Biography (read more)

Jakub Józef Orliński is a Polish countertenor and breakdancer born 8 December 1990 in Warsaw, where early singing in a choir led him, as a teenager, into countertenor parts and a fandom of The King’s Singers. He is a graduate of the Fryderyk Chopin University of Music in Warsaw, joined the Opera Academy of the Grand Theatre in Warsaw in 2012, and studied at the Juilliard School in New York from 2015 to 2017 under Edith Wiens. His 2018 debut solo album, Anima Sacra, recorded with the period-instrument orchestra Il Pomo d’Oro under Maxim Emelyanychev, focused on rediscovered Neapolitan Baroque arias and helped launch an international career that has since taken him to the Metropolitan Opera, the Royal Opera House, and the Festival d’Aix-en-Provence.

Orliński has become one of the most visible countertenors of his generation, winning the Gramophone Classical Music Award (2019), the International Opera Award (2021), the International Classical Music Award (2022), and two Grammy nominations for Best Opera Recording, while drawing new, younger audiences to Baroque vocal music through his combination of historically informed singing with competitive breakdancing. His video of Vivaldi’s “Vedrò con mio diletto” became a viral sensation with over ten million views, and in 2024 he became the first Polish artist to perform at an Olympic Games opening ceremony, singing Rameau at the Paris games before a global audience.

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Repertoire

Vedrò con mio diletto (Il Giustino)— Antonio Vivaldi
Mea tormenta, properate! (from Sanctus Petrus et Sancta Maria Magdalena)— Johann Adolph Hasse, with Il Pomo d’Oro
Pena tiranna (Amadigi di Gaula)— George Frideric Handel
Laetatus sum, ZWV 90: “Rogate”— Jan Dismas Zelenka
La costanza non gradita nel doppio amore d’Aminta: “Infelice mia costanza”— Giovanni Bononcini
Amarilli, mia bella— Giulio Caccini
Il Faraone sommerso: “Alla gente a Dio diletta”— Francesco Nicola Fago, with Il Pomo d’Oro
Che farò senza Euridice (Orfeo ed Euridice, Act 3)— Christoph Willibald Gluck
Agrippina, HWV 6, Act 1: “Lusinghiera mia speranza”— George Frideric Handel, with Il Pomo d’Oro
L’amante consolato (Cantate, ariette e duetti, Op. 2)— Barbara Strozzi
Music for a While— Henry Purcell
Dies irae: “Juste Judex ultionis”— Francesco Feo
Śpiewnik domowy, Zeszyt III: No. 7, Prząśniczka— Stanisław Moniuszko
Fiat pax (from Laetatus sum, ZWV 90)— Jan Dismas Zelenka
Dopo lungo penare (Arpa Davidica)— Salomone Rossi, with L’Arpeggiata & Christina Pluhar
Initium sapientiae timor Domini (from Confitebor tibi Domine)— Nicola Fago
“Che puro ciel” from ‘Orfeo ed Euridice’— Christoph Willibald Gluck
Jakub Józef Orliński “Se un solo e quel core” from Tolomeo— George Frideric Handel
Orfeo & Euridice— Christoph Willibald Gluck
“Amarilli, mia bella” (live at the OPUS KLASSIK 2023 Gala)— Giulio Caccini
Oedipus, Z. 583: No. 2, Song. “Music for a While”— Henry Purcell
King Arthur, Z. 628, Act 5: The Final Masque. “Fairest Isle”— Henry Purcell
King Arthur, Z. 628, Act 3: Cold Song. “What Power Art Thou?”— Henry Purcell
Come, Ye Sons of Art Away, Z. 323: No. 5, Ritornello. “Strike the Viol”— Henry Purcell
If Music Be the Food of Love, Z. 379 (Third Version)— Henry Purcell
Pausanius, Z. 585: Song. “Sweeter Than Roses”— Henry Purcell
If Music Be the Food of Love, Z. 379 (First Version)— Henry Purcell
Bonduca, Z. 574, Act 5: Solo. “O, Lead Me”— Henry Purcell
The Tempest, Z. 631, Act 5: Recitative and Song. “Your Awful Voice”— Henry Purcell
Il fonte della salute, aperto dalla grazia nel calvario, K. 293: “Non t’amo per il ciel”— Johann Joseph Fux
Agrippina, HWV 6, Act 2: Recitativo. “Otton, qual portentoso fulmine è questi?” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: Aria. “Voi che udite” (Ottone)— George Frideric Handel
