Biography (read more)

Ian Bostridge (born 25 December 1964 in London) is an English tenor celebrated as an opera and lieder singer. He came to music relatively late by professional standards, having first earned a doctorate in history from Oxford in 1990 and taught at Corpus Christi College before beginning professional singing at 27; he made his Wigmore Hall debut in 1993 and his acclaimed operatic debut in 1994 as Lysander in Britten’s A Midsummer Night’s Dream.

An EMI Classics (later Warner Classics) exclusive artist since 1996, Bostridge is a three-time Grammy winner and fifteen-time nominee, celebrated above all for his interpretations of Schubert’s song cycles and English and German lieder in long-standing partnerships with pianists including Julius Drake, Antonio Pappano and Thomas Adès. He was made a CBE in 2004 for services to music, and alongside his singing career he has written acclaimed books on music history, including the bestselling Schubert’s Winter Journey: Anatomy of an Obsession.

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Repertoire

Silent Noon— Ralph Vaughan Williams
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Ian Bostridge sings “Les Illuminations”— Benjamin Britten
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Billy Budd with Ian Bostridge, Gidon Saks, Nathan Gunn— Benjamin Britten
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“Marmotte” (from 8 Lieder, Op. 52)— Ludwig van Beethoven
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The Pulse of an Irishman— Ludwig van Beethoven
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“O Mary, ye’s be clad in silk”— Ludwig van Beethoven
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“Es kehret der Maien” (An die ferne Geliebte)— Ludwig van Beethoven
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“Diese Wolken in den Höhen” (An die ferne Geliebte)— Ludwig van Beethoven
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“Leichte Segler in den Höhen” (An die ferne Geliebte)— Ludwig van Beethoven
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6 Gesänge, Op. 75: III. Aus Goethes Faust (“Flohlied”)— Ludwig van Beethoven
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“Wo die Berge so blau” (An die ferne Geliebte)— Ludwig van Beethoven
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Taivaanvalot. Symphony for Tenor, Cello and Piano— Olli Mustonen
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Cello Sonatina— Zoltán Kodály
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Sonata for Cello and Piano, Op. 4: I. Fantazia – Adagio di molto— Zoltán Kodály
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Sonata for Cello and Piano, Op. 4: II. Allegro con spirito— Zoltán Kodály
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Cello Sonata: I. Misterioso— Olli Mustonen
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Cello Sonata: II. Andantino— Olli Mustonen
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Cello Sonata: III. Precipitato— Olli Mustonen
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Cello Sonata: IV. Con visione— Olli Mustonen
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Folksong Arrangements, Book 3 “British Isles”: No. 6, O Waly, Waly (Orchestral Version)— Benjamin Britten
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4 Chansons françaises: No. 1, Nuits de juin— Benjamin Britten
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4 Chansons françaises: No. 2, Sagesse— Benjamin Britten
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4 Chansons françaises: No. 3, L’enfance— Benjamin Britten
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4 Chansons françaises: No. 4, Chanson d’automne— Benjamin Britten
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Folksong Arrangements, Book 2 “France”: No. 8, Quand j’étais chez mon père (Orchestral Version)— Benjamin Britten
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Folksong Arrangements, Book 2 “France”: No. 7, Eho ! Eho ! (Orchestral Version)— Benjamin Britten
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Sinfonietta, Op. 1: I. Poco presto ed agitato— Benjamin Britten
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Sinfonietta, Op. 1: II. Variations— Benjamin Britten
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Sinfonietta, Op. 1: III. Tarantella— Benjamin Britten
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Our Hunting Fathers, Op. 8: No. 1, Prologue— Benjamin Britten
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Our Hunting Fathers, Op. 8: No. 2, Rats Away!— Benjamin Britten
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Our Hunting Fathers, Op. 8: No. 3, Messalina— Benjamin Britten
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Our Hunting Fathers, Op. 8: No. 4, Dance of Death— Benjamin Britten
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Our Hunting Fathers, Op. 8: No. 5, Epilogue and Funeral March— Benjamin Britten
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Folksong Arrangements, Book 1 “British Isles”: No. 7, Oliver Cromwell (Orchestral Version)— Benjamin Britten
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5 Lieder, Op. 40: No. 1, Märzveilchen— Robert Schumann
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5 Lieder, Op. 40: No. 2, Muttertraum— Robert Schumann
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5 Lieder, Op. 40: No. 3, Der Soldat— Robert Schumann
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5 Lieder, Op. 40: No. 4, Der Spielmann— Robert Schumann
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5 Lieder, Op. 40: No. 5, Verratene Liebe— Robert Schumann
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Liederkreis, Op. 39: No. 1, In der Fremde I— Robert Schumann
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Liederkreis, Op. 39: No. 2, Intermezzo— Robert Schumann
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Liederkreis, Op. 39: No. 3, Waldesgespräch— Robert Schumann
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Liederkreis, Op. 39: No. 4, Die Stille— Robert Schumann
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Liederkreis, Op. 39: No. 5, Mondnacht— Robert Schumann
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Liederkreis, Op. 39: No. 6, Schöne Fremde— Robert Schumann
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Liederkreis, Op. 39: No. 7, Auf einer Burg— Robert Schumann
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Liederkreis, Op. 39: No. 8, In der Fremde II— Robert Schumann
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Liederkreis, Op. 39: No. 9, Wehmut— Robert Schumann
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Liederkreis, Op. 39: No. 10, Zwielicht— Robert Schumann
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Liederkreis, Op. 39: No. 11, Im Walde— Robert Schumann
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Liederkreis, Op. 39: No. 12, Frühlingsnacht— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 1, Lust der Sturmnacht— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 2, Stirb, Lieb’ und Freud’— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 3, Wanderlied— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 4, Erstes Grün— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 5, Sehnsucht nach der Waldgegend— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 6, Auf das Trinkglas eines verstorbenen Freundes— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 7, Wanderung— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 8, Stille Liebe— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 9, Frage— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 10, Stille Tränen— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 11, Wer machte dich so krank?— Robert Schumann
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12 Gedichte von Justinus Kerner, Op. 35: No. 12, Alte Laute— Robert Schumann
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2 Lieder from Lieder-Album für die Jugend, Op. 79: No. 26, Schneeglöckchen— Robert Schumann
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2 Lieder from Lieder-Album für die Jugend, Op. 79: No. 22, Des Sennen Abschied— Robert Schumann
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Johannes und Esther: No. 1, Christnacht— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 2, Gebet in der Christnacht— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 3, Vereinigung— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 4, Die Passionsblume— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 5, Purim— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 6, Vor ihrem Fenster— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 7, Dir Lauberhütte— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 8, Der Perlenkranz— Friedrich Theodor Fröhlich
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Johannes und Esther: No. 9, Maria— Friedrich Theodor Fröhlich
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Symphony No. 3 “Taivaanvalot” (Version for Tenor & Orchestra) : I Have a Good Mind— Olli Mustonen
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Symphony No. 3 “Taivaanvalot” (Version for Tenor & Orchestra) : Still the Sun Is Not Shining— Olli Mustonen
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Symphony No. 3 “Taivaanvalot” (Version for Tenor & Orchestra) : The Bird Sets About Talking— Olli Mustonen
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Symphony No. 3 “Taivaanvalot” (Version for Tenor & Orchestra) : He Went to Väinämöinen— Olli Mustonen
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Symphony No. 2 “Johannes Angelos”: I. The Panagia of Blachernae— Olli Mustonen
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Symphony No. 2 “Johannes Angelos”: II. St. Spyridon’s Day— Olli Mustonen
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Symphony No. 2 “Johannes Angelos”: III. At the Church of the Holy Apostles— Olli Mustonen
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Symphony No. 2 “Johannes Angelos”: IV. Aleo e polis— Olli Mustonen
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The Folly of Desire: The Sick Rose— Brad Mehldau
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The Folly of Desire: Leda and the Swan— Brad Mehldau
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The Folly of Desire: Sonnet 147— Brad Mehldau
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The Folly of Desire: Sonnet 75— Brad Mehldau
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The Folly of Desire: Über die Verführung von Engeln— Brad Mehldau
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The Folly of Desire: Ganymede I— Brad Mehldau
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The Folly of Desire: Ganymede II— Brad Mehldau
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The Folly of Desire: the boys i mean are not refined— Brad Mehldau
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The Folly of Desire: Sailing to Byzantium— Brad Mehldau
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The Folly of Desire: Night II— Brad Mehldau
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The Folly of Desire: Lullaby— Brad Mehldau
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These foolish things— Jack Strachey
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The wee small hours— David Mann
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Every time we say goodbye— Cole Porter
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Nacht & Träume— Franz Schubert
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Night & Day— Cole Porter
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Schwanengesang, D. 957: No. 1, Liebesbotschaft— Franz Schubert
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Schwanengesang, D. 957: No. 2, Kriegers Ahnung— Franz Schubert
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Schwanengesang, D. 957: No. 3, Frühlings-Sehnsucht— Franz Schubert
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Schwanengesang, D. 957: No. 4, Ständchen— Franz Schubert
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Schwanengesang, D. 957: No. 5, Aufenthalt— Franz Schubert
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Schwanengesang, D. 957: No. 6, In der Ferne— Franz Schubert
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Schwanengesang, D. 957: No. 7, Abschied— Franz Schubert
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Schwanengesang, D. 957: No. 8, Der Atlas— Franz Schubert
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Schwanengesang, D. 957: No. 9, Ihr Bild— Franz Schubert
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Schwanengesang, D. 957: No. 10, Das Fischermädchen— Franz Schubert
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Schwanengesang, D. 957: No. 11, Die Stadt— Franz Schubert
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Schwanengesang, D. 957: No. 12, Am Meer— Franz Schubert
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Schwanengesang, D. 957: No. 13, Der Doppelgänger— Franz Schubert
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Schwanengesang, D. 957: No. 14, Die Taubenpost— Franz Schubert
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Einsamkeit, D. 620: I. Gib mir die Fülle der Einsamkeit!— Franz Schubert
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Einsamkeit, D. 620: II. Gib mir die Fülle der Tätigkeit— Franz Schubert
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Einsamkeit, D. 620: III. Gib mir das Glück der Geselligkeit— Franz Schubert
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Einsamkeit, D. 620: IV. Gib mir die Fülle der Seligkeit— Franz Schubert
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Einsamkeit, D. 620: V. Gib mir die Fülle der Düsterkeit— Franz Schubert
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Einsamkeit, D. 620: VI. Gib mir die Weihe der Einsamkeit— Franz Schubert
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Der Wanderer an den Mond, D. 870, Op. 80 No. 1— Franz Schubert
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Nacht und Träume, D. 827— Franz Schubert
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L’Orfeo: Sinfonia— Antonio Sartorio
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Eliogabalo, Act 1: “Io resto solo?…Misero, così va’ aria di Eliogabalo”— Francesco Cavalli
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Il corispero, Act 1: “Soffrirà, spererà”— Alessandro Stradella
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Il tito, Act 1: “Berenice, ove sei?”— Pietro Antonio Cesti
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L’Argia: Sinfonia— Pietro Antonio Cesti
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Le avventure di una fede: “Tien ferma Fortuna”— Cristoforo Caresana
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Il schiavo di sua moglie: Sinfonia— Francesco Provenzale
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Il schiavo di sua moglie, Act 1: “Che speri o mio core”— Francesco Provenzale
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Il totila: Sinfonia— Giovanni Legrenzi
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Siroe, Act 1: “Se il mio paterno amore”— Leonardo Vinci
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Siroe, Act 1: “Gelido in ogni vena”— Leonardo Vinci
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Il faraone sommerso: Sinfonia— Nicola Fago
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Il faraone sommerso, Act 1: “Nuove straggi e spaventi”— Nicola Fago
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Lu cardillo— Anonymous
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Deità silvane, P. 107: No. 1, I fauni— Ottorino Respighi
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Deità silvane, P. 107: No. 2, Musica in horto— Ottorino Respighi
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Deità silvane, P. 107: No. 3, Egle— Ottorino Respighi
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Deità silvane, P. 107: No. 4, Acqua— Ottorino Respighi
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Deità silvane, P. 107: No. 5, Crepuscolo— Ottorino Respighi
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6 Liriche, Series 1, P. 90: No. 1, O falce di luna— Ottorino Respighi
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6 Liriche, Series 1, P. 90: No. 3, Au milieu du jardin— Ottorino Respighi
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6 Liriche, Series 1, P. 90: No. 6, Pioggia— Ottorino Respighi
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6 Liriche, Series 2, P. 97: No. 1, Notte— Ottorino Respighi
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6 Liriche, Series 2, P. 97: No. 3, Le repos en Égypte— Ottorino Respighi
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6 Liriche, Series 2, P. 97: No. 4, Noël ancien— Ottorino Respighi
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Nebbie, P. 64— Ottorino Respighi
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La statua, P. 122— Ottorino Respighi
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4 Liriche, P. 125: No. 2, La naiade— Ottorino Respighi
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4 Liriche, P. 125: No. 3, La sera— Ottorino Respighi
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6 Pieces for Piano, P. 44: No. 3, Notturno— Ottorino Respighi
