Biography (read more)

Ana Vidović (born 8 November 1980, in Karlovac, Croatia) is a Croatian classical guitarist and former child prodigy. Inspired by her older brother Viktor, also a classical guitarist, she began playing at age five and was performing internationally by eleven. At thirteen she became the youngest student ever admitted to the Academy of Music in Zagreb, studying under Professor István Römer and graduating in 1998. She went on to study with Manuel Barrueco at the Peabody Institute in Baltimore, graduating in 2003. Before the age of eighteen she had won more than twenty international prizes, including first prizes at the Albert Augustine Memorial International Competition (Bath, England), the Fernando Sor Competition (Rome), and the Francisco Tárrega International Guitar Competition (Benicàssim, Spain, 1998), as well as top honors at the Eurovision Young Musicians competition and the Young Concert Artists International Auditions in New York. She has since built a career of international recitals, concerto engagements, and festival appearances, and has released several studio and live albums.

Vidović is regarded as one of the leading classical guitarists of her generation, praised by critics for playing described as virtually immaculate, nuanced, and deeply personal. Beyond the concert hall, her recorded performances circulate widely online, including through guitar-focused YouTube channels such as Siccas Guitars, extending her reach to global audiences well beyond her touring schedule.

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Repertoire

Asturias— Isaac Albéniz
Recuerdos de la Alhambra— Francisco Tárrega
La Catedral (Preludio – Andante religioso – Allegro solemne)— Agustín Barrios Mangoré
Granada (from Suite Española)— Isaac Albéniz
Capricho Árabe— Francisco Tárrega
Introduction and Variations on a Theme by Mozart, Op. 9— Fernando Sor
Cello Suite No. 1 in G major, BWV 1007 — Prelude (guitar transcription)— Johann Sebastian Bach
Grande Ouverture, Op. 61— Mauro Giuliani
Sonata in D minor, K. 1, L. 366— Domenico Scarlatti
Vals Venezolano No. 2— Antonio Lauro
Vals Venezolano No. 3— Antonio Lauro
Una Limosna Por el Amor de Dios— Agustín Barrios Mangoré
Cello Suite No. 1 in G major, BWV 1007 — Allemande (guitar transcription)— Johann Sebastian Bach
El Marabino— Antonio Lauro
Un Día de Noviembre— Leo Brouwer
Cavatina— Stanley Myers
Fugue, BWV 1001 (guitar transcription)— Johann Sebastian Bach
Prelude, Fugue and Allegro, BWV 998 (guitar transcription)— Johann Sebastian Bach
Sonata in E major, K. 380, L. 23— Domenico Scarlatti
Sonata in A major, K. 322, L. 483— Domenico Scarlatti
Sonata in D minor, K. 213, L. 108— Domenico Scarlatti
El Vito (Spanish folk song, arr. Azpiazu)— José de Azpiazu
Sonatina— Federico Moreno Torroba
Capriccio Diabolico— Mario Castelnuovo-Tedesco
Torija— Federico Moreno Torroba
Chaconne, from Partita No. 2 in D minor for Solo Violin, BWV 1004— Johann Sebastian Bach
Cello Suite No. 1 in G major, BWV 1007 — Menuet I & II (guitar transcription)— Johann Sebastian Bach
Ständchen (Serenade), D. 957 No. 4— Franz Schubert
Cello Suite No. 1 in G major, BWV 1007 — Sarabande (guitar transcription)— Johann Sebastian Bach
Over the Rainbow (arr., from 12 Songs for Guitar)— Harold Arlen, arr. Toru Takemitsu
Sonata No. 1 in G minor, BWV 1001 — Adagio (guitar transcription)— Johann Sebastian Bach
Cello Suite No. 1 in G major, BWV 1007 — Courante (guitar transcription)— Johann Sebastian Bach
Cello Suite No. 1 in G major, BWV 1007 — Gigue (guitar transcription)— Johann Sebastian Bach