Biography (read more)

Hector Berlioz was a French composer, conductor, and critic of the Romantic era, born in La Côte-Saint-André and based primarily in Paris, though he spent extended periods in Italy as a Prix de Rome laureate and traveled widely across Germany, Russia, and England as a conductor of his own works. His output includes the pioneering orchestral work Symphonie fantastique and Harold in Italy, operas such as Benvenuto Cellini and Les Troyens, large-scale choral works including the Requiem and Te Deum, hybrid dramatic-symphonic pieces such as Roméo et Juliette and La Damnation de Faust, and the song cycle Les Nuits d’été, alongside influential critical writings including his Treatise on Instrumentation. He died in Paris in 1869, aged 65, after suffering from a long-standing intestinal illness.

A pioneer of modern orchestration and expansive symphonic form, Berlioz pursued an independent musical vision that often defied the conservative tastes of the Parisian musical establishment, and his innovations in instrumentation and programmatic writing profoundly influenced later Romantic composers. Once dismissed by some contemporaries as erratic, he is now widely recognized as one of the great originators of nineteenth-century orchestral music, and his major works, particularly the Symphonie fantastique, remain cornerstones of the concert repertoire.

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Repertoire

Symphonie fantastique, H. 48: V. Songe d’une nuit de sabbat
Symphonie fantastique, H. 48: II. Un Bal. Valse
Les nuits d’été, H. 81 (Transcr. Matheson): I. Villanelle

Performed by Benjamin Bernheim

Damnation de Faust “Nature immense, impénétrable et fière”

Performed by Benjamin Bernheim

Rêverie et caprice, H. 88

Performed by María Dueñas Fernández

Nuit d’ivresse et d’extase from Les Troyens