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5 Canti all’antica, P. 71: No. 4, Bella porta di rubini— Ottorino Respighi
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Stornellatrice, P. 69— Ottorino Respighi
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4 Scottish Songs, P. 143: No. 1, When the kye come hame— Ottorino Respighi
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4 Scottish Songs, P. 143: No. 2, Within a mile of Edinburgh— Ottorino Respighi
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4 Scottish Songs, P. 143: No. 3, My heart’s in the Highlands— Ottorino Respighi
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4 Scottish Songs, P. 143: No. 4, The Piper of Dundee— Ottorino Respighi
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Canzone sarda, P. 155— Ottorino Respighi
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Le Funtanelle, P. 164 (Canzone dell’abruzzo)— Ottorino Respighi
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Die Schöne Müllerin, Op. 25, D. 795: No. 1, Das Wandern— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 2, Wohin?— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 3, Halt!— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 4, Danksagung an den Bach— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 5, Am Feierabend— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 6, Der Neugierige— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 7, Ungeduld— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 8, Morgengruß— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 9, Des Müllers Blumen— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 10, Tränenregen— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 11, Mein!— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 12, Pause— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 13, Mit dem grünen Lautenbande— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 14, Der Jäger— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 15, Eifersucht und Stolz— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 16, Die liebe Farbe— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 17, Die böse Farbe— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 18, Trockne Blumen— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 19, Der Müller und der Bach— Franz Schubert
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Die Schöne Müllerin, Op. 25, D. 795: No. 20, Des Baches Wiegenlied— Franz Schubert
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An die ferne Geliebte, Op. 98: No. 1, Auf dem Hügel sitz ich spähend— Ludwig van Beethoven
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An die ferne Geliebte, Op. 98: No. 2, Wo die Berge so blau— Ludwig van Beethoven
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An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen— Ludwig van Beethoven
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An die ferne Geliebte, Op. 98: No. 4, Diese Wolken in den Höhen— Ludwig van Beethoven
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An die ferne Geliebte, Op. 98: No. 5, Es kehret der Maien— Ludwig van Beethoven
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An die ferne Geliebte, Op. 98: No. 6, Nimm sie hin denn, diese Lieder— Ludwig van Beethoven
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Adelaide, Op. 46— Ludwig van Beethoven
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Sehnsucht, WoO 134: I. Andante poco agitato— Ludwig van Beethoven
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Sehnsucht, WoO 134: II. Poco andante— Ludwig van Beethoven
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Sehnsucht, WoO 134: III. Poco adagio— Ludwig van Beethoven
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Sehnsucht, WoO 134: IV. Assai adagio— Ludwig van Beethoven
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6 Gesänge, Op. 75: III. Aus Goethes Faust— Ludwig van Beethoven
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Zartliche Liebe, WoO 123— Ludwig van Beethoven
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“In questa tomba oscura”, WoO 133— Ludwig van Beethoven
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8 Lieder, Op. 52: IV. Maigesang (Mailied)— Ludwig van Beethoven
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Andenken, WoO 136— Ludwig van Beethoven
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Resignation, WoO 149— Ludwig van Beethoven
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12 Irish Songs, WoO 154: No. 4, The Pulse of an Irishman— Ludwig van Beethoven
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12 Irish Songs, WoO 154: No. 5, Oh! Who, My Dear Dermot— Ludwig van Beethoven
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7 British Songs, WoO 158b: No. 6, O Mary, Ye’s Be Clad in Silk— Ludwig van Beethoven
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26 Welsh Songs, WoO 155: No. 25, The Parting Kiss— Ludwig van Beethoven
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25 Scottish Songs, Op. 108: No. 8, The Lovely Lass of Inverness— Ludwig van Beethoven
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25 Irish Songs, WoO 152: No. 1, The Return to Ulster— Ludwig van Beethoven
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25 Irish Songs, WoO 152: No. 8, Come Draw We Round a Cheerful Ring— Ludwig van Beethoven
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25 Scottish Songs, Op. 108: No. 2, Sunset— Ludwig van Beethoven
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8 Lieder, Op. 52: No. 7, Marmotte— Ludwig van Beethoven
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Winterreise, Op. 89, D. 911: No. 1, Gute Nacht— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 2, Die Wetterfahne— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 3, Gefrorne Tränen— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 4, Erstarrung— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 5, Der Lindenbaum— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 6, Wasserflut— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 7, Auf dem Flusse— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 8, Rückblick— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 9, Irrlicht— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 10, Rast— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 11, Frühlingstraum— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 12, Einsamkeit— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 13, Die Post— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 14, Der greise Kopf— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 15, Die Krähe— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 16, Letzte Hoffnung— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 17, Im Dorfe— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 18, Der stürmische Morgen— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 19, Täuschung— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 20, Der Wegweiser— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 21, Das Wirtshaus— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 22, Mut— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 23, Die Nebensonnen— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 24, Der Leiermann— Franz Schubert
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Les nuits d’été, Op. 7, H. 81B: No. 1, Villanelle, H. 82B (Live)— Hector Berlioz
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Les nuits d’été, Op. 7, H. 81B: No. 2, Le spectre de la rose, H. 83B (Live)— Hector Berlioz
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Les nuits d’été, Op. 7, H. 81B: No. 3, Sur les lagunes, H. 84B (Live)— Hector Berlioz
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Les nuits d’été, Op. 7, H. 81B: No. 4, Absence, H. 85B (Live)— Hector Berlioz
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Les nuits d’été, Op. 7, H. 81B: No. 5, Au cimetière, H. 86B (Live)— Hector Berlioz
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Les nuits d’été, Op. 7, H. 81B: No. 6, L’île inconnue, H. 87B (Live)— Hector Berlioz
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Shéhérazade, M. 41: No. 1, Asie— Maurice Ravel
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Shéhérazade, M. 41: No. 2, La flûte enchantée— Maurice Ravel
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Shéhérazade, M. 41: No. 3, L’indifférent— Maurice Ravel
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Le livre de Baudelaire (After Debussy’s L. 64) : No. 1, Le balcon— John Adams
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Le livre de Baudelaire (After Debussy’s L. 64) : No. 2, Harmonie du soir— John Adams
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Le livre de Baudelaire (After Debussy’s L. 64) : No. 3, Le jet d’eau— John Adams
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Le livre de Baudelaire (After Debussy’s L. 64) : No. 4, Recueillement— John Adams
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A Shropshire Lad: I. Loveliest of Trees— George Butterworth
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A Shropshire Lad: II. “When I was one-and-twenty”— George Butterworth
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A Shropshire Lad: III. “Look not in my eyes”— George Butterworth
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A Shropshire Lad: IV. “Think no more, lad”— George Butterworth
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A Shropshire Lad: V. The Lads in Their Hundreds— George Butterworth
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A Shropshire Lad: VI. “Is my team ploughing?”— George Butterworth
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Ich will dir singen ein Hohelied: I. Kythere— Rudi Stephan
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Ich will dir singen ein Hohelied: II. Pantherlied— Rudi Stephan
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Ich will dir singen ein Hohelied: III. Abendfrieden— Rudi Stephan
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Ich will dir singen ein Hohelied: IV. In Nachbars Garten— Rudi Stephan
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Ich will dir singen ein Hohelied: V. Glück zu Zweien— Rudi Stephan
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Ich will dir singen ein Hohelied: VI. Das Hohelied der Nacht— Rudi Stephan
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Four Walt Whitman Songs: I. “Beat! Beat! Drums!”— Kurt Weill
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Four Walt Whitman Songs: II. “Oh captain! My captain!”— Kurt Weill
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Four Walt Whitman Songs: III. “Come up from the fields, father”— Kurt Weill
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Four Walt Whitman Songs: IV. Dirge for Two Veterans— Kurt Weill
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Des Knaben Wunderhorn: XI. Revelge— Gustav Mahler
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Des Knaben Wunderhorn: IX. Wo die schönen Trompeten blasen— Gustav Mahler
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Des Knaben Wunderhorn: XII. Der Tamboursg’sell— Gustav Mahler
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Ode for St Cecilia’s Day, HWV 76: I. Overture. Larghetto e staccato— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: II. Overture. Allegro— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: III. Overture. Minuet— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: IV. Recitative. From Harmony, from Heav’nly Harmony— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: V. Accompagnato. When Nature Underneath a Heap— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: VI. Chorus. From Harmony, from Heav’nly Harmony— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: VII. Aria. What Passion Cannot Music Raise and Quell!— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: VIII. Aria and Chorus. The Trumpet’s Loud Clangour— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: IX. March— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: X. Aria. The Soft Complaining Flute— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: XI. Aria. Sharp Violins Proclaim— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: XII. Aria. But Oh! What Art Can Teach— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: XIII. Aria. Orpheus Could Lead the Savage Race— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: XIV. Accompagnato. But Bright Cecilia Rais’d the Wonder— George Frideric Handel
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Ode for St Cecilia’s Day, HWV 76: XV. Solo and Chorus. As from the Pow’r of Sacred Lays— George Frideric Handel
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Concerto Grosso in A Minor, Op. 6 No. 4: I. Larghetto affettuoso— George Frideric Handel
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Concerto Grosso in A Minor, Op. 6 No. 4: II. Allegro— George Frideric Handel
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Concerto Grosso in A Minor, Op. 6 No. 4: III. Largo e piano— George Frideric Handel
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Concerto Grosso in A Minor, Op. 6 No. 4: IV. Allegro— George Frideric Handel
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Let us Garlands Bring, Op. 18: I. Come Away, Come Away Death— Gerald Finzi
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Let us Garlands Bring, Op. 18: II. Who is Silvia?— Gerald Finzi
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Let Us Garlands Bring, Op. 18: No. 3, Fear No More the Heat o’ the Sun— Gerald Finzi
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Let us Garlands Bring, Op. 18: IV.O Mistress Mine— Gerald Finzi
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Let us Garlands Bring, Op. 18: V. It Was a Lover and his Lass— Gerald Finzi
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Caleno Custore Me— William Byrd
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It Was a Lover and His Lass— Thomas Morley
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Take O Take Those Lips Away— John Wilson
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Ayres or Little Short Songs: No. 8, O Mistress Mine— Thomas Morley
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Where the Bee Sucks— Robert Johnson
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Full Fathom Five— Robert Johnson
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An Silvia, D. 891— Franz Schubert
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She Never Told Her Love, Hob. XXVIa No. 34— Joseph Haydn
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3 Shakespeare Songs, Op. 6: No. 1, Come Away, Death— Roger Quilter
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5 Elizabethan Songs “The Elizas”: No. 3, Under the Greenwood Tree— Ivor Gurney
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Pretty Ring Time— Peter Warlock
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Sweet and Twenty— Peter Warlock
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4 Shakespeare Songs, Op. 31: No. 1, Desdemona’s Song— Erich Wolfgang Korngold
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Songs of the Clown, Op. 29: I. Come Away Death— Erich Wolfgang Korngold
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Songs of the Clown, Op. 29: II. Adieu, Good Man Devil— Erich Wolfgang Korngold
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Fancie, FP 174— Francis Poulenc
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Fancie – “Tell me where is fancy bred”— Benjamin Britten
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Songs for Ariel: No. 1, Come Unto These Yellow Sands— Sir Michael Tippett
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Songs for Ariel: No. 2, Full Fathom Five— Sir Michael Tippett
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Songs for Ariel: No. 3, Where the Bee Sucks— Sir Michael Tippett
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3 Songs from William Shakespeare: No. 1, Musick to Heare— Igor Stravinsky
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3 Songs from William Shakespeare: No. 2, Full Fadom Five— Igor Stravinsky
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3 Songs from William Shakespeare: No. 3, Spring. When Daisies Pied— Igor Stravinsky
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When that I Was but a Little Tiny Boy— Anonymous
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Brahms: Lieder und Gesänge, Op. 32: No. 1, Wie rafft ich mich auf in der Nacht— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 2, Nicht mehr zu dir zu gehen— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 3, Ich schleich umher— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 4, Der Strom, der neben mir verrauschte— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 5, Wehe, so willst du mich wieder— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 6, Du sprichst, dass ich mich täuschte— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 7, Bitteres zu sagen denkst du— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 8, So stehn wir, ich und meine Weide— Johannes Brahms
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Brahms: Lieder und Gesänge, Op. 32: No. 9, Wie bist du, meine Königin— Johannes Brahms
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Brahms: 4 Lieder, Op. 46: No. 1, Die Kränze— Johannes Brahms
