Biography (read more)

Jordi Savall was born on 1 August 1941 in Igualada, near Barcelona, Spain, and baptized Jordi Savall i Bernadet. He trained at the Barcelona Conservatory, graduating in 1965, then dedicated himself to the viola da gamba, specializing at the Schola Cantorum Basiliensis in Basel under August Wenzinger, whom he succeeded as professor of viol in 1974. A Spanish conductor, composer and viol player, Savall has been a central figure in Western early music since the 1970s. In 1974 he founded the ensemble Hespèrion XX (later Hespèrion XXI) with his wife, soprano Montserrat Figueras; he later founded La Capella Reial de Catalunya (1987) and Le Concert des Nations (1989), building a discography of more than 200 recordings on his own Alia Vox label.

Savall did more than any other performer to rescue the viola da gamba and its repertoire from obscurity, showing that early music could be both scholarly and emotionally vivid for mainstream audiences. Through Hespèrion XXI, La Capella Reial de Catalunya and Le Concert des Nations he uncovered forgotten Renaissance and early Baroque scores from Spain, Italy and beyond, pairing rigorous historical research with vital, theatrical performance. His Alia Vox label and international touring made historically informed performance commercially viable worldwide.

Sources:

Repertoire

Diferencias sobre las Folías— Antonio Martín y Coll
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Lachrimae, or Seaven Teares— John Dowland
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L’Orfeo: Toccata— Claudio Monteverdi
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El Cant dels Aucells (The Song of the Birds)— Traditional (Catalan)
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Officium Hebdomadae Sanctae (Holy Week Responsories)— Tomás Luis de Victoria
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Le Badinage— Marin Marais
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Suite d’un goût étranger— Marin Marais
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Les Pleurs (version à 2 violes)— Sainte-Colombe
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Concert à deux violes “Le Retour”— Sainte-Colombe
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Recercada quarta sobre La Folia— Diego Ortiz
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La Spagna— Diego Ortiz
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Invocation (viol recital excerpt)— Carl Friedrich Abel / Johann Sebastian Bach / Johann Schenck
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Les Regrets (viol recital excerpt)— Jean de Sainte-Colombe (père) / Johann Sebastian Bach
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La Rêveuse— Marin Marais
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Les Voix Humaines— Marin Marais
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Sinfonia Seconda— Johann Rosenmüller
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Sonata Vii— Johann Rosenmüller
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Sinfonia Quarta— Johann Rosenmüller
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Suite I— Johann Rosenmüller
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Sonata Xi— Johann Rosenmüller
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Sinfonia Prima— Johann Rosenmüller
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Sonata Ix— Johann Rosenmüller
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Symphony No. 4 in A Major, Op. 90 “Italian” (1834 Version) : I. Allegro vivace— Felix Mendelssohn
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Symphony No. 4 in A Major, Op. 90 “Italian” (1834 Version) : II. Andante con moto— Diego Ortiz
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Symphony No. 4 in A Major, Op. 90 “Italian” (1834 Version) : III. Menuetto— George Frideric Handel
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Symphony No. 4 in A Major, Op. 90 “Italian” (1834 Version) : IV. Saltarello— Traditional
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Symphony No. 4 in A Major, Op. 90 “Italian”: I. Allegro vivace— Georg Philipp Telemann
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Symphony No. 4 in A Major, Op. 90 “Italian”: II. Andante con moto— Traditional
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Symphony No. 4 in A Major, Op. 90 “Italian”: III. Menuetto— Traditional
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Symphony No. 4 in A Major, Op. 90 “Italian”: IV. Saltarello— Traditional
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O Gloriosa Domina (Shakuhashi)— Tomás Luis de Victoria
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O Gloriosa Domina (gregorian)— Wolfgang Amadeus Mozart
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O Gloriosa Domina (Biwa & Shinobue)— Johann Sebastian Bach
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Quod Eva tristis (Gregorian)— Traditional
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O Gloriosa Domina (Biwa)— Anthony Holborne
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Tu regis alti ianua III (chorus)— Johann Sebastian Bach
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O Gloriosa Domina (Shakuhachi & Biwa)— Johann Sebastian Bach
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Patri sit paraclito IV (chorus)— Anton Bruckner
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Luis de Narvaez : Diferencia II on “O Gloriosa Domina”— Ludwig van Beethoven
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O Gloriosa Domina – Amen (chorus)— George Frideric Handel
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Venegas de Henestrosa : Himno XX “O Gloriosa Domina”— Marin Marais
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Rangyoku (Nokan)— Marin Marais
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Villancico: Senhora del Mundo (M. Figueras) .— Marin Marais
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Alba & Rotundellus (anonym.)— Marin Marais
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Honnôji (Biwa & Canto)— Marin Marais
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O Gloriosa Domina – Diferencia I (Vihuela)— Marin Marais
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Shino no netori (Shinobue)— Traditional
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Ave María (pentatónica) – Anónimo (China)— Traditional
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Reibo (Shakuhachi)— Traditional
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I. 1459 El Tiempo de Maximiliano I (Rey de Roma 1486 y Emperador Germánico 1493) y de María de…— Traditional
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II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: “Amor Con Fortuna” (Villancico)— Traditional
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II. 1500 Nacimiento de Carlos V: Vive Le Roy (Instrumental)— Traditional
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II. 1516 Reinado de Carlos V: “Todos Los Bienes Del Mundo” (Villancico)— Marin Marais
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II. 1516 Reinado de Carlos V: La Spagna, A 5 (Instrumental)— Composer not established
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III. 1519 Revuelta de Las Germanías en Valencia y Represión de Las Comunidades: Cancionero De…— Composer not established
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III. 1525 Batalla de Pavía: Pavana “La Battaglia” (Instrumental)— Composer not established
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III. 1526 Matrimonio de Carlos V con Isabel de Portugal: “Belle qui tiens ma vie” (Chanson)— Composer not established
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III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre “Belle qui tiens ma…— Antonio de Cabezón
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IV.1527 Saco de Roma: “Vecchie Letrose” (Villanesca Alla Napolitana)— Composer not established
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IV.1530 Clemente VII Corona Carlos V Como Emperador y Rey De Italia: Fanfarria— Composer not established
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IV.1530 Clemente VII Corona Carlos V Como Emperador y Rey De Italia: “Sanctus De La Misa ‘Mille…— Composer not established
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V. 1532 Paz De Nuremberg: “De Pacem Domine” (Ricercare XIV)— Composer not established
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V. 1538 Paz De Niza: “Jubilate Deo Omnis Terra” (Motete) , A 6— Composer not established
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V. 1539 Muerte de la Esposa de Carlos V: “Mille Regretz” (Chanson)— Composer not established
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VI. 1547 Batalla de Mühlberg: El Viejo: “Todos Los Buenos Soldados” (Fragmento de La Ensalada…— Composer not established
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VI. 1556 La Abdicación: “Agnus Dei” De La Missa “Mille Regretz”, A 6— Composer not established
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VI. 1557 Retiro en San Jerónimo de Yuste: “Mille Regretz” “Canción Del Emperador” (Arpa…— Luys de Narváez
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VI. 1558 Muerte de Carlos V: “Circumdederunt Me Gemitus Mortis” (Motete)— Composer not established
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Mundus Et Musica Et Totus Concentus— B. Ramos de Pareja
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Si Us Voleu Ben Despertar— Anonymous
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Ay Luna Que Reluzes— Anonymous
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Pavana – Gallarda— Luys Milan
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Soleta I Verge Estich— Bartomeu Carceres
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Con Que La Lavare— Luys de Narvaez
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Danza Alta— Anonymous
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Falalalanlera— Bartomeu Carceres
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No La Devemos Dormir— Anonymous
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Fantasia VIII— Luys Milan
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La Trulla— Bartomeu Carceres
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Gallarda Napolitana— Composer not established
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Passamezzo Antico: Zarabanda (Recercada V)— Diego Ortiz
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Passacalle— Composer not established
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Passamezzo Moderno (Recercada II)— Diego Ortiz
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Il primo libro di canzone: Ciaccona— Composer not established
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Ruggiero (Quinta Pars IX)— Diego Ortiz
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Romanesca (Recercada VII)— Diego Ortiz
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Il terzo libro de varie sonate, sinfonie… , Op. 12: Sonata in G Major on an Aria by Ruggiero— Composer not established
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Per ogni sorte di strumenti musicale, Op. 22: Passacaglio— Biagio Marini
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Canarios (Improvisation)— Composer not established
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Ruggiero— Tarquinio Merula
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Tres Glosas Sobre “Todo El Mundo En General”— Composer not established
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Canzoni overo sonate concertate per chiesa e camera, libro terzo, Op. 12: Ciaccona— Tarquinio Merula
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Sonata in G Minor, Z. 807— Henry Purcell
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3 Parts Upon a Ground, Z. 731— Henry Purcell
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Kanon und Gigue— Johann Pachelbel
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Greensleeves to a Ground— Composer not established
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Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto— Ludwig van Beethoven
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Missa solemnis in D Major, Op. 123: I. Kyrie: Christe eleison. Andante assai ben marcato— Ludwig van Beethoven
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Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria: Gratias agimus tibi. Meno allegro— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria: Qui tollis peccata mundi. Larghetto— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria:In gloria Dei patris. Allegro, ma non troppo e…— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria: Amen. Poco più allegro— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: II. Gloria: Gloria in excelsis Deo. Presto— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Credo in unum Deum. Allegro ma non troppo— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Et incarnatus est. Adagio— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Et resurrexit. Allegro molto— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Credo in spiritum sanctum. Allegro ma non…— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Et vitam venturi seculi. Allegretto ma non troppo— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: IV. Sanctus: Sanctus. Adagio— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: IV. Sanctus: Pleni sunt coeli. Allegro pesante— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: IV. Sanctus: Osanna. Presto— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto ma non troppo— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: IV. Sanctus: Benedictus. Andante molto cantabile e non…— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei. Adagio— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: V. Agnus Dei: Dona nobis pacem. Allegretto vivace— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei qui tollis peccata mundi. Allegro assai— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: V. Agnus Dei: Dona nobis pacem. Tempo primo— Ludwig van Beethoven
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Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei dona pacem. Presto— Ludwig van Beethoven
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L’Appel— Composer not established
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Prière (Fantaisie D’Après Anonyme XVè)— Composer not established
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Veni Sancte Spirito— Composer not established
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Le Départ— Composer not established
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La Pucelle— Composer not established
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Bataille Français & Bourguignon— Composer not established
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Ballade: Ce Jour Le Doibt— Composer not established
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Rondeau: Ce Jour De L’An— Composer not established
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Saltarello— Composer not established
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L’Homme Armé— Composer not established
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Bataille Français & Anglais— Composer not established
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Les Voix II— Composer not established
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Prière II— Composer not established
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Ballade De La Pucelle— Composer not established
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D’Orléans À Reims— Composer not established
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Le Départ II— Composer not established
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Rondeau: Ce Jour De L’An II— Composer not established
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Rondeau: La Trémouille— Composer not established
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Marche Royale Pour Le Sacre— Composer not established
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Te Deum— Composer not established
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Marche Royale Pour L’Onction— Composer not established
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Motet-Chanson: Rejouis Toy Terre De France— Composer not established
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Les Voix III— Composer not established
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Messe De L’Homme Armé – Sanctus— Composer not established
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Messe De L’Homme Armé – Osanna— Composer not established
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Messe De L’Homme Armé – Osanna II— Composer not established
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Sonnerie Royale Pour La Fin Du Sacre— Composer not established
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Les Solitudes— Composer not established
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Prière III— Composer not established
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Panctus Jehanne— Composer not established
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Danze Veneziane: Pavana del Re— Composer not established
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Danze Veneziane: Galliarda la Traditora— Composer not established
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Danze Veneziane: El Todescho— Composer not established
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Danze Veneziane: Saltarello— Composer not established
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Ricercare XIV « Da Pacem »— Composer not established
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Capriccio V— Composer not established
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Ricercar VII— Andrea Gabrieli
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Lachrimæ, or Seven Teares: X. Mr. John Langton’s Pavan, P. 14— John Dowland
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Lachrimæ, or Seven Teares: XI. The King of Denmark, His Galliard, P. 40— John Dowland
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In Nomine a 4— Orlando Gibbons
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Ein Schottisch Tanz— Composer not established
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Ludi Musici: Paduan V— Composer not established
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Ludi Musici: Courant Dolorosa— Composer not established
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Ludi Musici: Allemande XVI— Composer not established
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Ludi Musici: Galliard Battaglia XXI— Composer not established
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Passacaglia à 4— Biagio Marini
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Sonata sesta a 4 Viole da gamba— Composer not established
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Concert pour quatre Violes, H. 545: I. Prélude— Composer not established
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Concert pour quatre Violes, H. 545: II. [Allemande]— Composer not established
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Concert pour quatre Violes, H. 545: III. Sarabande. Rondeau— Composer not established
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Concert pour quatre Violes, H. 545: IV. Gigue anglaise— Composer not established
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Concert pour quatre Violes, H. 545: V. Gigue française— Composer not established
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Concert pour quatre Violes, H. 545: VI. Passecaille— Composer not established
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Consonancias de 1º Tom— Composer not established
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Folia (Obra de 1er Tono, N. 10)— Composer not established
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Corrente italiana— Composer not established
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Taksim (Kanun, Vièle, Oud, Kemence et Tanbur)— Trad.
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Der makām-ı ‘Uzzâl uşūleş Devr-i kebīr – Mss. Dimitri Cantemir (118)— Trad
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Los Paxaricos (Isaac Levy I.59) — Maciço de Rosas (I.Levy III.41)— Trad
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Taksim (Kanun)— Trad
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Der makām-ı Muhayyer uşūleş Muhammes (Mss. D.Cantemir 285)— Trad.
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Chant et Danse (2 Duduk et percussion)— Trad.
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Taksim (Oud)— Trad.
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Der makām-ı Hüseynī Semâ’î (Mss. D.Cantemir 268)— Trad.
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El amor yo no savia (I.Levy II.80)— Trad
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Taksim (Lira)— Trad.
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Der makām-ı Şūri Semâ’î (Mss. D.Cantemir 256)— Trad.
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Lamento: Ene Sarére (2 Duduk)— Trad
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Madre de la gracia (I. Levy III.29)— Trad.
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Taksim (Kanun, Tanbur, Santur et Oud)— Trad
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Der makām-ı [Hüseynī] uşūleş Çenber (Mss. D.Cantemir 96)— Trad.
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Taksim & Makam «Esmkhetiet-Yis kou ghimeten-Tchim guichi»— Trad.
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Taksim (Kanun, Tanbur et Oud)— Trad.
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Der makām-ı ‘Uzzâl uşūleş Berevsan (Mss. D.Cantemir 148)— Trad.