Rodelinda, regina de’ Longobardi, HWV 19, Act 3: Aria. “Un zeffiro spirò” (Rodelinda)— George Frideric Handel
Serse, HWV 40, Act 1: Largo. “Ombra mai fu” (Serse)— George Frideric Handel
Rinaldo, HWV 7, Act 2: Aria. “Siam prossimi al porto” (Eustazio)— George Frideric Handel
Partenope, HWV 27, Act 2: Aria. “Furibondo spira il vento” (Arsace)— George Frideric Handel
Semele, HWV 58, Act 2: Aria. “Where’er You Walk” (Jupiter)— George Frideric Handel
Herz und Mund und Tat und Leben, BWV 147: X. Jesu, Joy of Man’s Desiring (Arr. Hess for Piano)— Johann Sebastian Bach
Intro— Aleksander Dębicz
Alla gente (From “Il faraone sommerso”)— Nicola Fago
Strike the Viol (From “Come Ye Sons of Art”, Z. 323)— Henry Purcell
Fairest Isle (From “King Arthur”, Z. 628)— Henry Purcell
Oblivion (From “L’incoronazione di Poppea”, SV 308)— Claudio Monteverdi
Sound the Trumpet (From “Come, Ye Sons of Art”, Z. 323)— Henry Purcell
Pena tiranna (From “Amadigi di Gaula”, HWV 11)— George Frideric Handel
Toccata 1— Aleksander Dębicz
Zefiro torna (From “Scherzi musicali”)— Claudio Monteverdi
Vedrò (From “Giustino”, RV 717)— Antonio Vivaldi
Finale— Aleksander Dębicz
Moja i Twoja Nadzieja— Piotr Banach
Orfeo ed Euridice, Wq. 30: Sinfonia— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Ah se intorno a quest’urna funesta” (Coro, Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Basta, basta o compagni” (Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Ah se intorno a quest’urna funesta” (Coro)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Chiamo il mio ben così” (Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Numi, barbari Numi!” (Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “T’assiste Amore!” (Amore, Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Gli sguardi trattieni” (Amore)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: “Che disse? Che ascoltai?” (Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ballo di furie e Spettri – “Chi mai dell’Erebo” – “Mille…— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ballo d’eroi ed eroine negli Elisi— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: “Che puro ciel!” (Orfeo, Coro)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: “Vieni a’ regni del riposo” (Coro)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ballo— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: “Anime avventurose” – “Torna o bella” (Orfeo, Coro)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Vieni, segui i miei passi” (Orfeo, Euridice)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Vieni appaga il tuo consorte” (Orfeo, Euridice)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Qual vita e questa mai” (Euridice)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Che fiero momento” (Euridice)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Ecco un nuovo tormento” (Orfeo, Euridice)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Ah finisca e per sempre” (Orfeo)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Orfeo che fai?” (Orfeo, Amore, Euridice)— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: Sinfonia— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: Ballo: II. Allegro— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: Ballo: III. Andante— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro— Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: “Trionfi Amore!” (Orfeo, Amore, Euridice, Coro)— Christoph Willibald Gluck
L’incoronazione di Poppea, Act 1: “E pur io torno qui” (Ottone)— Claudio Monteverdi
Voglio di vita uscir— Claudio Monteverdi
Libro quarto d’intavolatura di chitarone: Kapsberger I— Girolamo Kapsberger
Le nuove musiche: No. 8, Amarilli, mia bella— Giulio Caccini
Arie musicali, Libro 1: No. 16, Aria di Passacaglia. “Così mi disprezzate?”— Girolamo Frescobaldi
Pompeo Magno, Act 2: “Incomprensibil nume” (Pompeo Magno)— Francesco Cavalli
Sonata for 2 Violins and Continuo in F Major— Johann Caspar von Kerll