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Brahms: 5 Lieder, Op. 47: No. 1, Botschaft— Johannes Brahms
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Brahms: 5 Lieder, Op. 47: No. 2, Liebesglut— Johannes Brahms
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Brahms: 5 Lieder, Op. 71: No. 1, Es liebt sich so lieblich im Lenze!— Johannes Brahms
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Brahms: 5 Lieder, Op. 71: No. 3, Geheimnis— Johannes Brahms
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Brahms: 5 Lieder, Op. 71: No. 4, Willst du, dass ich geh?— Johannes Brahms
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Brahms: 5 Lieder, Op. 71: No. 5, Minnelied— Johannes Brahms
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Brahms: 5 Gesänge, Op. 72: No. 5, Unüberwindlich— Johannes Brahms
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Brahms: 6 Lieder, Op. 85: No. 1, Sommerabend— Johannes Brahms
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Brahms: 6 Lieder, Op. 85: No. 2, Mondenschein— Johannes Brahms
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Brahms: 4 Lieder, Op. 96: No. 1, Der Tod, das ist die kühle Nacht— Johannes Brahms
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Brahms: 4 Lieder, Op. 96: No. 2, Wir wandelten, wir zwei zusammen— Johannes Brahms
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Brahms: 4 Lieder, Op. 96: No. 3, Es schauen die Blumen— Johannes Brahms
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Brahms: 4 Lieder, Op. 96: No. 4, Meerfahrt— Johannes Brahms
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Brahms: 5 Lieder, Op. 105: No. 4, Auf dem Kirchhofe— Johannes Brahms
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Brahms: 5 Lieder, Op. 106: No. 1, Ständchen— Johannes Brahms
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Brahms: 5 Lieder, Op. 106: No. 4, Meine Lieder— Johannes Brahms
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Brahms: 5 Lieder, Op. 107: No. 1, An die Stolze— Johannes Brahms
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Brahms: 5 Lieder, Op. 107: No. 2, Salamander— Johannes Brahms
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Winter Words, Op. 52: No. 1, At Day-Close in November— Benjamin Britten
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Winter Words, Op. 52: No. 2, Midnight on the Great Western “The Journeying Boy”— Benjamin Britten
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Winter Words, Op. 52: No. 3, A Satire. Wagtail and Baby— Benjamin Britten
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Winter Words, Op. 52: No. 4, The Little Old Table— Benjamin Britten
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Winter Words, Op. 52: No. 5, The Choirmaster’s Burial “The Tenor Man’s Story”— Benjamin Britten
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Winter Words, Op. 52: No. 6, Proud Songsters. Thrushes, Finches and Nightingales— Benjamin Britten
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Winter Words, Op. 52: No. 7, At the Railway Station, Upway “The Convict and Boy with the Violin”— Benjamin Britten
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Winter Words, Op. 52: No. 8, Before Life and After— Benjamin Britten
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7 Sonnets of Michelangelo, Op. 22: No. 1, Sì come nella penna e nell’inchiostro— Benjamin Britten
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7 Sonnets of Michelangelo, Op. 22: No. 2, A che più debb’io mai l’intensa voglia— Benjamin Britten
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7 Sonnets of Michelangelo, Op. 22: No. 3, Veggio co’ be’ vostri occhi un dolce lume— Benjamin Britten
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7 Sonnets of Michelangelo, Op. 22: No. 4, Tu sa’ ch’io so, signior mie, che tu sai— Benjamin Britten
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7 Sonnets of Michelangelo, Op. 22: No. 6, S’un casto amor, s’una pietà superna— Benjamin Britten
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7 Sonnets of Michelangelo, Op. 22: No. 7, Spirto ben nato, in cui si specchia e vede— Benjamin Britten
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6 Hölderlin-Fragmente, Op. 61: No. 1, Menschenbeifall— Benjamin Britten
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6 Hölderlin-Fragmente, Op. 61: No. 3, Sokrates und Alcibiades— Benjamin Britten
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6 Hölderlin-Fragmente, Op. 61: No. 4, Die Jugend— Benjamin Britten
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6 Hölderlin-Fragmente, Op. 61: No. 5, Hälfte des Lebens— Benjamin Britten
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6 Hölderlin-Fragmente, Op. 61: No. 6, Die Linien des Lebens— Benjamin Britten
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Who Are These Children?, Op. 84: No. 3, Nightmare— Benjamin Britten
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Who Are These Children?, Op. 84: No. 6, Slaughter— Benjamin Britten
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Who Are These Children?, Op. 84: No. 9, Who Are These Children?— Benjamin Britten
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Who Are These Children?, Op. 84: No. 11, The Children— Benjamin Britten
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Songs from the Chinese, Op. 58: No. 1, The Big Chariot— Benjamin Britten
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Songs from the Chinese, Op. 58: No. 2, The Old Lute— Benjamin Britten
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Songs from the Chinese, Op. 58: No. 3, The Autumn Wind— Benjamin Britten
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Songs from the Chinese, Op. 58: No. 4, The Herd-Boy— Benjamin Britten
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Songs from the Chinese, Op. 58: No. 5, Depression— Benjamin Britten
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Songs from the Chinese, Op. 58: No. 6, Dance Song— Benjamin Britten
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War Requiem, Op. 66: i. Requiem Aeternam – Requiem aeternam— Benjamin Britten
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War Requiem, Op. 66: ii. Requiem Aeternam – Te decet hymnus— Benjamin Britten
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War Requiem, Op. 66: iii. Requiem Aeternam – “What passing-bells for these who die as cattle?”— Benjamin Britten
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War Requiem, Op. 66: iv. Requiem Aeternam – Kyrie eleison— Benjamin Britten
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War Requiem, Op. 66: v. Dies Irae – Dies irae— Benjamin Britten
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War Requiem, Op. 66: vi. Dies Irae – “Bugles sang, saddening the evening air”— Benjamin Britten
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War Requiem, Op. 66: vii. Dies Irae – Liber scriptus— Benjamin Britten
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War Requiem, Op. 66: viii. Dies Irae – “Out there, we’ve walked quite friendly up to Death”— Benjamin Britten
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War Requiem, Op. 66: ix. Dies Irae – Recordare Iesu pie— Benjamin Britten
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War Requiem, Op. 66: x. Dies Irae – Confutatis maledictis— Benjamin Britten
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War Requiem, Op. 66: xi. Dies Irae – “Be slowly lifted up, thou long black arm”— Benjamin Britten
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War Requiem, Op. 66: xii. Dies Irae – Dies irae— Benjamin Britten
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War Requiem, Op. 66: xiii. Dies Irae – “Move him into the sun”— Benjamin Britten
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War Requiem, Op. 66: xiv. Dies Irae – Pie Iesu Domine— Benjamin Britten
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War Requiem, Op. 66: xv. Offertorium – Domine Jesu Christe— Benjamin Britten
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War Requiem, Op. 66: xvi. Offertorium – Sed signifer Sanctus— Benjamin Britten
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War Requiem, Op. 66: xvii. Offertorium – “So Abram rose, and clave the wood”— Benjamin Britten
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War Requiem, Op. 66: xvii. Offertorium – Hostias et preces tibi— Benjamin Britten
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War Requiem, Op. 66: xix. Sanctus – Sanctus— Benjamin Britten
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War Requiem, Op. 66: xx. Sanctus – “After the blast of lightning from the East”— Benjamin Britten
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War Requiem, Op. 66: xxi. Agnus Dei – “One ever hangs where shelled roads part” Agnus Dei— Benjamin Britten
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War Requiem, Op. 66: xxii. Libera Me – Libera me— Benjamin Britten
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War Requiem, Op. 66: xxiii. Libera Me – “It seemed that out of battle I escaped”— Benjamin Britten
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War Requiem, Op. 66: xxiv. Libera Me – ” ‘None’, said the other”— Benjamin Britten
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War Requiem, Op. 66: xxv. Libera Me – “Let us sleep now…” In paradisum— Benjamin Britten
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War Requiem, Op. 66: xxvi. Libera Me – Requiescant in pace— Benjamin Britten
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War Requiem, Op. 66: Ia. Requiem Aeternam – Requiem aeternam— Benjamin Britten
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War Requiem, Op. 66: Ib. Requiem Aeternam – Te decet hymnus— Benjamin Britten
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War Requiem, Op. 66: Ic. Requiem Aeternam – “What passing-bells for these who die as cattle?”— Benjamin Britten
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War Requiem, Op. 66: Id. Requiem Aeternam – Kyrie eleison— Benjamin Britten
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War Requiem, Op. 66: IIa. Dies Irae – Dies irae— Benjamin Britten
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War Requiem, Op. 66: IIb. Dies Irae – “Bugles sang, saddening the evening air”— Benjamin Britten
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War Requiem, Op. 66: IIc. Dies Irae – Liber scriptus— Benjamin Britten
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War Requiem, Op. 66: IId. Dies Irae – “Out there, we’ve walked quite friendly up to Death”— Benjamin Britten
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War Requiem, Op. 66: IIe. Dies Irae – Recordare Iesu pie— Benjamin Britten
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War Requiem, Op. 66: IIf. Dies Irae – Confutatis maledictis— Benjamin Britten
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War Requiem, Op. 66: IIg. Dies Irae – “Be slowly lifted up, thou long black arm”— Benjamin Britten
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War Requiem, Op. 66: IIh. Dies Irae – Dies irae— Benjamin Britten
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War Requiem, Op. 66: IIi. Dies Irae – “Move him into the sun”— Benjamin Britten
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War Requiem, Op. 66: IIj. Dies Irae – Pie Iesu Domine— Benjamin Britten
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War Requiem, Op. 66: IIIa. Offertorium – Domine Jesu Christe— Benjamin Britten
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War Requiem, Op. 66: IIIb. Offertorium – Sed signifer Sanctus— Benjamin Britten
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War Requiem, Op. 66: IIIc. Offertorium – “So Abram rose, and clave the wood”— Benjamin Britten
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War Requiem, Op. 66: IIId. Offertorium – Hostias et preces tibi— Benjamin Britten
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War Requiem, Op. 66: IVa. Sanctus – Sanctus— Benjamin Britten
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War Requiem, Op. 66: IVb. Sanctus – “After the blast of lightning from the East”— Benjamin Britten
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War Requiem, Op. 66: V. Agnus Dei – “One ever hangs where shelled roads part” Agnus Dei— Benjamin Britten
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War Requiem, Op. 66: VIa. Libera Me – Libera me— Benjamin Britten
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War Requiem, Op. 66: VIb. Libera Me – “It seemed that out of battle I escaped”— Benjamin Britten
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War Requiem, Op. 66: VIc. Libera Me – ” ‘None’, said the other”— Benjamin Britten
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War Requiem, Op. 66: VId. Libera Me – “Let us sleep now…” In paradisum— Benjamin Britten
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War Requiem, Op. 66: VIe. Libera Me – Requiescant in pace— Benjamin Britten
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Idomeneo, K. 366: Overture— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Quando avran fine omai” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Padre, germani, addio!” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Ecco, Idamante, ahimè” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Radunate i Troiani, ite” (Idamante, Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Non ho colpa” (Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Ecco il misero resto de’Troiani” (Ilia, Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Scingete le catene” – “Godiam la pace, trionfi Amore” (Idamante,…— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Prence, signor, tutta la Grecia oltraggi” (Elettra, Idamante, Arbace,…— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Estinto è Idomeneo?” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Tutte nel cor vi sento” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Pietà! Numi! pietà” (Coro)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Eccoci salvi alfin” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Oh voi, di Marte e di Nettuno all’ire” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Vedrommi intorno l’ombra dolente” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Cieli! che veggo?” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Spiagge romite, e voi scoscese rupi” (Idamante, Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Il padre adorato” (Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: Intermezzo – Marcia— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 1: “Nettuno s’onori” (Coro)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Siam soli” (Idomeneo, Arbace)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Se il tuo duol se il mio desio” (Arbace)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Se mai pomposo apparse” (Ilia, Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Se il padre perdei” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Qual mi conturba i sensi equivoca favella?” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Fuor del mar” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Frettolosa e giuliva Elettra vien” – “Chi mai del mio provò piacer…— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Idol mio, se ritroso” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Odo da lunge armonioso suono” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Sidonie spondé” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Placido è il mar, andiamo” (Coro, Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Vattene prence” (Idomeneo, Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Pria di partir, oh Dio!” (Idamante, Elettra, Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Qual nuovo terrore!” (Coro)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Eccoti in me, barbaro Nume!” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 2: “Corriamo, fuggiamo quel mostro spietato!” (Coro)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Solitudini amiche, aure amorose” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Zeffiretti lusinghieri” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Ei stesso vien… Oh Dei!” (Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Principessa, a ‘tuoi sguardi” (Idamante, Ilia)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “S’io non moro a questi accenti” (Ilia, Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Cieli! che vedo?” (Idomeneo, Ilia, Idamante, Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Andrò ramingo e solo” (Idamante, Ilia, Idomeneo, Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Sire, alla reggia tua immensa turba” (Arbace, Ilia, Idomeneo, Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Sventurata Sidon!” (Arbace)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Se colà be’fati è scritto” (Arbace)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Volgi intorno lo sguardo” (Gran Sacerdote, Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Oh voto tremendo!” (Coro)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: Marcia— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Accogli, oh re del mar” (Idomeneo, Sacerdoti)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Stupenda vittoria!” – “Qual risuona qui intorno applauso di…— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Padre, mio caro padre, ah dolce nome!” (Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Oh filio! oh caro filio!” (Idomeneo, Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “No, la morte” (Idamante)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Ma che più tardi?” (Idamante, Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Ferma, oh sire, che fai?” (Ilia, Idomeneo, Idamante, Gran Sacerdote,…— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Ha vinto Amore” (La Voce)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Oh ciel pietoso!” (Idomeneo, Idamante, Ilia, Arbace, Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Oh smania! Oh furie! Oh disperata Elettra!…” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “D’Oreste, d’Aiace” (Elettra)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Popoli, a voi l’ultima legge impone Idomeneo qual re” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Torna la pace al core” (Idomeneo)— Wolfgang Amadeus Mozart