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Venturoso Mançevo (I. Levy II.58)— Trad
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Taksim (Kemence, Kanun, Oud et Tanbur)— Trad
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Der makām-ı Hüseynī Sakīl-i Ağa Rıżā (Mss. D. Cantemir 89)— Trad
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Symphony No. 8 in B Minor, D. 759 ‘Unfinished’: I. Allegro moderato— Franz Schubert
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Symphony No. 8 in B Minor, D. 759 ‘Unfinished’: II. Andante con moto— Franz Schubert
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Symphony No. 9 in C Major D. 944 ‘The Great’: I. Andante · Allegro ma non troppo – Più mosso— Franz Schubert
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Symphony No. 9 in C Major D. 944 ‘The Great’: II. Andante con moto— Franz Schubert
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Symphony No. 9 in C Major D. 944 ‘The Great’: III. Allegro vivace – Trio – Scherzo da capo— Franz Schubert
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Symphony No. 9 in C Major D. 944 ‘The Great’: IV. Allegro vivace— Franz Schubert
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Suitte D’Un Gout Étranger – Marche Tartare— Marin Marais
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Suitte D’Un Gout Étranger – La Tartarine— Marin Marais
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Suitte D’Un Gout Étranger – Les Fêtes Champêtres— Marin Marais
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Suitte D’Un Gout Étranger – Le Tourbillon— Marin Marais
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Suitte D’Un Gout Étranger – Le Labyrinthe— Marin Marais
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Suitte D’Un Gout Étranger – L’Arabesque— Marin Marais
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Suitte D’Un Gout Étranger – Allemande La Superbe— Marin Marais
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Suitte D’Un Gout Étranger – La Rêveuse— Marin Marais
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Suitte D’Un Gout Étranger – Marche— Marin Marais
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Suitte D’Un Gout Étranger – Gigue— Marin Marais
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Suitte D’Un Gout Étranger – Le Badinage— Marin Marais
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Pavane pour la petite « guaire » (guerre) , fait pour les Cornetz en 1601— Composer not established
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Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim— Traditional
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Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: II. Marche turque— Traditional
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Ha lahma ‘anya – Plainte en Araméen— Traditional
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Galliard Battaglia à 5 Voci. Cantus XXI— Composer not established
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Romance : Ya es tiempo de recoger— Composer not established
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Zion spricht : Der Herr hat mich verlassen— Composer not established
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Charivaris pour les hautbois— Composer not established
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Gavotte en suitte— Composer not established
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Catalunya comptat gran— Traditional
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Hymne de la Catalogne— Traditional
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Intrada-Geschwindt-Langsamer-Sarabande (Suites d’orchestre)— Composer not established
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Taksim & Makam « Uzzäl uşūleş Darb-I feth »— Composer not established
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Siehe an die Werke Gottes— Composer not established
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The Newark Siege— Composer not established
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Philippus Rex Hispaniæ— Composer not established
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Jubilate Deo « Le Motet de la Paix » (LWV 77/16)— Composer not established
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Der makām-ı Räst « Murass’a » uşūleş Düyek— Composer not established
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Alceste: Marche des Combattants— Composer not established
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Alceste: Menuet (LWV 50)— Composer not established
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Praise the Lord, O my soul— Composer not established
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Te Deum: I. Prélude— Composer not established
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Te Deum: II. Te Deum Laudamus— Composer not established
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Te Deum: III. Te aeternum patrem— Composer not established
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Te Deum: IV. Pleni sunt caeli— Composer not established
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Battalia a 10: I. Sonata— Composer not established
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Battalia a 10: II. Die Schlacht— Composer not established
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Cant dels Aucells quant arribaren los Vaixells— Traditional
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Il più bel nome: I. Sinfonia— Composer not established
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Il più bel nome: II. Coro di Seguaci della virtù— Composer not established
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Il più bel nome: III. Aria : Cari Elisi— Composer not established
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Requiem: Marcia Funebre— Composer not established
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Missa Bruxellensis: Kyrie— Composer not established
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Florilegium II, Chaconne de la Suite IV « Impatientia »— Composer not established
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Der makām-ı Uzzäl Sakîl « Turna » Semâ’î— Composer not established
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Beznevéstnaya Dévo (O Virgo)— Composer not established
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Batalla Imperial— Composer not established
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Battalia a 10: Lamento der Verwundten Musquetirer— Composer not established
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Missa Pro Defunctis – Hei mihi— Composer not established
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Catalunya en altre temps— Traditional
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Jubilate Deo / O Be Joyful, HWV 279: I. O Be Joyful in the Lord— George Frideric Handel
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Jubilate Deo / O Be Joyful, HWV 279: II. Serve the Lord with Gladness— George Frideric Handel
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Jubilate Deo / O Be Joyful, HWV 279: III. Be Ye Sure That the Lord He Is God— George Frideric Handel
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Jubilate Deo / O Be Joyful, HWV 279: IV. O Go Your Way Into His Gates— George Frideric Handel
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Jubilate Deo / O Be Joyful, HWV 279: V. For the Lord Is Gracious – Terzetto— George Frideric Handel
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Jubilate Deo / O Be Joyful, HWV 279: VI. Glory Be to the Father – Chorus— George Frideric Handel
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Jubilate Deo / O Be Joyful, HWV 279: VII. As It Was in the Beginning – Chorus— George Frideric Handel
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: I. Ouverture— Georg Philipp Telemann
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs I & II— Georg Philipp Telemann
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: III. Air à l’italien. Largo— Georg Philipp Telemann
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: IV. Menuets I & II— Georg Philipp Telemann
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: V. Réjouissance. Viste— Georg Philipp Telemann
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II— Georg Philipp Telemann
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Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VII. Polonaise— Georg Philipp Telemann
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Concerto for Recorder and Viola da gamba in A Minor, TWV 52:a1: I. Grave— Georg Philipp Telemann
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Concerto for Recorder and Viola da gamba in A Minor, TWV 52:a1: II. Allegro— Georg Philipp Telemann
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Concerto for Recorder and Viola da gamba in A Minor, TWV 52:a1: III. Dolce— Georg Philipp Telemann
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Concerto for Recorder and Viola da gamba in A Minor, TWV 52:a1: IV. Allegro— Georg Philipp Telemann
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Oboe Concerto in F Minor, TWV 51:f1: I. Allegro— Georg Philipp Telemann
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Oboe Concerto in F Minor, TWV 51:f1: II. Largo e piano— Georg Philipp Telemann
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Oboe Concerto in F Minor, TWV 51:f1: III. Vivace— Georg Philipp Telemann
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Pièces De Viole Du Livre III – Suite I En La Mineur – Prélude— Marin Marais
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Pièces De Viole Du Livre III – Suite I En La Mineur – Fantaisie— Marin Marais
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Pièces De Viole Du Livre III – Suite I En La Mineur – Allemande— Marin Marais
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Pièces De Viole Du Livre III – Suite I En La Mineur – Courante— Marin Marais
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Pièces De Viole Du Livre III – Suite I En La Mineur – Sarabande— Marin Marais
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Pièces De Viole Du Livre III – Suite I En La Mineur – Gigue & Double— Marin Marais
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Pièces De Viole Du Livre III – Suite I En La Mineur – Grand Ballet— Marin Marais
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Pièces De Viole Du Livre III – Suite Iv En Ré Majeur – Prélude— Marin Marais
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Pièces De Viole Du Livre III – Suite Iv En Ré Majeur – Fantaisie— Marin Marais
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Pièces De Viole Du Livre III – Suite Iv En Ré Majeur – Rondeau— Marin Marais
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Pièces De Viole Du Livre III – Suite Iv En Ré Majeur – Plainte— Marin Marais
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Pièces De Viole Du Livre III – Suite Iv En Ré Majeur – La Brillante— Marin Marais
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Pièces De Viole Du Livre III – Suite Iv En Ré Majeur – La Folette— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – Prélude— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – Allemande La Magnifique— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – Courante— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – Sarabande Grave— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – Gigue À L’Angloise— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – Menuet— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – La Muzette— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – 2Ème Muzette— Marin Marais
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Pièces De Viole Du Livre III – Suite Vii En Sol Majeur – La Guitare— Marin Marais
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Follias Criollas: Gallarda Napolitana— Composer not established
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Cachua a Duo y a Cuatro “Nino Il Mijor”— Composer not established
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Jacaras— Composer not established
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El Pajarillo— Composer not established
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Cumbes— Composer not established
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El Cielito Lindo— Composer not established
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Tono Humano: Trompicavalas Amor— Composer not established
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Balaju Jarocho— Composer not established
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Seguidillas “De Tu Vista Celoso”— Composer not established
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Fandango— Composer not established
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Guineo a 5 “Eso Rigor e’ Repente”— Composer not established
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Canarios— Composer not established
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Guabina de Velez— Composer not established
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Tono Humano: Niña Como En Tus Mudanzas— Composer not established
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Jota / Maria Chuchena— Composer not established
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Xicochi Conetzintle— Composer not established
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Danza de Moctezuma— Composer not established
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Cachua a Voz y Bajo “Dennos Lecencia Senores”— Composer not established
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Los Chiles Verdes— Composer not established
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Guaracha “Ay Que Me Abraso”— Composer not established
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The Art of the Fugue, BWV 1080: Contrapunctus 1— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 2— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 3— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 4— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Canon 17 Alla Duodecima In Contrapunto Alla Quinta— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Canon Alla Decima – Contrapunto 16 Alla Terza— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 5— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 6 In Stylo Francese— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 7 Per Augmentionem Et Diminutionem— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 8— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 9 Alla Duodecima— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 10 Alla Decima— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus Inversus 13B— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 13A— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 11— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Canon 14 Per Augmentationem In Contrario Motu— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Canon 15 Alla Ottava— Johann Sebastian Bach
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The Art of the Fugue, BWV 1080: Contrapunctus 18 – Fuga A 3 Soggetti— Johann Sebastian Bach
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Pavan, 1621 (Scheidt)— Composer not established
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Galliard Battaglia, 1621 (Scheidt)— Composer not established
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Lamento D’Ariana, 1608 (Monteverdi)— Composer not established
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Canzon III A 6, 1621 (Gabrieli)— Composer not established
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Canzon In Echo A 8, 1608 (Chilese)— Composer not established
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Lamento Di Iole, 1628 (Peri)— Composer not established
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Fantasia “Les Pleurs D’Orphée”, 1650 (Rossi)— Composer not established
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Pianto D’Erinna, 1639 (Fontei)— Composer not established
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Sarabande Italienne, Ca. 1650 (Anonyme)— Composer not established
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Canzon Sopra La Battaglia A 4, 1601 (Guami)— Composer not yet identified
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Il Lamento “Su’l Rodano Severo”, 1634 (Strozzi)— Composer not established
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Battaglia De Barabasso Yerno De Satanas, 1650 (Falconiero)— Composer not yet identified
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Prélude— Marin Marais
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Allemande— Marin Marais
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Courante— Marin Marais
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Sarabande— Marin Marais
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Gigue— Marin Marais
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Gavotte— Marin Marais
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Pièces De Viole Du Livre I – Suite En Ré Mineur – Menuet— Marin Marais
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Pièces De Viole Du Livre I – Chaconne In G— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Prélude— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Allemande— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Courante— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Sarabande— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Gigue— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Menuet— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Fantaisie En Echo— Marin Marais
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Pièces De Viole Du Livre I – Suite En Sol – Tombeau De Mr Meliton— Marin Marais
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Lully Aux Champs Elysées… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
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Air Pour Les Memes – Concert Instrumental Sous Le Titre D’Apotheose— François Couperin
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Vol De Mercure… – Concert Instrumental Sous Le Titre D’Apotheose— François Couperin
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Descente D’Apollon… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
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Rumeur Souteraine… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
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Plainte Des Memes… – Concert Instrumental Sous Le Titre D’Apotheose— François Couperin
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Enlevement De Lulli… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
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Accueil Entre Doux Et Agard… – Concert Instrumental Sous Le Titre D’Apotheose— François Couperin
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Remerciment De Lulli… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
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Apollon Persuade Lulli… – Concert Instrumental Sous Le Titre D’Apotheose— François Couperin
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Air Leger Pour Deux Violons… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
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Second Air… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
▶
La Paix Du Parnasse… – Concert Instrumental Sous Le Titre D’Apotheose— Composer not yet identified
▶
Corelli Au Pied Du Parnasse… – Le Parnasse Ou L’Apotheose De Corelli— Composer not yet identified
▶
Corelli, Charme… – Le Parnasse Ou L’Apotheose De Corelli— François Couperin
▶
Corelli Buvant A La Source… – Le Parnasse Ou L’Apotheose De Corelli— Composer not yet identified
▶
Enthouziasme De Corelli… – Le Parnasse Ou L’Apotheose De Corelli— Composer not yet identified
▶
Corelli… S’Endort… – Le Parnasse Ou L’Apotheose De Corelli— Composer not yet identified
▶
Les Muses Reveillent Corelli… – Le Parnasse Ou L’Apotheose De Corelli— François Couperin
▶
Remerciment De Corelli… – Le Parnasse Ou L’Apotheose De Corelli— Composer not yet identified
▶
Primera Parte – Yo Soy La Locura, Capítulo I: Fanfarra Instrumental (Anónimo (CMP 106)— Composer not established
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Primera Parte – Yo Soy La Locura, Capítulo I: Recitado, “En Un Lugar De La Mancha…” (Cervantes)— Composer not yet identified
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Primera Parte – Yo Soy La Locura, Capítulo I: La Folia, “Yo Soy La Locura” (Du Bailly)— Composer not established
▶
Primera Parte – Primeras Andanzas, Capítulo II: Cuatro Diferencias Sobre Las Vacas (Luys De…— Composer not yet identified
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Primera Parte – Primeras Andanzas, Capítulo II: Romance De Moriana, “Con Pavor Recordó…”…— Composer not yet identified
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Primera Parte – Primeras Andanzas, Capítulo II: Recitado, “Estaban En La Puerta Dos Mujeres…”…— Composer not yet identified
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Primera Parte – Primeras Andanzas, Capítulo II: Romance Viejo De Lanzarote, “Nunca Fuera…— Composer not established
▶
Primera Parte – Primeros Entuertos, Capítulos IV-V: Recitado, “A La Vista De Unos…— Composer not yet identified
▶
Primera Parte – Primeros Entuertos, Capítulos IV-V: Recitado, “Un Mozo De Mulas…” (Cervantes)— Composer not established
▶
Primera Parte – Primeros Entuertos, Capítulos IV-V: “Sospirastes Valdovinos (Luys Milán)— Composer not yet identified
▶
Primera Parte – Primeros Entuertos, Capítulos IV-V: Recitado, “Ese Labrador Procuró…”…— Composer not yet identified
▶
Primera Parte – Primeros Entuertos, Capítulos IV-V: Romance De Abindarráez, “Al Campo Sale…”…— Composer not established
▶
Primera Parte – Arde La Biblioteca, Capítulos V-VI: Diferencias Sobre Guádarme Las Vacas /…— Composer not yet identified
▶
Primera Parte – Arde La Biblioteca, Capítulos V-VI: Romance De Don Beltrán, “Los Dolce…— Composer not yet identified
▶
Primera Parte – Arde La Biblioteca, Capítulos V-VI: Recitado, “Por Tomar Muchos Juntos…”…— Composer not established