Le seconde musiche: No. 1, Udite, lagrimosi spirti d’Averno— Claudio Saracini
Demetrio, Sinfonia: I. Grave— Carlo Pallavicino
Demetrio, Sinfonia: II. Affettuoso— Carlo Pallavicino
Demetrio, Sinfonia: III. Presto— Carlo Pallavicino
Demetrio, Sinfonia: IV. Adagio— Carlo Pallavicino
Raccolta di Ariette: Chi vuol ch’il cor gioisca— Pietro Paolo Cappellini
La Filli, Act 2: “Misero core” (Berillo)— Giovanni Cesare Netti
La Filli, Act 2: “Datti pace, Berillo” – “Sì, sì, sì, scioglia sì” (Berillo)— Giovanni Cesare Netti
La Filli, Act 2: “Ah, che miei voi non siete” (Berillo)— Giovanni Cesare Netti
La Filli, Act 2: “Dolcissime catene” (Berillo)— Giovanni Cesare Netti
Antonino e Pompeiano, Act 3: “La certezza di sua fede” (Pompeiano)— Antonio Sartorio
L’Adamiro, Act 1: “Quanto più la donna invecchia” (Crinalba)— Giovanni Cesare Netti
Scherzi e canzonette, Op. 5: La vecchia innamorata (Instrumental Version)— Biagio Marini
L’Adamiro, Act 2: “Son vecchia, pazienza” (Crinalba)— Giovanni Cesare Netti
Il segreto d’amore in petto del Savio, Act 3: “A battaglia, su, mio core” (Eugerio)— Giuseppe Antonio Bernabei
Concerto a 3 voci & continuo: Tamburetta— Adam Jarzębski
Donde avvien che tutt’ebro di vera gioia: Sinfonia— Giovanni Battista Vitali
Donde avvien che tutt’ebro di vera gioia: “Donde avvien che tutt’ebro di vera gioia”— Giovanni Battista Vitali
Donde avvien che tutt’ebro di vera gioia: “Nell’anglica sede, vessillo di fede”— Giovanni Battista Vitali
Donde avvien che tutt’ebro di vera gioia: “Maria germe real del tronco estense”— Giovanni Battista Vitali
Donde avvien che tutt’ebro di vera gioia: “Frema l’Erebo adirato”— Giovanni Battista Vitali
Donde avvien che tutt’ebro di vera gioia: “Ma di fatti, si degni”— Giovanni Battista Vitali
Donde avvien che tutt’ebro di vera gioia: “Se nunzia fedel con tromba sonante”— Giovanni Battista Vitali
La costanza gelosa negl’amori di Cefalo e Procri, Act 3: “Come allor, che più densi” (Mercurio)— Carlo Francesco Pollarolo
La costanza gelosa negl’amori di Cefalo e Procri, Act 3: “Son tanto avvezzo a piangere” (Mercurio)— Carlo Francesco Pollarolo
La faretra smarrita: “Lungi dai nostri cor” (Amore)— Sebastiano Moratelli
Pożegnania: No. 1, Kochałem Panią— Henryk Czyż
Pożegnania: No. 3, Ostatni raz— Henryk Czyż
4 Love Sonnets: No. 1, Spójrz co tu ciche serce wypisało— Tadeusz Baird
4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy— Tadeusz Baird
4 Love Sonnets: No. 3, Słodka miłości— Tadeusz Baird
4 Love Sonnets: No. 4, Jakże podobna zimie jest rozłąka— Tadeusz Baird
12 Kurpian Songs, Op. 58, Book I: No. 1, Lecioły zórazie— Karol Szymanowski
12 Kurpian Songs, Op. 58, Zeszyt 1: No. 2, Wysła burzycka— Karol Szymanowski
12 Kurpian Songs, Op. 58, Book I: No. 3, Uwoz, mamo— Karol Szymanowski
12 Kurpian Songs, Op. 58, Zeszyt 1: No. 4, U jeziorecka— Karol Szymanowski
3 Songs: No. 1, Jesień— Paweł Łukaszewski
10 Songs, Op. 3: No. 7, Nie płacz nade mną— Mieczysław Karłowicz
10 Songs, Op. 3: No. 2, Z Erotyków— Mieczysław Karłowicz
10 Songs, Op. 3: No. 4, Na spokojnym, ciemnym morzu— Mieczysław Karłowicz
6 Songs, Op. 1: No. 6, Smutną jest dusza moja— Mieczysław Karłowicz
10 Songs, Op. 3: No. 1, Mów do mnie jeszcze— Mieczysław Karłowicz
10 Songs, Op. 3: No. 6, Przed nocą wieczną— Mieczysław Karłowicz
10 Songs, Op. 3: No. 5, Śpi w blaskach nocy morska toń— Mieczysław Karłowicz
6 Songs, Op. 1: No. 2, Skąd pierwsze gwiazdy— Mieczysław Karłowicz
10 Songs, Op. 3: No. 9, Po szerokiem, po szerokiem morzu— Mieczysław Karłowicz
10 Songs, Op. 3: No. 8, W wieczorną ciszę— Mieczysław Karłowicz
Czasem gdy długo na pół sennie marzę— Mieczysław Karłowicz
10 Songs, Op. 3: No. 10, Zaczarowana królewna— Mieczysław Karłowicz
Śpiewnik domowy, Zeszyt VII: No. 13, Łza— Stanisław Moniuszko
Stabat Mater, RV 621: I. Stabat Mater dolorosa— Antonio Vivaldi
Stabat Mater, RV 621: II. Cujus animam gementem— Antonio Vivaldi
