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Bernarda Fink

Biography (read more)

Bernarda Fink was born on 29 August 1955 in Buenos Aires to Slovene parents who had emigrated from Yugoslavia. She trained at the Instituto Superior de Arte del Teatro Colón and won first prize at the 1985 Nuevas Voces Líricas competition, after which she moved to Europe to build her career.

A mezzo-soprano especially admired in Baroque and Classical repertoire, Fink has performed with the Vienna and London Philharmonics under conductors including Nikolaus Harnoncourt and John Eliot Gardiner, and appeared at Carnegie Hall, the Concertgebouw, and the Salzburg Festival. She has recorded extensively for Harmonia Mundi and Hyperion and received Austria’s Decoration for Science and Art in 2005.

Sources:

Repertoire

WO BWV 248, I. No. 4 ‘Bereite Dich Zion’ (excerpt)— Johann Sebastian Bach
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Griselda, Op. 114: Sinfonia— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 1: Recitativo & Coro. Questo, o Popoli. Or sei grande…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 2: Recitativo. Eccoti, o Sire (Griselda, Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 2: Aria. In volver ciò che tu brami (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 3: Recitativo. Resta, e saprai (Ottone, Griselda, Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 3: Aria. Non sospira l’amor d’un regnante (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 4: Recitativo. Regina, se più badi (Ottone, Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 4: Aria. Nell’ aspro mio dolor (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 5: Recitativo & Aria. Troppo avvezza è Griselda. Chi…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 6 & 7: Sinfonia per lo sbarco— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 6 & 7: Aria. Come presto nel porto crudele (Roberto)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 6 & 7: Recitativo. Germani, e ben entrambi (Corrado,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 6 & 7: Aria. Bel labbro, ancor non sai (Costanza)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 8: Recitativo. L’arcano in te racchiudi (Gualtiero, Corrado)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 8: Aria. Vago sei, volto amoroso (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 9: Recitativo & Aria. Omai più (Corrado, Roberto) . Godi,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 10 & 11: Recitativo. Roberto, i nostri venti (Corrado,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 10 & 11: Aria. Non vi vorrei conoscere (Roberto)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 13: Aria. Che bella tirannia (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 14: Recitativo. Everardo, o soave (Griselda, Ottone)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 14: Aria. Di’ che sogno o che deliro (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 15: Recitatito & Aria. Con beltà sì proterva (Ottone)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 16: Recitativo. Son le regie tue stanze (Corrado, Costanza)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 16: Aria. Non lasciar d’amar chi t’ama (Corrado)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 17: Recitativo. Pria che d’amarti io lasci (Cstanza, Roberto)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 17: Aria. Voi sospirate (Costanza)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Primo, Scena 18: Recitativo & Aria. Chi vide mai destino eguale al moi…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 2: Recitativo & Aria. Griselda, anima mia (Ottone,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 3: Recitativo. Ho in petto una sol’ alma (Griselda, Corrado)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 3: Aria. Agitata da fiera procella (Corrado)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 4: Recitativo. Figlio, dove t’ascondo (Griselda, Ottone)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 4: Aria. Figlio! Tiranno! O Dio! (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 5: Recitatito & Aria. Non giovano lusinghe. Belleze…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 6: Recitativo. Ami forse Gualtiero? (Roberto, Costanza)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 6: Aria. Tu non intendi (Roberto)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 7: Recitativo. Dove, o Roberto? (Gualtiero, Roberto,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 7: Aria. Luce mia bella (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 9: Recitativo & Aria. Sì, con Amor mi sdegno. Qualor…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 10: Recitativo. È deliquio di core (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 10: Aria. Finirà, barbara sorte (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 10: Sinfonia di Caccia— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 12: Recitativo. Sola, se ben tu parti (Costanza, Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 12: Duetto. Non sei quella; eppure il core (Griselda,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 13 & 14: Recitativo. De’ tuoi begli occhi è troppo…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 13 & 14: Aria. Vorresti col tuo pianto (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 15, 16 & 17: Recitativo. Ecco Otton (Griselda, Ottone,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Secondo, Scena 15, 16 & 17: Trio. Ti voglio sempre odiar (Gualtiero,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 5: Recitativo. Eccomi innanzi al mio Monarca (Ottone,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 5: Aria. Mi dimostra il tuo bel dono (Ottone)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 6: Recitativo. Griselda; al sol cadente (Griselda, Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 6: Aria. Se il mio dolor t’offrende (Griselda)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 7: Recitativo. Peno, ma per te peno (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 7: Aria. Ho in seno due fiammelle (Gualtiero)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 8 & 9: Aria. Come va l’ape di fiore in fiore (Roberto)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 8 & 9: Recitativo. Dunque sei risoluto (Corado, Roberto,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 8 & 9: Duetto. Bella mano (Costanza, Roberto)— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 10 & 11: Recitativo. Con sì pudico affetto (Griselda,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 10 & 11: Quartetto. Non fu mai colpa amor (Griselda,…— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 13 & 14: Recitativo. Terminate, o ministri— Alessandro Scarlatti
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Griselda, Op. 114, Atto Terzo, Scena 13 & 14: Coro. Coronatevi di fiori— Alessandro Scarlatti
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Le Messie, K. 572, Pt. 1: No. 1, Ouverture (After George Frideric Handel’s Messiah, HWV 56)— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 2, Tröstet Zion (Recitativo accompagnato) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 3, Denn die Herrlichkeit Gottes des Hern (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 4, So spricht der Herr, Gott Zebaoth (Recitativo accompagnato)…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 5, Denn die Herrlichkeit Gottes des Hern (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 6, O du, die Wonne verkündet in Zion (Aria) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 7, Blick auf! Nacht bedekket das erdreich (Recitativo…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 8, Uns ist zum heil ein Kind geboren (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 9, Pifa – Es waren hirten beisammen auf dem felde (Recitativo)…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 10, Und sieh! Der engel des herrn (Recitativo accompagnato)…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 11, Und alsobald war da bei dem (Recitativo accompagnato) (After…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 12, Ehre sei Gott in der Höhe! (Chor) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 13, Erwach’ zu Liedern der Wonne (Aria) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 14, Er weidet seine Herde, ein guter (Aria) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 1: No. 15, Sein Joch ist sanft, leicht seine Last (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 16, Kommt her und seht das her und seht das lamm! (Chor) (After…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 17, Er ward verschmähet und verachtet (Aria) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 18, Wahrlich, wahrlich! (Chor) (After George Frideric Handel’s…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 19, Durch seine Wunden sind wir geheilet (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 20, Wie schafe geh’n, floh’n wir zerstreut (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 21, Und alle, die ihn seh’n, verspotten ihn (Recitativo…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 22, Er trauete Gott, dass der ihn befreite (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 23, Die schmach bricht ihm sein herz (Recitativo accompagnato)…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 24, Er ist dahin aus dem lande der lebenden (Recitativo…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 25, Machet das tor weit dem herrn (Chor) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 26, Der Herr gab das wort (Chor) (After George Frideric Handel’s…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 27, We lieblicht ist der boten schritt (Aria) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 28, Ihr schall ging aus in jedes land (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 29, Warum entbrennen die heiden und toben im zorne (Aria) (After…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 30, Brecht entzwei die ketten alle brecht entzwei (Chor) (After…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 31, Du zerschlägst sie mit dem (Aria) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 2: No. 32, Hallelujah! (Chor) (After George Frideric Handel’s Messiah,…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 33, Ich weiss, dass mein Erlöser lebet (Aria) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 34, Wie durch einen der tod (Chor) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 35, Merkt auf! Ich künd’ ein Ge heimnis an (Recitativo…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 36, O tod, wo ist dein pfeil (Duo) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 37, Doch dankdir, Dank sei dir Gott (Chor) (After George Frideric…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 38, Würdig ist das lamm, das da starb (Chor) (After George…— Wolfgang Amadeus Mozart
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Le Messie, K. 572, Pt. 3: No. 39, Amen (Letzter chor) (After George Frideric Handel’s Messiah,…— Wolfgang Amadeus Mozart
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Gott soll allein mein Herze haben, BWV 169: I. Sinfonia— Johann Sebastian Bach
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Gott soll allein mein Herze haben, BWV 169: II. Arioso “Gott soll allein mein Herze haben”— Johann Sebastian Bach