▶
Primera Parte – Arde La Biblioteca, Capítulos V-VI: Adoramus Te Domine (Órgano) / Tirant Lo…— Composer not established
▶
Primera Parte – Por Los Montes Y Selvas, Capítulo XI: Recitado, “Cenaron Don Quijote Y…— Composer not established
▶
Primera Parte – Por Los Montes Y Selvas, Capítulo XI: Antonio, “Canción Para Olalla” (Gabriel…— Composer not yet identified
▶
Primera Parte – Allí Sosegados Y La Sombra, Capítulo XXVII: Recitado, “Estando, Pues, El Cura…— Composer not yet identified
▶
Primera Parte – Allí Sosegados Y La Sombra, Capítulo XXVII: Canción Pastoril, “¿Quién…— Composer not yet identified
▶
Primera Parte – Allí Sosegados Y La Sombra, Capítulo XXVII: Recitado, “La Hora, El Tiempo, La…— Composer not yet identified
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Primera Parte – Allí Sosegados Y La Sombra, Capítulo XXVII: Soneto, “Santa Amistad Que Con…— Composer not established
▶
Primera Parte – Una Voz Canta Y Encanta, Capítulos XLII-XLIII: Recitado, “Como Ya La Noche…— Composer not established
▶
Primera Parte – Una Voz Canta Y Encanta, Capítulos XLII-XLIII: Canción, “Marinero Soy De Amor”…— Composer not established
▶
Segunda Parte – Llegada Al Toboso, Capítulo IX: Recitado, “Media Noche Era Por Filo…”…— Composer not established
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Segunda Parte – Llegada Al Toboso, Capítulo IX: Romance Del Conde Claros, “Media Noche…”…— Composer not established
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Segunda Parte – Llegada Al Toboso, Capítulo IX: Pavana I (Arpa) (Alonso Mudarra)— Composer not yet identified
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Segunda Parte – Llegada Al Toboso, Capítulo IX: Recitado, “Estando Los Dos En Estas…— Composer not established
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Segunda Parte – Llegada Al Toboso, Capítulo IX: Romance De Guarinos, “Mala La Hubistes…”…— Composer not yet identified
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Segunda Parte – Llegada Al Toboso, Capítulo IX: Recitado, “Sí Oigo – Respondió Sancho – …”…— Composer not yet identified
▶
Segunda Parte – Llegada Al Toboso, Capítulo IX: Romance De Calaínos, “Ya Cabalga…” (Anónimo…— Composer not yet identified
▶
Segunda Parte – Romances Vivos, Capítulos XXIII-XXVI: Recitado, “Las Cuatro De La Tarde…— Composer not yet identified
▶
Segunda Parte – Romances Vivos, Capítulos XXIII-XXVI: Romance Del Llanto De Belerma Por…— Composer not yet identified
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Segunda Parte – Romances Vivos, Capítulos XXIII-XXVI: Romanesca I (Arpa) / Recitado,…— Composer not yet identified
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Segunda Parte – Romances Vivos, Capítulos XXIII-XXVI: Romance De Don Gayferos, “Si D’Amor…”…— Composer not established
▶
Segunda Parte – Las Cuitas De Dueña Dolorida, Capítulo XXXVIII: Recitado, “Detrás De Los…— Composer not yet identified
▶
Segunda Parte – Las Cuitas De Dueña Dolorida, Capítulo XXXVIII: Villancico, “De La Dulce Mi…— Composer not established
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Segunda Parte – Las Cuitas De Dueña Dolorida, Capítulo XXXVIII: Recitado, “Y De Este Mismo…— Composer not established
▶
Segunda Parte – Las Cuitas De Dueña Dolorida, Capítulo XXXVIII: Seguidillas En Eco, “De Tu…— Composer not established
▶
Segunda Parte – Altisidora, Capítulos XLIV-XLVI: Recitado, “Don Quijote Mató Las Velas…”…— Composer not yet identified
▶
Segunda Parte – Altisidora, Capítulos XLIV-XLVI: Romance De Altisidora, “Oh Tú Que Estás…”…— Composer not established
▶
Segunda Parte – Altisidora, Capítulos XLIV-XLVI: Recitado, “Llegadas Las Once Horas De La…— Composer not yet identified
▶
Segunda Parte – Altisidora, Capítulos XLIV-XLVI: Romance, “Suelen Las Fuerzas De Amor” /…— Composer not yet identified
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Segunda Parte – Altisidora, Capítulos XLIV-XLVI: Gallarda / Recitado, “Ya Le Pareció A Don…— Composer not established
▶
Segunda Parte – Altisidora, Capítulos XLIV-XLVI: Lamento De Altsidora, “Escucha Mal…— Composer not yet identified
▶
Segunda Parte – En La Entrada De Barcelona, Capítulos LXI-LXII: Conde Claros / Recitado, “En…— Composer not yet identified
▶
Segunda Parte – En La Entrada De Barcelona, Capítulos LXI-LXII: El Villano (Instrumental)…— Composer not yet identified
▶
Segunda Parte – En La Entrada De Barcelona, Capítulos LXI-LXII: Recitado, “Llegó A Noche…”…— Composer not yet identified
▶
Segunda Parte – En La Entrada De Barcelona, Capítulos LXI-LXII: “Un Sarao De La Chacona” (Danza…— Composer not yet identified
▶
Segunda Parte – En La Arcadia, Capítulos LXVII-LXIX: Recitado, “Era La Noche Algo Escura…”…— Composer not yet identified
▶
Segunda Parte – En La Arcadia, Capítulos LXVII-LXIX: Canción, “Amor, Cuando Yo Pienso” (V. De…— Composer not established
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Segunda Parte – En La Arcadia, Capítulos LXVII-LXIX: Recitado, “En Esto Comenzó A Salir…”…— Composer not yet identified
▶
Segunda Parte – En La Arcadia, Capítulos LXVII-LXIX: Canción, “En Tanto Que En Si Vuelve” (F….— Composer not yet identified
▶
Segunda Parte – Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Circundederum Me (Órgano) /…— Composer not yet identified
▶
Segunda Parte – Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, “Lacrimosa Dies Illa”…— Composer not yet identified
▶
Segunda Parte – Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Epitafio, “Yace Aquí El Hidalgo…— Composer not yet identified
▶
Segunda Parte – Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, “Pie Jesu Domine”…— Composer not yet identified
▶
Taksim & Makam (improv. & dance) “Uzzäl usüles Darb-i feht”— Composer not yet identified
▶
Segâh Kâr “Kâr-i Ses-âvâz”— Composer not established
▶
Song & Dance “Siretsi yares Taran-Noubar noubar”— Traditional
▶
Por alli paso un cavallero (There passed that way a knight)— Traditional
▶
Taksim & Makam (Improv. & Dance) “Bûselik usüles”— Composer not established
▶
Hisar Agir Semai— Composer not established
▶
Taksim & Dance (Improv. & Dance)— Composer not yet identified
▶
Hebraïc Prayer— Traditional
▶
Taksim & Makam (Improv. & Dance) “Rehavi Cember”— Composer not yet identified
▶
Gazel (Improv.)— Composer not yet identified
▶
Taksim & makam (Improv. & Dance) “hcâz usules Devr-i Kebir”— Composer not established
▶
Punxa, punxa (sepharadic romance)— Traditional
▶
El Rey que tanto madruga (sepharadic)— Traditional
▶
Hisar Buselik Sarki— Composer not established
▶
Painte “En Sarer II”— Composer not yet identified
▶
Rast Rakis beste “Amed nesim-i”— Composer not yet identified
▶
Fantasie 9— Composer not established
▶
Fantasie 7— Composer not yet identified
▶
Almaine 5— Composer not established
▶
Fantasie 1— Composer not yet identified
▶
Almaine 4— Composer not established
▶
Fantasie 3— Composer not yet identified
▶
Coranto— Composer not yet identified
▶
Almaine 2— Composer not yet identified
▶
Fantasie 5— Composer not yet identified
▶
Fantasie 2— Composer not yet identified
▶
Almaine 1— Composer not established
▶
Fantasie 6— Composer not established
▶
Fantasie 4— Composer not established
▶
Almaine 3— Composer not established
▶
Fantasie 10— Composer not yet identified
▶
Music: Folias (Imperfectas) (Harp)— Anonymous
▶
Narration I (1) : “By Her Mere Presence, Folly Dissipates the Cares of her Audience”— Anonymous
▶
La Folia: “Yo Soy La Locura”— Henry du Bailly
▶
Narration III (2) : “On How Folly Is Prompted to Sing her Own Praises” / Music: Passamezzo Antico— Diego Ortiz
▶
Narration VII (3) : Folly’s Origins— Anonymous
▶
Recercada quarta sobre la Folia— Diego Ortiz
▶
Narration VIII (4) : “Her Birthplace, Her Infancy” / Music: Folias de la costa (Harp)— Anonymous
▶
Narration IX (5) : “Her Followers” / Music: Folias de la costa (Cont.)— Anonymous
▶
La Gamba In Basso, E Soprano (1564)— Vincenzo Ruffo
▶
Narration X (6) : “Folly’s Claims to be Admitted to the Council of the Goddesses / Music:…— Alonso Mudarra
▶
Folía: “Rodrigo Martinez” (From the Villancico of C. M. Palacio No. 12)— Anonymous
▶
Narration XI (7) : “On How She Perpetuates the Human Race” / Music (Cont.) : Folía: “Rodrigo…— Anonymous
▶
Narration XII (8) : “On How She is the Source of Happiness in Life” / Music (Cont.) : Folía:…— Anonymous
▶
Si habrá en este baldrés (C. M. Palacio No. 179)— Juan del Enzina
▶
Narration XIII (9) : “Of the Connection Between Folly and Childhood and the Second Childhood of…— Anonymous
▶
Diferencias Sobre Las Vacas (Anonymous Improvisation) (C. M. Medinaceli)— Anonymous
▶
Narration XIV (10) : “On How She Prolongs Infancy and Halts Old Age” / Music: Folías antiguas…— Anonymous
▶
Narration XVI (11) : “Of Folly’s Pre-Eminence in the World” / Music: Harke, harke (Gamba Viol)— Tobias Hume
▶
Browning my Dear— Clement Woodcock
▶
Narration XIX (12) : “Folly Is Necessary to Friendship” / Music: Belle qui tiens ma vie (Harp…— Thoinot Arbeau
▶
Narration XX (13) : “There Is No Lasting Marriage Without the Complicity of Folly” / Music…— Thoinot Arbeau
▶
Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)— Juan del Enzina
▶
Narration XXI (14) : “Folly Is the Blessing of Human Society” / Music: Paduana del re (Mss Venezia)— Anonymous
▶
Todos los buenos soldados (La Guerra)— Mateo Flecha
▶
Narration XXIII (15) : “She Inspires Warfare” / Music: Pavana La Battaglia— Clément Janequin
▶
Narration XXV (16) : “Of the Inferiority of Wisdom in all of Life’s Circumstances” / Music:…— Anonymous
▶
Narration XXVIII (17) : “She Is the Mother of the Arts” / Music: My Lady Carey’s Dompe / Danse…— Anonymous
▶
Saltarello (Mss. Venezia)— Anonymous
▶
Narration XXIX (18) : “She Claims the Credit for True Wisdom” / Music: Las Vacas (Harp…— Anonymous
▶
Narration XXX (19) : “On Folly as a Guide Towards Wisdom” / Music: Pavana con su Glosa— Antonio de Cabezón
▶
Narration XXXII (20) : “Of the Relationship Between Folly and Ignorance” / Music: Desperada…— Anonymous
▶
La Spagna (XVth Century)— Anonymous
▶
Narration LV (21) : “Folly of Kings” / Music: Las Vacas (Romanesca)— Anonymous
▶
Narration LVII – LIX (22) : “Folly of Bishops, Cardinals and Supreme Pontiffs” / Music: Estas…— Anonymous
▶
Narration LXVI (23) : “Relationship Between the Christian Religion and Folly” / Music: Patres…— Johannes Cornago
▶
Narration LXVII (24) : “Folly is the Sovereign Good” / Music: Dios te salve, Cruz preciosa…— Anonymous
▶
Diferencias Sobre ‘Las Vacas’ (Harp)— Antonio de Cabezón
▶
Narration LXVIII (25) : “Farewell to the Reader” / Music: Folias Portuguesas (Harp)— Anonymous
▶
Villancico (Égloga 6) : Hoy comamos y bevamos (C. M. Palacio No. 174)— Juan del Enzina
▶
Makam “Muhayyer pesrev” (Ottoman War March) (15th Century)— Anonymous
▶
Narration 1: “Letter by Erasmus. The War Against the Turks” / Music: Taksim (Improvisation Santur)— Anonymous
▶
Saltarello: Une musque de Buscaye (Instrumental)— Josquin des Prez
▶
A Florence la joyose cité (C. M. Montecassino No. 6)— Anonymous
▶
Narration 2, Adage 145: “Fortune Smiles on the Bold” / Music: Fortuna desperata— Josquin des Prez
▶
Audi, benigne Conditor (C. M. Montecassino No. 40)— Guillaume Dufay
▶
Taskim & Dance (Ottoman)— Anonymous
▶
Narration 3: “Erasmus of Rotterdam and the Jews” / Music: Las estrellas de los cielos (Sephardic)— Anonymous
▶
Lavava y suspirava (Anonymous Sephardic)— Anonymous
▶
Malor me bat (Odhecaton, No. 63)— Jean d’Ockeghem
▶
Benedic anima mea (Ps. 103, 1-3)— Claudin de Sermisy
▶
Narration 4: “Epitaph for the Peerless Musician Johannes Ockeghem” / Music: Fortune par ta…— Johannes Vincenet
▶
La déploration sur la mort de Johannes Ockeghem— Josquin des Prez
▶
“Latura tu” (Instrumental) (Odhecaton No. 94)— Antoine Bruhier
▶
Narration 5: “Panegyric to Philip the Fair” (1504) / Music: Adieu mes amours (Improvisation Harp)— Anonymous
▶
Hélas madame, passamezzo (Henry VIII mss.10)— Anonymous
▶
Narration 6, Adage 3415: “Love Makes Men Musicians” / Music: De tous biens plaine (C. M….— Hayne van Ghizeghem
▶
Frottola: In te Domine speravi (C. M. Palacio No. 84)— Josquin des Prez
▶
Narration 7: “Enchiridion. The Importance of the Classics” / Music: Ave maris stella (C. M….— Damianus
▶
Puzzle-Canon II (Henry VIII mss.)— Anonymous
▶
Scaramella va alla guerra— Josquin des Prez
▶
Narration 8, Adage 3001: “War Is Sweet to Those Who Have Not Experienced It” / Music: Fanfares…— Anonymous
▶
Danza Alta (Instrumental) (C. M. Palacio No. 321)— Francisco de la Torre
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Narration 9: “Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise…— Anonymous
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Home Again, Market Is Done (Margaret Board Lute Book)— Anonymous
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Paduana del Re (Mss. Venezia)— Anonymous
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Narration 10: “Machiavelli’s The Prince” / Music: Gallarda di Venosa (Harp)— Carlo Gesualdo
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La Spagna, à 5— Josquin des Prez
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Narration 11: “Erasmus. Education of the Christian Prince” (1516) / Music: imno XVI (Instrumental)— Antonio de Cabezón
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Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)— Dimitri Cantemir
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Narration 12: “Thomas More’s Utopia: On Justice and Social Prosperity” / Music: Puzzle-canon I— John Lloyd
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Adoramus te Domine (Montecassino mss. No. 4)— Anonymous
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Narration 13: “Erasmus. The Complaint of Peace” / Music: Mille regrets (Viols)— Josquin des Prez
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Balad: Ya es Tiempo de Recoger— Anonymous
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Narration 14: “Letter from Martin Luther to Erasmus (28th March 1519) ” / Music: Psalm: A solis…— Anonymous
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Benedictus a 3— Heinrich Isaac
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Narration 15: “Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519) ” / Music: In…— Anonymous
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Vingtcinquiesme Fantasie. A Quatre— Eustache Du Caurroy
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Narration 16: “Letter from Martin Luther to Erasmus (15 April 1524) ” / Music: Psalm: Christ…— Hans Leo Hassler
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Narration 17: “Erasmus of Rotterdam to Luther – On Free Will” (1524) / Music: In Nomine a 5…— Christopher Tye
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Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon,…— Anonymous
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Narration 18: “Letter from Erasmus of Rotterdam to King Francis I of France” (16th June 1526) /…— Anonymous
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Gazel (Ottoman Song)— Mehmet bin Süleyman
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Tu pauperum refugium— Josquin des Prez
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Narration 19: “Martin Luther to Erasmus, The Bondage of the Will” / Music: Psalm: Christ lag in…— Martin Luther
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Christ ist Erstanden à 6— Heinrich Isaac
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Narration 20, Adage 2100: “Words Are the Physicians of Ailing Souls” / Music: Now o Now— John Dowland
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In Nomine a 5 My Death— Christopher Tye
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Pie Jesu (Requiem)— Cristóbal de Morales
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Narration 21: “Erasmus Dies at Basel” (Stefan Zweig, 1934)— Anonymous
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Plangite Pierides (Lament on the Death of Erasmus)— Benedictus Appenzeller
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Narration 22: “Erasmus’s Spiritual Legacy” (Stefan Zweig) / Music: Durezze e ligature…— Giovanni Maria Trabaci
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Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro— Composer not yet identified
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Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto— Composer not yet identified
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Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto : Allegretto – Trio— Wolfgang Amadeus Mozart
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Symphony No. 39 in E-Flat Major, K. 543: IV. Allegro— Wolfgang Amadeus Mozart
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Symphony No. 40 in G Minor, K. 550: I. Molto allegro— Composer not yet identified
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Symphony No. 40 in G Minor, K. 550: II. Andante— Composer not yet identified
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Symphony No. 40 in G Minor, K. 550: III. Menuetto : Allegretto – Trio— Composer not yet identified
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Symphony No. 40 in G Minor, K. 550: IV. Allegro assai— Composer not yet identified
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Symphony No. 41 in C Major, K. 551 “Jupiter”: I. Allegro vivace— Composer not yet identified
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Symphony No. 41 in C Major, K. 551 “Jupiter”: II. Andante cantabile— Wolfgang Amadeus Mozart
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Symphony No. 41 in C Major, K. 551 “Jupiter”: III. Menuetto : Allegretto – Trio— Composer not yet identified
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Symphony No. 41 in C Major, K. 551 “Jupiter”: IV. Molto allegro— Wolfgang Amadeus Mozart
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Maurerische Trauermusik, K. 477— Composer not yet identified
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Pièces De Violes Suite #1 – Prelude— François Couperin
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Pièces De Violes Suite #1 – Allemande Légere— François Couperin
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Pièces De Violes Suite #1 – Courante— François Couperin
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Pièces De Violes Suite #1 – Sarabande Grave— François Couperin
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Pièces De Violes Suite #1 – Gavotte— François Couperin
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Pièces De Violes Suite #1 – Gigue— François Couperin
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Pièces De Violes Suite #1 – Passacaille Ou Chaconne— François Couperin
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Pièces De Violes Suite #2 – Prelude— François Couperin
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Pièces De Violes Suite #2 – Fuguete— François Couperin
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Pièces De Violes Suite #2 – Pompe Funèbre— François Couperin
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Pièces De Violes Suite #2 – La Chemise Blanche— François Couperin
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Recercadas Sobre el Canto llano “La Spagna”: Recercada Segunda— Diego Ortiz
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Recercadas Sobre el Canto llano “La Spagna”: Recercada Tercera— Diego Ortiz
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Recercadas Sobre el Canto llano “La Spagna”: Recercada Primera— Diego Ortiz
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Recercadas Sobre el Canto llano “La Spagna”: Recercada Quarta— Diego Ortiz
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Recercadas Sobre el Canto llano “La Spagna”: Recercada Quinta— Diego Ortiz
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Recercadas Sobre el Canto llano “La Spagna”: Recercada Sesta— Diego Ortiz
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Recercadas Sobre el Madrigal “O felici occhi miei”: Recercada Quarta— Diego Ortiz
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Recercadas Sobre el Madrigal “O felici occhi miei”: Recercada Primera— Diego Ortiz
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Recercadas Sobre el Madrigal “O felici occhi miei”: Recercada Segunda— Diego Ortiz
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Recercadas Sobre el Madrigal “O felici occhi miei”: Recercada Tercera— Diego Ortiz
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Recercadas para Viola de Gamba Solo: Recercada Tercera— Diego Ortiz
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Recercadas para Viola de Gamba Solo: Recercada Segunda— Diego Ortiz
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Recercadas para Viola de Gamba Solo: Recercada Primera— Diego Ortiz
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Recercadas para Viola de Gamba Solo: Recercada Quarta— Diego Ortiz
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Recercadas Sobre la Cancion “Doulce Memoire”: Recercada Quarta— Diego Ortiz
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Recercadas Sobre la Cancion “Doulce Memoire”: Recercada Primera— Diego Ortiz
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Recercadas Sobre la Cancion “Doulce Memoire”: Recercada Segunda— Diego Ortiz
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Recercadas Sobre la Cancion “Doulce Memoire”: Recercada Tercera— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Quarta Sobre “La Folia”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Primera Sobre el “Passamezzo Antiguo”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Octava Sobre “La Folia”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Quinta Sobre “Boz”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Terçera Sobre el “Passamezzo Moderno”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Sesta Sobre la “Romanesca”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Settima Sobre la “Romanesca”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Quinta Sobre el “Passamezzo antiguo”— Diego Ortiz
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Recercadas Sobre Tenores: Recardada Segunda Sobre el “Passamezzo moderno”— Diego Ortiz
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Les Nations – Premier Ordre – La Françoise; 1. Sonade— François Couperin
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Les Nations – Premier Ordre – La Françoise; 2. Allemande— François Couperin