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Idomeneo, K. 366, Act 3: “Scenda Amor, scenda Idomeneo” (Coro)— Wolfgang Amadeus Mozart
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Idomeneo, ballet music, K. 367: Chaconne – Pour le ballet— Wolfgang Amadeus Mozart
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Idomeneo, ballet music, K. 367: Larghetto – Annonce— Wolfgang Amadeus Mozart
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Idomeneo, ballet music, K. 367: La Chaconne qui reprend – Annonce— Wolfgang Amadeus Mozart
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Idomeneo, ballet music, K. 367: Pas seul – Largo— Wolfgang Amadeus Mozart
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Idomeneo, ballet music, K. 367: Appendix – Ballo delle donne Cretesi – Gavotte— Wolfgang Amadeus Mozart
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Don Chisciotte in Sierra Morena: Aria, “Qui sto appeso eil ciel sa quando” (Don Chisciotte)— Francesco Bartolomeo Conti
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Hercules, HWV 60, Act 1: Air. “Where congeal’s the northern streams” (Hyllus)— George Frideric Handel
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Hercules, HWV 60, Act 2: Air. “From coelestial seats descending” (Hyllus)— George Frideric Handel
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Arsilda, regina di Ponto, RV 700: “La tiranna e avversa sorte” (Tamese)— Antonio Vivaldi
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Il Bajazet, Act 1 Scene 1: No. 1, Aria, “Forte e lieto a morte andrei” (Bajazet)— Francesco Gasparini
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Tamerlano, HWV 18, Act 1: Aria. “Forte e lieto a morte andrei” (Bajazet)— George Frideric Handel
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Rosamond: Aria, “Rise, Glory, rise in all thy Charms” (King Henry)— Thomas Augustine Arne
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Joaz: Aria, “Lo so, lo so, con periglio” (Azaria)— Antonio Caldara
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Poro, re dell’Indie, HWV 28, Act 2: Aria. “D’un barbaro scortese” (Alessandro)— George Frideric Handel
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Marco Attilio Regolo: Aria. “Se non sà qual vento il guida”— Alessandro Scarlatti
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Giulio Cesare in Egitto, HWV 17, Act 2: Aria. “Scorta siate a passi miei” (Sesto)— George Frideric Handel
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L’Atenaide, RV 702: “Ti stringo in quest’ amplesso” (Leontino)— Antonio Vivaldi
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Ipermestra, RV 722: “Sazierò col morir mio” (Danao)— Antonio Vivaldi
▶
Solomon: No. 23, Air. “Softly Arise, O Southern Breeze!” – No. 24, Chorus. “Ye Southern Breezes!”— William Boyce
▶
The Royal Chace: Aria, “With early horn salute the morn” (The Royal Hunter)— John Ernst Galliard
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Ich habe genug, BWV 82: No. 1, Aria. “Ich habe genug”— Johann Sebastian Bach
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Ich habe genug, BWV 82: No. 2, Rezitativ. “Ich habe genug”— Johann Sebastian Bach
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Ich habe genug, BWV 82: No. 3, Aria. “Schlummert ein, ihr matten Augen”— Johann Sebastian Bach
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Ich habe genug, BWV 82: No. 4, Rezitativ. “Mein Gott! Wenn kömmt das schöne Nun!”— Johann Sebastian Bach
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Ich habe genug, BWV 82: No. 5, Aria. “Ich freue mich auf meinen Tod”— Johann Sebastian Bach
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Christ lag in Todes Banden, BWV 4: No. 1, Sinfonia— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: No. 2, Rezitativ. “Es will der Höchste sich ein…— Johann Sebastian Bach
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Gott fähret auf mit Jauchzen, BWV 43: No. 3, Aria. “Ja, tausendmal Tausend begleiten den Wagen”— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: No. 1, Aria. “Ich armer Mensch, ich Sündenknecht”— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: No. 2, Rezitativ. “Ich habe wider Gott gehandelt”— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: No. 3, Aria. “Erbarme dich!”— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: No. 4, Rezitativ. “Erbarme dich!”— Johann Sebastian Bach
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Ich armer Mensch, ich Sündenknecht, BWV 55: No. 5, Choral. “Bin ich gleich von dir gewichen”— Johann Sebastian Bach
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Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: No. 2, Rezitativ. “Gleichwie der Regen…— Johann Sebastian Bach
▶
Lass, Fürstin, lass noch einen Strahl, BWV 198 “Trauer-Ode”: No. 8, Aria. “Der Ewigkeit…— Johann Sebastian Bach
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Easter Oratorio, BWV 249: No. 7, Aria. “Sanfte soll mein Todeskummer”— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: No. 3, Rezitativ. “Dies hat Gott klar mit Worten”— Johann Sebastian Bach
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Christ unser Herr zum Jordan kam, BWV 7: No. 4, Aria. “Des Vaters Stimme ließ sich hören”— Johann Sebastian Bach
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Wohl dem, der sich auf seinen Gott, BWV 139: No. 1, Choral. “Wohl dem, der sich auf seinen Gott”— Johann Sebastian Bach
▶
Mer hahn en neue Oberkeet, BWV 212 “Peasant Cantata”: No. 1, Ouverture— Johann Sebastian Bach
▶
3 Lieder, Op. 19: No. 1, An Schwager Kronos, D. 369— Franz Schubert
▶
Widerschein, D. 639— Franz Schubert
▶
Schwanengesang, D. 957: No. 3, Frühlingssehnsucht— Franz Schubert
▶
Abschied, D. 475— Franz Schubert
▶
Billy Budd, Op. 50, Prologue: “I Am an Old Man” (Vere)— Benjamin Britten
▶
Billy Budd, Op. 50, Act 1, Scene 1: “Pull, My Bantams!” (First Mate, Sailors, Second Mate,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “Boat Ahoy” (Maintop, Midshipmen, Flint, Redburn, Bosun,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “First Man Forward! (Claggart, Red Whiskers, Redburn,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “Your Name? Billy Budd, Sir” (Claggart, Billy, Redburn, Flint)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “Billy Budd, King of the Birds!” (Billy, Sailors, Flint,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “I Heard Your Honour!” (Claggart, Squeak, Novice’s Friend)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “Come Along Kid! Come Along!” (Novice’s Friend, Novice,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “What’s That? What’s Those Whistles?” (Billy, Donald,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 1: “Starry Vere We Call Him” (Donald, Billy, Sailors, Red…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 2: “Boy! Yes Sir!” (Vere, Boy)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 2: “Mr Redburn and Mr Flint, Sir!” (Boy, Vere, Redburn, Flint)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 2: “Ay, at Spithead the Men May Have Had Their Grievances” (Vere)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 2: “We Are, Sir, Claggart Is an Able One” (Redburn, Vere,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Blow Her Away, Blow Her to Hilo” (Red Whiskers, Sailors,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Here, Lads! Here! Come Here!” (Donald, Red Whiskers,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Hi! You” (Billy, Dansker, Red Whiskers, Donald, Sailors,…— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Over the Water, over the Ocean” (Sailors, Claggart)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Come Here, Remember Your Promise” (Claggart, Novice)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Billy! Hist! Billy Budd!” (Novice, Billy)— Benjamin Britten
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Billy Budd, Op. 50, Act 1, Scene 3: “Dansker, Old Friend, Glad to See You!” (Billy, Dansker)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 1: “I Don’t Like the Look of the Mist” (Vere, Redburn)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 1: “Well, What Is It, Master-at-Arms? ” (Vere, Claggart)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 1: “Deck Ahoy! Enemy Sail on Starboard Bow!” (Maintop, Bosun,…— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 1: “Volunteers! Call for Boarding Volunteers!” (Vere, Redburn,…— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 1: “There You Are Again, Master-at-Arms” (Vere, Claggart, Boy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 1: “O This Cursed Mist” (Vere, Redburn, Ratcliffe, Flint)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 2: “Claggart, John Claggart, Beware!” (Vere, Billy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 2: “Master-at-Arms and Foretopman” (Vere, Claggart, Billy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 2: “God o’ Mercy!” (Vere, Boy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 2: “Gentlemen, William Budd Here Has Killed” (Vere, Redburn,…— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 2: “William Budd, You Are Accused” (Redburn, Vere, Billy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 2: “Poor Fellow, Who Could Save Him?” (Redburn, Flint,…— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 2: “I Accept Their Verdict” (Vere)— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 3: “Look! Through the Port Comes the Moonshine Astray!” (Billy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 3: “Here! Baby!” (Dansker, Billy)— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 3: “And Farewell to Ye, Old Rights o’ Man!” (Billy)— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 3: Interlude— Benjamin Britten
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Billy Budd, Op. 50, Act 2, Scene 4: “According to the Articles of War” (Redburn, Billy, Flint,…— Benjamin Britten
▶
Billy Budd, Op. 50, Act 2, Scene 4: “Down All Hands!” (Redburn, Flint, Ratcliffe, a Sailor)— Benjamin Britten
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Billy Budd, Op. 50, Epilogue: “We Committed his Body to the Deep” (Vere)— Benjamin Britten
▶
Viola, Op. Posth. 123, D. 786— Franz Schubert
▶
Pilgerweise, D. 789— Franz Schubert
▶
4 Lieder, Op. 88: No. 4, An die Musik, D. 547— Franz Schubert
▶
Der liebliche Stern, D. 861— Franz Schubert
▶
Im Jänner 1817, D. 876 “Tiefes Leid”— Franz Schubert
▶
Auf der Bruck, Op. 93 No. 2, D. 853— Franz Schubert
▶
Der Wanderer, Op. 65 No. 2, D. 649— Franz Schubert
▶
Fülle der Liebe, D. 854— Franz Schubert
▶
Wiedersehen, D. 855— Franz Schubert
▶
Vom Mitleiden Mariä, D. 632— Franz Schubert
▶
Im Walde, D. 708 “Waldesnacht”— Franz Schubert
▶
Der Schmetterling, Op. 57 No. 1, D. 633— Franz Schubert
▶
Gesänge des Harfners aus Wilhelm Meister, Op. 12, D. 478: No. 1, Harfenspieler I— Franz Schubert
▶
Gesänge des Harfners aus Wilhelm Meister, Op. 12, D. 478: No. 2, Harfenspieler III— Franz Schubert
▶
Gesänge des Harfners aus Wilhelm Meister, Op. 12, D. 478: No. 3, Harfenspieler II— Franz Schubert
▶
Die Sterne, Op. 96 No. 1, D. 939— Franz Schubert
▶
Der Winterabend, D. 938— Franz Schubert
▶
Der Unglückliche, Op. 87 No. 1, D. 713— Franz Schubert
▶
Totengräbers Heimweh, D. 842— Franz Schubert
▶
Auf dem Strom, Op. Posth. 119, D. 943— Franz Schubert
▶
Ständchen, D. 889— Franz Schubert
▶
Lachen und Weinen, Op. 59 No. 4, D. 777— Franz Schubert
▶
An die Laute, Op. 81 No. 2, D. 905— Franz Schubert
▶
Der Tod und das Mädchen, Op. 7 No. 3, D. 531— Franz Schubert
▶
Pflicht und Liebe, D. 467— Franz Schubert
▶
Allegretto for Piano in C Minor, D. 900— Franz Schubert
▶
Lebensmut, D. 937— Franz Schubert
▶
Allegretto for Piano in C Major, D. 346— Franz Schubert
▶
Johanna Sebus, D. 728— Franz Schubert
▶
Andantino for Piano in C Major, D. 348— Franz Schubert
▶
Abschied von der Erde, D. 829— Franz Schubert
▶
I Travel Alone— Noël Coward
▶
London Calling: Parisian Pierrot— Noël Coward
▶
On With the Dance: Poor Little Rich Girl— Noël Coward
▶
This Year of Grace: World Weary— Noël Coward
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This Year of Grace: Mary make-believe— Noël Coward
▶
This Year of Grace: A Room with a View (duet)— Noël Coward
▶
This Year of Grace: Dance, Little Lady— Noël Coward
▶
Bitter Sweet: If You Could Only Come With Me— Composer not established
▶
Bitter Sweet: I’ll See You Again (duet)— Composer not established
▶
Bitter Sweet: Zigeuner— Composer not established
▶
The Dream is Over— Noël Coward
▶
Cochran’s 1931 Revue: Any Little Fish— Noël Coward
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Cavalcade: Twentieth Century Blues— Noël Coward
▶
Words and Music: Mad Dogs and Englishmen— Noël Coward
▶
Words and Music: Let’s Say Goodbye— Noël Coward
▶
Words and Music: Something to Do with Spring— Noël Coward
▶
Words and Music: The Party’s Over Now— Noël Coward
▶
Private Lives: Someday I’ll Find You (duet)— Noël Coward
▶
Set to Music: Never Again— Noël Coward
▶
Semele, HWV 58, Act 2: Air. “Where’er your walk, cool gales shall fan the glade” (Jupiter)— George Frideric Handel
▶
Messiah, HWV 56, Pt. 1: Sinfonia— George Frideric Handel
▶
Messiah, HWV 56, Pt. 1, Scene 1: Aria. “Ev’ry Valley Shall Be Exalted”— George Frideric Handel
▶
Serse, HWV 40, Act 1, Scene 1: Accompagnato. “Frondi tenere” (Serse)— George Frideric Handel
▶
Serse, HWV 40, Act 1, Scene 1: Arioso. “Ombra mai fù” (Serse)— George Frideric Handel
▶
La Resurrezione, HWV 47, Pt. 1: Aria. “Così la tortorella” (San Giovanni)— George Frideric Handel
▶
Acis and Galatea, HWV 49, Act 2: Air. “Love sounds th’alarm” (Acis)— George Frideric Handel
▶
Acis and Galatea, HWV 49, Act 1: Air. “Love in her eyes sits playing” (Acis)— George Frideric Handel
▶
Acis and Galatea, HWV 49, Act 1: Duett. “Happy we!” (Acis, Galatea)— George Frideric Handel
▶
Ariodante, HWV 33, Act 2: Aria. “Scherza infida!” (Ariodante)— George Frideric Handel
▶
Ariodante, HWV 33, Act 3: Aria. “Dopo notte, atra e funesta” (Ariodante)— George Frideric Handel
▶
Samson, HWV 57, Act 1: Aria. “Total Eclipse!” (Samson)— George Frideric Handel
▶
L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Duet. “As steals the morn upon the night”— George Frideric Handel
▶
Jephtha, HWV 70, Act 3: Air. “Hide thou thy hated beams” (Jephtha)— George Frideric Handel
▶
Jephtha, HWV 70, Act 3: Accompagnato. “A father, offering up” (Jephtha)— George Frideric Handel
▶
Jephtha, HWV 70, Act 3: Air. “Waft her, angels” (Jephtha)— George Frideric Handel
▶
La Resurrezione, HWV 47, Pt. 2: Aria. “Ecco il sol ch’esce dal mare” (San Giovanni)— George Frideric Handel
▶
6 Gesänge aus dem Arabischen: I. Selim und der Wind— Hans Werner Henze
▶
6 Gesänge aus dem Arabischen: No. 2, Die Gottesanbeterin— Hans Werner Henze
▶
6 Gesänge aus dem Arabischen: No. 3, Ein Sonnenaufgang— Hans Werner Henze
▶
6 Gesänge aus dem Arabischen: IV. Casarion— Hans Werner Henze
▶
6 Gesänge aus dem Arabischen: V. Fatumas Klage— Hans Werner Henze
▶
6 Gesänge aus dem Arabischen: VI. Das Paradies— Hans Werner Henze
▶
3 Auden Songs : I. In Memoriam L.K.A. 1950-1952— Hans Werner Henze
▶
3 Auden Songs : II. Rimbaud— Hans Werner Henze
▶
3 Auden Songs: No. 3, Lay Your Sleeping Head, My Love— Hans Werner Henze
▶
Eichendorff-Lieder: No. 2, Der Musikant— Hugo Wolf
▶
Eichendorff-Lieder: No. 3, Verschwiegene Liebe— Hugo Wolf
▶
Eichendorff Lieder: Das Ständchen— Hugo Wolf
▶
Eichendorff Lieder: Nachtzauber— Hugo Wolf
▶
Eichendorff-Lieder: No. 17, Seemanns Abschied— Hugo Wolf
▶
Der Genesene an die Hoffnung— Hugo Wolf
▶
Der Knabe und das Immlein— Hugo Wolf
▶
Mörike-Lieder: No. 8, Begegnung— Hugo Wolf
▶
Nimmersatte Liebe— Hugo Wolf
▶
Mörike-Lieder: No. 12, Verborgenheit— Hugo Wolf
▶
Im Frühling— Hugo Wolf
▶
Auf einer Wanderung— Hugo Wolf
▶
Um Mitternacht— Hugo Wolf
▶
Auf ein altes Bild— Hugo Wolf
▶
Mörike-Lieder: No. 28, Gebet— Hugo Wolf
▶
Mörike-Lieder: No. 29, An den Schlaf— Hugo Wolf
▶
An die Geliebte— Hugo Wolf
▶
Lied eines Verliebten— Hugo Wolf
▶
Peregrina 1— Hugo Wolf
▶
Peregrina 2— Hugo Wolf
▶
Der Jäger— Hugo Wolf
▶
Abschied— Hugo Wolf
▶
Gutmann und Gutweib— Hugo Wolf
▶
Ganymed— Hugo Wolf
▶
Die Forelle, Op. 32, D. 550— Franz Schubert
▶
Auf dem Wasser zu singen, Op. 72, D. 774— Franz Schubert
▶
Im Frühling, Op. Posth 101 No. 1, D. 882— Franz Schubert
▶
4 Lieder, Op. 106: No. 4, An Sylvia, D. 891— Franz Schubert
▶
Erlkönig, Op. 1, D. 328— Franz Schubert
▶
Romanzen und Balladen, Heft I, Op. 45: No. 3, Abends am Strand— Robert Schumann
▶
5 Lieder und Gesänge, Op. 127: No. 2, Dein Angesicht— Robert Schumann
▶
Romanzen und Balladen, Heft II, Op. 49: No. 1, Die beiden Grenadiere— Robert Schumann