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Gott soll allein mein Herze haben, BWV 169: III. Aria “Gott soll allein mein Herze haben”— Johann Sebastian Bach
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Gott soll allein mein Herze haben, BWV 169: IV. Recitative “Was ist die Liebe Gottes”— Johann Sebastian Bach
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Gott soll allein mein Herze haben, BWV 169: V. Aria “Stirb in mir, Welt, und alle deine Liebe”— Johann Sebastian Bach
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Gott soll allein mein Herze haben, BWV 169: VI. Recitative “Doch meint es auch dabei”— Johann Sebastian Bach
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Gott soll allein mein Herze haben, BWV 169: VII. Chorale “Du süße Liebe, schenk uns deine Gunst”— Johann Sebastian Bach
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Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria “Vergnügte Ruh! beliebte Seelenlust!”— Johann Sebastian Bach
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Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitativo “Die Welt, das Sündenhaus”— Johann Sebastian Bach
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Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria “Wie jammern mich doch die verkehrten…— Johann Sebastian Bach
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Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitativo “Wer sollte sich demnach wohl hier…— Johann Sebastian Bach
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Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria “Mir ekelt mehr zu leben”— Johann Sebastian Bach
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Geist und Seele wird verwirret, BWV 35, Prima parte: I. Sinfonia— Johann Sebastian Bach
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Geist und Seele wird verwirret, BWV 35, Prima parte: II. Aria “Geist und Seele wird verwirret”— Johann Sebastian Bach
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Geist und Seele wird verwirret, BWV 35, Prima parte: III. Recitativo “Ich wundre mich”— Johann Sebastian Bach
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Geist und Seele wird verwirret, BWV 35, Prima parte: IV. Aria “Gott hat alles wohlgemacht!”— Johann Sebastian Bach
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Geist und Seele wird verwirret, BWV 35, Seconda parte: V. Sinfonia— Johann Sebastian Bach
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Geist und Seele wird verwirret, BWV 35, Seconda parte: VI. Recitativo “Ach, starker Gott, laß…— Johann Sebastian Bach
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Cantata, “Geist und Seele wird verwirret”, BWV 35, Seconda parte: VII. Aria “Ich wünsche nur…— Johann Sebastian Bach
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Das Rheingold, WWV 86A, Act I Scene 1: Vorspiel, Auf dem Grunde des Rheines— Richard Wagner
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4 Duets, Op .78: IV. Wiegenlied (Transcr. for Female Voices & Harp by Vincent Manac’h)— Robert Schumann
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5 Lieder, Op. 41: I. Ich schwing mein Horn ins Jammertal— Johannes Brahms
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6 Romanzen für Frauenstimmen Vol. I, Op. 69: V. Meerfey— Robert Schumann
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Psalm 23, D.706: Gott ist mein Hirt— Franz Schubert
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6 Romanzen für Frauenstimmen, Vol. II, Op. 91: No. 6, In Meeres Mitten— Robert Schumann
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Siegfried, WWV 86C, Act II Scene 2: Horn Call— Richard Wagner
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13 Canons, Op. 113: No. 5, Wille, wille will der Mann ist kommen!— Johannes Brahms
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Ständchen, D. 920— Johannes Brahms
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Lacrimosa son io, D. 131b— Franz Schubert
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6 Romanzen für Frauenstimmen Vol. I, Op. 69: VI. Die Capelle— Robert Schumann
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Coronach, D. 836— Franz Schubert
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Götterdämmerung, WWV 86, Act III Scene 2: Trauermarsch (Arr. for 4 Horns by James Wilcox)— Richard Wagner
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Innsbruck, ich muss dich lassen: Innsbruck, ich muss dich lassen (Transcr. by Vincent Manac’h)— Heinrich Isaac
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13 Canons, Op. 113: II. Grausam erweiset sich Amor an mir— Johannes Brahms
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13 Canons, Op. 113: No. 13, Einförmig ist der Liebe Gram— Johannes Brahms
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Götterdämmerung, WWV 86, Act III Scene 1: Die Rheintöchter (Transcr. For Female Choir, 2…— Richard Wagner
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4 Songs, Op. 17: I. Es tönt ein voller Harfenklang— Johannes Brahms
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4 Songs, Op. 17: II. Lied von Shakespeare— Johannes Brahms
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4 Songs, Op. 17: III. Der Gärtner— Johannes Brahms
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4 Songs, Op. 17: IV. Gesang aus Fingal— Johannes Brahms
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Liebeslieder, Op. 83: I. Wird doch die Liebe— Antonín Dvořák
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Liebeslieder, Op. 83: II. Tot ist’s in mancher Menschenbrust— Antonín Dvořák
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Liebeslieder, Op. 83: III. Ich schleich’ um jenes Haus herum— Antonín Dvořák
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Liebeslieder, Op. 83: IV. Ich weiß, daß meiner Lieb— Antonín Dvořák
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Liebeslieder, Op. 83: V. Rings die Natur nun in Schlummer— Antonín Dvořák
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Liebeslieder, Op. 83: VI. Im tiefen Walde steh’ ich hier— Antonín Dvořák
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Liebeslieder, Op. 83: VII. Im süßen Bann von deinem Blick— Antonín Dvořák
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Liebeslieder, Op. 83: VIII. O, duse drahá, jedinká (Ô, mon âme)— Antonín Dvořák
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Lieder aus der Königinhofer Handschrift, Op. 7: I. Der Blumenstrauβ— Antonín Dvořák
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Lieder aus der Königinhofer Handschrift, Op. 7: II. Die Rose— Antonín Dvořák
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Lieder aus der Königinhofer Handschrift, Op. 7: III. Der Kuckuck— Antonín Dvořák
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Lieder aus der Königinhofer Handschrift, Op. 7: IV. Die Lerche— Antonín Dvořák
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Lieder aus der Königinhofer Handschrift, Op. 7: V. Die Verlassene— Antonín Dvořák
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Lieder aus der Königinhofer Handschrift, Op. 7: VI. Die Erdbeeren— Antonín Dvořák
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Lieder, Op. 2: I. Wie schön war jener goldne Traum— Antonín Dvořák
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Lieder, Op. 2: II. Oft dringt der Kummer tief— Antonín Dvořák
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Lieder: I. Hindernisse— Antonín Dvořák
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Lieder: II. Überlegungen— Antonín Dvořák
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Lieder: III. Die Linden— Antonín Dvořák
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Lieder, Op. 82: II. Die Stickerin— Antonín Dvořák
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Lieder, Op. 82: III. Frühling— Antonín Dvořák
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Lieder, Op. 82: IV. Am Bache— Antonín Dvořák
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Im Volkston, Op. 73: I. Gute Nacht— Antonín Dvořák
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Im Volkston, Op. 73: II. Die Mäherin— Antonín Dvořák
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Im Volkston, Op. 73: III. Klage— Antonín Dvořák
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Im Volkston, Op. 73: IV. Besitz und Verlust— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: I. Mein Lied ertönt— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: II. Ei!Ei, wie mein Triangel— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: III. Rings ist der Wald— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: IV. Als die alte Mutter— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: V. Reingestimmt die Saiten!— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: VI. In dem weiten, breiten, luft’gen Leinenkleide— Antonín Dvořák
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Zigeunermelodien nach, Op. 55: VII. Darf des Falken Schwinge— Antonín Dvořák
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Requiem, Op. 89: I. Introitus (Requiem æternam – Kyrie eleison)— Antonín Dvořák
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Requiem, Op. 89: II. Graduale (Requiem æternam)— Antonín Dvořák
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Requiem, Op. 89: III. Sequentia (Dies irae)— Antonín Dvořák
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Requiem, Op. 89: IV. Sequentia (Tuba mirum)— Antonín Dvořák
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Requiem, Op. 89: V. Sequentia (Quid sum miser)— Antonín Dvořák
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Requiem, Op. 89: VI. Sequentia (Recordare, Jesu pie)— Antonín Dvořák
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Requiem, Op. 89: VII. Sequentia (Confutatis maledictis)— Antonín Dvořák
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Requiem, Op. 89: VIII. Sequentia (Lacrimosa)— Antonín Dvořák
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Requiem, Op. 89: XIX. Offertorium (Domine Jesu Christe)— Antonín Dvořák
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Requiem, Op. 89: X. Offertorium (Hostias)— Antonín Dvořák
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Requiem, Op. 89: XI. Sanctus – Benedictus— Antonín Dvořák
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Requiem, Op. 89: XII. Pie Jesu— Antonín Dvořák
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Requiem, Op. 89: XIII. Agnus Dei— Antonín Dvořák
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Im Lenz— Gustav Mahler
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Winterlied— Gustav Mahler
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Des Knaben Wunderhorn, Book 3: XI. Ablösung im Sommer— Gustav Mahler
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Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht— Gustav Mahler
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Lieder eines fahrenden Gesellen: II. Ging heut’ morgen übers Feld— Gustav Mahler
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Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer— Gustav Mahler
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Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen— Gustav Mahler
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Des Knaben Wunderhorn: IX. Wo die schönen Trompeten blasen— Gustav Mahler
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Des Knaben Wunderhorn, Book 3: XIII. Nicht wiedersehen!— Gustav Mahler