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Les Nations – Premier Ordre – La Françoise; 3. Premiere Courante— François Couperin
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Les Nations – Premier Ordre – La Françoise; 4. Seconde Courante— François Couperin
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Les Nations – Premier Ordre – La Françoise; 5. Sarabande— François Couperin
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Les Nations – Premier Ordre – La Françoise; 6. Gigue— François Couperin
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Les Nations – Premier Ordre – La Françoise; 7. Chaconne Ou Passacaille— François Couperin
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Les Nations – Premier Ordre – La Françoise; 8. Gavotte— François Couperin
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Les Nations – Premier Ordre – La Françoise; 9. Menuet— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 1. Sonade— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 2. Allemande— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 3. Courante— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 4. Seconde Courante— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 5. Sarabande— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 6. Gigue Lourée— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 7. Gavotte— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 8. Rondeau— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 9. Bourée. Double De La Bourée Précédente— François Couperin
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Les Nations – Second Ordre – L’Espagnole; 10. Passacaille— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 1. Sonade— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 2. Allemande— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 3. Courante— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 4. Seconde Courante— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 5. Sarabande— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 6. Bourée— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 7. Gigue— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 8. Rondeau— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 9. Chaconne— François Couperin
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Les Nations – Troisième Ordre – L’Impériale; 10. Menuet— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 1. Sonade— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 2. Allemande— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 3. Courante— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 4. Seconde Courante— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 5. Sarabande— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 6. Rondeau— François Couperin
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Les Nations – Quatrième Ordre – La Piémontoise; 7. Gigue— François Couperin
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The Seven Last Words Of Christ – L’Introduzione. Maestoso Ed Adagio— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium – Peter, Dimitte Illis ; Non Enim Sciunt Quid Faciunt— Joseph Haydn
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The Seven Last Words Of Christ – Sonata I. Largo— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium – Hodie Mecum Eris In Paradiso— Joseph Haydn
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The Seven Last Words Of Christ – Sonata Ii. Grave E Cantabile— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium – Mulier Ecce Filius Tuus— Joseph Haydn
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The Seven Last Words Of Christ – Sonata Iii. Grave— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium – Deus Meus, Deus Meus, Ut Quid Dereliquistime ?— Joseph Haydn
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The Seven Last Words Of Christ – Sonata Iv. Largo— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium – Sitio— Joseph Haydn
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The Seven Last Words Of Christ – Sonata V. Adagio— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium – Consummatum Est— Joseph Haydn
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The Seven Last Words Of Christ – Sonata IV. Lento— Joseph Haydn
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The Seven Last Words Of Christ – Evangelium Pater, In Manus Tuas Comendo Spiritum Meum— Joseph Haydn
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The Seven Last Words Of Christ – Sonata VII. Largo— Joseph Haydn
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The Seven Last Words Of Christ – Il Terremoto. Presto Con Tutta La Forza— Joseph Haydn
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Concerto pour 2 violons et viole de gambe en sol mineur, RV 578: I. Adagio e spiccato – Allegro— Antonio Vivaldi
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Concerto pour 2 violons et viole de gambe en sol mineur, RV 578: II. Larghetto— Antonio Vivaldi
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Concerto pour 2 violons et viole de gambe en sol mineur, RV 578: III. Allegro— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: I. Magnificat— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: II. Et exultavit— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: III. Et misericordia eius— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: IV. Fecit potentiam— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: V. Deposuit potentes— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: VI. Esurientes— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: VII. Suscepit Israel— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: VIII. Sicut locutus est— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: IX. Gloria Patri— Antonio Vivaldi
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Magnificat en sol mineur, RV 610: X. Sicut erat in principio— Antonio Vivaldi
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Concerto pour clavecin en ré mineur, BWV 1052: I. Allegro— Antonio Vivaldi
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Concerto pour clavecin en ré mineur, BWV 1052: II. Adagio— Antonio Vivaldi
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Concerto pour clavecin en ré mineur, BWV 1052: III. Allegro— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: I. Magnificat— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: II. Et exultavit— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: III. Quia respexit— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: IV. Omnes generationes— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: V. Quia fecit mihi magna— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: VI. Et misericordia— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: VII. Fecit potentiam— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: IX. Esurientes implevit bonis— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: X. Suscepit Israel— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: XI. Sicut locutus est— Antonio Vivaldi
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Magnificat en ré majeur, BWV 243: XII. Gloria Patri— Antonio Vivaldi
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La Terpsichore: I. Grave— Composer not yet identified
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La Terpsichore: II. Viste. Bruit— Composer not established
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La Terpsichore: III. Grave— Composer not yet identified
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La Terpsichore: IV. Gay— Composer not yet identified
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La Terpsichore: V. Première sicilienne. Rondeau— Composer not established
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La Terpsichore: VI. Deuxième Rondeau— Composer not yet identified
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La Terpsichore: VII. Langloise. Gigue (Gay)— Composer not yet identified
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Les Caractères de la Danse I. Prélude— Composer not established
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Les Caractères de la Danse: II. Courante— Composer not established
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Les Caractères de la Danse: III. Menuet— Composer not established
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Les Caractères de la Danse: IV. Bourrée— Composer not established
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Les Caractères de la Danse: V. Chaconne— Composer not established
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Les Caractères de la Danse: VI. Sarabande— Composer not established
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Les Caractères de la Danse: VII. Gigue— Composer not yet identified
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Les Caractères de la Danse: VIII. Rigaudon— Composer not established
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Les Caractères de la Danse: IX. Passepied— Composer not yet identified
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Les Caractères de la Danse: X. Gavotte— Composer not established
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Les Caractères de la Danse: XI. Sonate— Composer not yet identified
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Les Caractères de la Danse: XII. Loure— Composer not established
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Les Caractères de la Danse: XIII. Musette— Composer not established
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Les Caractères de la Danse: XIV. Sonate— Composer not yet identified
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: I. Ouverture— Composer not yet identified
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: II. Courante— Composer not yet identified
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: III. Gavotte en rondeau— Composer not yet identified
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: IV. Branle— Georg Philipp Telemann
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: V. Sarabande— Georg Philipp Telemann
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VI. Fantaisie— Composer not yet identified
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VII. Menuet I & II— Georg Philipp Telemann
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Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VIII. Rossignol— Georg Philipp Telemann
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Les plaisirs champêtres: I. Musette— Composer not established
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Les plaisirs champêtres: II. Gavotte— Composer not established
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Les plaisirs champêtres: III. Musette— Composer not yet identified
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Les plaisirs champêtres: IV. Chaconne— Composer not established
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Les plaisirs champêtres: V. Passepied— Composer not yet identified
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Les plaisirs champêtres: VI. Bourée— Composer not established
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Les plaisirs champêtres: VII. Rigaudon— Composer not established
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Les plaisirs champêtres: VIII. Bourée— Composer not established
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Fantaisie: I. Grave— Composer not established
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Fantaisie: II. Chaconne— Composer not yet identified
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Fantaisie: III. Mineur— Composer not yet identified
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Fantaisie: IV. Majeur— Composer not established
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Fantaisie: V. Loure— Composer not yet identified
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Fantaisie: VI. Tambourin deux fois entières— Composer not yet identified
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Fantaisie: VII. Chaconne— Composer not yet identified
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Ouverture-Suite B-Dur, TWV 55:B1: I. Ouverture. Lentement, Presto— Georg Philipp Telemann
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Ouverture-Suite B-Dur, TWV 55:B1: II. Bergerie. Un peu vivement— Georg Philipp Telemann
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Ouverture-Suite B-Dur, TWV 55:B1: III. Allégresse. Vite— Composer not yet identified
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Ouverture-Suite B-Dur, TWV 55:B1: IV. Postillons— Georg Philipp Telemann
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Ouverture-Suite B-Dur, TWV 55:B1: V. Flaterie— Composer not yet identified
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Ouverture-Suite B-Dur, TWV 55:B1: VI. Badinage. Très vite— Georg Philipp Telemann
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Ouverture-Suite B-Dur, TWV 55:B1: VII. Menuet— Georg Philipp Telemann
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Ouverture-Suite B-Dur, TWV 55:B1: VIII. Conclusion. Furioso— Georg Philipp Telemann
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Pièces De Viole Du Livre II – Folies D’Espagne— Marin Marais
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Pièces De Viole Du Livre II – Les Voix Humaines— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Prelude— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Petitte Fantaisie— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Allemande— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Courante— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Sarabande— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Gigue— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Menuet— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Gavotte— Marin Marais
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Pièces De Viole Du Livre II – Suite N°4 En Si Mineur – Tombeau De Mr De Lully— Marin Marais
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I. – Pavan: Bona Speranza (Holborne)— Anthony Holborne
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I. – Galliard: The Teares Of The Muses (Holborne)— Anthony Holborne
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I. – Almaine: The Choise (Holborne)— Anthony Holborne
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I. – Galliard: Heigh Ho Holiday (Holborne)— Anthony Holborne
▶
II. – Pavan: Infernum (Holborne)— Anthony Holborne
▶
II. – Galliard (Holborne)— Anthony Holborne
▶
III. – Pavan (Holborne)— Anthony Holborne
▶
III. – Galliard (Holborne)— Anthony Holborne
▶
III. – Almaine: The Night Watch (Holborne)— Anthony Holborne
▶
III. – Galliard: Lullabie (Holborne)— Anthony Holborne
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IV. – Pavan: The Image Of Melancholly (Holborne)— Anthony Holborne
▶
IV. – Galliard: Ecce Quam Bonum (Holborne)— Anthony Holborne
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IV. – Galliard: Sic Semper Soleo (Holborne)— Anthony Holborne
▶
V. – Pavan: Decrevi (Holborne)— Anthony Holborne
▶
V. – Galliard (Holborne)— Anthony Holborne
▶
V. – Galliard: My Selfe (Holborne)— Anthony Holborne
▶
VI. – Pavan: Paradizo (Holborne)— Anthony Holborne
▶
VI. – Galliard: The Sighes (Holborne)— Anthony Holborne
▶
VI. – Almaine: The Honie-Suckle (Holborne)— Anthony Holborne
▶
VI. – Galliard: The Fairie-Round (Holborne)— Anthony Holborne
▶
VII. – Pavan: The Funerals (Holborne)— Anthony Holborne
▶
VII. – Galliard (Holborne)— Anthony Holborne
▶
VII. – Almaine: The Fruit Of Love (Holborne)— Anthony Holborne
▶
VII. – Galliard: As It Fell On A Holie Eve (Holborne)— Anthony Holborne
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Symphony in G Minor, WoO 29 “Zwickauer”: I. Adagio – Allegro molto – Un poco Andante – Più mosso— Composer not yet identified
▶
Farnace, RV 711, Sinfonia: Allegro— Antonio Vivaldi
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Farnace, RV 711, Sinfonia: IAndante – Allegro— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 1: Benché vinto e sconfitto: (Farnace, Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 1: Ricordati che sei: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 2: Ch’io mi tolga col ferro: (Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 2: Combattono quest’alma: (Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 3: Dell’eusino: (Coro)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 3: Del nemico Farnace quest’è l’Impero: (Gilade, Berenice)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 4: Amazzone real dell’Oriente!: (Pompeo, Berenice)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 5: Guerrieri, eccovi a fronte: (Pompeo)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 5: Su campioni… : (Coro)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 5: In si gran punto ancora: (Farnace)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 6: Signor, s’anche fra l’armi: (Selinda, Aquilio, Berenice,…— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 7: A’ nostri danni armata: (Selinda, Gilade, Aquilio)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 7: Nell’intimo del petto: (Gilade)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 8: A sorprendermi il cor, bella Selinda: (Aquilio, Selinda)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 8: Penso… penso che que’begl’ occhi: (Aquilio)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 9: Qual sembianza improvvisa: (Selinda)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 9: Al vezzeggiar d’un volto: (Selinda)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 10: Figlio, non v’è più scampo: (Tamiri)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 11: Fermati ingrata: (Berenice, Tamiri)— Antonio Vivaldi
▶
Farnace, RV 711, Act I, Scene 12: Signor, costei che audace: (Berenice, Pompeo)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 12: Da quel ferro che ha svenato: (Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 13: L’Asia non è ancor doma: (Pompeo, Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 13: Leon feroce: (Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 14: Come ben fa veder la donna eccelsa: (Pompeo)— Antonio Vivaldi
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Farnace, RV 711, Act I, Scene 14: Sorge l’irato nembo: (Pompeo)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 1: Principessa gentil, ciascun di noi: (Gilade, Aquilio, Selinda)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 1: Lascia di sospirar: (Selinda)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 2: Di Farnace e del figlio: (Berenice, Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 2: Langue misero quel valore: (Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 3: No, ch’amar non è fallo in cor guerriero: (Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 3: Cè un dolce furore: (Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 4: No, che ceder non voglio: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 5: Pupille, o voi sognate: (Tamiri, Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 5: Gelido in ogni vena: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 6: Olà! Queste superbe memorie: (Berenice, Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 7: Quest’è la fè spergiura: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 8: Dite che v’ho fatt’io, ditelo, o cieli!: (Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 9: Arsa da rai cocenti: (Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 10: Ah, s’egli è ver che m’ami: (Selinda, Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 10: Quel tuo ciglio languidetto: (Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 11: Dove mai ti trasporta: (Selinda, Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 11: Spogli pur l’ingiusta Roma: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 12: Dell’iniquo Farnace eccoti il figlio: (Berenice, Selinda,…— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 12: Roma invitta, ma clemente: (Pompeo)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 13: Fra le Libiche serpi: (Selinda, Aquilio, Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 13: Lascero d’esser spietata: (Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 14: Aquilio, ebben? Pensasti?: (Selinda, Aquilio)— Antonio Vivaldi
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Farnace, RV 711, Act II, Scene 14: La sento nel petto: (Selinda, Aquilio)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 1: Gilade: (Berenice, Gilade, Aquilio, Pompeo)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 1: Quel candido fiore: (Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 2: Signor, se la clemenza: (Tamiri, Pompeo, Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 2: Forse, o caro, in questi accenti: (Tamiri)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 3: Sì, qualche Nume: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 3: Quel torrente che s’innalza: (Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 4: Gilade, il tuo pensiero: (Selinda, Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 4: Scherza l’aura lusinghiera: (Gilade)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 5: Aquilio, il braccio forte: (Selinda, Aquilio)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 5: Ti vantasti, mio guerriero: (Selinda)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 6: O Stelle, quale impresa!: (Aquilio, Pompeo, Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 7: Regina, in costui riconosci un tuo custode: (Pompeo,…— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 8: Oh Dio, fermate i colpi!: (Tamiri, Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 8: Lo crudel? Gusto rigore: (Berenice, Pompeo, Tamiri, Farnace)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 9: Farnace, i Numi alfine: (Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 9: Voglio che mora: (Berenice)— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 10: Berenice morrà, morrà Pompeo: (Gilade, Selinda, Berenice,…— Antonio Vivaldi
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Farnace, RV 711, Act III, Scene 10: Coronata di gigli e di rose: (Coro)— Antonio Vivaldi