Stabat Mater, RV 621: III. O quam tristis et afflicta— Antonio Vivaldi
Stabat Mater, RV 621: IV. Quis est homo— Antonio Vivaldi
Stabat Mater, RV 621: V. Quis non posset contristari— Antonio Vivaldi
Stabat Mater, RV 621: VI. Pro peccattis suae gentis— Antonio Vivaldi
Stabat Mater, RV 621: VII. Eia Mater, fons amoris— Antonio Vivaldi
Stabat Mater, RV 621: VIII. Fac ut ardeat cor meum— Antonio Vivaldi
Stabat Mater, RV 621: IX. Amen— Antonio Vivaldi
Barbara, dira effera, ZWV 164: I. Barbara, dira, effera— Jan Dismas Zelenka
Barbara, dira effera, ZWV 164: II. Vicit leo de tribu Juda— Jan Dismas Zelenka
Barbara, dira effera, ZWV 164: III. Alleluja— Jan Dismas Zelenka
Il fonte della salute, aperto dalla grazia nel calvario K. 293: “Non t’amo per il ciel”— Johann Joseph Fux
Laetatus sum, ZWV 90: I. Laetatus sum. Allegro assai— Jan Dismas Zelenka
Laetatus sum, ZWV 90: II. Illuc enim. Allegro assai— Jan Dismas Zelenka
Laetatus sum, ZWV 90: V. Gloria. Adagio— Jan Dismas Zelenka
Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai— Jan Dismas Zelenka
La Giuditta: “Giusto Dio”— Francisco António de Almeida
Il Davide trionfante: “Un giusto furore che m’arde nel core”— Bartolomeo Nucci
Laudate pueri: I. Laudate pueri, Dominum— Gennaro Manna
Laudate pueri: II. Quis sicut Dominus— Gennaro Manna
Laudate pueri: III. Suscitans a terra inopem— Gennaro Manna
Laudate pueri: IV. Gloria— Gennaro Manna
Laudate pueri: V. Sicut erat in principio – Amen— Gennaro Manna
Antiphon in D Minor, HWV 269 “Alleluja, Amen”— George Frideric Handel
Recipe— Aleksander Dębicz
Aranjuez Concerto BWV 1056— Joaquín Rodrigo
Tuyo („Narcos” Theme)— Rodrigo Amarante
Água e Vinho— Egberto Gismonti
Pedro— Aleksander Dębicz
Ravel— Maurice Ravel
Quarantine Song— Aleksander Dębicz
Domingo— Domenico Scarlatti
Gnossienne No. 1— Érik Satie
Asturias— Isaac Albéniz
Adela— Joaquín Rodrigo
Fairytale— Aleksander Dębicz
Agrippina, HWV 6: Sinfonia— George Frideric Handel
Agrippina, HWV 6, Act 1: “Nerone, amato figlio” (Agrippina, Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Col saggio tuo consiglio” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Per cosi grand’impresa” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “A’ cenni tuoi sovrani” (Pallante, Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “La mia sorte fortunata” (Pallante)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Or che Pallante è vinto” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Umile alle tue piante” (Agrippina, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Volo pronto” (Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Quanto fa, quanto puote” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “L’alma mia fra le tempeste” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Qual piacer” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Amici, al sen vi stringo” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Ecco chi presto” (Pallante, Narciso, Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Voi, che dell’alta Roma” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Il tuo figlio / La tua prole” (Agrippina, Nerone, Narciso, Pallante)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Ma qual di liete trombe” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Allegrezza, allegrezza!” (Lesbo)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Che sento!” (Lesbo, Pallante, Agrippina, Narciso, Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Alle tue piante, o Augusta” (Ottone, Pallante, Agrippina, Narciso,…— George Frideric Handel