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Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n!— Gustav Mahler
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Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunKle Flammen— Gustav Mahler
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Kindertotenlieder: III. Wenn dein Mütterlein tritt zur Tür herein— Gustav Mahler
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Kindertotenlieder: IV. Oft denk’ich, sie sind nur ausgegangen!— Gustav Mahler
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Kindertotenlieder: V. In diesem Wetter, in diesem Braus— Gustav Mahler
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Des Knaben Wunderhorn, Book 1: I. Frühlingsmorgen— Gustav Mahler
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Rückert-Lieder: I. Ich atmet’ einen linden Duft— Gustav Mahler
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Rückert-Lieder: II. Liebst du um Schönheit— Gustav Mahler
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Rückert-Lieder: V. Um Mitternacht— Gustav Mahler
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Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen— Gustav Mahler
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Siete canciones populares españolas: I. El paño moruno— Manuel de Falla
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Siete canciones populares españolas: II. Seguidilla murciana— Manuel de Falla
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Siete canciones populares españolas: III. Asturiana— Manuel de Falla
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Siete Canciones populares: IV. Jota— Manuel de Falla
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Siete canciones populares españolas: V. Nana— Manuel de Falla
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Siete canciones populares españolas: VI. Canción— Manuel de Falla
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Siete canciones populares españolas: VII. Polo— Manuel de Falla
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Tres canciones españolas: I. Adela— Joaquín Rodrigo
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Tres canciones españolas: II. En Jerez de la Frontera— Joaquín Rodrigo
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Tres canciones españolas: III. De ronda— Joaquín Rodrigo
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Tonadillas en estilo antiguo: I. Amor y odio— Enrique Granados
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Tonadillas en estilo antiguo: II. Callejeo— Enrique Granados
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Tonadillas en estilo antiguo: III. El majo discreto— Enrique Granados
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Tonadillas en estilo antiguo: IV. El majo olvidado— Enrique Granados
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Tonadillas en estilo antiguo: V. El mirar de la maja— Enrique Granados
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Tonadillas en estilo antiguo: VI. El majo tímido— Enrique Granados
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Tonadillas en estilo antiguo: VII. El tra la la y el punteado— Enrique Granados
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Cuatro canciones sefardíes: I. Respóndenos— Joaquín Rodrigo
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Cuatro canciones sefardíes: II. Una pastora yo amí— Joaquín Rodrigo
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Cuatro canciones sefardíes: III. Nani, nani— Joaquín Rodrigo
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Cuatro canciones sefardíes: IV. “Morena” me llaman— Joaquín Rodrigo
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Trois mélodies: I. Les colombes— Manuel de Falla
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Trois mélodies: II. Chinoiserie— Manuel de Falla
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Trois mélodies: III. Séguidille— Manuel de Falla
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Coplas del pastor enamorado— Joaquín Rodrigo
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Canción del cucú— Joaquín Rodrigo
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Fino cristal— Joaquín Rodrigo
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El pan de Ronda que sabe a verdad— Manuel de Falla
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Tus ojillos negros— Anonymous
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Cuatro madrigales amatorios: I. ¿Con qué la lavaré?— Joaquín Rodrigo
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Cuatro madrigales amatorios: II. Vos me matasteis— Joaquín Rodrigo
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Cuatro madrigales amatorios: III. ¿De dónde venís, amore?— Joaquín Rodrigo
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Cuatro madrigales amatorios: IV. De los álamos vengo, madre— Joaquín Rodrigo
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Gipsy Songs, Op. 55: I. My song of love— Antonín Dvořák
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Gipsy Songs, Op. 55: II. Hark how my triangle— Antonín Dvořák
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Gipsy Songs, Op. 55: III. And the forest is silent all around— Antonín Dvořák
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Gipsy Songs, Op. 55: IV. Songs My Mother Taught Me— Antonín Dvořák
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Gipsy Songs, Op. 55: V. The strings are tuned— Antonín Dvořák
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Gipsy Songs, Op. 55: VI. Wide sleeves and wide trousers— Antonín Dvořák
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Gipsy Songs, Op. 55: VII. Give a hawk a pure gold cage— Antonín Dvořák
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Moravian Duets, Op. 32: I. I will escape you— Antonín Dvořák
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Moravian Duets, Op. 32: II. Fly, fly, little bird— Antonín Dvořák
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Moravian Duets, Op. 32: III. If my scythe were whetted— Antonín Dvořák
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Moravian Duets, Op. 32: IV. Friends we were when we met— Antonín Dvořák
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Moravian Duets, Op. 32: V. How small the field of Slavíkov is— Antonín Dvořák
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Moravian Duets, Op. 32: VI. The Dove on the Maple Tree— Antonín Dvořák
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Moravian Duets, Op. 32: VII. Water and Tears— Antonín Dvořák
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Moravian Duets, Op. 32: VIII. VII. The Modest Maiden— Antonín Dvořák
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Moravian Duets, Op. 32: IX. The Ring— Antonín Dvořák
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Moravian Duets, Op. 32: X. Grow green, grow green— Antonín Dvořák
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Moravian Duets, Op. 32: XI. The Captured Maiden— Antonín Dvořák
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Moravian Duets, Op. 32: XII. Consolation— Antonín Dvořák
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Moravian Duets, Op. 32: XIII. The Wild Rose— Antonín Dvořák
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Biblical Songs, Op. 99: I. Clouds and darkness are round about him— Antonín Dvořák
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Biblical Songs, Op. 99: II. Thou art my defence and shield— Antonín Dvořák
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Biblical Songs, Op. 99: III. Hear my prayer, O God— Antonín Dvořák
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Biblical Songs, Op. 99: IV. The Lord is my shepherd— Antonín Dvořák
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Biblical Songs, Op. 99: V. Lord! Lord! I will sing a new song— Antonín Dvořák
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Biblical Songs, Op. 99: VI. Hear my crying, O God— Antonín Dvořák
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Biblical Songs, Op. 99: VII. By the waters of Babylon— Antonín Dvořák
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Biblical Songs, Op. 99: VIII. Turn thee unto me, and have mercy upon me— Antonín Dvořák
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Biblical Songs, Op. 99: IX. I will lift up mine eyes unto the hills— Antonín Dvořák
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Biblical Songs, Op. 99: X. O sing unto the Lord a new song— Antonín Dvořák
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Mesec v izbi— Anton Lajovic
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Kaj bi le gledal— Anton Lajovic
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Serenada— Anton Lajovic
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Žalostno pismo— Alojz Geržinič
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Jesenska pesem— Alojz Geržinič
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Mrak— Alojz Geržinič
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Pomladna radost— Alojz Geržinič
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Vizija— Lucijan Marija Skerjanc
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Večerna impresija— Lucijan Marija Skerjanc
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Dedek samonog— Josip Pavčič
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Uspavanka II— Josip Pavčič
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Ciciban, Cicifuj— Josip Pavčič
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Pomladni počitek— Benjamin Ipavec
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V noči— Benjamin Ipavec
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Divja roža in bršljan— Benjamin Ipavec
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Pomladna noč— Benjamin Ipavec
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Jesenska noč— Zorko Prelovec
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Počitek pod goro— Lucijan Marija Skerjanc
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Pesem— Lucijan Marija Skerjanc
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Beli oblaki— Lucijan Marija Skerjanc
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Pod oknom— Kamilo Mašek
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Mak žari— Benjamin Ipavec
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Božji volek— Benjamin Ipavec
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V spominsko knjigo— Benjamin Ipavec
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Pomladni veter— Benjamin Ipavec
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Kam?— Fran Gerbič
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Pojdem na prejo— Fran Gerbič
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Trobentice— Emil Adamič
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Uspavanka— Emil Adamič
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Na tujih tleh— Davorin Jenko
