Biography (read more)
Giulio Caccini was an Italian composer, singer, and teacher born around 1551, probably in Rome, and buried in December 1618 in Florence, remembered as a founding figure of opera and the new monodic style. Brought to Florence as a young singer under Grand Duke Francesco de’ Medici, he became a leading court musician and a central member of the Florentine Camerata, the humanist circle that sought to revive ancient Greek dramatic music. With fellow composer Jacopo Peri he contributed to the earliest operas, including a rival setting of Euridice rushed into print in 1600, and he later codified his expressive solo-song style in the influential collection Le nuove musiche (1602).
Caccini helped invent monody and the basso continuo practice that became the bedrock of Baroque vocal music, moving composition decisively away from Renaissance polyphony toward text-driven solo expression. Le nuove musiche’s preface remains a primary source for understanding early Baroque ornamentation and performance style. Though a divisive figure among his contemporaries, his innovations, alongside those of Peri, directly enabled the birth and rapid spread of opera across Italy and Europe.
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Repertoire
Euridice1600
Performed by Lista de Músicas Otto Maria Carpeaux
Amarilli, mia bella1602
Performed by Coala06, Lix Jean-Pierre
Dovrò dunque morire?1602 (Le nuove musiche)
Performed by civileso, Festival Velez Blanco
Perfidissimo volto1602 (Le nuove musiche)
Performed by chocolatmarc, Alan Cuckston Tapes
Le nuove musiche: No. 8, Amarilli, mia bella— Jakub Józef Orliński
Performed by Jakub Józef Orliński
“Amarilli, mia bella” (live at the OPUS KLASSIK 2023 Gala)— Jakub Józef Orliński
Performed by Jakub Józef Orliński
Le nuove musiche: No. 9, Sfogava con le stelle— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 14, Vaga su spin’ascosa— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 31, Tu ch’hai le penne Amore— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove Musiche, Arie a una e più voci di diversi autori: Almi luci beate— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 29, Amor, ch’attendi— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Le nuove musiche: No. 11, Dovrò dunque morire?— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 32, Al fonte, al prato— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 9, Ch’io non t’ami, cor moi— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 16, Tutti il dì piango— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 28, Non ha ’l ciel cotanti lumi— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 20, Torna, deh torna, pargoletto mio— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
Nuove musiche e nuova maniera di scriverle: No. 35, Dalla porta d’oriente— Xavier Díaz-Latorre
Performed by Xavier Díaz-Latorre
La Pellegrina, 4th Intermedio: “Io che dal ciel cader farei la luna”— Thomas Dunford
Performed by Thomas Dunford
Nuove musiche e nuova maniera di scriverle: No. 15, La bella man vi stringo— Luca Pianca
Performed by Luca Pianca
Nuove musiche e nuova maniera di scriverle: No. 32. Al fonte, al prato— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 14. Vaga su spin’ascosa— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 28. Non ha’l ciel cotanti lumi— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 35. Dalla porta d’oriente— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 27. Mentre che fra doglie e pene— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 1. A quei sospir ardenti— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 33. Aur’amorosa— Fred Jacobs
Performed by Fred Jacobs
Nuove musiche e nuova maniera di scriverle: No. 16. Tutto’l dì piango— Fred Jacobs
Performed by Fred Jacobs