Biography (read more)

Michael Spyres (born 1979 in Mansfield, Missouri) is an American operatic tenor who studied at the University of Music and Performing Arts Vienna and gained early acclaim for the title role of Rossini’s Otello at the Rossini in Wildbad festival in 2008. Possessing an unusually wide vocal range spanning tenor and baritone repertoire, he describes himself as a “baritenor,” and his career has taken in leading roles at La Scala, the Royal Opera House, and the Metropolitan Opera, including Énée in Berlioz’s Les Troyens and the title role of Mozart’s Mitridate, re di Ponto.

Spyres’s 2017 recording of Les Troyens under John Nelson won Gramophone’s Recording of the Year, and his solo album Baritenor (2021) explored the historical fluidity between the tenor and baritone voice types. He made his role debut as Tristan in Wagner’s Tristan und Isolde at the Metropolitan Opera in 2026, further extending a repertoire already spanning Handel, Mozart, bel canto, and grand opera, and he also serves as artistic director of Ozarks Lyric Opera in his home state of Missouri.

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Repertoire

Mitridate, rè di Ponto, K. 87, Act 1: “Se di lauri”— Wolfgang Amadeus Mozart
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Il barbiere di Siviglia: “All’idea di quel metallo”— Gioachino Rossini, with Lawrence Brownlee
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Antigono, Act 1: “Tu m’involasti un regno”— Antonio Mazzoni, with Il Pomo d’Oro
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Siroe, re di Persia, Act 1: “Se il mio paterno amore”— Gaetano Latilla
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Lohengrin: “Mein lieber Schwan” (Lohengrin)— Richard Wagner
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Elisabetta, regina d’Inghilterra: “Della cieca fortuna…” (Leicester)— Gioachino Rossini
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Messiah: “Comfort ye, my people”— George Frideric Handel
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Les Contes d’Hoffmann (The Legend of Kleinzach)— Jacques Offenbach
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Les Troyens – Châtiment effroyable (Marie-Nicole Lemieux, Michael Spyres)— Hector Berlioz
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Requiem (Grande Messe des Morts): IX. Sanctus – Michael Spyres, John Nelson, Philharmonia— Hector Berlioz
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La Damnation de Faust, Pt. 4: “Nature immense” (Michael Spyres, John Nelson)— Hector Berlioz
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Les Troyens – “Nuit d’ivresse et d’extase infinie!” – Joyce DiDonato, Michael Spyres— Hector Berlioz
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Idomeneo, K. 366, Act II: “Fuor del mar” (Idomeneo)— Composer not established
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Le nozze di Figaro, K. 492, Act III: “Hai gia vinto la causa?” (Il Conte d’Almaviva)— Composer not established
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Don Giovanni, K. 527, Act II: “Deh, vieni al la finestra” (Don Giovanni)— Wolfgang Amadeus Mozart
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Ariodant, Act III: “Oh, Dieux! Ecoutez ma prière” (Edgard)— Etienne Nicolas Méhul
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La Vestale, Act III: “Qu’ai-je vu! Quels apprêts” (Licinius)— Gaspare Spontini
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Il Barbiere di Siviglia, Act I: “Largo al factotum” (Figaro)— Composer not yet identified
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Otello, Act I: “Ah si, per voi già sento” – “Premio maggior di questo” – “Amor, dirada il…— Composer not yet identified
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Le Postillon de Lonjumeau, Act I: “Mes amis, écoutez l’histoire” (Chapelou, Chorus)— Composer not established
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La fille du régiment, Act 1: “Ah ! Mes amis, quel jour de fête!” – “Pour mon âme” (Tonio,…— Composer not established
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Il trovatore, Act II: “Tutto è deserto” – “Il balen del suo sorriso” (Il Conte di Luna)— Composer not established
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Hamlet, Act II: “C’est en croyant revoir” – “Oh, vin! Dissipe la tristesse” (Hamlet, Marcellus,…— Composer not yet identified
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Les Contes d’Hoffmann, Act I: “Va! pour Kleinzach” (Hoffmann, Nathanaël, Chorus)— Jacques Offenbach
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Lohengrin, Act III: “Aux bords lointains” (Lohengrin)— Richard Wagner
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Pagliacci, Prologue: “Si può? Signore! Signori!” (Tonio)— Composer not established
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Die lustige Witwe, Act I: “O Vaterland du machst bei Tag” – “Da geh ich zu Maxim” (Danilo)— Franz Lehar
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L’heure espagnole, M. 52: “Voilà, ce que j’appelle une femme charmante” (Ramiro)— Maurice Ravel
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Carmina Burana, Pt. 4 “Cour d’amours”: Dies nox et omnia— Composer not established
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Die tote Stadt, Op. 12, Act I: Lied. “Glück, das mir verblieb” (Marietta)— Erich Wolfgang Korngold
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