▶
4 Gesänge, Op. 142: No. 4, Mein Wagen rollet langsam— Robert Schumann
▶
4 Mélodies, Op. 39: No. 2, Fleur jetée— Gabriel Fauré
▶
3 Mélodies, Op. 23: No. 1, Les berceaux— Gabriel Fauré
▶
3 Mélodies, Op. 8: No. 1, Au bord de l’eau— Gabriel Fauré
▶
2 Mélodies, Op. 83: No. 1, Prison— Gabriel Fauré
▶
2 Mélodies, Op. 46: No. 2, Clair de lune— Gabriel Fauré
▶
3 Mélodies, Op. 18: No. 1, Nell— Gabriel Fauré
▶
Fêtes galantes, Livre II, CD 114, L. 104— Claude Debussy
▶
Folksong Arrangements, Book 1 “British Isles”: No. 6, The Ash Grove— Benjamin Britten
▶
Folksong Arrangements, Book 8: No. 4, Greensleeves— Benjamin Britten
▶
Linden Lea— Ralph Vaughan Williams
▶
The Death of Queen Jane— Traditional English
▶
Brigg Fair— Composer not established
▶
Die Entführung aus dem Serail, K. 384: Ouvertüre— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Arie. “Hier soll ich dich denn sehen” – Dialog….— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Arie und Duett. “Wer ein Liebchen hat gefunden”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Duett. “Verwünscht seist du samt deinem Liede!”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Dialog. “Könnt ich mir doch noch so einen…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Arie. “Solche hergelauf’ne Laffen” (Osmin)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Dialog. “Geh nur, verwünschter Aufpasser”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Rezitativ. “Konstanze! Dich wieder zu sehen!” -…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Marsch— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Chor. “Singt dem grossen Bassa Lieder” (Chor)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Dialog. “Immer noch traurig, geliebte Konstanze?”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Arie. “Ach, ich liebte, war so glücklich!”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Dialog. “Ihr Schmerz, ihre Tränen, ihre…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 1: Terzett. “Marsch! Marsch! Marsch! Trollt euch…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Dialog. “O des Zankens und Befehlens” (Blonde)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Arie. “Durch Zärtlichkeit und Schmeicheln” (Blonde)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Dialog. “Zärtlichkeit! Schmeicheln!” (Osmin,…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Duett. “Ich gehe, doch rate ich dir” (Blonde, Osmin)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Rezitativ. “Welcher Kummer Wechsel herrscht in…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Arie. “Traurigkeit ward mir zum Lose” (Konstanze)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Dialog. “Nun Konstanze, denkst du meinem Begehren…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Arie. “Martern aller Arten” (Konstanze)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Dialog. “Pst, Blondchen!” (Blonde, Pedrillo)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Arie. “Welche Wonne, welche Lust!” (Blonde)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Arie. “Frisch zum Kampfe! Frisch zum Streite!”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Dialog. “Ha! Geht’s hier so lustig zu?” (Osmin,…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Duett. “Vivat Bacchus! Bacchus lebe!” (Pedrillo,…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Dialog. “Wein ist mir lieber als Geld und…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Arie. “Wenn der Freude Tränen flieβen” (Belmonte)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 2: Quartett. “Ach Belmonte! Ach mein Leben!”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Arie. “Ich baue ganz auf deine Stärke” – Dialog….— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Romanze. “In Mohrenland gefangen war” – Dialog….— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Arie. “O, wie will ich triumphieren” (Osmin)— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Dialog. “Was gibt’s, Osmin?” (Osmin, Selim,…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Rezitativ. “Welch ein Geschick!” (Belmonte,…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Duett. “Meinetwegen sollst du sterben!”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Dialog. “Zitterst du, Christ?” (Selim, Belmonte,…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: Finale. “Nie werd’ ich deine Huld verkennen”…— Wolfgang Amadeus Mozart
▶
Die Entführung aus dem Serail, K. 384, Act 3: “Bassa Selim lebe lange!” (Chor)— Wolfgang Amadeus Mozart
▶
Fêtes galantes, Livre II, CD 114, L. 104: I. Les Ingénus— Claude Debussy
▶
Fêtes galantes, Livre II, CD 114, L. 104: II. Le Faune— Claude Debussy
▶
Fêtes galantes, Livre II, CD 114, L. 104: III. Colloque sentimental— Claude Debussy
▶
Montparnasse, FP 127 No. 1— Francis Poulenc
▶
2 Poèmes de Guillaume Apollinaire, FP 94: No. 1, Dans le jardin d’Anna— Francis Poulenc
▶
2 Poèmes de Guillaume Apollinaire, FP 94: No. 2, Allons plus vite— Francis Poulenc
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2 Poèmes de Louis Aragon, FP 122: No. 1, C— Francis Poulenc
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2 Poèmes de Louis Aragon, FP 122: No. 2, Fêtes galantes— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 1, Bonne journée— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 2, Une ruine coquille vide— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 3, Le front comme un drapeau perdu— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 4, Une roulotte couverte en tuiles— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 5, À toutes brides— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 6, Une herbe pauvre— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 7, Je n’ai envie que de t’aimer— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 8, Figure de force brûlante et farouche— Francis Poulenc
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Tel jour, telle nuit, FP 86: No. 9, Nous avons fait la nuit— Francis Poulenc
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La bonne chanson, Op. 61: No. 1, Une sainte en son auréole (Version for Voice, Piano and String…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 2, Puisque l’aube grandit (Version for Voice, Piano and String…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois (Version for Voice, Piano…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 4, J’allais par des chemins perfides (Version for Voice, Piano…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 5, J’ai presque peur, en vérité (Version for Voice, Piano and…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 6, Avant que tu ne t’en ailles (Version for Voice, Piano and…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d’été (Version for Voice,…— Gabriel Fauré
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La bonne chanson, Op. 61: No. 8, N’est-ce pas ? (Version for Voice, Piano and String Quintet)— Gabriel Fauré
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La bonne chanson, Op. 61: No. 9, L’hiver a cessé (Version for Voice, Piano and String Quintet)— Gabriel Fauré
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Winterreise, Op. 89, D. 911: No. 3, Gefror’ne Tränen— Franz Schubert
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Winterreise, Op. 89, D. 911: No. 22, Mut!— Franz Schubert
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Piano Sonata No. 20 in A Major, D. 959: I. Allegro— Franz Schubert
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Piano Sonata No. 20 in A Major, D. 959: II. Andantino— Franz Schubert
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Piano Sonata No. 20 in A Major, D. 959: III. Scherzo. Allegro vivace – Trio. Un poco più lento— Franz Schubert
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Piano Sonata No. 20 in A Major, D. 959: IV. Rondo. Allegretto – Presto— Franz Schubert
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Les illuminations, Op. 18: No. 1, Fanfare— Benjamin Britten
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Les illuminations, Op. 18: No. 2, Villes— Benjamin Britten
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Les illuminations, Op. 18: No. 3a, Phrase— Benjamin Britten
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Les illuminations, Op. 18: No. 3b, Antique— Benjamin Britten
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Les illuminations, Op. 18: No. 4, Royauté— Benjamin Britten
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Les illuminations, Op. 18: No. 5, Marine— Benjamin Britten
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Les illuminations, Op. 18: No. 6, Interlude— Benjamin Britten
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Les illuminations, Op. 18: No. 7, Being Beauteous— Benjamin Britten
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Les illuminations, Op. 18: No. 8, Parade— Benjamin Britten
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Les illuminations, Op. 18: No. 9, Départ— Benjamin Britten
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Serenade, Op. 31: No. 1, Prologue— Benjamin Britten
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Serenade, Op. 31: No. 2, Pastoral— Benjamin Britten
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Serenade, Op. 31: No. 3, Nocturne— Benjamin Britten
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Serenade, Op. 31: No. 4, Elegy— Benjamin Britten
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Serenade, Op. 31: No. 5, Dirge— Benjamin Britten
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Serenade, Op. 31: No. 6, Hymn— Benjamin Britten
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Serenade, Op. 31: No. 7, Sonnet— Benjamin Britten
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Serenade, Op. 31: No. 8, Epilogue— Benjamin Britten
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Nocturne, Op. 60: No. 1, On a Poet’s Lips I Slept— Benjamin Britten
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Nocturne, Op. 60: No. 2, The Kraken— Benjamin Britten
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Nocturne, Op. 60: No. 3, Encinctured with a Twine of Leaves— Benjamin Britten
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Nocturne, Op. 60: No. 4, Midnight’s Bell— Benjamin Britten
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Nocturne, Op. 60: No. 5, But That Night When on My Bed I Lay— Benjamin Britten
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Nocturne, Op. 60: No. 6, The Kind Ghosts— Benjamin Britten
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Nocturne, Op. 60: No. 7, Sleep and Poetry— Benjamin Britten
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Nocturne, Op. 60: No. 8, Sonnet LXIII— Benjamin Britten
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Liederkreis, Op. 24: No. 1, Morgens steh’ ich auf und frage— Robert Schumann
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Liederkreis, Op. 24: No. 2, Es treibt mich hin— Robert Schumann
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Liederkreis, Op. 24: No. 3, Ich wandelte unter den Bäumen— Robert Schumann
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Liederkreis, Op. 24: No. 4, Lieb’ Liebchen— Robert Schumann
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Liederkreis, Op. 24: No. 5, Schöne Wiege meiner Leiden— Robert Schumann
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Liederkreis, Op. 24: No. 6, Warte, warte, wilder Schiffsmann— Robert Schumann
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Liederkreis, Op. 24: No. 7, Berg’ und Burgen schaun herunter— Robert Schumann
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Liederkreis, Op. 24: No. 8, Anfangs wollt’ ich fast verzagen— Robert Schumann
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Liederkreis, Op. 24: No. 9, Mit Myrthen und Rosen— Robert Schumann
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Belsatzar, Op. 57— Robert Schumann
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4 Gesänge, Op. 142: No. 2, Lehn’ deine Wang’— Robert Schumann
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5 Lieder und Gesänge, Op. 127: No. 3, Es leuchtet meine Liebe— Robert Schumann
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Dichterliebe, Op. 48: No. 1, Im wunderschönen Monat Mai— Robert Schumann
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Dichterliebe, Op. 48: No. 2, Aus meinen Tränen sprießen— Robert Schumann
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Dichterliebe, Op. 48: No. 3, Die Rose, die Lilie, die Taube, die Sonne— Robert Schumann
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Dichterliebe, Op. 48: No. 4, Wenn ich in deine Augen seh’— Robert Schumann
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Dichterliebe, Op. 48: No. 5, Ich will meine Seele tauchen— Robert Schumann
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Dichterliebe, Op. 48: No. 6, Im Rhein, im heiligen Strome— Robert Schumann
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Dichterliebe, Op. 48: No. 7, Ich grolle nicht— Robert Schumann
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Dichterliebe, Op. 48: No. 8, Und wüßten’s die Blumen— Robert Schumann
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Dichterliebe, Op. 48: No. 9, Das ist ein Flöten und Geigen— Robert Schumann
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Dichterliebe, Op. 48: No. 10, Hör’ ich das Liedchen klingen— Robert Schumann
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Dichterliebe, Op. 48: No. 11, Ein Jüngling liebt ein Mädchen— Robert Schumann
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Dichterliebe, Op. 48: No. 12, Am leuchtenden Sommermorgen— Robert Schumann
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Dichterliebe, Op. 48: No. 13, Ich hab’ im Traum geweinet— Robert Schumann
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Dichterliebe, Op. 48: No. 14, Allnächtlich im Traume— Robert Schumann
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Dichterliebe, Op. 48: No. 15, Aus alten Märchen winkt es— Robert Schumann
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Dichterliebe, Op. 48: No. 16, Die alten bösen Lieder— Robert Schumann
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The Turn of the Screw, Op. 54, Act 1: Prologue. “It Is a Curious Story” (The Prologue)— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Theme— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Journey. “Nearly There” (Governess)— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation I— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Welcome. “Mr Grosel Will She Be Nice?” (Governess,…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation II— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Letter. “Miss, a Letter for You” (Governess, Mrs…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation III— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Tower. “How Beautiful It Is” (Governess)— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation IV— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Window. “Tom, The Pipper’s Son” (Governess, Mrs…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation V— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Lesson. “Many Nouns It Is We Find” (Governess, Miles,…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation VI— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: The Lake. “O Rivers and Seas and Lakes” (Governess,…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: Variation VII— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 1: At Night. “Miles! Miles! Miles!” (Governess, Mrs Grose,…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation VIII— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Colloquy and Soliloquy. “Why Did You Call Me?”…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation IX— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: The Bells. “O Sing unto Then a New Song” (Governess, Mrs…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation X— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Miss Jessel. “She Is Here” (Governess, Miss Jessel)— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation XI— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: The Bedroom. “Malo, Than a Naughty Boy” (Governess,…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation XII— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Quint. “So, She Has Written” (Quint)— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation XIII— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: The Piano. “O What a Clever Boy” (Governess, Mrs Grose,…— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation XIV— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Flora. “Flora!” (Governess, Mrs Grose, Flora, Miss Jessel)— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Variation XV— Benjamin Britten
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The Turn of the Screw, Op. 54, Act 2: Miles. “Mrs Grosse” (Governess, Mrs Grose, Miles, Quint)— Benjamin Britten