Agrippina, HWV 6, Act 1: “Augusta, amo Poppea” (Ottone, Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “L’ultima del gioir” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Lusinghiera mia speranza” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Vaghe perle” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Otton, Claudio, Nerone” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Signora, o mia signora!” (Lesbo, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Di lieta nuova” (Lesbo, Agrippina, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Perché invece di Claudio” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “È un foco quel d’amore” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: ” (Ma qui Agrippina viene) ” (Agrippina, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Cieli, quai strani casi” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Non veggo alcun” (Lesbo)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Pur ritorno a rimirarvi” (Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Ma, o ciel, mesta e confusa” (Claudio, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Vieni, o cara” (Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 1: ” (Che mai farò?) ” (Poppea, Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Signor, signor, presto” (Lesbo, Claudio, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “E quando mai / Quando vorrai” (Poppea, Claudio, Lesbo)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Pur al fin se n’andò” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “O mia liberatrice” (Poppea, Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Non ho cor che per amarti” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Se Ottone m’ingannò” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 1: “Se giunge un dispetto” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Dunque noi siam traditi” (Pallante, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Coronato il crin d’alloro” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Roma, più ch’il trionfo” (Pallante, Narciso, Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: Prelude— George Frideric Handel
Agrippina, HWV 6, Act 2: “Ecco il superbo” (Agrippina, Poppea, Nerone, Ottone, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Di timpani e trombe” (Poppea, Nerone, Agrippina, Ottone, Narciso,…— George Frideric Handel
Agrippina, HWV 6, Act 2: “Nella Britannia vinta” (Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Cade il mondo” (Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Signor, quanto il mio cuore” (Agrippina, Claudio, Poppea, Nerone,…— George Frideric Handel
Agrippina, HWV 6, Act 2: “Nulla sperar da me” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “E tu Poppea” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Tuo ben è il trono” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Soccorri almen Nerone” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Sotto il lauro” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Scherzo son” (Ottone, Narciso, Pallante, Lesbo)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Otton, otton” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Voi ch’udite” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Spera, alma mia” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Il tormento d’Ottone” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: ” (Par che amor sia) ” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Vaghe fonti” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Ma qui che veggo” (Ottone, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Fantasme della mente”— George Frideric Handel