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Rameau: Hippolyte et Aricie: Overture— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Choeur des nymphes:”Accourez, habitants des bois!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Entrée des habitants de la forêt— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Sur ces bords fortunés je fais régner la paix— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Vous êtes dans ces mêmes lieux— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Quels doux concerts se font entendre?— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Au doux penchant qui les entraîne— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Duo: “Non, je ne souffrirai pas”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Invocation: “Arbitre souverain du ciel et de la terre”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Diane, j’étais prêt à défendre tes droits— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Nymphes, aux lois du sort il faut que j’obéisse— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Peuples, Diane enfin vous libre à ma puissance— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Plaisirs, doux vainqueurs— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: A l’Amour rendez les armes— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: La tranquille indifférence n’a que d’ennuyeux……— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Premier Menuet – Deuxième Menuet – Premier Menuet— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Par de nouveaux plaisirs couronnons ce grand jour!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Marche— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Prologue: Ent’racte: reprise de l’Ouverture— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: “Temple sacré, séjour tranquille”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: “Princesse, quels apprêts me frappent”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Hypolyte amoureux m’occupera sans cesse— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Je vous affranchirai d’une loi si cruelle!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Duo:”Tu règnes sur nos coeurs”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Marche… Dieu d’amour— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Choeur des prêtresses: “Dans ce paisible séjour”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Dieu d’amour, pour nos asiles— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Rendons un éternel hommage— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: “Princesse, ce grand jour par des noeuds éternels”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Non, non, un coeur forcé n’est pas digne des dieux— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Du moins par d’injustes regueurs— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Prélude: “Dieux vengeurs, lancez le tonnerre!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Tonnerre -“Nos cris sont montés jusqu’aux cieux”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Prélude… “Ne vous alarmez pas d’un projet téméraire”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: Prélude..”Quoi! La terre et le ciel contre moi”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: G malheur! G funeste sort!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 1: “C’en est assez”-Prélude – “Mes yeux commencent … “— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Ritournelle— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: “Laisse-moi respirer, implacable Furie!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Dieux, n’est-ce pas assez des maux j’ai soufferts?— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Duo: “Contente-toi d’une victime!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Prélude..Inexorable Roi de L’Empire infernal!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Sous les drapeaux de Mars— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Mais cette gloire, enfin, fallait-il la ternir?— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Air mesuré: “Pour prix d’un projet téméraire”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Eh bien! je remets ma victime”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: “Qu’à servir mon courroux tout l’enfer se prépare!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Premier Air infernal— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Deuxième Air –— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Pluton commande, vengeons notre Roi!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: “Dieux! que d’infortunés gémissent”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: La mort, la seule mort a droit de vous unir— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Trio des Parques: “Du destin le vouloir suprême”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: “Ah! qu’on daigne du moins… Puisque Pluton”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Choeur: “Non, Neptune aurait beau t’entendre”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Prélude… Neptune vous demande grâce”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Air: “Jupiter tient les cieux sous son obéissance”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: C’en est fait, je me rends’— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 2: Quelle soudaine horreur ton destin nous inspire!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Prélude..”Cruelle mère des amours”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: “Eh bien! viendra-t-il en ces lieux”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Reine, sans l’ordre exprès qui dans ces lieux… ,’appell— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Ma fureur va tout entreprendre— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Terribles ennemis des perfides humains— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Ah! cesse, par tes voeus, d’allumer le tonnerre!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Que vois-je? Quel affreux spectacle!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Sur qui doit tomber ma colère?— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Quoi! tout me fuit, tout m’abandonne— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: De mon heureux retour, au Dieu des vastes mers— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Marche— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Que ce rivage retentisse— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Premier Air des Matelots— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Deuxième Air des Matelots— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: L’amour comme Neptune invite à s’embarquer— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Pour l’auteur de mes jours j’aime à voir votre zèle— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: “Quels biens! Je frémis quand j’y pense”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 3: Mais de courroux l’onde s’agite— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Prélude… “Ah! faut-il, en un jour”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: “C’en est donc fait, cruel, rien n’arrête vos pas”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Air tendre:”Dieux! pourquoi séparer deux coeurs”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Eh bien! daignez me suivre!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Duo:”Nous allons nous jurer une immortelle foi!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Le sort conduit vers nous ces sujets de Diane— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: “Faisons partout voler nos traits!”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Amants, quelle est votre faiblesse!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: A la chasse, armez-vous!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Premier Menuet – Deuxième Menuet en Rondeau— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: Quel bruit! Quels vents, ô ciel!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 4: “Quelle plainte en ces lieux m’appelle?”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Grands Dieux! de quels remords je me sens dechiré!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Arrête!..Pour un fils quelle pitié vous presse?”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Où suis-je? De mes sens j’ai recouvré l’usage”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Descendez, brillante immortelle”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Peuples toujours soumis à mon obéissance”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: G trop heureux bergers!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Vol des zéphirs— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Où suis-je transporté?— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Que mon sort est digne d’envie!— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Les habitants de ces retraites— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Marche… “Chantons sur la musette”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Bergers, vous allez voir combien”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Que tout soit heureux sous les lois— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Chaconne— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: “Rossignols amoureux, répondez à nos voix”— Jean-Philippe Rameau
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Rameau: Hippolyte et Aricie / Act 5: Première Gavotte – Deuxième Gavotte – Première Gav.— Jean-Philippe Rameau
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Handel: Messiah, HWV 56 / Pt. 1: Symphony— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Comfort Ye, My People”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Ev’ry Valley Shall Be Exalted”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “And the Glory of The Lord”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Thus Saith the Lord”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “But Who May Abide the Day of His Coming”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “And He Shall Purify the Sons of Levi”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Behold, a Virgin Shall Conceive”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “O Thou that Tellest Good Tidings to Zion”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “For Behold, Darkness Shall Cover”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “The People That Walked in Darkness”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “For Unto Us a Child is Born”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: Pifa (Pastoral Symphony)— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “There Were Shepherds… And Lo, the Angel of the Lord…And…— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Glory to God in the Highest”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Rejoice Greatly, o Daughter of Zion”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “Then Shall the Eyes of the Blind”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “He Shall Feed His Flock”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 1: “His Yoke Is Easy”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Behold the Lamb of God”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “He Was Despised”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Surely He Hath Borne Our Griefs”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “And With His Stripes We Are Healed”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “All We Like Sheep Have Gone Astray”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “All They That See Him”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “He Trusted in God”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Thy Rebuke Hath Broken His heart”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Behold and See”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “He Was Cut Off”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “But Thou Didst Not Leave His Soul in Hell”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Lift Up Your Heads”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Unto Which of the Angels”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Let All the Angels of God”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Thou Art Gone Up On High”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “The Lord Gave the Word”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “How Beautiful Are the Feet”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Their Sound Is Gone Out”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Why Do the Nations So Furiously Rage Together?”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “Let Us Break Their Bonds Asunder”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 2: “He That Dwelleth in Heaven…Thou Shalt Break Them”— George Frideric Handel