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Accompagnato. “Hence loathed Melancholy”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Duet. “Hence vain deluding joys”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Come, come, thou goddess”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Come, rather, goddess”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. “Haste thee, nymph”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. “Come, and trip it”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Accompagnato. “Come, pensive nun”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Come, but keep thy wonted state”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Accompagnato, Air and Chorus. “There…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Recitative and Air. “Hence, loathed…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Recitative. “First, and chief, on golden…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Sweet bird”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Recitative and Air. “If I give thee…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Oft on a plat of rising ground”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Far from all resort of mirth”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. “Straight mine eye”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Recitative. “Mountains”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. “Or Let the Merry Bells”…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Accompagnato. “Hence, vain deluding joys”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. ” Sometimes let gorgeous Tragedy”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “But Oh !”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Recitative and Chorus. “Thus, night oft…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “There let hymen oft appear”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Accompagnato. “Me, when the sun begins…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “Hide me from day’s garish eye”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “I’ll to the well-trod stage anon”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “And ever against eating cares”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “Orpheus’ self may heave his head”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air and Chorus. “These Delights if Thou…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Recitative and Chorus. “But let my due…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. “May at last my weary age”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Solo and Chorus. “These pleasures,…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Accompagnato. “Hence, boast not”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Air. “Come with native lustre shine”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Accompagnato and Chorus. “Sweet…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Air. “Come, with gentle hand restrain”— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Recitative and Air. “No more short life…— George Frideric Handel
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L’Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Chorus. “Thy pleasures, Moderation, give”— George Frideric Handel
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Canticle I, Op. 40 “My Beloved Is Mine”— Benjamin Britten
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Canticle II, Op. 51 “Abraham and Isaac”— Benjamin Britten
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Canticle III, Op. 55 “Still Falls the Rain”— Benjamin Britten
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Canticle IV, Op. 86 “The Journey of the Magi”— Benjamin Britten
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Canticle V, Op. 89 “The Death of St Narcissus”— Benjamin Britten
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Folksong Arrangements, Book 3 “British Isles”: No. 1, The Plough Boy— Benjamin Britten
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Folksong Arrangements, Book 1 “British Isles”: No. 1, The Salley Gardens— Benjamin Britten
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Folksong Arrangements, Book 3 “British Isles”: No. 5, The Foggy, Foggy Dew— Benjamin Britten
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Folksong Arrangements, Book 3 “British Isles”: No. 2, There’s None to Soothe— Benjamin Britten
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Folksong Arrangements, Book 3 “British Isles”: No. 6, O Waly, Waly— Benjamin Britten
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3 Lieder, Op. 19: No. 3, Ganymed, D. 544— Franz Schubert
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An den Mond, Op. 57 No. 3, D. 193— Franz Schubert
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Geheimes, Op. 14 No. 2, D. 719— Franz Schubert
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Heidenröslein, Op. 3 No. 3, D. 257— Franz Schubert
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Wandrers Nachtlied, Op. 96 No. 3, D. 768— Franz Schubert
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Erster Verlust, Op. 5 No. 4, D. 226— Franz Schubert
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Der Fischer, Op. 5 No. 3, D. 225— Franz Schubert
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Fischerweise, Op. 96 No. 4, D. 881— Franz Schubert
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2 Lieder, Op. 43: No. 2, Nacht und Träume, D. 827— Franz Schubert
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2 Lieder, Op. 22: No. 1, Der Zwerg, D. 771— Franz Schubert
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2 Lieder, Op. 22: No. 2, Wehmut, D. 772— Franz Schubert
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Du bist die Ruh, Op. 59 No. 3, D. 776— Franz Schubert
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Am Tage Aller Seelen, D. 343 “Litanei auf das Fest Aller Seelen”— Franz Schubert
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3 Lieder, Op. 20: No. 2, Frühlingsglaube, D. 686— Franz Schubert
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3 Lieder, Op. 20: No. 1, Sei mir gegrüßt, D. 741— Franz Schubert
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Im Haine, Op. 56 No. 3, D. 738— Franz Schubert
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3 Lieder, Op. 92: No. 1, Der Musensohn, D. 764— Franz Schubert
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Wandrers Nachtlied, Op. 4 No. 3, D. 224— Franz Schubert
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Seligkeit, D. 433— Franz Schubert
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L’Orfeo, SV 318, Prologue: Toccata— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: Ritornello (1)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: “Dal mio Permesso amato a voi ne vegno” (La Musica)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: Ritornello (2)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: “Io la Musica son” (La Musica)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: Ritornello (3)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: “Io su cetera d’or cantando soglio” (La Musica)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: Ritornello (4)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: “Quinci a dirvi d’Orfeo” (La Musica)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: Ritornello (5)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Prologue: “Hor mentre i canti alterno” (La Musica)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “In questi lieto fortunato giorno” (Pastore III)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Vieni Imeneo, deh vieni” (Ninfe, Pastori)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Muse, onor di Parnaso” (Ninfa)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Lasciate i monti, lasciate i fonti” (Ninfe, Pastori)…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Ma tu, gentil cantor” (Pastore I)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Rosa del ciel, gemme del giorno” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Io non dirò qual sia” (Euridice)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Lasciate i monti” (Ninfe, Pastori) – Ritornello— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Vieni Imeneo, deh vieni” (Ninfe, Pastori) – Ritornello— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Ma s’il nostro gioir dal ciel deriva” (Pastore II) -…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Alcun non sia che disperato” (Pastori II, III) -…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Che poiché nembo rio gravido il seno” (Ninfa,…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “E dopo l’aspro gel del verno ignudo” (Pastori I, II)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 1: “Orfeo, di cui pur dianzi” (Ninfe, Pastori)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Sinfonia – “Ecco pur ch’a voi ritorno” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Ritornello – “Mira, ch’a sé n’alletta” (Pastore III)…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Ritornello – “In questo prato adorno” (Pastori II, III)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Ritornello – “Qui le Napee vezzose” (Pastori II, III)…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Ritornello – “Vi ricorda, o boschi ombrosi” (Orfeo) -…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: “Mira, deh mira, Orfeo” (Pastori I, II, IV,…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: “In un fiorito prato” (Messagiera, Pastori II, III)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: “Tu se’ morta, mia vita” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: “Ahi caso acerbo! ahi fato empio e crudele!” (Ninfe,…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: “Ma io ch’in questa lingua” (Messagiera)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Sinfonia – “Chi ne consola, ahi lassi?” (Pastori II,…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 2: Ritornello— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Sinfonia (1)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Scorto da te, mio nume” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Ecco l’atra palude” (Speranza, Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “O tu ch’innanzi morte” (Caronte)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Sinfonia (2)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Possente spirto e formidabil nume” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Ritornello (1)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Non viv’io no, che poi di vita è priva” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Ritornello (2)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “A lei volt’ho il cammin” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Ritornello (3)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Orfeo, son io che d’Euridice i passi” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Sol tu, nobile dio” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Ben mi lusinga alquanto” (Caronte)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Ahi, sventurato amante” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Sinfonia (3)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: “Ei dorme, e la mia cetra” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 3: Sinfonia a 7 – “Nulla impresa per uom si tenta…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Signor, quell’infelice” (Proserpina)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Benché severo ed immutabil fato” (Plutone)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “O de gli abitator de l’ombre eterne” (Spirito I,…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Quali grazie tirendo” (Proserpina)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Tue soavi parole d’amor l’antica piaga” (Plutone)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Pietate oggi e Amore” (Spiriti infernali)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: Ritornello – “Qual honor di te fia degno” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Ma mentre io canto” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “O dolcissimi lumi, io pur vi veggio” (Orfeo, Spirito V)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Ahi, vista troppo dolce e troppo amara!” (Euridice,…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: “Dove te n’ vai, mia vita?” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 4: Sinfonia a 7 – “È la virtute un raggio” (Spiriti) -…— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: Ritornello— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Questi i campi di Tracia” (Orfeo, Eco)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Ma tu, anima mia, se mai ritorna” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Tu bella fusti e saggia” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Hor l’altre donne son superbe e perfide” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: Sinfonia— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Perch’a lo sdegno ed al dolor in preda” (Apollo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Padre cortese al maggior uopo arrivi” (Orfeo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Troppo gioisti di tua lieta ventura” (Apollo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Sì non vedrò più mai” (Orfeo, Apollo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: “Saliam cantando al cielo” (Orfeo, Apollo)— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: Ritornello – Coro, “Vanne, Orfeo, felice e pieno”— Claudio Monteverdi
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L’Orfeo, favola in musica, SV 318, Act 5: Moresca— Claudio Monteverdi
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Dido and Aeneas, Z. 626: Overture— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Song. “Shake the Cloud from off Your Brow” (Belinda)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Chorus. “Banish Sorrow, Banish Care” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Song. “Ah Belinda, I Am Press’d with Torment” (Dido)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Duet. “Grief Increases by Concealing” (Belinda, Dido)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Chorus. “When Monarchs Unite, How Happy Their State” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Duet. “Whence Could so Much Virtue Spring?” (Dido, Belinda)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Duet and Chorus. “Fear no Danger to Ensue” (Belinda, Second…— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Trio. “See Your Royal Guest Appears” (Belinda, Aeneas, Dido)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Chorus. “Cupid Only Throws the Dart” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Duet. “If Not for Mine, for Empire’s Sake” (Aeneas, Belinda)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: Chorus. “To the Hills and the Vales” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 1: The Triumphing Dance— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Prelude for the Witches. “Wayward Sisters, You That Fright” -…— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Prelude for the Witches. “The Queen of Carthage, Whom We Hate”…— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Trio. “Ruin’d E’re the Set of Sun?” – “Ho Ho Ho” (First Witch,…— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Duet. “But Ere We This Perform” (First Witch, Second Witch)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Chorus. “In Our Deep Vaulted Cell” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Echo Dance of Furies— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Ritornello— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Song and Chorus. “Thanks to These Lonesome Vales” (Belinda, Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Song. “Oft She Visits This Lone Mountain” (Second Woman)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Duet. “Behold Upon My Bending Spear” (Aeneas, Dido)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Song and Chorus. “Haste, Haste to Town” (Belinda, Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 2: Duet. “Stay Prince” (Spirit, Aeneas)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Song and Chorus. “Come Away” (Sailor, Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: The Sailors’ Dance— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Duet. “See, See the Flags” (Sorceress, First Witch, Second Witch)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Song. “Our Next Motion” (Sorceress)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Chorus. “Destruction’s Our Delight” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: The Witches’ Dance— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Trio. “Your Counsel All Is Urged in Vain” (Dido, Belinda, Aeneas)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Chorus. “Great Minds Against Themselves Conspire” (Chorus)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Song. “Thy Hand, Belinda” (Dido)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Song. “When I Am Laid in Earth” (Dido)— Henry Purcell
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Dido and Aeneas, Z. 626, Act 3: Chorus. “With Drooping Wings” (Chorus)— Henry Purcell