Agrippina, HWV 6, Act 2: “Ti vuo’ giusta” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Da quali ordite trame” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Ingannata una sol volta” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Pur alfin ti ritrovo” (Lesbo, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “A non pochi perigli” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Son qui, mia vita” (Nerone, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Col peso del tuo amor” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Qual bramato piacere” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Quando invita” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Pensieri, voi mi tormentate” / “Quel ch’oprai” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Se ben nemica sorte” (Pallante, Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Col raggio placido” (Pallante)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Di giunger non dispero” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Or è tempo” (Agrippina, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Spererò, poiché mel dice” (Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Per dar la pace al core” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “A vagheggiar io vengo” (Claudio, Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Signor, Poppea” (Lesbo, Claudio, Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Basta che sol tu chieda” (Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Favorevol la sorte” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 2: “Ogni vento” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Il caro Otton” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Ah, mia Poppea” (Ottone, Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Tacerò” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Attendo qui Nerone” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Anelante ti reco” (Nerone, Poppea, Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 3 “Coll’ardor del tuo bel core” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Amico ciel” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Qui non v’è alcun” (Lesbo, Claudio, Poppea, Nerone, Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Temerario insolente” (Claudio, Nerone, Poppea, Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Ora, Claudio, che dici?” (Poppea, Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Io di Roma” (Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Pur alfin se n’andò” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Ora Ottone, che dici?” (Poppea, Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Pur ch’io ti stringa al sen” (Ottone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Piega pur del mio cor” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Bel piacere” (Poppea)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Cotanto osò Poppea?” (Agrippina, Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Come nube” (Nerone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Evvi donna più empia?” (Pallante, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Agrippina, Nerone” (Claudio, Pallante, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Adorato mio sposo” (Agrippina, Claudio, Pallante, Narciso)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Se vuoi pace” (Agrippina)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Ecco la mia rivale” (Agrippina, Poppea, Nerone, Ottone, Claudio)— George Frideric Handel
Agrippina, HWV 6, Act 3: “Lieto il Tebro” (Agrippina, Poppea, Claudio, Nerone, Ottone,…— George Frideric Handel
Agrippina, HWV 6, Act 3: “D’Ottone e di Poppea” (Giunone)— George Frideric Handel
Agrippina, HWV 6, Act 3: “V’accendano le tede” (Giunone)— George Frideric Handel
Agrippina, HWV 6, Act 3: Gigue— George Frideric Handel
Agrippina, HWV 6, Act 3: Sarabande— George Frideric Handel
Agrippina, HWV 6, Act 3: Bourrée— George Frideric Handel
Agrippina, HWV 6, Act 3: Menuet— George Frideric Handel
Agrippina, HWV 6, Act 3: Passacaille— George Frideric Handel
Agrippina, HWV 6, Act 1: “Fa’ quanto vuoi” (Poppea) (Appendix)— George Frideric Handel
Agrippina, HWV 6, Act 3: “No, no, ch’io non apprezzo” (Ottone, Poppea) (Appendix)— George Frideric Handel
La Calisto, Act 2: “Erme e solinghe cime” – “Lucidissima face” (Endimione)— Francesco Cavalli