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Suite I In D Minor – Fantazie— Composer not yet identified
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Suite I In D Minor – Courante— Composer not yet identified
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Suite I In D Minor – Ayre— Composer not established
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Suite I In D Minor – Saraband— Composer not established
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Suite II In D Minor – Fantazie— Composer not established
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Suite II In D Minor – Courante— Composer not yet identified
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Suite II In D Minor – Ayre— Composer not yet identified
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Suite II In D Minor – Saraband— Composer not established
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Suite III In F Major – Fantazie— Composer not established
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Suite III In F Major – Courante— Composer not established
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Suite III In F Major – Ayre— Composer not yet identified
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Suite III In F Major – Saraband— Composer not yet identified
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Suite IV In F Major – Fantazie— Composer not established
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Suite IV In F Major – Cournate— Composer not established
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Suite IV In F Major – Ayre— Composer not established
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Suite IV In F Major – Saraband— Composer not yet identified
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Suite V In G Minor – Fantazie— Composer not yet identified
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Suite V In G Minor – Cournate— Composer not established
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Suite V In G Minor – Ayre— Composer not yet identified
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Suite V In G Minor – Saraband— Composer not established
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Suite VI In G Major – Fantazie— Composer not yet identified
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Suite VI In G Major – Cournate— Composer not established
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Suite VI In G Major – Ayre— Composer not established
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Suite VI In G Major – Saraband— Composer not yet identified
▶
Vespro Della Beata Vergine – Deus In Audiutorium— Claudio Monteverdi
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Vespro Della Beata Vergine – Dixit Dominus— Claudio Monteverdi
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Vespro Della Beata Vergine – Nigra Sum— Claudio Monteverdi
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Vespro Della Beata Vergine – Laudate Pueri— Claudio Monteverdi
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Vespro Della Beata Vergine – Pulchra Es— Claudio Monteverdi
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Vespro Della Beata Vergine – Laetatus Sum— Claudio Monteverdi
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Vespro Della Beata Vergine – Duo Seraphim— Claudio Monteverdi
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Vespro Della Beata Vergine – Nisis Dominus— Claudio Monteverdi
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Vespro Della Beata Vergine – Audi, Coelum— Claudio Monteverdi
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Vespro Della Beata Vergine – Lauda Jerusalem— Claudio Monteverdi
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Vespro Della Beata Vergine – Sonata Sopra Sancta Maria— Claudio Monteverdi
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Vespro Della Beata Vergine – Ave Maris Stella— Claudio Monteverdi
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Vespro Della Beata Vergine – Magnificat— Claudio Monteverdi
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Concerto No. 1 In F Major BWV1046 – Allegro— Composer not yet identified
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Concerto No. 1 In F Major BWV1046 – Adagio— Composer not yet identified
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Concerto No. 1 In F Major BWV1046 – Menuetto & Trio— Johann Sebastian Bach
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Concerto No. 2 In F Major BWV1047 – Allegro— Johann Sebastian Bach
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Concerto No. 2 In F Major BWV1047 – Andante— Johann Sebastian Bach
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Concerto No. 2 In F Major BWV1047 – Allegro Assai— Composer not yet identified
▶
Concerto No. 3 In G Major BWV1048 – Allegro— Johann Sebastian Bach
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Concerto No. 3 In G Major BWV1048 – Adagio— Composer not yet identified
▶
Concerto No. 4 In G Major BWV1049 – Allegro— Johann Sebastian Bach
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Concerto No. 4 In G Major BWV1049 – Andante— Johann Sebastian Bach
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Concerto No. 4 In G Major BWV1049 – Presto— Johann Sebastian Bach
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Concerto No. 5 In D Major BWV1050 – Allegro— Composer not yet identified
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Concerto No. 5 In D Major BWV1050 – Affettuoso— Johann Sebastian Bach
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Concerto No. 6 In D Major BWV1051 – Allegro— Johann Sebastian Bach
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Concerto No. 6 In D Major BWV1051 – Adagio Ma Non Troppo— Johann Sebastian Bach
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Fanfare (Instrumental d’après une mélodie du siècle VIII)— Composer not yet identified
▶
Alléluia (Choral byzantin)— Composer not established
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Halatzoglou kratema (Instrumental byzantin)— Composer not established
▶
Chanson de Croisade: Pax in nomine Domini – Marcabru (1100-1150)— Composer not established
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Danse de l’âme (Afrique du Nord) (Instrumental) (Tradition Berbère)— Composer not established
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Hymne pour les services des Matins— Composer not yet identified
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Chanson & Danse arménienne (XIIIe siècle)— Composer not yet identified
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Conductus: O totus Asie Gloria, Regis Alexandria Filia (XIIIe siècle)— Composer not established
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Istampitta: Saltarello (mss. XIVe siècle)— Composer not yet identified
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Pásan tin elpida mu— Composer not established
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Chiave, chiave (Instrumental) (Début du XVe siècle)— Composer not yet identified
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Adoramus te (Chansonnier du XVe siècle)— Composer not yet identified
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Hirmos Calophonique: Tin Déisin mu (XVe siècle)— Composer not yet identified
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Marche Ottomane Nikriz peşrev – Ali Ufki Bey— Composer not established
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Lamentio Sanctae Matris Ecclesiae Constantinopolitanae— Composer not yet identified
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La Guerre: La Bataille de Marignan— Composer not yet identified
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Cantique des Cantiques (3,1-4) : Qamti be-Ishon Layla— Composer not yet identified
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Villanesca alla napolitana: Vecchie letrose— Composer not yet identified
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Der makām-ı Uzzäl Sakîl (Instrumental ottoman)— Composer not yet identified
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Madrigal: Oíd, oíd… [… las buenas nuevas de Lepanto]— Composer not yet identified
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Psaumes de David. Ficht wider meine Anfechter (Psaume 35)— Composer not yet identified
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Géfsasthe ke idete— Composer not yet identified
▶
Sousta (Instrumental) (Danse de Chypre)— Traditional
▶
Hymne de la Sainte Eucharistie (En slave)— Composer not established
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Laïla Djân (Instrumental) (Danse Perse)— Composer not established
▶
Psaume 137, (1-6) : ’Al nàhärót bavél— Composer not yet identified
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Il combattimento di Tancredi e Clorinda, SV 153— Composer not yet identified
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Der Makām-i-Rehavi Çember-i-Koca (Marche ottomane)— Composer not established
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La Senna festeggiante, RV 693: Di queste selve venite, o Numi— Antonio Vivaldi
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Alla turca (Allegretto) (D’après la Sonate No. 11 en La Majeur, K. 331 de Mozart)— Composer not yet identified
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Deo gratias (Hymne Orthodoxe Russe du XVIè siècle)— Composer not yet identified
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Chanson Constitutionnelle Nous sommes tous égaux— Traditional
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Canzonette veneziane da battello. Raccolta di gondoliere: Per quel bel viso— Composer not yet identified
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Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta— Composer not yet identified
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La Sainte Ligue (La nuit est sombre) (D’après les Symphonies No. 5 et No. 7 de Beethoven)— Composer not yet identified
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Invocación Qamti be-Ishon Layla— Traditional
▶
Taqsim instrumental & Danza morisca (Ney)— Composer not yet identified
▶
Moaxaja: Billadi askara min aadbi Llama – Al-Andalus— Composer not yet identified
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Preces: Penitentes orate – Plegaria mozárabe s. XI— Composer not yet identified
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Ductia (Instrumental) – Cantiga de Santa María (CSM 123) – Alfonso X El Sabio— Composer not established
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Siónida: Yefe Nof – Yehudá Haleví— Traditional
▶
Taqsim (Kanun) – Improvisación – Moaxaja: Ya gosan naqa – Ibn Zuhr – Tradición Al-Ándalus— Traditional
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Fragmento de la Carta sobre la conversión forzosa Iggeret ha-Shemad, cap. IV [Texto recitado] -…— Composer not established
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Danza morisca (Instrumental)— Traditional
▶
Lamento: Plange Castella misera – Anónimo, Códice de Las Huelgas, f. 160, s. X— Composer not yet identified
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Danza de iniciación (Instrumental)— Composer not yet identified
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Lamento hebraico-andaluz Dror yiqrá – Dunash ben Labrat, s. X— Composer not yet identified
▶
Poema en piedra de la Alhambra de Granada. Texto en árabe de Ibn Zamrak [Texto recitado] -…— Composer not yet identified
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Pero que seja a gente – Cantiga de Santa María (CSM 181) – Alfonso X El Sabio— Composer not established
▶
Romance fronterizo: Cerco de Baeza – Anónimo, Cancionero de Palacio (CMP 106)— Composer not yet identified
▶
Lamento: El camino – La angustia – Improvisación andalusí— Composer not yet identified
▶
Propiñan del Melyor (Instrumental) – Anónimo, s. XV— Composer not yet identified
▶
Villancico: Aquella mora garrida – Gabriel, Cancionero de Palacio (CMP 254)— Composer not established
▶
Villancico: Viva el gran Re Don Fernando – Carlo Verardi— Composer not yet identified
▶
Romance: El pan de la aflicción – Plegaria sefardí— Traditional
▶
Diario de abordo de Cristóbal Colón, Noche del 11 al 12 octubre 1492 [Texto recitado]— Composer not established
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Villancico: Todos los bienes del mundo – Juan del Enzina— Composer not established
▶
Crónica de los Reyes de Castilla, cap. CXCVI [Texto recitado]— Composer not established
▶
Lamento andalusí Maqam hijaz – Ibn Zaydún— Composer not yet identified
▶
Sadher Lau Banailo More Boiragi (Live)— Traditional
▶
La rosa enflorece (Live)— Traditional
▶
Mîrkut (Live)— Traditional
▶
Ya Ghazaly (Live)— Traditional
▶
Improvisation and canarios (Live)— Composer not yet identified
▶
Şeferdîn (Live)— Composer not yet identified
▶
Al-bint el shalabiyya (Live)— Traditional
▶
Longa Riad (Live)— Composer not established
▶
Yâ habîbî (Live)— Traditional
▶
‘Al maya, ‘Al maya (Live)— Composer not yet identified
▶
El Rey Nimrod (Live)— Traditional
▶
Sabiha (Live)— Traditional
▶
As for tall (Live)— Composer not yet identified
▶
Lamounî (Live)— Composer not yet identified
▶
Laïli Djân (Live)— Traditional
▶
Hal Asmar (Live)— Traditional
▶
Ya Mariam el bekr (Live)— Traditional
▶
Kevok (Live)— Composer not yet identified
▶
Apo xeno meros (Live)— Composer not yet identified
▶
‘Al maya, ‘Al maya (bis) (Live)— Composer not yet identified
▶
Ouverture #3 Bwv 1068 1. (Ouverture)— Johann Sebastian Bach
▶
Ouverture #3 Bwv 1068 2. Air— Johann Sebastian Bach
▶
Ouverture #3 Bwv 1068 3. Gavotte I-Gavotte II— Johann Sebastian Bach
▶
Ouverture #3 Bwv 1068 4. Bourree— Johann Sebastian Bach
▶
Ouverture #3 Bwv 1068 5. Gigue— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 1. (Ouverture)— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 2. Courante— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 3. Gavotte I Alternativement-Gavotte II— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 4. Forlane— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 5. Menuet I Alternativement-Menuet II— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 6. Bouree I Alternativement-Bouree II— Johann Sebastian Bach
▶
Ouverture #1 Bwv 1066 7. Passepied I-Passepied II— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 1. (Ouverture)— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 2. Rondeau— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 3. Sarabande— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 4 .Bourée I Alternativement- Bourée II— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 5. Polonaise, Double— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 6. Menuet— Johann Sebastian Bach
▶
Ouverture #2 Bwv 1067 7. Badinerie— Johann Sebastian Bach
▶
Ouverture #4 Bwv 1069 1. (Ouverture)— Johann Sebastian Bach
▶
Ouverture #4 Bwv 1069 2. Bourée I-Bourée II— Johann Sebastian Bach
▶
Ouverture #4 Bwv 1069 3. Gavotte— Johann Sebastian Bach
▶
Ouverture #4 Bwv 1069 4. Menuet I Alternativement-Menuet II— Johann Sebastian Bach
▶
Ouverture #4 Bwv 1069 5. Réjouissance— Johann Sebastian Bach
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Don Juan ou le Festin de pierre, Wq. 52: Sinfonia— Christoph Willibald Gluck
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Don Juan ou le Festin de pierre, Wq. 52: 1. Andante grazioso— Christoph Willibald Gluck
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Don Juan ou le Festin de pierre, Wq. 52: 2. Andante— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 3. Allegro maestoso— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 4. Allegro furioso. Adagio— Christoph Willibald Gluck
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Don Juan ou le Festin de pierre, Wq. 52: 5. Allegro forte risoluto. Andante. Allegretto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 6. Risoluto moderato— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 7. Gavotte— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 8. Brillante— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 9. Allegretto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 10. Moderato— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 11. Giusto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 12. Allegro. Presto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 13. Andante grazioso— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 14. Andante— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 15. Presto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 16. Allegretto. Presto. Andante— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 17. Andante— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 18. Allegro giusto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 19. Moderato— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 20. Andante— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 21. Grazioso— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 22. Allegretto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 23. Moderato. Presto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 24. Risoluto e moderato— Christoph Willibald Gluck
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Don Juan ou le Festin de pierre, Wq. 52: 25. Allegro. Allegro giusto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 26. Andante staccato— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 27. Allegro— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 28. Allegretto— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 29. Andante staccato— Christoph Willibald Gluck
▶
Don Juan ou le Festin de pierre, Wq. 52: 30. Larghetto— Christoph Willibald Gluck
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Don Juan ou le Festin de pierre, Wq. 52: 31. Allegro non troppo— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: Sinfonia— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 1. Andante— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 2. Allegro— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 3. Moderato— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 4. Moderato. Grazioso— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 5. Moderato— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 6. Maestoso— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 7. Grazioso— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 8. Maestoso. Presto— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 9a. Affettuoso— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 9b. Affettuoso— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 10. Adagio. Più Adagio— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 11. Affettuoso— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 12. Adagio— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 13. Allegro maestoso— Christoph Willibald Gluck
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Semiramis, Wq. Anh. C/1: 14. Adagio. Allegro. Tempo primo— Christoph Willibald Gluck
▶
Semiramis, Wq. Anh. C/1: 15. Allegro assai— Christoph Willibald Gluck
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Quintetto No. 4 in Re Maggiore “Fandango” per Corda e Chitarra, G. 448: Pastorale— Composer not established
▶
Quintetto No. 4 in Re Maggiore “Fandango” per Corda e Chitarra, G. 448: Allegro Maestoso— Composer not yet identified
▶
Quintetto No. 4 in Re Maggiore “Fandango” per Corda e Chitarra, G. 448: Grave Assai – Fandango— Composer not yet identified
▶
Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 “Grande”: Allegro Moderato— Composer not yet identified
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Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 “Grande”: Minuetto Con…— Composer not established
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Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 “Grande”: Andante Amoroso— Composer not established
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Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 “Grande”: Finale -…— Composer not yet identified
▶
Sinfonia in La Maggiore Op. 35, No. 3, G. 511: Allegro Giusto— Composer not yet identified
▶
Sinfonia in La Maggiore Op. 35, No. 3, G. 511: Andante— Composer not established
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Sinfonia in La Maggiore Op. 35, No. 3, G. 511: Allegro Ma Non Presto— Composer not yet identified
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Le…— Composer not yet identified
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Il…— Composer not yet identified
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324:…— Composer not established
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Passa…— Composer not yet identified
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Fanfara— Heinrich Ignaz Franz Biber
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Motet: Plaudite Tympana, à 53 (1682)— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : I. Sonata— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : II. Die liederliche Gesellschaft von allerley Humor. Allegro— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : III. Presto— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : IV. Der Mars— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : V. Presto— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : VI. Aria— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : VII. Die Schlacht— Heinrich Ignaz Franz Biber
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Battalia, à 10 (1673) : VIII. Lamento der Verwundten Musquetirer: Adagio— Heinrich Ignaz Franz Biber
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Sonata Sancti Polycarpi, à 9 (1673) : () – Allegro – Allegro – Presto— Heinrich Ignaz Franz Biber
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Missa Salisburgensis, à 53 (1682) : I. Kyrie— Heinrich Ignaz Franz Biber
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Missa Salisburgensis, à 53 (1682) : II. Gloria— Heinrich Ignaz Franz Biber
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Missa Salisburgensis, à 53 (1682) : III. Credo— Heinrich Ignaz Franz Biber
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Missa Salisburgensis, à 53 (1682) : IV. Sanctus – Benedictus— Heinrich Ignaz Franz Biber