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The Diary of One Who Disappeared, JW V/12: No. 1, Andante “Potkal jsem ciganku”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 2, Con moto “Ta cerna ciganka”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 3, Andante “Svatojanské musky”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 4, Andante “Uz mladé vlastuvky”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 5, Adagio “Tezko sa mi ore”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 6, Allegro “Hajsi, vy sivi volci”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 7, Con moto “Ztratil jsem kolicek”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 8, Andante “Nehled’te, volecci, tesklivo k uvratim”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 9, Andante “Vita, Janicku”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 10, Un poco più mosso “Boze, dalny, nesmrtelny”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 11, Con moto “Tahne vuna k lesu”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 12, Adagio “Tmava olsinka, chladna studanka”— Leos Janacek
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The Diary of One Who Disappeared: No. 13, Andante “Intermezzo erotico”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 14, Adagio “Slunecko se zdviha”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 15, Allegro “Moji sivi volci”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 16, Adagio “Co jsem to udelal”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 17, Recitativo “Co komu suzeno”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 18, Adagio “Nedbam ja vcil o nic”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 19, Andante “Leti straka leti”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 20, Con moto “Mam ja panenku”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 21, Meno mosso “Muj drahy taticku”— Leos Janacek
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The Diary of One Who Disappeared, JW V/12: No. 22, Andante “Sbohem, rodny kraju”— Leos Janacek
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15 Moravian Folksongs for Piano: No. 1, Ty hodiny vivanske— Leos Janacek
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15 Moravian Folksongs for Piano: No. 2, Ked’ si ja zazpivam— Leos Janacek
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15 Moravian Folksongs for Piano: No. 3, Ach, ty Jurko, Jurenko— Leos Janacek
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15 Moravian Folksongs for Piano: No. 4, Marys, moja Marys— Leos Janacek
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15 Moravian Folksongs for Piano: No. 5, Uz sa mne muj mily pryc ubira— Leos Janacek
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15 Moravian Folksongs for Piano: No. 6, Plelo divca, plelo len— Leos Janacek
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15 Moravian Folksongs for Piano: No. 7, Sluboval’s mi— Leos Janacek
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15 Moravian Folksongs for Piano: No. 8, Ci to pachole v noci chodi— Leos Janacek
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15 Moravian Folksongs for Piano: No. 9, Ci je to devce na tom vrsku— Leos Janacek
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15 Moravian Folksongs for Piano: No. 10, Dyz ja budu lezat v cernem lesi— Leos Janacek
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15 Moravian Folksongs for Piano: No. 11, Bězí voda, bězí— Leos Janacek
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15 Moravian Folksongs for Piano: No. 12, Hradcanske honiny z temna bijou— Leos Janacek
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15 Moravian Folksongs for Piano: No. 13, Na cernej hore sedlacek ore— Leos Janacek
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15 Moravian Folksongs for Piano: No. 14, Na Javorine— Leos Janacek
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15 Moravian Folksongs for Piano: No. 15, V tem hruseckem cirem poli— Leos Janacek
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A Recollection, for Piano, JW VIII/32— Leos Janacek
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In Remembrance, for Piano, JW VIII/9— Leos Janacek
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Malostransky Palace, for Piano, JW VIII/31— Leos Janacek
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Moderato, for Piano, JW VIII/21— Leos Janacek
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Album for Kamila Stösslova, JW VIII/33: No. 12, The Golden Ring— Leos Janacek
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Album for Kamila Stösslova, JW VIII/33: No. 13, Waiting for You!— Leos Janacek
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Christ, the Lord, Is Risen, for Piano, JW VIII/20— Leos Janacek
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Schumann: 4 Duets, Op. 34: No. 1, Liebesgarten— Robert Schumann
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Schumann: 4 Duets, Op. 34: No. 2, Liebhabers Ständchen— Robert Schumann
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Schumann: 4 Duets, Op. 34: No. 3, Unterm Fenster— Robert Schumann
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Schumann: 4 Duets, Op. 34: No. 4, Familien-Gemälde— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 1, Widmung— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 2, Freisinn— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 3, Der Nussbaum— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 4, Jemand— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 5, Lieder aus dem Schenkenbuch im Divan I “Sitz’ ich allein”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 6, Lieder aus dem Schenkenbuch im Divan II “Setze mir nicht”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 7, Die Lotosblume— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 8, Talismane— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 9, Lied der Suleika— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 10, Die Hochländer-Witwe— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 11, Lied der Braut I “Mutter! Mutter!”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 12, Lied der Braut II “Lass mich ihm am Busen hangen”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 13, Hochländers Abschied— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 14, Hochländisches Wiegenlied— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 15, Aus den Hebräischen Gesängen “Mein Herz ist schwer”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 16, Rätsel— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 17, Zwei Venetianische Lieder I “Leis’ rudern hin”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 18, Zwei Venetianische Lieder II “Wenn durch die Piazza”— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 19, Hauptmanns Weib— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 20, Weit, weit— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 21, Was will die einsame Träne?— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 22, Niemand— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 23, Im Westen— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 24, Du bist wie eine Blume— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 25, Aus den Östlichen Rosen— Robert Schumann
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Schumann: Myrthen, Op. 25: No. 26, Zum Schluss— Robert Schumann
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Schumann: Romanzen und Balladen for Mixed Choir, Op. 145: No. 4, John Anderson— Robert Schumann
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Schumann: 4 Duets, Op. 78: No. 1, Tanzlied— Robert Schumann
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Schumann: 4 Duets, Op. 78: No. 2, Er und Sie— Robert Schumann
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Schumann: 4 Duets, Op. 78: No. 3, Ich denke dein— Robert Schumann
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Schumann: 4 Duets, Op. 78: No. 4, Wiegenlied am Lager eines kranken Kindes— Robert Schumann
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Lied eines Schiffers an die Dioskuren Op. 65 No. 1, D. 360— Franz Schubert
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Nachtstück, Op. 36 No. 2, D. 672— Franz Schubert
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Auf der Donau, Op. 21 No. 1, D. 553— Franz Schubert
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Abendstern, D. 806— Franz Schubert
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Auflösung, D. 807— Franz Schubert
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Versunken, D. 715— Franz Schubert
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Schäfers Klagelied, Op. 3 No. 1, D. 121— Franz Schubert
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An die Entfernte, D. 765— Franz Schubert
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Am Flusse, D. 766— Franz Schubert
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Willkommen und Abschied, Op. 56 No. 1, D. 767— Franz Schubert
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Die Götter Griechenlands, D. 677— Franz Schubert
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An die Leier, Op. 56 No. 2, D. 737— Franz Schubert
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Am See, D. 746— Franz Schubert
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Alinde, Op. 81 No. 1, D. 904— Franz Schubert
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Über Wildemann, Op. 108 No. 1, D. 884— Franz Schubert
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Auf der Riesenkoppe, D. 611— Franz Schubert
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Daß sie hier gewesen, Op. 59 No. 2, D. 775— Franz Schubert
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Der Geistertanz, D. 494— Franz Schubert
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La Belle Dame sans Merci— Charles Villiers Stanford
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5 Elizabethan Songs: No. 4, Sleep— Ivor Gurney
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I will go with my father a-ploughing— Ivor Gurney
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The Cloths of Heaven— Thomas Frederick Dunhill
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To Gratiana Dancing and Singing— W. Denis Browne
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To Lucasta, on Going to the Wars— Arthur Somervell
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Twilight Fancies— Frederick Delius
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Orpheus with his Lute— Edward German
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Jillian of Berry— Peter Warlock
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Cradle Song— Peter Warlock
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The dance continued— Gerald Finzi
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My love’s an arbutus (Old Irish air)— Traditional Irish
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No longer mourn for me— Hubert Parry
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Since we loved, Op. 13 No. 7— Gerald Finzi
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Rest, sweet nymphs— Peter Warlock
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Come away, death, Op. 6 No. 1— Roger Quilter
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Now sleeps the crimson petal, Op.3 No. 2— Roger Quilter
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Bold William Taylor— Traditional English
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The Little Turtle Dove— Traditional English
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Die schöne Müllerin: I. Der Dichter, als Prolog— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 1, Das Wandern— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 2, Wohin?— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 3, Halt!— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 4, Danksagung an den Bach— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 5, Am Feierabend— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 6, Der Neugierige— Franz Schubert
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Die schöne Müllerin: VIII. Das Mühlenleben— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 7, Ungeduld— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 8, Morgengruß— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 9, Der Müllers Blumen— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 10, Tränenregen— Franz Schubert
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Die schöne Müllerin: Additional Poem. Ein ungereimtes Lied— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 11, Mein!— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 12, Pause— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 13, Mit dem grünen Lautenbande— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 14, Der Jäger— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 15, Eifersucht und Stolz— Franz Schubert
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Die schöne Müllerin: XVIII. Erster Schmerz, letzter Scherz— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 16, Die liebe Farbe— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 17, Die böse Farbe— Franz Schubert
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Die schöne Müllerin: XXI. Blümlein Vergissmein— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 18, Trockne Blumen— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 19, Der Müller und der Bach— Franz Schubert
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Schubert: Die schöne Müllerin, D. 795: No. 20, Des Baches Wiegenlied— Franz Schubert
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Die schöne Müllerin: XXV. Der Dichter, als Epilog— Franz Schubert
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Humfrey: Lord! I Have Sinned (Arr. Britten for High Voice & Piano)— Pelham Humfrey
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Humfrey: Hymn to God the Father (Arr. Britten for High Voice & Piano)— Pelham Humfrey
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Croft: A Hymn on Divine Musick (Arr. Britten for High Voice & Piano)— William Croft
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Britten: This Way to the Tomb: I. Evening— Benjamin Britten
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Britten: This Way to the Tomb: II. Morning— Benjamin Britten
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Britten: This Way to the Tomb: III. Night— Benjamin Britten
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Britten: Night Covers Up the Rigid Land— Benjamin Britten
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Britten: Fish in the Unruffled Lakes— Benjamin Britten
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Britten: To Lie Flat on the Back with the Knees Flexed— Benjamin Britten
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Britten: A Poison Tree— Benjamin Britten
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Britten: When You’re Feeling Like Expressing Your Affection— Benjamin Britten
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Britten: Not Even Summer Yet— Benjamin Britten
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Britten: The Red Cockatoo— Benjamin Britten
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Britten: Wild with Passion “Song on the Water”— Benjamin Britten
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Britten: If Thou Wilt Ease Thine Heart “Dirge for Wolfram”— Benjamin Britten
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Britten: Cradle Song for Eleanor— Benjamin Britten
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Britten: Birthday Song for Erwin— Benjamin Britten
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Britten: Um Mitternacht— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 1, Oh, My Blacke Soule!— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 2, Batter My Heart— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 3, Oh Might Those Sighes and Teares— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 4, Oh, to Vex Me— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 5, What If This Present— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 6, Since She Whom I Loved— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 7, At the Round Earth’s Imagined Corners— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 8, Thou Hast Made Me— Benjamin Britten
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Britten: The Holy Sonnets of John Donne, Op. 35: No. 9. Death Be Not Proud— Benjamin Britten
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Dioclesian, Z. 627: First Musick— Henry Purcell
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Dioclesian, Z. 627: Second Musick— Henry Purcell
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Dioclesian, Z. 627: Overture— Henry Purcell
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Dioclesian, Z. 627, Act I: First Act Tune (Hornpipe)— Henry Purcell
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Dioclesian, Z. 627, Act II: Song “Great Diocles the Boar has kill’d” (Bass) – Chorus “Sing Iô’s!”— Henry Purcell
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Dioclesian, Z. 627, Act II: Song “Charon the peaceful Shade invites” (Soprano)— Henry Purcell
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Dioclesian, Z. 627, Act II: Symphony for Trumpets and Violins— Henry Purcell
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Dioclesian, Z. 627, Act II: Duet – Chorus. “Let all mankind the pleasure share” (Soprano, Bass,…— Henry Purcell
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Dioclesian, Z. 627, Act II: Martial Song “Let the soldiers rejoice” (Tenor)— Henry Purcell
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Dioclesian, Z. 627, Act II: A Symphony of Flutes— Henry Purcell
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Dioclesian, Z. 627, Act II: Dance of Furies— Henry Purcell