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Handel: Messiah, HWV 56, Pt. 2: No. 44, Hallelujah Chorus— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “I Know That My Redeemer Liveth”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “Since By Man Came Death”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “Behold, I Tell You a Mystery”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “The Trumpet Shall Sound”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “Then Shall Be Brought to Pass”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “O Death Where Is Thy Sting?”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “But Thanks Be to God”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “If God Be For Us”— George Frideric Handel
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Handel: Messiah, HWV 56 / Pt. 3: “Worthy Is the Lamb… Amen”— George Frideric Handel
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Sinfonia in B Minor, RV 169 – “Al Santo Sepolcro”: Adagio molto – Allegro ma poco— Antonio Vivaldi
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Stabat Mater: Salve Regina a due voci in C Minor— Giovanni Battista Pergolesi
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Concerto a 4 in E-Flat Major – “Il Pianto d’Arianna”: I. Andante – Allegro – Adagio – Andante -…— Pietro Antonio Locatelli
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Concerto a 4 in E-Flat Major – “Il Pianto d’Arianna”: II. Largo andante— Pietro Antonio Locatelli
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Concerto a 4 in E-Flat Major – “Il Pianto d’Arianna”: III. Grave – Allegro – Largo— Pietro Antonio Locatelli
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Stabat Mater, P. 77: I. Duo “Stabat Mater dolorosa”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: II. Aria “Cujus animam gementem” (soprano)— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: III. Duo “O quam tristis et afflicta”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: IV. Aria “Quae moerebat et dolebat” (alto)— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: V. Duo “Quis est homo qui non fleret”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: VI. Aria “Vidit suum dulcem natum”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: VII. Aria “Eja, mater, fons amoris” (alto)— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: VIII. Duo “Fac, ut ardeat cor meum”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: IX. Duo “Sancta mater, istud agas”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: X. Aria “Fac, ut portem Christi mortem” (alto)— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: XI. Duo “Inflammatus et accensus”— Giovanni Battista Pergolesi
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Stabat Mater, P. 77: XII. Duo “Quando corpus morietur” – “Amen”— Giovanni Battista Pergolesi
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Myrthen, Op. 25: No. 4, Jeman— Robert Schumann
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Myrthen, Op. 25: No. 20, Weit, weit— Robert Schumann
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Myrthen, Op. 25: No. 19, Hauptmanns Weib— Robert Schumann
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Myrthen, Op. 25: No. 23, Im Westen— Robert Schumann
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Myrthen, Op. 25: No. 14, Hochländisches Wiegenlied— Robert Schumann
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Myrthen, Op. 25: No. 10, Die Hochländer-Witwe— Robert Schumann
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Gedichte der Königin Maria Stuart, Op. 135: I. Abschied von Frankreich— Robert Schumann
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Gedichte der Königin Maria Stuart, Op. 135: II. Nach der Geburt ihres Sohnes— Robert Schumann
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Gedichte der Königin Maria Stuart, Op. 135: III. An die Königin Elisabeth— Robert Schumann
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Gedichte der Königin Maria Stuart, Op. 135: IV. Abschied von der Welt— Robert Schumann
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Gedichte der Königin Maria Stuart, Op. 135: V. Gebet— Robert Schumann
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Gedichte aus “Liebesfrühling”, Op. 37: X. O Sonn’, o Meer, o Rose!— Robert Schumann
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3 Gesänge, Op. 83: II. Die Blume der Ergebung— Robert Schumann
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Myrthen, Op. 25: No. 11, Lied der Braut I— Robert Schumann
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Myrthen, Op. 25: No. 12, Lied der Braut II— Robert Schumann
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Gedichte aus “Liebesfrühling”, Op. 37: III. O ihr Herren— Robert Schumann
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Myrthen, Op. 25: No. 25, Aus den östlichen Rosen— Robert Schumann
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Lieder und Gesänge, Vol. 1, Op. 27: IV. Jasminenstrauch— Robert Schumann
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Liederalbum für die Jugend, Op. 79: No. 26, Schneeglöckchen— Robert Schumann
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Minnespiel, Op. 101: II. Liebster, deine Worte stehlen— Robert Schumann
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Minnespiel, Op. 101: IV. Mein schöner Stern, ich bitte dich— Robert Schumann
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Liederkreis, Op. 39: I. In der Fremde— Robert Schumann
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Liederkreis, Op. 39: II. Intermezzo— Robert Schumann
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Liederkreis, Op. 39: III. Waldesgesprach— Robert Schumann
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Liederkreis, Op. 39: IV. Die Stille— Robert Schumann
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Liederkreis, Op. 39: V. Mondnacht— Robert Schumann
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Liederkreis, Op. 39: VI. Schöne Fremde— Robert Schumann
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Liederkreis, Op. 39: VII. Auf einer Burg— Robert Schumann
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Liederkreis, Op. 39: VIII. In der Fremde— Robert Schumann
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Liederkreis, Op. 39: IX. Wehmut— Robert Schumann
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Liederkreis, Op. 39: X. Zwielicht— Robert Schumann
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Liederkreis, Op. 39: XI. Im Walde— Robert Schumann
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Liederkreis, Op. 39: No. 12, Frühlingsnacht (Arr. Liszt, S. 568)— Robert Schumann
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Vivaldi: Sonata a 4 for Strings and Continuo in E flat, R.130: 1. Largo molto— Antonio Vivaldi
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Vivaldi: Sonata a 4 for Strings and Continuo in E flat, R.130: 2. Allegro ma poco andante— Antonio Vivaldi
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Recitativo: Giunta l’ora fatal— Composer not yet identified
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Cavatina: Se d’un Dio fui fatta Madre— Composer not established
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Recitativo: Ah me infelice!— Composer not yet identified
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Cavatina da capo: Se d’un Dio fui fatta Madre— Composer not yet identified
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Recitativo: Ahimè ch’Egli già esclama ad alta voce— Composer not established
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Aria: Sventurati miei sospiri— Composer not yet identified
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Recitativo: Sì disse la gran Madre— Composer not yet identified
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Aria: Pari all’amor immenso— Composer not established
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Recitativo: Or se per grande orror tremo la terra— Composer not established
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Marini: Passacaglio for strings and basso continuo— Biagio Marini
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Pianto della Madonna (sopra Il Lamento d’Arianna)— Composer not established
▶
Vivaldi: Concerto for Strings in D Minor, RV 129 “Madrigalesco”: Ia. Adagio— Antonio Vivaldi
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Vivaldi: Concerto for Strings in D Minor, RV 129 “Madrigalesco”: Ib. Allegro— Antonio Vivaldi
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Vivaldi: Concerto for Strings in D Minor, RV 129 “Madrigalesco”: II. Adagio— Antonio Vivaldi
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Vivaldi: Concerto for Strings in D Minor, RV 129 “Madrigalesco”: III. [Allegro]— Antonio Vivaldi
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Vivaldi: Sinfonia for Strings and Continuo in B minor, R.169 -: 1. Adagio molto— Antonio Vivaldi
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Vivaldi: Sinfonia for Strings and Continuo in B minor, R.169 -: 2. Allegro ma poco— Antonio Vivaldi
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Sento già mancar la vita (“Il martiro di San Lorenzo”)— Composer not established
▶
Sonata in C minor for strings & continuo: 1. Largo— Composer not established
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Sonata in C minor for strings & continuo: 2. Allegro— Composer not established
▶
Die Götter Griechenlands D.677— Franz Schubert
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An die Musik D.547— Franz Schubert
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Ganymed D.544— Franz Schubert
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Lied der Mignon D.64/4— Franz Schubert
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Gretchen am Spinnrade D.118— Franz Schubert
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Wonne der Wehmut D.260— Franz Schubert
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Rastlose Liebe D.138— Franz Schubert
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Auf dem See D.543b— Franz Schubert
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Liebe schwärmt auf allen Wegen D.239/6— Franz Schubert
▶
An Silvia, D.891— Franz Schubert
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An die Nachtigall D.196— Franz Schubert
▶
An den Mond D.193— Franz Schubert