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Missa Salisburgensis, à 53 (1682) : V. Agnus Dei— Heinrich Ignaz Franz Biber
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Ah, Pelayo Que Desmayo— Anonymous
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Dizen A Mi Que Los Amores He— Anonymous
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Gozate Virgen— Anonymous
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Si Des Vos Mi Bien— Anonymous
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Si N’Os Huviera Mirado— Anonymous
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Soleta So Jo Ací— Anonymous
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Que Farem Del Pobre Joan— Anonymous
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Un Niño Nos Es Nacido— Anonymous
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Con Que La Lavaré— Anonymous
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Ojos Garços Ha La Niña— Anonymous
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Si La Noche Haze Escura— Anonymous
▶
Teresica Hermana— Anonymous
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Estas Noches À Tan Largas— Anonymous
▶
Vella De Vos Som Amorós— Anonymous
▶
Yo Me Soy La Morenica— Anonymous
▶
Falai Meus Olhos— Anonymous
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A Midsummer Night’s Dream, Op. 21 (1826) : I. Ouverture (Allegro di molto)— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : II. Scherzo (Allegro vivace)— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : III. Melodram Recitations and Music. How now, spirit!— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : IV. March Of The Elves and Recitations. (Allegro vivace)— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : V. Lied mit Chor Music and Recitations. You spotted…— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : VI. Melodram Recitations and Music. What thou seest— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : VII. Intermezzo (Allegro appasionato-Allegro molto…— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : VIII. Melodram Recitations and Music. Are we all met?— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : IX. Notturno (Andante tranquillo)— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : X. Melodram Recitations and Music. Welcome, good Robin— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : XI. Wedding March (Allegro vivace)— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : XII. Melodram Recitations and Music. Say, what…— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : XIII. Marcia Funebre Recitations and Music.— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : XIV. Ein Tanz von Rüpeln (Allegro di molto)— Felix Mendelssohn
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A Midsummer Night’s Dream, Op. 61 (1843) : XV. Melodram Recitations and Music. Now the hungry lion— Composer not yet identified
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A Midsummer Night’s Dream, Op. 61 (1843) : XVI. Finale Music and Recitations. (Allegro di…— Felix Mendelssohn
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Vos que’m semblatz dels corals amadors— Gaucelm Faidit
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Estat ai en greu cossirier— Raimon de Miraval
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Na Carenza al bel cors avinen— Arnaut de Mareuil
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Si us quer conselh, bel’ami’Alamanda— Giraut de Bornelh
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Ab joi et ab joven m’apais— Bernart de Ventadorn
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A chantar mér de so q’ieu no voldria— Composer not yet identified
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S’anc fui belha ni prezada— Composer not established
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Medieval & Renaissance Songs of Andalusia: Ah, el novio no quiere dinero— Traditional
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Medieval & Renaissance Songs of Andalusia: Como la rosa en la güerta— Traditional
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Medieval & Renaissance Songs of Andalusia— Traditional
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Medieval & Renaissance Songs of Andalusia: Aquel rey de Francia— Traditional
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Medieval & Rennaissance Songs of Andalusia: Damos gracias a ti, Dios— Francisco de la Torre
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Medieval & Rennaissance Songs of Andalusia: Sobre Baça estaba el Rey— Anonymous
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Medieval & Rennaissance Songs of Andalusia: Ay! Que non hay!— Anonymous
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Medieval & Rennaissance Songs of Andalusia: Rosa das Rosas— Alfonso el Sabio
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Maravillosos e piadosos— Alfonso el Sabio
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Medieval & Rennaissance Songs of Andalusia: Tres moricas m’enamoran— Anonymous
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Medieval & Rennaissance Songs of Andalusia: Paseábase el rey moro— Luis de Narváez
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Medieval & Rennaissance Songs of Andalusia: Dime a do tienes las mientes— Alonso de Mudarra
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Medieval & Rennaissance Songs of Andalusia: Si no’s huviera mirado— Cristóbal de Morales
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Medieval & Rennaissance Songs of Andalusia: Dexó la venda— Francisco Guerrero
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Medieval & Rennaissance Songs of Andalusia: Puse mis amores— Anonymous
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Medieval & Rennaissance Songs of Andalusia: Aquí me declaró su pensamiento— Ginés de Morata
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Medieval & Rennaissance Songs of Andalusia: Pues que me tienes Miguel— Francisco Ortega
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Llibre Vermell De Montserrat: O Virgo splendens hic in monte celso— Monks of the Monastery of Montserrat
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Llibre Vermell De Montserrat: Stella splendens in monte— Monks of the Monastery of Montserrat
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Llibre Vermell De Montserrat: Laudemus Virginem Mater est— Monks of the Monastery of Montserrat
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Llibre Vermell De Montserrat: Los set goyts recomptarem— Monks of the Monastery of Montserrat
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Llibre Vermell De Montserrat: Splendens ceptigera— Monks of the Monastery of Montserrat
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Llibre Vermell De Montserrat: Polorum regina omnium nostra— Monks of the Monastery of Montserrat
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Llibre Vermell de Montserrat – Cuncti simus concanentes: Ave Maria— Monks of the Monastery of Montserrat
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Llibre Vermell de Montserrat: Mariam Matrem Virginem— Anonymous
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Llibre Vermell De Montserrat: Imperayritz de la ciutat joyosa— Composer not yet identified
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Llibre Vermell De Montserrat: Ad mortem festinamus— Monks of the Monastery of Montserrat
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Villancicos from “Cancionero de la Colombina”: No. 54, “Niña y viña”— Various Composers
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Villancicos from “Cancionero de la Colombina”: No. 57, “Propiñan de melyor”— Anonymous
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Villancicos from “Cancionero de la Colombina”: No. 92, “Como no le andaré yo?”— Various Composers
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Recercada— Various Composers
▶
Fantasia I— Various Composers
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Pavana— Various Composers
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Villancicos from “Cancionero de Palacio”: No. 6, “Al alba venid, buen amigo”— Various Composers
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Villancicos from “Cancionero de Palacio”: No. 434, “Perdi la mi rueca”— Various Composers
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Villancicos from “Cancionero de Palacio”: No. 101, “A los baños dell amor”— Various Composers
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Fantasia— Various Composers
▶
Romanesca— Various Composers
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Villancicos from “Cancionero de Palacio” (1490-1530) : No. 450, “Pues bien para esta”— Various Composers
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Villancicos from “Cancionero de Palacio”: No. 448, “Si habéis dicho, marido”— Various Composers
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Romances from “Cancionero de Palacio”: No. 323, “Si d’amor pena sentis”— Various Composers
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Romances from ‘Cancionero de Palacio’: No. 444, “O voy”— Various Composers
▶
Romances from “Cancionero de Palacio”: No. 315, “Qu’es de ti desconsolado”— Various Composers
▶
Recercadas sobre tenores: Recercada quarta— Various Composers
▶
Recercadas sobre tenores: Recercada quinta— Various Composers
▶
Recercadas sobre tenores: Recercada sesta— Various Composers
▶
Villancicos from “Cancionero de Uppsala”: No. 44, “Yo me soy la morenica”— Various Composers
▶
Villancicos from “Cancionero de Uppsala”: No. 14, “Si la noche haze escura”— Various Composers
▶
Villancicos from “Cancionero de Uppsala”: No. 23, “Soleta so yo açi”— Various Composers
▶
Villancicos from “Cancionero de Uppsala”: No. 29, “Con qué la lavarè, la flor de mi cara?”— Various Composers
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Villancicos from “Cancionero de Uppsala”: No. 30, “Soy Serranica”— Various Composers
▶
Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Pregoneros…— Composer not yet identified
▶
Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: El rey de…— Composer not yet identified
▶
Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Una matica…— Composer not yet identified
▶
Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Palestina…— Composer not established
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Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Nani, nani— Composer not established
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Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: El rey que…— Composer not yet identified
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Sephardic Romances: Por qué lloras blanca niña— Anonymus
▶
Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Moricos…— Composer not yet identified
▶
Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Lavava y…— Composer not yet identified
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Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Paxarico…— Composer not established
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Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: La Reina…— Composer not established
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Sephardic Romances from the Age before the Expulsion of the Jews from Spain in 1492: Por alli…— Composer not yet identified
▶
Viva la Margarita— Enríquez de Valderrábano
▶
Diferencias sobre el “Canto del Cavallero”— Antonio de Cabezón
▶
5 diferencias sobre “Conde Claros”— Anonymous
▶
Diferencias sobre el canto de “La Dama le demanda”— Antonio de Cabezón
▶
Discante sobre la Pavana Italiana— Antonio de Cabezón
▶
Para quien crié yo cabelios (folia)— Antonio de Cabezón
▶
Diferencias sobre la Gallarda Milanesa— Antonio de Cabezón
▶
4 diferencias sobre “Guárdame las vacas”— Luys de Narváez
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5 diferencias sobre “Las Vacas”— Anonymous
▶
La Justa— Mateo Flecha el Viejo
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La Guerra— Mateo Flecha el Viejo
▶
3 Recercadas sobre tenores: Romanesca— Diego Ortiz
▶
3 Recercadas sobre tenores: Ruggiero— Diego Ortiz
▶
3 Recercadas sobre tenores: Passamezzo moderno— Diego Ortiz
▶
Recercada No. 2 sobre canto llano— Diego Ortiz
▶
Recercada No. 6 sobre canto llano— Diego Ortiz
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3 sobre el Canto Ilano de la Alta— Antonio de Cabezón
▶
Himno XI sobre “Ave maris stella VIII”— Antonio de Cabezón
▶
Mille regrets— Josquin des Prez
▶
“Doulce Mémoire”— Pierre Sandrin
▶
O felici occhi miei— Jacques Arcadelt
▶
D’où vient cela— Antonio de Cabezón
▶
Zappay— Anonymous
▶
Viva, viva rey Ferrando, canción, CM. 111 (from “Canciero de Montecassino”)— Anonymous
▶
De tous biens plaine— Hayne Van Ghizeghem
▶
Dónde estás que non te veo— Juan Cornago
▶
Figlie Guilielmin— Antonio Cornazano
▶
Amor que t’o fat hio— Anonymous
▶
Puis Fortuna— Anonymous
▶
Qu’es mi vida preguntays— Juan Cornago
▶
Collinetto— Guglielmo Ebreo da Pesaro
▶
Dindrin, Dindirin, romance— Anonymous
▶
O Dio se vede chiaro— Giovanni Domenico del Giovane da Nola
▶
Il Re di Spagna— Francisco de la Torre
▶
Dezilde al caballero— Nicolas Gombert
▶
Diferencias sobre El Canto del caballero— Antonio de Cabezón
▶
Cingari simo venit’a giocare, mascherata alla napolitana— Giovanni Domenico del Giovane da Nola
▶
Fantasias I – II on “Salve Regina”— Diego Ortiz
▶
Ay luna que reluzes, villancico— Anonymous
▶
Vecchie letrose non valete niente, villanesca alla napolitana— Adrian Willaert
▶
Himno XIX Pange lingua IV— Antonio de Cabezón
▶
Pour un plaisir, for Organ (after Thomas Crecquillon)— Antonio de Cabezón
▶
Diferencias sobre “La Dama le demanda”, for Organ— Antonio de Cabezón
▶
Tiento II del cuarto tono— Antonio de Cabezón
▶
Pavana con su glosa— Antonio de Cabezón
▶
Fabordón y glosas del sexto tono— Antonio de Cabezòn
▶
Tiento VIII del octavo tono— Antonio de Cabezòn
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Quien llamó al partir partir?— Antonio de Cabezòn
▶
Tres sobre La Alta— Antonio de Cabezón
▶
Un gay bergier (after Thomas Crequillon)— Antonio de Cabezòn
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Diferencias sobre “Las Vacas”, romanesca— Antonio de Cabezòn
▶
Tiento IX del quinto tono— Antonio de Cabezòn
▶
Para quién crié cabellos, romance— Antonio de Cabezòn
▶
Tiento XIII. Fuga a 4— Antonio de Cabezòn
▶
Tiento VII del cuarto tono— Antonio de Cabezón
▶
Diferencias sobre La Pavana Italiana— Antonio de Cabezòn
▶
Je fille quant dieu me donne de quoy (after Adrian Willaert)— Antonio de Cabezòn
▶
Tiento III del primer tono— Antonio de Cabezòn
▶
La Perra mora— Pedro Guerrero
▶
Romance de Abindarráez: La Mañana de San Juan (2000 Remastered Version)— Diego Pisador
▶
Fantasia y Gallarda— Alonso de Mudarra
▶
Romance del Tey moro que perdió Alhama— Luys de Narváez
▶
Tres morillas m’enamoren— Anonymous
▶
Conde Claros— Alonso de Mudarra
▶
Romance de Don Beltran: Los braços traygo cansados— Juan Vásquez
▶
Romance I: Pues non me quereis— Anonymous
▶
Romance II: Mira, Nero de Tarpeya— Francisco Palero
▶
Dexo la venda— Francisco Guerrero
▶
Quien amores tiene— Juan Vásquez
▶
Dos ánades, madre— Joan de Anchieta
▶
Al rebuelo de una garça— Anonymous
▶
Pues que me tienes, Miguel— Francisco Ortega
▶
Madre, la mi madre— Pedro Rimonte
▶
Folia VIII— Diego Ortiz
▶
La Gerigonza— Mateo Flecha
▶
El Villano— Antonio Martín y Coll
▶
Seguidillas en eco: De tu vista celoso— Anonymous
▶
Jácaras— Antonio de Santa Cruz
▶
Folia: A la dulce risa del alva— Mateo Romero
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Danza del hacha— Antonio Martín y Coll
▶
Chacona: A la vida bona— Juan Arañés
▶
Recercadas sobre tenores: No. 8 sobre “la folía”— Diego Ortiz
▶
Recercadas sobre tenores: No. 1 sobre el “Passamezzo” antiguo— Diego Ortiz
▶
Recercadas sobre tenores: No. 2 sobre el “Passamezzo” moderno— Diego Ortiz
▶
Recercadas sobre el madrigal, “O Felici Occhi Miei”: No. 4 que es “quinta voz”— Jacques Arcadelt
▶
Recercadas sobre el madrigal, “O Felici Occhi Miei”: No. 1— Jacques Arcadelt
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Recercadas sobre el madrigal, “O Felici Occhi Miei”: No. 2— Jacques Arcadelt
▶
Recercadas sobre el madrigal, “O Felici Occhi Miei”: No. 3— Jacques Arcadelt
▶
Recercadas para Viola de Gamba Sola: No. 2— Diego Ortiz
▶
Recercadas para Viola de Gamba Sola: No. 1— Diego Ortiz
▶
Recercadas sobre el canto Ilano “La Spagna”: No. 1— Diego Ortiz
▶
Recercadas sobre el canto Ilano “La Spagna”: No. 2— Diego Ortiz
▶
Recercadas sobre el canto Ilano “La Spagna”: No. 3— Diego Ortiz
▶
Recercadas sobre el canto Ilano “La Spagna”: No. 4— Diego Ortiz
▶
Recercadas sobre el canto Ilano “La Spagna”: No. 5— Diego Ortiz
▶
Recercadas sobre el canto Ilano “La Spagna”: No. 6— Diego Ortiz
▶
Recercadas sobre la canción “Doulce Memoire”: No. 4 que es quinta voz— Pierre Sandrin
▶
Recercadas sobre la canción “Doulce Memoire”: No. 1— Pierre Sandrin
▶
Recercadas sobre la canción “Doulce Memoire”: No. 2— Pierre Sandrin
▶
Recercadas sobre la canción “Doulce Memoire”: No. 3— Pierre Sandrin
▶
Recercadas para Viola de Gamba Sola: No. 3— Diego Ortiz
▶
Recercadas para Viola de Gamba Sola: No. 4— Diego Ortiz
▶
Recercadas sobre tenores: No. 6 sobre la “Romanesca”— Diego Ortiz
▶
Recercadas sobre tenores: No. 7 sobre la “Romanesca”— Diego Ortiz
▶
Recercadas sobre tenores: No. 3 sobre el “passamezzo” moderno— Diego Ortiz
▶
Recercadas sobre tenores: No. 4 sobre la “folía”— Diego Ortiz
▶
Recercadas sobre tenores: No. 5 sobre el “passamezzo” antiguo— Diego Ortiz
▶
Recercadas sobre tenores: “Quinta pars”— Diego Ortiz
▶
Dexa la aljava— De Milanes
▶
Aquella sierra nevada— José Marin
▶
Peynándose estaba un olmo— Juan Hidalgo
▶
Diferencias sobre las Folias— Antonio Martin Y Col
▶
La Chacona— Antonio Martin Y Col
▶
Atiénde y da— Juan Hidalgo
▶
Ay corazón amante— Juan Hidalgo
▶
Sosieguen descansen— Sebastian Duron
▶
Toccata— Juan Cabanilles
▶
Gallarda— Juan Hidalgo
▶
Con tanto respecto adoran— Juan Hidalgo
▶
No te embarques— Juan Del Vado
▶
Ay que me rio de amor— Juan Hidalgo
▶
Symphonie No. 1 en Ut majeur, Op. 21: I. Adagio molto – Allegro con brio— Ludwig van Beethoven
▶
Symphonie No. 1 en Ut majeur, Op. 21: II. Andante cantabile con moto— Ludwig van Beethoven
▶
Symphonie No. 1 en Ut majeur, Op. 21: III. Menuetto Allegro molto e vivace – Trio— Ludwig van Beethoven
▶
Symphonie No. 1 en Ut majeur, Op. 21: IV. Finale Adagio – Allegro molto e vivace— Composer not yet identified
▶
Symphonie No. 2 en Ré majeur, Op. 36: I. Adagio – Allegro con brio— Composer not yet identified
▶
Symphonie No. 2 en Ré majeur, Op. 36: II. Larghetto— Ludwig van Beethoven
▶
Symphonie No. 2 en Ré majeur, Op. 36: III. Scherzo Allegro – Trio— Composer not yet identified
▶
Symphonie No. 2 en Ré majeur, Op. 36: IV. Allegro molto— Ludwig van Beethoven
▶
Symphonie No. 3 en Mi bémol majeur, Op. 55 “Eroica”: I. Allegro con brio— Ludwig van Beethoven
▶
Symphonie No. 3 en Mi bémol majeur, Op. 55 “Eroica”: II. Marcia Funebre Adagio assai – Maggiore— Composer not yet identified
▶
Symphonie No. 3 en Mi bémol majeur, Op. 55 “Eroica”: III. Scherzo Allegro vivace – Trio – Alla…— Composer not yet identified
▶
Symphonie No. 3 en Mi bémol majeur, Op. 55 “Eroica”: IV. Finale Allegro molto – Poco Andante -…— Ludwig van Beethoven
▶
Symphonie No. 4 en Si bémol majeur, Op. 60: I. Adagio – Allegro vivace— Ludwig van Beethoven
▶
Symphonie No. 4 en Si bémol majeur, Op. 60: II. Adagio— Ludwig van Beethoven
▶
Symphonie No. 4 en Si bémol majeur, Op. 60: III. Allegro molto e vivace – Trio Un poco meno…— Composer not yet identified
▶
Symphonie No. 4 en Si bémol majeur, Op. 60: IV. Allegro ma non troppo— Ludwig van Beethoven
▶
Symphonie No. 5 en Do mineur, Op. 67: I. Allegro con brio— Composer not yet identified
▶
Symphonie No. 5 en Do mineur, Op. 67: II. Andante con moto – Pió moto – Tempo I— Composer not yet identified
▶
Symphonie No. 5 en Do mineur, Op. 67: III. Allegro— Ludwig van Beethoven
▶
Symphonie No. 5 en Do mineur, Op. 67: IV. Allegro – Tempo I – Allegro – Presto— Ludwig van Beethoven
▶
Dominica in ramis palmarum: Introductio. Unus ex discipulus— Composer not yet identified
▶
Dominica in ramis palmarum: Antiphona. Hosanna filio David— Composer not yet identified
▶
Dominica in ramis palmarum: Antiphona. Pueri Hebræorum— Tomás Luis de Victoria
▶
Dominica in ramis palmarum: Passio secundum Mathæum— Composer not yet identified
▶
Dominica in ramis palmarum: In elevatione Domini. O Domine Jesu Christe— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Ad matutinum. Introductio “Eram quasi agnus”— Tomás Luis de Victoria
▶
Feria quinta in coena domini: In primo nocturno. Antiphon. Zelus domus tuæ. Versiculum…— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima “Incipit Lamentatio…— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima “Aleph. Quomodo sedet”— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima “Beth. Plorans ploravit”— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima “Jerusalem,…— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Vau. Et egressus est”— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Zain”— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Antiphona….— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Jerusalem,…— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Introductio”— Tomás Luis de Victoria
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Jod. Manum suam”— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Caph. Omnis populus”— Composer not yet identified
▶
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Jerusalem,…— Composer not yet identified
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Feria quinta in coena domini: In secundo notturno. Introductio “Tenebrae factae sunt”— Composer not yet identified
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Feria quinta in coena domini: In secundo notturno. Versiculum “Deus meus eripe me”— Tomás Luis de Victoria
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Feria quinta in coena domini: Sex tenebrae responsoria. Quartum Responsorium “Amicus meus”— Composer not yet identified
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Feria quinta in coena domini: Sex tenebrae responsoria. Quintum Responsorium “Judas mercator…— Composer not yet identified
