Biography (read more)

Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was a German composer, singer, and teacher born in Bergedorf near Hamburg into a family of church organists. He began his career as a tenor, joining Hamburg’s Oper am Gänsemarkt in 1718 before moving to the Brunswick court, and by the mid-1720s had settled in Naples, where his success brought him into contact with Alessandro Scarlatti, who became his teacher and friend. In 1730 he married the celebrated soprano Faustina Bordoni and was appointed Kapellmeister at the Dresden court, a post he held for over three decades while also composing prolifically for Venice, Vienna, and other Italian centres; he spent his final decade in Venice, where he died in 1783.

Hasse was, alongside his close collaborator, librettist Pietro Metastasio, the dominant figure in mid-18th-century opera seria, composing dozens of operas and a vast body of sacred music that made him one of the most performed composers of his era across Italy, Germany, and Central Europe. His melodic, lyrical style set the standard against which the operatic reforms of Christoph Willibald Gluck were later measured, and though his reputation was eclipsed after his death — famously, on hearing the teenage Mozart’s Ascanio in Alba in 1771, Hasse predicted “this boy will cause us all to be forgotten” — renewed scholarly and performance interest since the late 20th century has restored him to a central place in the history of Baroque and early Classical opera.

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Repertoire

Mea tormenta, properate! (from Sanctus Petrus et Sancta Maria Magdalena)1758
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Performed by Jakub Józef Orliński

Hasse: Sinfonia F-dur op.3, No. 5: 1. Allegro assai— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Sinfonia F-dur op.3, No. 5: 2. Andante ma sempre piano— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Sinfonia F-dur op.3, No. 5: 3. Allegro e con spirito— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Cleofide: Sinfonia: a. Allegro assai— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Cleofide: Sinfonia: b. Andante, sempre piano— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Cleofide: Sinfonia: c. Menuet – Presto – Menuet— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina A-dur(in a-major): 1. A tempo giusto “Salve Regina”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina A-dur(in a-major): 2. Adagio “Ad te clamamus”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina A-dur(in a-major): 3. Adagio – Allegro “Eja ergo”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina in A Major: 4. Andante – Adagio “Et Jesum benedictum”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Motette “Chori angelici laetantes”: 1. Allegro man non troppo “Chori angelici laetantes”…— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Motette “Chori angelici laetantes”: 2.Moderato assai – Allegro “Mundi neglecta pompa et…— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Motette “Chori angelici laetantes”: 3.Moderato assai – Andante “Bone Jesu, te quaerendo”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Motette “Chori angelici laetantes”: 4. Allegro “Alleluja”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Fuga & Grave g-moll (in G minor) – attrib. Franz Xaver Richter: Fuga. A la breve— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Fuga & Grave g-moll (in G minor) – attrib. Franz Xaver Richter: Grave – Fuga— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina In E Flat Major: 1. Andantino “Salve Regina”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina In E Flat Major: 2. Largo “Ad te clamamus”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina In E Flat Major: 3. Allegretto “Eja ergo”— Bernarda Fink
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Performed by Barbara Bonney

Hasse: Salve Regina In E Flat Major: 4. Andante, ma non troppo “Et Jesum benedictum”— Bernarda Fink
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Performed by Barbara Bonney

Artaserse: Ouverture— Christophe Rousset
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Performed by Christophe Rousset

Cleofide: Generoso risuegliati o core (Air de Poro)— Christophe Rousset
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Performed by Christophe Rousset

Orfeo: “Sempre a si vaghi rai” (Orfeo)— Jakub Józef Orliński
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Performed by Jakub Józef Orliński

Demofoonte, Sinfonia: III. Presto— Philippe Jaroussky
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Performed by Philippe Jaroussky

Demofoonte, Act 1: “Sperai vicino il lido” (Timante)— Philippe Jaroussky
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Performed by Philippe Jaroussky

Demofoonte, Act 3: “Misero pargoletto” (Timante)— Philippe Jaroussky
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Performed by Philippe Jaroussky

La conversione di Sant’Agostino: “Sì, solo a te mio dio” (Sant’Agostino)— Philippe Jaroussky
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Performed by Philippe Jaroussky

La conversione di Sant’Agostino: “Il rimorso opprime il seno” (Sant’Agostino)— Philippe Jaroussky
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Performed by Philippe Jaroussky

La clemenza di Tito: “Se mai senti” (Sextus)— Philippe Jaroussky
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Performed by Philippe Jaroussky

Serpentes ignei in deserto: Aria. “Ara excelsa, ara pretiosa” (Moyses)— Philippe Jaroussky
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Performed by Philippe Jaroussky

Il trionfo di Clelia: Aria “Dei di Roma, ah perdonate!”— René Jacobs
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Performed by René Jacobs

Artaserse : “Per questo dolce amplesso”— René Jacobs
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Performed by René Jacobs

Lute Sonata in E-Flat Major: I. Allegro— Jadran Duncumb
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Performed by Jadran Duncumb

Lute Sonata in E-Flat Major: II. Moderato— Jadran Duncumb
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Performed by Jadran Duncumb

Lute Sonata in E-Flat Major: III. Presto— Jadran Duncumb
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Performed by Jadran Duncumb

Sonata Quarta “per la Real Delfina di Francia” in A Major: I. Allegretto— Jadran Duncumb
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Performed by Jadran Duncumb

Sonata Quarta “per la Real Delfina di Francia” in A Major: II. Allegro— Jadran Duncumb
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Performed by Jadran Duncumb

Act 2: Aria: Digli Che Io Son Fedele— Joachim Held
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Performed by Joachim Held

Act 1: Aria: Se Possono Tanto Due— Joachim Held
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Performed by Joachim Held

Cleofide, Act 1 Scene 17: No. 14, Duetto, “Se mai più sarò geloso” (Cleofide, Poro)— Stephen Stubbs
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Performed by Stephen Stubbs