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Nachtviolen D.752— Franz Schubert
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Schlummerlied D.527— Franz Schubert
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Die Sternenwelten D.307— Franz Schubert
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Romanze, Op. 26— Franz Schubert
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Die junge Nonne, Op. 828— Franz Schubert
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Auf der Riesenkoppe, D.611— Franz Schubert
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Im Frühling D.882— Franz Schubert
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Sei mir gegrüßt D.741— Franz Schubert
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Daß sie hier gewesen, D.775— Franz Schubert
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Du bist die Ruh D.776— Franz Schubert
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Lachen und Weinen D.777— Franz Schubert
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An die untergehende Sonne D.457— Franz Schubert
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Im Abendrot D.799— Franz Schubert
▶
Frauenliebe und -leben, Op. 42: I. Seit ich ihn gesehen— Robert Schumann
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Frauenliebe und -Leben (L’Amour et la vie d’une femme) : II. Er, der Herrlichste von allen— Robert Schumann
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Frauenliebe und -leben, Op. 42: III. Ich kann’s nicht fassen— Robert Schumann
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Frauenliebe und -leben, Op. 42: IV. Du Ring an meinem Finger— Robert Schumann
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Frauenliebe und -leben, Op. 42: V. Helft mir, ihr Schwestern— Robert Schumann
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Frauenliebe und -leben, Op. 42: VI. Süßer Freund— Robert Schumann
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Frauenliebe und -leben, Op. 42: VII. An meinem Herzen— Robert Schumann
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Frauenliebe und -leben, Op. 42: VIII. Nun hast du mir den ersten Schmerz getan— Robert Schumann
▶
Mignon, Op. 79/29— Robert Schumann
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Der Nussbaum, Op. 25/3— Robert Schumann
▶
Aufträge, Op. 77/5— Robert Schumann
▶
Die Lotosblume, Op. 25/7— Robert Schumann
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Ständchen, Op. 36/2— Robert Schumann
▶
Nachtlied, Op. 96/1— Robert Schumann
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Der Sandmann, Op. 79/13— Robert Schumann
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Das verlaßne Mägdlein, Op. 64/2— Robert Schumann
▶
Die Kartenlegerin, Op. 31/2— Robert Schumann
▶
Lieder, Op. 90: 1. Lied eines Schmiedes— Robert Schumann
▶
Lieder, Op. 90: 2. Meine Rose— Robert Schumann
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Lieder, Op. 90: 3. Kommen und Scheiden— Robert Schumann
▶
Lieder, Op. 90: 4. Die Sennin— Robert Schumann
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Lieder, Op. 90: 5. Einsamkeit— Robert Schumann
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Lieder, Op. 90: 6. Der schwere Abend— Robert Schumann
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Lieder, Op. 90: 7. Requiem— Robert Schumann
▶
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 1. Chorus: Jauchzet,…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 2. Evangelista: Es begab…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 3. Recitativo (Alt): Nun…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 4. Aria (Alt): Bereite…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 5. Choral: Wie soll ich…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 6. Evangelista: Und sie…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 7. Choral: Er ist auf…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 8. Aria (Bass): Großer…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 9. Choral: Ach mein…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 10. Sinfonia— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 11. Rezitativ (Tenor):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 12. Choral: Brich an,…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 13. Rezitativ (Tenor):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 14. Rezitativ (Tenor):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 15. Aria (Tenor): Frohe…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 16. Rezitativ (Tenor):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 17. Choral: Schaut hin,…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 18. Rezitativ (Bass):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 19. Aria (Alt):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 20. Evangelista: Und…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 21. Choral: Ehre sei Gott— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 22. Rezitativ (Bass):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 23. Choral: Wir singen…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 24. Chorus: Herrscher…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 25. Rezitativ (Tenor):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 26. Chorus: Lasset uns…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 27. Rezitativ: (Bass):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 28. Choral: Dies hat er…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 29. Aria Duetto…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 30. Evangelista: Und…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 31. Aria (Alt):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 32. Rezitativ (Alt):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 33. Choral: Ich will…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 34. Evangelista: Und…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 35. Choral: Seid froh…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas: 24. Chorus (da capo 1):…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 36. Chorus: Fallt mit Danken— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 37. Evangelista: Und da acht Tage…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 38. Rezitativ mit Choral:…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 39. Aria (Sopran): Flößt, mein…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 40. Rezitativ mit Choral: Wohlan,…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 41. Aria (Tenor): Ich will nur…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision: 42. Chorale: Jesus richte mein…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 43. Chor: Ehre sei dir,…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 44. Evangelista: Da Jesus…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 45. Chor: Wo ist der…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 46. Choral: Dein Glanz all…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 47. Aria (Bass): Erleucht…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 48. Evangelista: Da das…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 49. Rezitativ (Alt): Warum…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 50. Evangelista: Und ließ…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 51. Aria Terzetto (Sopran,…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 52. Rezitativ (Alt): Mein…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year: 53. Choral: Zwar ist…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 54. Chor: Herr, wenn die…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 55. Evangelista: Da berief…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 56. Rezitativ (Sopran): Du…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 57. Aria (Sopran): Nur ein…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 58. Evangelista: Als sie nun…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 59. Choral: Ich steh an…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 60. Evangelista: Und Gott…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 61. Rezitativ (Tenor): So…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 62. Aria (Tenor): Nun mögt…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 63. Rezitativ, Quartett: Was…— Johann Sebastian Bach
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany: 64. Choral: Nun seid ihr wohl…— Johann Sebastian Bach
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Encantamiento— Carlos Guastavino
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Campanilla, ¿adónde vas?— Carlos Guastavino
▶
Pampamapa— Carlos Guastavino
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Préstame tu pañuelito— Carlos Guastavino
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Seis Coplas— Luis Gianneo
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Cruzando tu olvido / Camino de tu recuerdo— Anonymous
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Canción del carretero— Carlos López Buchardo
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Canción de Perico— Carlos López Buchardo
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Si lo hallas…— Carlos López Buchardo
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Vidala— Carlos López Buchardo
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Jujeña— Carlos López Buchardo
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Prendiditos de la mano— Carlos López Buchardo
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Tropilla de estrellas— Angel Lasala
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Los pájaros perdidos— Astor Piazzolla
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Jacinto Chiclana— Astor Piazzolla
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El títere— Astor Piazzolla
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Huainito— Manuel Gómez Carrillo
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Caballito criollo— Floro Ugarte
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La ofrenda del trovador— Manuel Gómez Carrillo
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Milonga calabacera— Alberto Williams
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Bailecito cantado— Manuel Gómez Carrillo
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Las puertas de la mañana— Carlos Guastavino
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Abismo de sed— Carlos Guastavino
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Mi viña de Chapanay— Carlos Guastavino
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El sampedrino— Carlos Guastavino
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Pueblito, mi pueblo…— Carlos Guastavino
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Cinq mélodies populaires grecques: I. Le réveil de la mariée, M. A9— Maurice Ravel
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Cinq mélodies populaires grecques: II. Là-bas, vers l’église, M. A10— Maurice Ravel
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Cinq mélodies populaires grecques: III. Quel galant m’est comparable, M. A4— Maurice Ravel
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Cinq mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques, M. A5— Maurice Ravel
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Cinq mélodies populaires grecques: V. Tout gai!— Maurice Ravel
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Nuits d’été, Op. 7: I. Villanelle “Quand viendra la saison nouvelle”, H 82— Hector Berlioz