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Dioclesian, Z. 627, Act II: Second Act Tune— Henry Purcell
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Dioclesian, Z. 627, Act III: Two in one upon a Ground. Chaconne for Flutes— Henry Purcell
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Dioclesian, Z. 627, Act III: The Chair Dance— Henry Purcell
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Dioclesian, Z. 627, Act III: Prelude for Hautboys, Song “What shall I do?” (Tenor)— Henry Purcell
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Dioclesian, Z. 627, Act III: Third Act Tune— Henry Purcell
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Dioclesian, Z. 627, Act IV: Butterfly Dance— Henry Purcell
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Dioclesian, Z. 627, Act IV: Tune for Trumpets— Henry Purcell
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Dioclesian, Z. 627, Act IV: Song “Sound, Fame, thy brazen trumpet sound” (Tenor)— Henry Purcell
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Dioclesian, Z. 627, Act IV: Chorus “Let all rehearse”— Henry Purcell
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Dioclesian, Z. 627, Act IV: Fourth Act Tune— Henry Purcell
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Dioclesian, Z. 627, Act V: Country Dance— Henry Purcell
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Dioclesian, Z. 627, Act V: Call the nymphs (Cupid, Chorus)— Henry Purcell
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Dioclesian, Z. 627, Act V: Duet “Come, come away” (a Baccanalian & a Silvan)— Henry Purcell
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Dioclesian, Z. 627, Act V: Chorus “Behold, O mighty’st of Gods”— Henry Purcell
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Dioclesian, Z. 627, Act V: Paspe (The first entry of heroes on the stage)— Henry Purcell
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Dioclesian, Z. 627, Act V: Duet “Oh, the sweet delights of love!” (two Wood-Gods)— Henry Purcell
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Dioclesian, Z. 627, Act V: Let monarchs fight (A Fawn, Chorus)— Henry Purcell
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Dioclesian, Z. 627, Act V: (The second entry) Make room (Two Bacchanals, Bacchus)— Henry Purcell
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Dioclesian, Z. 627, Act V: Dance of Bacchanals— Henry Purcell
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Dioclesian, Z. 627, Act V: Still I’m wishing (Follower of Cupid)— Henry Purcell
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Dioclesian, Z. 627, Act V: Canaries— Henry Purcell
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Dioclesian, Z. 627, Act V: (The third entry) Tell me why (Shepherd & Shepherdesses)— Henry Purcell
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Dioclesian, Z. 627, Act V: Dance— Henry Purcell
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Dioclesian, Z. 627, Act V: (The fourth entry) All our days (A Pleasure & Chorus)— Henry Purcell
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Dioclesian, Z. 627, Act V: Chorus “Let us dance”— Henry Purcell
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Dioclesian, Z. 627, Act V: Dance II— Henry Purcell
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Dioclesian, Z. 627, Act V: (The last entry) Triumph, triumph victorious Love (Trio & Chorus)— Henry Purcell
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Dioclesian, Z. 627, Appendicies: Song “Since from me dear Astrea’s sight” (Soprano)— Henry Purcell
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Dioclesian, Z. 627, Appendicies: Song “When first I saw” (Tenor)— Henry Purcell
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Timon of Athens: Duet “Hark how the songsters”— Henry Purcell
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Timon of Athens: Love in their little veins (Cupid)— Henry Purcell
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Timon of Athens: Trio “But ah! How much are our delights”— Henry Purcell
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Timon of Athens: Hence with your trifling deity (Bass solo)— Henry Purcell
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Timon of Athens: Trio “But over us no griefs prevail”— Henry Purcell
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Timon of Athens: Come, come all to me (Cupid)— Henry Purcell
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Timon of Athens: Chorus “Who can resist such mighty charms”— Henry Purcell
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Timon of Athens: Return, revolting rebels (Bacchus)— Henry Purcell
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Timon of Athens: The cares of lovers (Cupid)— Henry Purcell
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Timon of Athens: Love quickly is pall’d (Alto solo)— Henry Purcell
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Timon of Athens: Duet “Come, let us agree” (Cupid & Bacchus)— Henry Purcell
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Timon of Athens: Chorus “Come, let us agree”— Henry Purcell
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Timon of Athens: Curtain Tune on a Ground— Henry Purcell
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Timon of Athens, Masque: Hark how the songsters (Treble I, Treble II)— Henry Purcell
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Timon of Athens, Masque: Love in their little veins (Cupid)— Henry Purcell
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Timon of Athens, Masque: But ah! How much are our delights (Treble I, Treble II, Bass)— Henry Purcell
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Timon of Athens, Masque: Hence with your trifling deity (Bass)— Henry Purcell
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Timon of Athens, Masque: But over us no griefs prevail (Alto, Tenor, Bass)— Henry Purcell
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Timon of Athens, Masque: Come, come all to me (Cupid)— Henry Purcell
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Timon of Athens, Masque: Who can resist such mighty charms (Chorus)— Henry Purcell
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Timon of Athens, Masque: Return, revolting rebels (Bacchus)— Henry Purcell
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Timon of Athens, Masque: The cares of lovers (Cupid)— Henry Purcell
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Timon of Athens, Masque: Love quickly is pall’d (Alto)— Henry Purcell
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Timon of Athens, Masque: Come let us agree (Cupid, Bacchus, Chorus)— Henry Purcell
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Timon of Athens, Masque: Come let us agree (Chorus)— Henry Purcell
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Timon of Athens, Masque: Curtain Tune on a Ground— Henry Purcell
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Dioclesian, Z. 627, Masque: Call the nymphs (Cupid, Chorus)— Henry Purcell
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Dioclesian, Z. 627, Masque: Come, come away (Bacchanalian, Silvan)— Henry Purcell
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Dioclesian, Z. 627, Masque: Behold, O mighty’st of Gods (Chorus)— Henry Purcell
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Dioclesian, Z. 627, Masque: Paspe. The First Entry— Henry Purcell
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Dioclesian, Z. 627, Masque: Oh, the sweet delights of love! (Wood-God I, Wood-God II)— Henry Purcell
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Dioclesian, Z. 627, Masque: Let monarchs fight (A Fawn, Chorus)— Henry Purcell
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Dioclesian, Z. 627, Masque: The Second Entry. Make room (Bacchus, Bacchanalian I, Bacchanalian…— Henry Purcell
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Dioclesian, Z. 627, Masque: Dance of Bacchanals— Henry Purcell
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Dioclesian, Z. 627, Masque: Still I’m wishing (Follower of Cupid)— Henry Purcell
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Dioclesian, Z. 627, Masque: Canaries— Henry Purcell
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Dioclesian, Z. 627, Masque: The Third Entry. Tell me why (Shepherd, Shepherdess)— Henry Purcell
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Dioclesian, Z. 627, Masque: Dance— Henry Purcell
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Dioclesian, Z. 627, Masque: The Fourth Entry. All our days (A Pleasure, Chorus)— Henry Purcell
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Dioclesian, Z. 627, Masque: Let us dance (A Pleasure, Chorus)— Henry Purcell
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Dioclesian, Z. 627, Masque: Dance (II)— Henry Purcell
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Dioclesian, Z. 627, Masque: The Last Entry. Triumph, triumph victorious Love (Chorus)— Henry Purcell
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Wehmut, D.772— Franz Schubert
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Der Zwerg, D.771— Franz Schubert
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Nacht und Träume, D.827— Franz Schubert
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Der Musensohn, D.764— Franz Schubert
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An die Entfernte, D.765— Franz Schubert
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Am Fluße, D.766— Franz Schubert
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Willkommen und Abschied, D.767— Franz Schubert
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Wandrers Nachtlied II, D.768— Franz Schubert
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An die Leier, D.737— Franz Schubert
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Am See, D.746— Franz Schubert
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Im Haine, D.738— Franz Schubert
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Erlkönig, D.328— Franz Schubert
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An den Mond, D.259— Franz Schubert
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Nähe des Geliebten, D.162— Franz Schubert
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Nachtgesang, D.119— Franz Schubert
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Liebhaber in allen Gestalten, D.558— Franz Schubert
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Meeres Stille, D.216— Franz Schubert
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Auf dem See, D.543— Franz Schubert
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An Mignon, D.161— Franz Schubert
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Erster Verlust, D.226— Franz Schubert
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Ganymed, D.544— Franz Schubert
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An den Mond, D.296— Franz Schubert
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Das Heimweh, D.456— Franz Schubert
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Sehnsucht, D.879— Franz Schubert
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Im Freien, D.880— Franz Schubert
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4 Refrainlieder, D.866: No. 2, Bei dir allein!— Franz Schubert
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Der Wanderer an den Mond, D.870— Franz Schubert
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Das Zügenglöcklein, D.871— Franz Schubert
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Die Perle, D.466— Franz Schubert
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Freiwilliges Versinken, D.700— Franz Schubert
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Der zürnenden Diana, D.707— Franz Schubert
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Lied des gefangenen Jägers, D.843— Franz Schubert
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Normans Gesang, D.846— Franz Schubert
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Der Wanderer, D.489— Franz Schubert
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Hippolits Lied, D.890— Franz Schubert
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An die Laute, D.905— Franz Schubert
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An mein Klavier, D.342— Franz Schubert
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Der Jüngling an der Quelle, D.300— Franz Schubert
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Wie Ulfru fischt, D.525— Franz Schubert
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Schlaflied, D.527— Franz Schubert
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An die Freunde, D.654— Franz Schubert
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Das Lied im Grünen, D.917— Franz Schubert
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Der Einsame, D.800— Franz Schubert
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Im Abendrot, D.799— Franz Schubert
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Klage, D.436— Franz Schubert
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Im Frühling, D. 882— Franz Schubert
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Über Wildemann, D. 884— Franz Schubert
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Der liebliche Stern, D861— Franz Schubert
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Tiefes Leid (Im Jänner 1817) , D. 876— Franz Schubert
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Auf der Brücke, D. 853— Franz Schubert
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Aus Heliopolis I, D. 753— Franz Schubert
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Aus Heliopolis II, D. 754— Franz Schubert
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Abendbilder, D. 650— Franz Schubert
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Ins stille Land, D. 403— Franz Schubert
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Sei mir gegrüßt!, D. 741— Franz Schubert
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Daß sie hier gewesen, D. 775— Franz Schubert
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Die Forelle, D. 550— Franz Schubert
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Des Fischers Liebesglück, D. 933— Franz Schubert
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Fischerweise, D. 881— Franz Schubert
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Atys, D. 585— Franz Schubert
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Nachtviolen, D. 752— Franz Schubert
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Geheimnis, D. 491— Franz Schubert
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Im Walde (Waldesnacht) , D. 708— Franz Schubert
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Der Strom, D. 565— Franz Schubert
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Auf der Donau, D. 553— Franz Schubert
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Lied eines Schiffers an die Dioskuren, D. 360— Franz Schubert
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Nachtstück, D. 672— Franz Schubert
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Viola, D. 768— Franz Schubert
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Gondelfahrer, D. 808— Franz Schubert
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Widerschein, D. 949— Franz Schubert
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Alinde, D. 904— Franz Schubert
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Rastlose Liebe, D. 138— Franz Schubert
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Geheimes, D. 719— Franz Schubert
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Die Sterne, D. 939— Franz Schubert
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Strophe aus ‘Die Götter Griechenlands’, D. 677— Franz Schubert
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An den Mond, D. 259— Franz Schubert
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Spoken Introduction— Composer not established
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An den Mond, D. 296— Franz Schubert
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Finzi: Concerto for Clarinet and String Orchestra, Op. 31: 1. Allegro vigoroso – L’istesso…— Gerald Finzi
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Finzi: Concerto for Clarinet and String Orchestra, Op. 31: 2. Adagio ma senza rigore— Gerald Finzi
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Finzi: Concerto for Clarinet and String Orchestra, Op. 31: 3. Rondo (Allegro giocoso)— Gerald Finzi
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Finzi: Romance for String Orchestra, Op. 11— Gerald Finzi
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Finzi: Nocturne, Op. 7 (New Year Music)— Gerald Finzi
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Finzi: Dies Natalis, Op. 8: 1. Intrada— Gerald Finzi
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Finzi: Dies Natalis, Op. 8: 2. Rhapsody (Recitativo Stromentato)— Gerald Finzi
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Finzi: Dies Natalis, Op. 8: 3. The Rapture (Danza)— Gerald Finzi
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Finzi: Dies Natalis, Op. 8: 4. Wonder (Arioso)— Gerald Finzi
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Finzi: Dies Natalis, Op. 8: 5. The Salutation (Aria)— Gerald Finzi
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