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Feria quinta in coena domini: Sex tenebrae responsoria. Sextum Responsorium “Unus ex discipulis”— Composer not yet identified
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Feria quinta in coena domini: In tertio notturno. Versiculum “Exsurge Domine”— Tomás Luis de Victoria
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Feria quinta in coena domini: In tertio notturno. Septimum Responsorium “Eram quasi agnus”— Composer not yet identified
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Feria quinta in coena domini: In tertio notturno. Octavum Responsorium “Una hora”— Composer not yet identified
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Feria quinta in coena domini: In tertio notturno. Nonum Responsorium “Seniores populi”— Composer not yet identified
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Feria quinta in coena domini: Ad laudes. Introductio “Amicus meus”— Tomás Luis de Victoria
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Feria quinta in coena domini: Ad laudes. Canticum Zachariæ “Benedictus Dominus”— Composer not yet identified
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Feria quinta in coena domini: Ad laudes. Psalmus 50 “Miserere mei”— Tomás Luis de Victoria
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Feria quinta in coena domini: In elevatione corporis christi. In Missa Tantum ergo. Hymnus…— Composer not yet identified
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Feria sexta in passione Domini: Ad matutinum. Introductio “Ecce quomodo”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In primo nocturno. Antiphona “Astiterunt reges terrae”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio prima “Heth”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio prima “Jerusalem,…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Lamed. Matribus…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Mem. Cui…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda “Jerusalem,…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Aleph. Ego vir…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Aleph. Meminavit”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio tertia “Jerusalem,…— Tomás Luis de Victoria
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Feria sexta in passione Domini: In secundo notturno. Introductio “Eram quasi agnus”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In secundo notturno. Antiphona “Vim faciebant”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In secundo notturno. Versiculum “Insurrexerunt in me”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Sex tenebrae responsoria. Quartum Responsorium “Tanquam ad…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Sex tenebrae responsoria. Quintum Responsorium “Tenebrae factae…— Tomás Luis de Victoria
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Feria sexta in passione Domini: Sex tenebrae responsoria. Sextum Responsorium “Animam meam…— Tomás Luis de Victoria
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Feria sexta in passione Domini: In tertio notturno. Versiculum “Locuti sunt adversum me lingua”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In tertio notturno. Septimum Responsorium “Tradiderunt me”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In tertio notturno. Octavum Responsorium “Jesum tradidit impius”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In tertio notturno. Nonum Responsorium “Caligaverunt oculi mei”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Ad laudes. Introductio “Tenebrae factae sunt”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Ad laudes. Passio secundum “Joannem”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In adoratione crucis. Introductio “Aleph”— Tomás Luis de Victoria
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Feria sexta in passione Domini: In adoratione crucis. Vere languores— Tomás Luis de Victoria
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Feria sexta in passione Domini: In adoratione crucis. Antiphona “Ecce lignum Crucis”— Tomás Luis de Victoria
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Feria sexta in passione Domini: Improperia. Popule meus— Tomás Luis de Victoria
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Sabbato sancto: Ad matutinum. Introductio “Heth”— Tomás Luis de Victoria
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Sabbato sancto: Ad matutinum. Antiphona & Versiculum “In pace et idipsum”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio prima “Heth. Misericordiæ Domini”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio prima “Teth. Bonum est viro”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio prima “Jerusalem, convertere ad Dominum”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio secunda “Beth”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio secunda: “Aleph. Quomodo obscuratum est”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio secunda “Beth. Filii Sion inclyti”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio secunda “Jerusalem, convertere ad Dominum”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio secunda “Versiculum. Tu exsurgens, Domine”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio tertia “Incipit oratio Jeremiæ”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio tertia “Recordare”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio tertia “Pupili facti sumus”— Tomás Luis de Victoria
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Sabbato sancto: Lamentatio Jeremiae Prophetae. Lectio tertia “Jerusalem, convertere ad Dominum”— Tomás Luis de Victoria
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Sabbato sancto: In secundo notturno. Introductio “Astiterunt”— Tomás Luis de Victoria
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Sabbato sancto: In secundo notturno. Antiphona “Elevamini portæ eternales”— Tomás Luis de Victoria
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Sabbato sancto: In secundo notturno. Versiculum “Tu autem, Domine”— Tomás Luis de Victoria
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Sabbato sancto: Sex tenebrae responsoria. Quartum Responsorium “Recessit pastor noster”— Tomás Luis de Victoria
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Sabbato sancto: Sex tenebrae responsoria. Quintum Responsorium “O vos omnes”— Tomás Luis de Victoria
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Sabbato sancto: Sex tenebrae responsoria. Sextum Responsorium “Ecce quomodo moritur”— Tomás Luis de Victoria
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Sabbato sancto: In tertio notturno. Antiphona “Deus adjuvat me”— Tomás Luis de Victoria
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Sabbato sancto: In tertio notturno. Versiculum “In pace factus est locus ejus”— Tomás Luis de Victoria
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Sabbato sancto: In tertio notturno. Septimum Responsorium “Astiterunt reges”— Tomás Luis de Victoria
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Sabbato sancto: In tertio notturno. Octavum Responsorium “Æstimatus sum”— Tomás Luis de Victoria
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Sabbato sancto: In tertio notturno. Nonum Responsorium “Sepulto Domino”— Tomás Luis de Victoria
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Sabbato sancto: Ad laudes. Introductio “Amicus meus”— Tomás Luis de Victoria
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Sabbato sancto: Ad laudes. Canticum Zachariæ “Benedictus Dominus”— Tomás Luis de Victoria
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Sabbato sancto: Ad laudes. Psalmus 50 “Miserere mei”— Tomás Luis de Victoria
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Sabbato sancto: Hymnus Vexilla regis more hispano— Tomás Luis de Victoria
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Artistote: “L’humanité est divisée en deux : Les maîtres et les esclaves” / Musique:…— Composer not established
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Kora et Valiha— Traditional
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Djonya (Introduction)— Traditional
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La Negrina / Gugurumbé— Composer not established
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Vida ao Jongo (Jongo da Serrinha)— Composer not established
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Récit: 1505. Le roi Ferdinand le Catholique écrit une lettre à Nicolas de Ovando / Musique:…— Composer not established
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Tambalagumbá (Negrilla à 6 v. et bc.)— Composer not established
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Velo que bonito (ou San Antonio) (Chant sacré)— Traditional
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Manden Mandinkadenou (Chant de griot)— Traditional
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Récit: 1620. Les premiers esclaves africains arrivent dans les colonies anglaises.— Composer not established
▶
Canto de Guerreiro (Caboclinho paraibano)— Traditional
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Kouroukanfouga (Instrumental) (Anonyme) (Mali)— Composer not established
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Récit: 1657. Richard Ligon publie Histoire Vraie et exacte de l’Île de la Barbade à Londres…— Composer not established
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Son de la Tirana: Mariquita, María— Traditional
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Antoniya, Flaciquia, Gasipà (Negro à 5)— Composer not established
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Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » /…— Composer not established
▶
Sinanon Saran (Chant de griot)— Traditional
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Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 /…— Composer not established
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Les Indios: ¡Fuera, fuera! ¡Háganles lugar!— Composer not established
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Saí da casa (Ciranda)— Traditional
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Récit: 1748. Montesquieu « De l’esclavage des nègres » / Musique: Marimba— Composer not established
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Véro (Instrumental)— Traditional
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El Torbellino— Traditional
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Gulumbé: Los coflades de la estleya— Composer not established
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Récit: 1782. L’esclave Belinda demande au Congrès du Massachusetts une pension en guise de…— Composer not established
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Sanjin (Chant de griot)— Traditional
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La Iguana (Son jarocho)— Traditional
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Récit: 1848. Décret sur abolition de l’esclavage / Musique: Kora et Valiha— Composer not established
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Tonada El Congo: A la mar me llevan— Traditional
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Bom de Briga (Maracatu e Samba)— Traditional
▶
Récit: 1963. Martin Luther-King « Pourquoi nous ne pouvons pas attendre » / Musique:…— Composer not established
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Dan Massa Woulanba— Traditional
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Guaracha: Ay que me abraso— Composer not established
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La Justa (Ensalada)— Matheo Flecha l’Ancien
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Batalla De Morales (Instrumental)— Francisco Correa de Arrauxo
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El Fuego (Ensalada)— Matheo Flecha l’Ancien
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Ensalada (Instrumental)— Seabstian Aguilera de Heredia
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La Bomba (Ensalada)— Matheo Flecha l’Ancien
▶
Guerrero (P) : Di, Perra Mora— Anonymous
▶
A Beinte Y Siete De Março— Anonymous
▶
Guerrero (F) : Prado Verde Y Florido— Anonymous
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Puse Mis Amores— Anonymous
▶
Buelve Tus Claros Ojos— Anonymous
▶
Guerrero (F) : Dexo La Venda, El Arco— Anonymous
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Cebrian: Lagrimas De Mi Consuelo— Anonymous
▶
Morata: Pues Que Me Tienes Miguel— Anonymous
▶
Cabezón (A) : Susana Un Dia— Anonymous
▶
Corten Espadas Afiladas— Anonymous
▶
Aquella Voz De Cristo— Anonymous
▶
Cabezón (A) : Fantasia Instrumental— Anonymous
▶
Hay Jesus Que Mal Fraile!— Anonymous
▶
Diferencias Sobre Las Vacas— Anonymous
▶
Mudarra: Claros Y Frescos Rios— Anonymous
▶
Morata: Pues No Puedo Olvidarte— Anonymous
▶
Guerrero (F) : Ojos Claros Y Serenos— Anonymous
▶
Ouverture III en ré majeur, BWV 1068: I. Ouverture— Johann Sebastian Bach
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Ouverture III en ré majeur, BWV 1068: II. Air— Johann Sebastian Bach
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Ouverture III en ré majeur, BWV 1068: III. Gavotte I – Gavotte II— Johann Sebastian Bach
▶
Ouverture III en ré majeur, BWV 1068: IV. Bourrée— Johann Sebastian Bach
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Ouverture III en ré majeur, BWV 1068: V. Gigue— Johann Sebastian Bach
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Ouverture I en ut majeur, BWV 1066: VI. Ouverture)— Johann Sebastian Bach
▶
Ouverture I en ut majeur, BWV 1066: VII. Courante— Johann Sebastian Bach
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Ouverture I en ut majeur, BWV 1066: VIII. Gavotte I alternativement – Gavotte II— Johann Sebastian Bach
▶
Ouverture I en ut majeur, BWV 1066: IX. Forlane— Johann Sebastian Bach
▶
Ouverture I en ut majeur, BWV 1066: X. Menuett I alternativement – Menuett II— Johann Sebastian Bach
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Ouverture I en ut majeur, BWV 1066: XI. Bourrée I alternativement – Bourrée II— Johann Sebastian Bach
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Ouverture I en ut majeur, BWV 1066: XII. Passepied I – Passepied II— Johann Sebastian Bach
▶
Ouverture II en si mineur, BWV 1067: I. Ouverture— Johann Sebastian Bach
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Ouverture II en si mineur, BWV 1067: II. Rondeau— Johann Sebastian Bach
▶
Ouverture II en si mineur, BWV 1067: III. Sarabande— Johann Sebastian Bach
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Ouverture II en si mineur, BWV 1067: IV. Bourrée I alternativement – Bourrée II— Johann Sebastian Bach
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Ouverture II en si mineur, BWV 1067: V. Polonaise, double— Johann Sebastian Bach
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Ouverture II en si mineur, BWV 1067: VI. Menuett— Johann Sebastian Bach
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Ouverture II en si mineur, BWV 1067: VII. Badinerie— Johann Sebastian Bach
▶
Ouverture IV en ré majeur, BWV 1069: VIII. Ouverture— Johann Sebastian Bach
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Ouverture IV en ré majeur, BWV 1069: IX. Bourrée I – Bourrée II— Johann Sebastian Bach
▶
Ouverture IV en ré majeur, BWV 1069: X. Gavotte— Johann Sebastian Bach
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Ouverture IV en ré majeur, BWV 1069: XI. Menuett I alternativement – Menuett II— Johann Sebastian Bach
▶
Ouverture IV en ré majeur, BWV 1069: XII. Réjouissance— Johann Sebastian Bach
▶
Thema Regium – Traverso Solo (Bach)— Johann Sebastian Bach
▶
Ricercar A 3 – Clavecin (Bach)— Johann Sebastian Bach
▶
Canon Perpetuus Super Thema Regium (7) (Bach)— Johann Sebastian Bach
▶
Canon 1 A 2 (Cancrizans) – Clavecin (Bach)— Johann Sebastian Bach
▶
Canon 2 A 2 Violini In Unisono (Bach)— Johann Sebastian Bach
▶
Canon 3 A 2 Per Motum Contrarium (Bach)— Johann Sebastian Bach
▶
Canon 4 (A) Per Augmentationem, Contrario Motu (Bach)— Johann Sebastian Bach
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Ricercar A 6 – Clavecin (Bach)— Johann Sebastian Bach
▶
Sonata Sopr’ll Soggetto Reale: Largo (Bach)— Johann Sebastian Bach
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Sonata Sopr’ll Soggetto Reale: Allegro (Bach)— Johann Sebastian Bach
▶
Sonata Sopr’ll Soggetto Reale: Andante (Bach)— Johann Sebastian Bach
▶
Canon A 2 Quarendo Invenietis (9A) – Clavecin (Bach)— Johann Sebastian Bach
▶
Canon A 2 Quarendo Invenietis (9B) – Clavecin (Bach)— Johann Sebastian Bach
▶
Canon 5 A 2 Per Tonos “Ascendenteque Modulatione Ascendat Gloria Regis” (Bach)— Johann Sebastian Bach
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Fuga Canonica In Epidiapente (6) (Bach)— Johann Sebastian Bach
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Canon4 (B) Per Augmentationem, Contrario Motu (Bach)— Johann Sebastian Bach
▶
Canon Perpetuus (Per Justi Intervali) (8) (Bach)— Johann Sebastian Bach
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Canon A 4 (10) (Bach)— Johann Sebastian Bach
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Ricercar A 6 – Ensemble (Bach)— Johann Sebastian Bach
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Prelude— Composer not established
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Allemande BWV 1011— Johann Sebastian Bach
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Aria Burlesca— Composer not established
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La Cloche— Composer not established
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Saraband— Composer not established
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Prelude II— Composer not established
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Les Voix Humaines— Marin Marais
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La Du Vaucel— Composer not established
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Vivace— Georg Philipp Telemann
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Harke, Harke— Composer not established
▶
Plainte— Composer not established
▶
Menuet I-II BWV 1007— Johann Sebastian Bach
▶
Gigue BWV 1007— Johann Sebastian Bach
▶
Good Againe (Sol Majeur)— Composer not established
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Prelude (Mi Mineur)— Composer not established
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Sarabande A L’Espagnol— Marin Marais
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The Lancashire Pipes— Composer not established
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Fantaisie En Rondeau— Composer not established
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Sarabande— Johann Sebastian Bach
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Double— Johann Sebastian Bach
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Bourrée BWV 1010— Johann Sebastian Bach
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Missa Scala Aretina : Kyrie I— Composer not established
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Missa Scala Aretina : Christe Eleison— Composer not established
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Missa Scala Aretina : Kyrie II— Composer not established
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Missa Scala Aretina : Gloria— Composer not established
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Missa Scala Aretina : Gratias— Composer not established
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Missa Scala Aretina : Qui tollis— Composer not established
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Missa Scala Aretina : Quoniam tu solus Dominus— Composer not established
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Missa Scala Aretina : Cum Sancto Spiritu— Composer not established
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Missa Scala Aretina : Credo— Composer not established
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Missa Scala Aretina : Et incarnatus est— Composer not established
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Missa Scala Aretina : Crucifixus— Composer not established
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Missa Scala Aretina : Et resurrexit— Composer not established
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Missa Scala Aretina : Et ascendit— Composer not established
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Missa Scala Aretina : Et in spiritum— Composer not established
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Missa Scala Aretina : Sanctus— Composer not established
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Missa Scala Aretina : Agnus Dei— Composer not established
▶
Battala imperial— Composer not established
▶
El Cant dels Aucells— Traditional
▶
Catalunya comptat gran (romance)— Traditional
▶
Catalunya triomfant (instrumental & hymne)— Traditional
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Catalunya en altre temps (plainte)— Traditional
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Messe à double chœur: Kyrie I— Composer not established
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Messe à double chœur: Christe Eleison— Composer not established
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Messe à double chœur: Kyrie II— Composer not established
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Messe à double chœur: Gloria— Composer not established
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Messe à double chœur: Et in terra pax— Composer not established
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Messe à double chœur: Gratias— Composer not established
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Messe à double chœur: Domine Deus, rex caelestis— Composer not established
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Messe à double chœur: Domine Deus, Agnus Dei— Composer not established
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Messe à double chœur: Quoniam tu solus Dominus— Composer not established
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Messe à double chœur: Cum sancto spiritu— Composer not established
▶
Messe à double chœur: Credo in unum Deum— Composer not established
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Messe à double chœur: Patrem omnipotentem (haute-contre)— Composer not established
▶
Messe à double chœur: Patrem omnipotentem (double chœur)— Composer not established