Eliogabalo, Act 3: “Chi scherza con Amor” (Eliogabalo)— Giovanni Antonio Boretti
Claudio Cesare, Act 2: Sinfonia— Giovanni Antonio Boretti
Claudio Cesare, Act 2: “Crudo amor, non hai pietà” (Claudio)— Giovanni Antonio Boretti
La Nemica d’Amore fatta amante, Pt. 1: Sinfonia— Giovanni Bononcini
Il Pirro e Demetrio, Act 2: “Fra gl’assalti di Cupido” (Pirro)— Alessandro Scarlatti
Agrippina, HWV 6, Act 2: “Otton qual portentoso fulmine” (Ottone)— George Frideric Handel
Nerone, Act 1: “Che m’ami ti prega” (Nerone)— Giuseppe Maria Orlandini
Muzio Scevola, HWV 13, Act 3: “Spera, che tra le care gioie” (Muzio)— George Frideric Handel
Orlando, HWV 31, Act 2: “Ah stigie larve! … Vaghe pupille” (Orlando)— George Frideric Handel
Scipione il giovane, Act 3: “Dovrian quest’occhi piangere” (Scipione)— Luca Antonio Predieri
Ballo dei Bagatellieri— Nicola Matteis
Don Chisciotte in Sierra Morena, Act 4: “Odio, vendetta, amore” (Fernando)— Francesco Bartolomeo Conti
Scipione il giovane, Act 1: “Finche salvo è l’amor suo” (Scipione)— Luca Antonio Predieri
Orfeo: “Sempre a si vaghi rai” (Orfeo)— Johann Adolph Hasse
Confitebor tibi Domine: I. “Confitebor tibi Domine”— Nicola Fago
Confitebor tibi Domine: II. “Memoriam fecit – Escam dedit”— Nicola Fago
Confitebor tibi Domine: III. “Fidelia omnia mandata ejus”— Nicola Fago
Confitebor tibi Domine: IV. “Sanctum et terribile”— Nicola Fago
Confitebor tibi Domine: VI. “Intellectus bonus omnibus – Gloria”— Nicola Fago
Confitebor tibi Domine: VII. “Sicut erat in principio – Amen”— Nicola Fago
Alma Redemptoris Mater, S. 22: I. “Alma Redemptoris Mater”— Johann David Heinichen
Alma Redemptoris Mater, S. 22: II. “Tu quae genuisti”— Johann David Heinichen
Alma Redemptoris Mater, S. 22: III. “Gabrielis ab ore”— Johann David Heinichen
Dixit Dominus: “Donec ponam”— Domènec Terradellas
Tam non splendet sol creatus: I. “Tam non splendet sol creatus”— Nicola Fago
Tam non splendet sol creatus: II. “O nox clara?”— Nicola Fago
Tam non splendet sol creatus: III. “Dum infans iam dormit”— Nicola Fago
Tam non splendet sol creatus: IV. “Alleluia”— Nicola Fago
Messa a 5 voci: “Laudamus te”— Domenico Sarro
Gesù al Calvario, ZWV 62: “Smanie di dolci affetti … “— Jan Dismas Zelenka
Gesù al Calvario, ZWV 62: “S’una sol lagrima”— Jan Dismas Zelenka
Maria Vergine al Calvario: “L’agnelletta timidetta”— Gaetano Maria Schiassi
Messa a 5 voci: “Domine Fili unigenite”— Francesco Durante
Tamerlano, HWV 18, Act 3: A dispetto d’un volto ingrato. Aria— George Frideric Handel
Orlando, HWV 31, Act 3: Amor e qual vento. Aria— George Frideric Handel
Serse, HWV 40, Act 3: Troppo oltraggi la mia fede. Duetto— George Frideric Handel
Partenope, HWV 27, Act 2: Furibondo spira il vento. Aria— George Frideric Handel
Tolomeo, re d’Egitto, HWV 25, Act 3: Stille amare. Recitativo— George Frideric Handel
Ariodante, HWV 33, Act 1: Volate Amori. Aria— George Frideric Handel
Rodelinda, regina de’ Longobardi, HWV 19, Act 2: Io t’abbraccio. Duetto— George Frideric Handel
Rinaldo, HWV 7, Act 1: Furie terribili. Arioso— George Frideric Handel
Rinaldo, HWV 7, Act 2: Fermati!. Duetto— George Frideric Handel
Rodelinda, regina de’ Longobardi, HWV 19, Act 1: Dove sei,amato bene? Aria— George Frideric Handel
Rinaldo, HWV 7, Act 2: Vo far guerra. Aria— George Frideric Handel
Les Indes galantes, Act 1: “Viens, Hymen”— Jean-Philippe Rameau
Spiewnik domowy: No.7, Prząśniczka— Stanisław Moniuszko
Magnificat: II. Quia respexit— Marcin Józef Żebrowski
Riccardo I, ré d’Inghilterra, HWV 23, Act 2: “Agitato da fiere tempeste” (Riccardo)— George Frideric Handel
Tolomeo, re d’Egitto, HWV 25, Act 1: “Torna sol per un momento” (Tolomeo)— George Frideric Handel
Partenope, HWV 27, Act 2: “Furibondo spira il vento” (Arsace)— George Frideric Handel
Il Giustino, RV 717, Act 1: “Vedrò con mio diletto” (Anastasio)— Antonio Vivaldi
Nigdy Sam (Remix) (Pepsi Taste The Beat)— Michał Kożuchowski