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Nuits d’été, Op. 7: II. Le spectre de la rose “Soulève la paupière close”, H 83— Hector Berlioz
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Nuits d’été, Op. 7: III. Sur les lagunes (lamento) “Ma belle amie est morte”, H 84— Hector Berlioz
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Nuits d’été, Op. 7: IV. Absence “Reviens, reviens ma bien-aimée!”, H 85— Hector Berlioz
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Nuits d’été, Op. 7: V. Au cimetière (Clair de lune) “Connaissez-vous la blanche tombe”, H 86— Hector Berlioz
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Nuits d’été, Op. 7: VI. L’île inconnue “Dites, la jeune belle!”, H 87— Hector Berlioz
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Shéhérazade: I. Asie— Maurice Ravel
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Shéhérazade: II. La flûte enchantée— Maurice Ravel
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Shéhérazade: III. L’indifférent— Maurice Ravel
▶
Sapphische Ode, Op. 94/4— Johannes Brahms
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Feldeinsamkeit, Op. 86/2— Johannes Brahms
▶
Nachtigall, Op. 97/1— Johannes Brahms
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Verzagen, Op. 72/4— Johannes Brahms
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An die Nachtigall, Op. 46/4— Johannes Brahms
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Das Mädchen spricht, Op. 107/3— Johannes Brahms
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Dein blaues Auge, Op. 59/8— Johannes Brahms
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Geheimnis, Op. 71/3— Johannes Brahms
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Ständchen, Op. 106/1— Johannes Brahms
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Von ewiger Liebe, Op. 43/1— Johannes Brahms
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Der Tod, das ist die kühle Nacht, Op. 96/1— Johannes Brahms
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Auf dem Kirchhofe, Op. 105/4— Johannes Brahms
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Die Mainacht, Op. 43/2— Johannes Brahms
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Anklänge, Op. 7/3— Johannes Brahms
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Spanisches Lied, Op. 6/1— Johannes Brahms
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Mädchenlied, Op. 95/6— Johannes Brahms
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Am Sonntag Morgen, Op. 49/1— Johannes Brahms
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Liebestreu, Op. 3/1— Johannes Brahms
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Vergebliches Ständchen, Op. 84/4— Johannes Brahms
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Das Mädchen, Op. 95/1— Johannes Brahms
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Therese, Op. 86/1— Johannes Brahms
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Mädchenlied, Op. 107/5— Johannes Brahms
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Der Jäger, Op. 95/4— Johannes Brahms
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Der Schmied, Op. 19/4— Johannes Brahms
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Der Gang zum Liebchen, Op. 48/1— Johannes Brahms
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Sonntag, Op. 47/3— Johannes Brahms
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Mädchenlied, Op. 85/3— Johannes Brahms
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Wiegenlied, Op. 49/4— Johannes Brahms
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Hasse: Cleofide: Sinfonia: a. Allegro assai— Johann Adolph Hasse
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Hasse: Cleofide: Sinfonia: b. Andante, sempre piano— Johann Adolph Hasse
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Hasse: Cleofide: Sinfonia: c. Menuet – Presto – Menuet— Johann Adolph Hasse
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Hasse: Salve Regina A-dur(in a-major): 1. A tempo giusto “Salve Regina”— Johann Adolph Hasse
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Hasse: Salve Regina A-dur(in a-major): 2. Adagio “Ad te clamamus”— Johann Adolph Hasse
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Hasse: Salve Regina A-dur(in a-major): 3. Adagio – Allegro “Eja ergo”— Johann Adolph Hasse
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Hasse: Salve Regina in A Major: 4. Andante – Adagio “Et Jesum benedictum”— Johann Adolph Hasse
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Hasse: Sinfonia F-dur op.3, No. 5: 1. Allegro assai— Johann Adolph Hasse
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Hasse: Sinfonia F-dur op.3, No. 5: 2. Andante ma sempre piano— Johann Adolph Hasse
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Hasse: Sinfonia F-dur op.3, No. 5: 3. Allegro e con spirito— Johann Adolph Hasse
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Hasse: Motette “Chori angelici laetantes”: 1. Allegro man non troppo “Chori angelici laetantes”…— Johann Adolph Hasse
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Hasse: Motette “Chori angelici laetantes”: 2.Moderato assai – Allegro “Mundi neglecta pompa et…— Johann Adolph Hasse
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Hasse: Motette “Chori angelici laetantes”: 3.Moderato assai – Andante “Bone Jesu, te quaerendo”— Johann Adolph Hasse
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Hasse: Motette “Chori angelici laetantes”: 4. Allegro “Alleluja”— Johann Adolph Hasse
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Hasse: Fuga & Grave g-moll (in G minor) – attrib. Franz Xaver Richter: Fuga. A la breve— Johann Adolph Hasse
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Hasse: Fuga & Grave g-moll (in G minor) – attrib. Franz Xaver Richter: Grave – Fuga— Johann Adolph Hasse
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Hasse: Salve Regina In E Flat Major: 1. Andantino “Salve Regina”— Johann Adolph Hasse
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Hasse: Salve Regina In E Flat Major: 2. Largo “Ad te clamamus”— Johann Adolph Hasse
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Hasse: Salve Regina In E Flat Major: 3. Allegretto “Eja ergo”— Johann Adolph Hasse
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Hasse: Salve Regina In E Flat Major: 4. Andante, ma non troppo “Et Jesum benedictum”— Johann Adolph Hasse
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Symphony No.91 in E-Flat Major, Hob.I:91: I. Largo – Allegro assai— Joseph Haydn
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Symphony No.91 in E-Flat Major, Hob.I:91: II. Andante— Joseph Haydn
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Symphony No. 91 in E-Flat Major, Hob. I:91: III. Menuet (Un poco Allegretto)— Joseph Haydn
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Symphony No. 91 in E-Flat Major, Hob. I:91: IV. Finale (Vivace)— Joseph Haydn
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Berenice che fai?, Hob. XXIVa:10— Joseph Haydn
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Symphony No. 92 in G Major “Oxford”, Hob. I:92: I. Adagio – Allegro spiritoso— Joseph Haydn
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Symphony No. 92 in G Major “Oxford”: II. Adagio— Joseph Haydn
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Symphony No. 92 in G Major “Oxford”, Hob. I:92: III. Menuet (Allegretto)— Joseph Haydn
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Symphony No. 92 in G Major “Oxford”, Hob. I:92: IV. Finale (Presto)— Joseph Haydn
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Requiem in D Minor, K. 626: I. Introitus: Requiem— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: II. Kyrie: Kyrie— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: III. Sequentia: Dies irae— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: III. Sequentia: Tuba mirum— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: III. Sequentia: Rex tremendae— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: III. Sequentia: Recordare— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: III. Sequentia: Confutatis— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: III. Sequentia: Lacrimosa— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: IV. Offertorium: Domine Jesu— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: IV. Offertorium: Hostias— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: V. Sanctus: Sanctus— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: VI. Benedictus: Benedictus— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: VII. Agnus Dei: Agnus Dei— Wolfgang Amadeus Mozart
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Requiem in D Minor, K. 626: VIII. Communio: Lux aeterna— Wolfgang Amadeus Mozart
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Granados: Canciones amatorias: No. 1, Descúbrase el pensamiento— Enrique Granados
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Granados: Canciones amatorias: No. 2, Mañanica era— Enrique Granados
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Granados: Canciones amatorias: No. 3, Llorad, corazón, que tenéis razón— Enrique Granados
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Granados: Canciones amatorias: No. 4, Mira que soy niña— Enrique Granados
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Granados: Canciones amatorias: No. 5, No lloréis, ojuelos— Enrique Granados
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Granados: Canciones amatorias: No. 6, Iban al pinar— Enrique Granados
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Granados: Canciones amatorias: No. 7, Gracia mía— Enrique Granados
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Granados: Tonadillas en estilo antiguo: No. 5, La maja dolorosa 1— Enrique Granados
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Granados: Tonadillas en estilo antiguo: No. 6, La maja dolorosa 2— Enrique Granados
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Granados: Tonadillas en estilo antiguo: No. 7, La maja dolorosa 3— Enrique Granados
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Rodrigo: Villancicos: No. 1, Pastorcito santo— Joaquín Rodrigo
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Rodrigo: Villancicos: No. 3, Coplillas de Belén— Joaquín Rodrigo
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Rodrigo: Romancillo “Por mayo era”— Joaquín Rodrigo
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Rodrigo: 12 Canciones españolas: No. 9, Adela— Joaquín Rodrigo
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Rodrigo: Con Antonio Machado: No. 10, Canción del Duero— Joaquín Rodrigo
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Nin: Cantos populares españoles: No. 14, Asturiana— Joaquín Nin
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Nin: Cantos populares españoles: No. 15, El paño murciano— Joaquín Nin
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Nin: Cantos populares españoles: No. 18, El vito— Joaquín Nin
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Guastavino: La rosa y el sauce— Carlos Guastavino
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Guastavino: Cita— Carlos Guastavino
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Guastavino: La palomita— Carlos Guastavino
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Ginastera: Canción al arbol del olvido, Op. 3 No. 2— Alberto Ginastera
