G minor, Op. 8, No. 2, R.315 “L’estate”: 2. Adagio…— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in G minor, Op. 8, No. 2, R.315 “L’estate”: 3. Presto…— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in F, Op. 8, No. 3, R.293 “L’autunno”: 1. Allegro…— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in F, Op. 8, No. 3, R.293 “L’autunno”: 2. Adagio molto…— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in F, Op. 8, No. 3, R.293 “L’autunno”: 3. Allegro (La…— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in F minor, Op. 8, No. 4, RV.297 “L’inverno”: 1….— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in F minor, Op. 8, No. 4, R.297 “L’inverno”: 2. Largo— Antonio Vivaldi
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Vivaldi: Concerto for Violin and Strings in F minor, Op. 8, No. 4, R.297 “L’inverno”: 3. Allegro— Antonio Vivaldi
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Fantasia del quatro tono (Arr. for Guitar by Nigel North)— Composer not established
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Romanesca: O guardame las vacas (Arr. for Guitar by Nigel North)— Composer not established
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Branle de Poictou (Arr. for Guitar by Nigel North)— Composer not established
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Pimontoyse (Arr. for Guitar by Nigel North)— Composer not established
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Fantasia del quarto tono (Arr. for Guitar by Nigel North)— Composer not established
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La Cancion del Emperador: Mille Regres (Arr. for Guitar by Nigel North)— Composer not established
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Fantasia que contrahaze la harpa en la manera de Ludovico (Arr. for Guitar by Nigel North)— Composer not established
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Sinfonia a 2 (Arr. for Guitar by Nigel North)— Composer not established
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Passacalles (Arr. for Guitar by Nigel North)— Composer not established
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Canarios (Arr. for Guitar by Nigel North)— Composer not established
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Suite in D Minor: I. Prelude— Composer not established
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Suite in D Minor: II. Allemande— Composer not established
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Suite in D Minor: III. Courante— Composer not established
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Suite in D Minor: IV. Sarabande— Composer not established
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Suite in D Minor: V. Gigue— Composer not established
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Grande Ouverture, Op. 61 (Arr. for Guitar by Nigel North)— Composer not established
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Introduction and Variations on a Theme from “The Magic Flute”, Op. 9— Composer not established
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Variations de Beethoven arrangees pour Piano et Guitare, Op. 169— Composer not established
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Lied ohne Worte (Arr. for Guitar by Nigel North)— Composer not established
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