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Ginastera: 5 Canciones populares argentinas, Op. 10: No. 1, Chacarera— Alberto Ginastera
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Ginastera: 5 Canciones populares argentinas, Op. 10: No. 2, Triste— Alberto Ginastera
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Ginastera: 5 Canciones populares argentinas, Op. 10: No. 3, Zamba— Alberto Ginastera
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Ginastera: 5 Canciones populares argentinas, Op. 10: No. 4, Arrorró— Alberto Ginastera
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Ginastera: 5 Canciones populares argentinas, Op. 10: No. 5, Gato— Alberto Ginastera
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Lontananza dell’amato: I. Aria “Lontanaza dell’amato”— Francesco Bartolomeo Conti
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Lontananza dell’amato: II. Recitativo “Piangi amante usignolo”— Francesco Bartolomeo Conti
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Lontananza dell’amato: III. Allegro “Vola presto e lascia il canto”— Francesco Bartolomeo Conti
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Lontananza dell’amato: IV. Recitativo “Vola, e quando ritrovi”— Francesco Bartolomeo Conti
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Lontananza dell’amato: V. Allegro “Provo hor sì nel lieto”— Francesco Bartolomeo Conti
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Ride il prato: I. Allegro “Ride il prato e frà herbe”— Francesco Bartolomeo Conti
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Ride il prato: II. Recitativo “Si nobile vaghezza”— Francesco Bartolomeo Conti
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Ride il prato: III. “É felice il cor che brama”— Francesco Bartolomeo Conti
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Ride il prato: IV. Recitativo “Là sublime decoro d’onor”— Francesco Bartolomeo Conti
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Ride il prato: V. “Sorge amorosa”— Francesco Bartolomeo Conti
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Ride il prato: VI. Recitativo “Dunque ben degna”— Francesco Bartolomeo Conti
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Ride il prato: VII. “L’aura dolce e il venticello”— Francesco Bartolomeo Conti
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Con più lucidi candori: I. Aria “Con più lucidi candori”— Francesco Bartolomeo Conti
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Con più lucidi candori: II. Recitativo “Hoggi rinnuova il circolo solare”— Francesco Bartolomeo Conti
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Con più lucidi candori: III. Adagio “I bei fregi”— Francesco Bartolomeo Conti
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Con più lucidi candori: IV. Recitativo “Quindi tutti divoti pastori e ninfe”— Francesco Bartolomeo Conti
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Con più lucidi candori: V. Aria – Allegro assai “In placida calma”— Francesco Bartolomeo Conti
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Vaghi augelletti: I. “Vaghi augelletti”— Francesco Bartolomeo Conti
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Vaghi augelletti: II. “Dolce amor”— Francesco Bartolomeo Conti
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Vaghi augelletti: III. Recitativo “In si vaga staggione”— Francesco Bartolomeo Conti
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Vaghi augelletti: IV. Adagio “Per dolce ardore”— Francesco Bartolomeo Conti
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Vaghi augelletti: V. Recitativo “Or che dunque fiorisce”— Francesco Bartolomeo Conti
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Vaghi augelletti: VI. “Quel puro colore”— Francesco Bartolomeo Conti
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Bruckner: Mass No. 1 in D Minor, WAB 26: I. Kyrie— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: II. Gloria— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: III. Credo— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: IV. Sanctus— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: V. Benedictus— Anton Bruckner
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Bruckner: Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei— Anton Bruckner
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Bruckner: Ave Maria, WAB 6— Anton Bruckner
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Bruckner: Tota pulchra es, WAB 46— Anton Bruckner
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Bruckner: Locus iste, WAB 23— Anton Bruckner
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Bruckner: Os justi, WAB 30— Anton Bruckner
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Bruckner: Christus factus est, WAB 11— Anton Bruckner
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: I. Chorus. Bleib bei uns, denn es…— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: II. Aria. Hochgelobter Gottessohn— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: III. Chorale. Ach bleib bei uns,…— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: IV. Recit. Es hat die Dunkelheit an…— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: V. Aria. Jesu, lass uns auf dich sehen— Johann Sebastian Bach
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6: VI. Choral. Beweis dein Macht, Herr…— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: I. Chorus. Erfreut Euch, ihr Herzen— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: II. Recit. Es bricht das Grab und damit unsere Not— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: III. Aria. Lasset dem Höchsten ein Danklied…— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: IV. Recit. (Dialogue) & Arioso. Bei Jesu Leben…— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: V. Duet. Ich fürchte zwar/nicht des Grabes Finsternis— Johann Sebastian Bach
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J.S. Bach: Erfreut euch, ihr Herzen, BWV 66: VI. Chorale. Halleluja! Des solln wir alle froh sein— Johann Sebastian Bach
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Giulio Cesare in Egitto, HWV 17: Ouverture— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 1: “Viva il nostro Alcide”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 1, Scena 2: “Presti omai”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: “Empio, dirò”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 4: “Priva son d’ogni conforto”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 4: “Svegliatevi nel core”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 5: “Non disperar”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 6: “L’empio, sleale”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 7: “Alma del gran Pompeo”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 7: “Non è sivago”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 7: “Tutto può”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 8: “Nel tuo seno”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 8: “Cara speme”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 8: “Tu la mia stella”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 9, Scena 10: “Cesare, alla tua destra”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 11: “Tu sei il cor”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 11: “Son nata a lagrimar”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 1: “Eseguisti, o Niren”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 2: Sinfonia— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 2: “V’adoro, pupille”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 2: “Se in fiorito”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 3: “Cornelia, e poi Achilla”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 4: “Se a me non sei crudele”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 4, Scena 5: “Si spietata”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II Scena 6: “Cessa omai”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II Scena 6: “L’angue offeso”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 7: “Venere bella”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 8: “Al lampo dell’armi”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 8: “Che sento ?”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 9, Scena 10: “Belle dee”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: “L’aura che spira”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 1: “Dal fulgor”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 2: Sinfonia— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 2: “Vinta cadesti” – “Domerò”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 3: “E pur cosi” – “Piangerò”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 4: “Dall’ ondoso” & “Aure, deh, per pietà”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 4: “Quel torrente”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 5: “La giustizia”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 6: “Voi, che mie fide ancelle”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 6, Scena 7: “Da tempeste”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena 8: “Non ha più”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena ultima: Sinfonia— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena ultima: Caro – Bella”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Atto III, Scena ultima: “Ritorni omai”— George Frideric Handel
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Giulio Cesare in Egitto, HWV 17, Appendice: “Qui perde un momento”— George Frideric Handel
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Symphony No. 2 in C Minor “Resurrection”: I. Allegro maestoso (Live)— Gustav Mahler
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Symphony No. 2 in C Minor “Resurrection”: II. Andante moderato (Live)— Gustav Mahler
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Symphony No. 2 in C Minor “Resurrection”: III. In ruhig fließender Bewegung (Live)— Gustav Mahler
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Symphony No. 2 in C Minor “Resurrection”: IV. Urlicht (Live)— Gustav Mahler
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Symphony No. 2 in C Minor “Resurrection”: V. Finale. Im Tempo des Scherzo (Live)— Gustav Mahler
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Chausson: La chanson perpétuelle, Op. 37— Composer not established
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Chausson: Pièce pour violoncelle et piano, Op. 39— Ernest Chausson
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Chausson: Mélodies, Op. 36: Cantique a l’epouse— Composer not yet identified
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Chausson: Mélodies, Op. 36: Dans la forêt du charme et de l’enchantement— Composer not yet identified
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Chausson: Concert pour piano, violon et quatuor à cordes en ré majeur, Op. 21: Décidé— Ernest Chausson
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Chausson: Concert pour piano, violon et quatuor à cordes en ré majeur, Op. 21: Sicilienne— Ernest Chausson
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Chausson: Concert pour piano, violon et quatuor à cordes en ré majeur, Op. 21: Grave— Ernest Chausson
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Chausson: Concert pour piano, violon et quatuor à cordes en ré majeur, Op. 21: Finale— Ernest Chausson
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