▶
Messe à double chœur: Et in unum Dominum— Composer not established
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Messe à double chœur: Et ex Padre natum— Composer not established
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Messe à double chœur: Deum de Deo— Composer not established
▶
Messe à double chœur: Genitum, non factum— Composer not established
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Messe à double chœur: Qui propter nos homines— Composer not established
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Messe à double chœur: Et incarnatus est— Composer not established
▶
Messe à double chœur: Crucifixus— Composer not established
▶
Messe à double chœur: Et resurrexit— Composer not established
▶
Messe à double chœur: Et iterum venturus est— Composer not established
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Messe à double chœur: Cujus regni— Composer not established
▶
Messe à double chœur: Et in spiritum— Composer not established
▶
Messe à double chœur: Qui locutus est— Composer not established
▶
Messe à double chœur: Confiteor— Composer not established
▶
Messe à double chœur: Et expecto— Composer not established
▶
Messe à double chœur: Et vitam venturi saeculi— Composer not established
▶
Messe à double chœur: Symphonie – Sanctus— Composer not established
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Messe à double chœur: Pleni sunt caeli et terra— Composer not established
▶
Messe à double chœur: Benedictus— Composer not established
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Messe à double chœur: Hossana in excelsis— Composer not established
▶
Messe à double chœur: Agnus Dei (Symphonie, récit de taille)— Composer not established
▶
Messe à double chœur: Agnus Dei (double chœur)— Composer not established
▶
Afghanistan: Laïla Djân— Traditional
▶
Berbère: Berceuse Amazigh— Traditional
▶
Makam ‘Uzäl Sakil “Turna”— Traditional
▶
La guirnalda de rosas (Sefardi)— Traditional
▶
Correno multi cani— Composer not established
▶
La Spagna— Composer not established
▶
Alle Stamenge— Composer not established
▶
Gallyard— Composer not established
▶
Lullaby: My little sweet darling— Composer not established
▶
Dance— Composer not established
▶
Tourdion: Quand je bois du vin— Composer not established
▶
Bourrée d’avignognez— Composer not established
▶
Yo Soy la Locura— Composer not established
▶
Les Nimphes de la Grenouillere— Composer not established
▶
Pavan V Ludi Musici— Composer not established
▶
Galliard Battaglia— Composer not established
▶
Villancico; Yo me soy la morenica— Composer not established
▶
Canarios: No piense Menguilla— Composer not established
▶
Romanesca: Recercada 7— Diego Ortiz
▶
Niña como en tus mudanças— Diego Ortiz
▶
Folias Criollas— Traditional
▶
Mestizo e Indio: Tleycantimo— Composer not established
▶
Maurerische Trauermusik, K 477— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 1. Introitus – Requiem Aeternam – 2. Kyrie Eleison— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 3. Sequentia – Dies Irae— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 4. Sequentia – Tuba Mirum— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 5. Sequentia – Rex Tremendae— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 6. Sequentia – Recordare— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 7. Sequentia – Confutatis Maledictis— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 8. Sequentia – Lacrimosa Dies Illa— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 9. Offertorium – Domine Jesu Christe— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 10. Offertorium – Hostias Et Preces— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 11. Sanctus— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 12. Benedictus— Wolfgang Amadeus Mozart
▶
Requiem In D Minor, K 626 – 13. Agnus Dei – 14. Communio – Lux Aeterna— Wolfgang Amadeus Mozart
▶
Concerto Grosso in D Major, Op. 6 No. 4: I . Adagio— Composer not established
▶
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro— Composer not established
▶
Concerto Grosso in D Major, Op. 6 No. 4: III. Adagio— Composer not established
▶
Concerto Grosso in D Major, Op. 6 No. 4: IV. Vivace— Composer not established
▶
Concerto Grosso in D Major, Op. 6 No. 4: V. Allegro— Composer not established
▶
Concerto Grosso in D Major, Op. 6 No. 4: VI. Allegro— Composer not established
▶
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: I . Ouverture— Georg Philipp Telemann
▶
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: II. La Trompette— Georg Philipp Telemann
▶
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: III. Sarabande— Georg Philipp Telemann
▶
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: IV. Rondeau— Georg Philipp Telemann
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: V. Bourrée— Georg Philipp Telemann
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VI. Courante – Double— Georg Philipp Telemann
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue— Georg Philipp Telemann
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Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: I . Grave— Georg Philipp Telemann
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Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: II. Allegro— Georg Philipp Telemann
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Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: III. Dolce— Georg Philipp Telemann
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Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: IV. Allegro— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: I . Ouverture:…— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: II. Réjouissance— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: III. Rondeau— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: IV. Loure— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: V. Passepied— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: VI. Air; un peu…— Georg Philipp Telemann
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Overture & Suite in E Minor “Tafelmusik” for 2 flutes and strings, TWV 55/e1: VII. Gigue— Georg Philipp Telemann
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : I . Air pour les guerriers portans…— Jean-Philippe Rameau
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : II. Air pour les Amants qui suivent…— Jean-Philippe Rameau
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : III. Orage— Jean-Philippe Rameau
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : IV. Air pour les Esclaves Africains— Jean-Philippe Rameau
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : V. Air pour Borée et la Rose (Très…— Jean-Philippe Rameau
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : VI. 2eme. Air pour Zéphire— Jean-Philippe Rameau
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Les Indes Galantes – Suites des airs à Jouer (Sinfonies) : VII. Tambourins I et II— Jean-Philippe Rameau
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Fantasia Upon One Note— Henry Purcell
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Fantasia #1 In 3 Parts— Henry Purcell
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Fantasia #2 In 3 Parts— Henry Purcell
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Fantasia #3 In 3 Parts— Henry Purcell
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Fantasia #4 In 4 Parts— Henry Purcell
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Fantasia #5 In 4 Parts— Henry Purcell
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Fantasia #6 In 4 Parts— Henry Purcell
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In Nomine In 6 Parts— Henry Purcell
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Fantasia #7 In 4 Parts— Henry Purcell
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Fantasia #8 In 4 Parts— Henry Purcell
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Fantasia #9 In 4 Parts— Henry Purcell
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Fantasia #10 In 4 Parts— Henry Purcell
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Fantasia #11 In 4 Parts— Henry Purcell
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Fantasia #12 In 4 Parts— Henry Purcell
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In Nomine In 7 Parts— Henry Purcell
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O Virgo splendens (monodic)— Composer not established
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O Virgo splendens (canon a 2 i a 3)— Composer not established
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Improvisació arpa— Composer not established
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Stella splendens— Composer not established
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Improvisació duduk— Composer not established
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Laudemus Virginem— Composer not established
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Improvisació santur— Composer not established
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Los set gotxs— Composer not established
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Improvisació duduk & flauta— Composer not established
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Splendens ceptigera— Composer not established
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Improvisació cistre— Composer not established
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Polorum regina— Composer not established
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Improvisació rebab i arpa— Composer not established
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Cuncti simus concanentes— Composer not yet identified
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Improvisació llaüt— Composer not established
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Mariam matrem Virginem— Composer not established
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Improvisació viella— Composer not established
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Imperayritz de la ciutat joyosa— Composer not established
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Improvisació cornamusa & xeremia— Composer not yet identified
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Ad mortem festinamus— Composer not established
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O Virgo splendens (canon a 3 & monodic)— Composer not established
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Quant ai lo mont consirat (Bonus Track)— Composer not yet identified
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Musik: Folias (Imperfectas) (Harfe)— Composer not yet identified
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Rezitation I (1) : “Die Torheit zerstreut durch ihre bloße Anwesenheit die Sorgen ihrer Zuhörer”— Composer not yet identified
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La Folia: Yo Soy La Locura— Composer not yet identified
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Rezitation III (2) : “Wie die Torheit dazu kommt, ihr eigenes Lob zu verkünden” / Musik:…— Diego Ortiz
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Rezitation VII (3) : “Die Herkunft der Torheit”— Composer not yet identified
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Rezitation VIII (4) : “Ihr Geburtsort und ihre Kindheit” / Musik: Folías de la costa (Harfe)— Composer not yet identified
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Rezitation IX (5) : “Ihr Gefolge” / Musik: (Fortsetzung) : Folías de la costa (Harfe)— Composer not yet identified
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Rezitation X (6) : “Warum der Torheit der Titel der höchsten Göttin unter den Gottheiten…— Alonso Mudarra
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Folía: “Rodrigo Martínez” (Improvisation nach dem C. M. Palacio No. 12)— Composer not yet identified
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Rezitation XI (7) : “Wie sie zur Fortpflanzung des Menschengeschlechts beiträgt” / Musik…— Composer not yet identified
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Rezitation XII (8) : “Wie sie für das Lebensglück sorgt” / Musik (Fortsetzung) : Folía…— Composer not established
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Rezitation XIII (9) : “Was die Torheit mit der Kindheit und dem Alter, jener zweiten Kindheit,…— Composer not established
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Diferencias Sobre Las Vacas (Improvisation) (C. M. Medinaceli)— Composer not yet identified
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Rezitation XIV (10) : “Wie sie die Kindheit verlängert und das Alter fernhält” / Musik:…— Composer not established
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Rezitation XVI (11) : “Von der Vorherrschaft der Torheit in der Welt” / Musik: Harke, harke (Gambe)— Composer not yet identified
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Rezitation XIX (12) : “Die Torheit ist für die Freundschaft unerlässlich” / Musik: Belle qui…— Composer not yet identified
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Rezitation XX (13) : “Ohne die Komplizenschaft der Torheit gibt es keine dauerhafte Ehe” /…— Composer not established
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Cucú, cucú, cucucú! (C. M. Palacio No. 101)— Composer not established
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Rezitation XXI (14) : “Die Torheit gereicht zum Wohl der menschlichen Gesellschaft” / Musik:…— Composer not yet identified
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Rezitation XXIII (15) : “Sie inspiriert die kriegerischen Heldentaten”/ Musik: Pavana La Battaglia— Composer not yet identified
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Rezitation XXV (16) : “Von der Unterlegenheit der Weisheit in allen Lebensfragen” / Musik:…— Composer not established
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Rezitation XXVIII (17) : “Die Torheit ist die Mutter der Künste” / Musik: My Lady Carey’s…— Composer not yet identified
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Rezitation XXI (18) : “Sie will als wahre Klugheit gepriesen werden” / Musik: Las Vacas…— Composer not established
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Rezitation XXX (19) : “Wie die Torheit die Weisheit leitet” / Musik: Pavana con su Glosa (1557)— Composer not yet identified
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Rezitation XXXII (20) : “Vom Zusammenhang zwischen Torheit und Unwissenheit” / Musik: Desperada…— Composer not yet identified
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La Spagna (XV. Jahrhundert)— Composer not yet identified
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Rezitation LV (21) : “Die Torheit der Könige” / Musik: Las Vacas (Romanesca)— Composer not established
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Rezitation LVII – LIX (22) : “Die Torheit der Bischöfe, Kardinäle und Kirchenfürsten” /…— Composer not established
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Rezitation LXVI (23) : “Vom Zusammenhang der christlichen Religion mit der Torheit” / Musik:…— Composer not established
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Musik: Dios te salve, Cruz (Instrumental – C. M. Palacio No. 434)— Composer not established
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Diferencias Sobre “Las Vacas” (Harfe)— Composer not yet identified
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Rezitation LXVIII (25) : “Abschied vom Leser” / Musik: Folias Portuguesas (Harfe)— Composer not established
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Villancico (Égloga 6) : “Hoy comamos y bevamos” (C. M. Palacio No. 174)— Composer not established
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Makam “Muhayyer pesrev” (Osmanischer Kriegsmarsch) (XV. Jahrhundert)— Composer not established
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Rezitation 1: “Brief von Erasmus: Der Krieg gegen die Türken” / Musik: Taksim (Improvisation…— Composer not established
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Rezitation 2: Adagium 145. “Dem Mutigen hilft das Glück” / Musik: Fortuna desperata— Composer not yet identified
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Taskim & Tanz (Anonym osmanische Komposition)— Composer not established
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Rezitation 3: “Erasmus von Rotterdam und die Juden” / Musik: Las estrellas de los cielos…— Composer not established
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Lavava y suspirava (Sephardisch)— Composer not yet identified
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Malor me bat (Malheur me bat) (Odhecaton, No. 63)— Composer not yet identified
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Rezitation 4: “Epitaph für Johannes Ockeghem, Musiker ohnegleichen” / Musik: Fortune, par ta…— Composer not established
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La deploration sur la mort d’Ockeghem— Composer not yet identified
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Latura tu (Instrumental) (Odhecaton No. 94)— Composer not yet identified
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Rezitation 5: “Lob Philipps des Schönen” / Musik: Adieu mes amours (Improvisation Harfe)— Composer not yet identified
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Hélas madame, passamezzo (Henry VIII mss. 10)— Composer not yet identified
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Rezitation 6: Adagio 3415. “Die Liebe lehrt die Musik” / Musik: De tous biens plaine (C. M….— Composer not yet identified
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Rezitation 7: “Enchiridion. Die Bedeutung der Klassiker” / Musik: Ave maris stella (C. M….— Composer not established
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Rezitation 8: Adagium 3001 “Süß scheint der Krieg den Unerfahrenen” / Musik: Fanfaren &…— Composer not established
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Danza Alta (Instrumental – C. M. Palacio No. 321)— Composer not established
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Rezitation 9: “Brief des Erasmus von Rotterdam an seinen teuren Freund Thomas Morus anlässlich…— Composer not established
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Home Again, Market Is Done (Margaret Board Lautenbuch)— Composer not yet identified
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Rezitation 10: “Der Fürst von Machiavelli” / Musik: Gallarda di Venosa (Harfe)— Composer not yet identified
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Rezitation 11: “Erasmus. Die Erziehung des christlichen Fürsten” (1516) / Musik: Himno XVI…— Composer not yet identified
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Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)— Composer not established
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Rezitation 12: Utopia von Thomas Morus: Über die Gerechtigkeit und den gesellschaftlichen…— Composer not established
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Adoramus te Domine (C. M. Montecassino No. 4)— Composer not established
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Rezitation 13: “Erasmus. Die Klage des Friedens” / Musik: Mille regrets— Josquin des Prez
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Romance: Ya es tiempo de recoger— Composer not established
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Rezitation 14: “Brief von Martin Luther an Erasmus” (28. März 1519) / Musik: Psalm: A solis…— Composer not yet identified
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Benedictus à 3— Composer not yet identified
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Rezitation 15: “Brief von Erasmus an Martin Luther” (30. Mai 1519)— Composer not established
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Vingtcinquiesme Fantasie. A Quatre (sur le Seigneur dès qu’on nous offense)— Composer not established
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Rezitation 16: “Brief von Martin Luther an Erasmus” (15. April 1524) / Musik: Psalm: Christ ist…— Composer not established
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Rezitation 17: “Erasmus von Rotterdam an Luther: Über den freien Willen”— Composer not established
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Pavane «La Bataille» (Veröffentlicht von Jacques Moderne in «Musique de Joie» Lyon, ca. 1540)— Composer not established
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Rezitation 18: “Brief von Erasmus an den französischen König Franz I.” (16. Juni 1526) /…— Composer not yet identified
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Gazel (Osmanischer Gesang)— Composer not established
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Rezitation 19: “Martin Luther an Erasmus, Vom unfreien Willen” / Musik: Psalm: Christ lag in…— Composer not yet identified
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Christ ist erstanden à 6 voix— Composer not established
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Rezitation 20: Adagium 2100 “Das Wort ist der Arzt der kranken Seelen” / Musik: Now o now— John Dowland
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Pie Jesu Domine (Requiem)— Composer not established
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Rezitation 21: “Tod des Erasmus von Rotterdam” (Stefan Zweig)— Composer not established
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Plangite Pierides (Klagelied auf den Tod des Erasmus von Rotterdam)— Composer not established
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Rezitation 22: “Das Vermächtnis des Erasmus” (Stefan Zweig) / Musik: Durezze e ligature…— Composer not established
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Fanfare Of Jericho, 1200 Av. B.C.— Traditional
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The Sibylline Oracles (3Rd Century B.C.) – Jewish Sources, Aramaic Music— Composer not yet identified
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Introduction (Ney Anbun)— Composer not yet identified
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The Koran: Bismi Al.Là Ar Rahman (7th Century) – Fatihah Sura I, 2-7. Sufi Sources— Traditional
▶
Postludium (Qanun)— Traditional
▶
Revelation VI, 12-3 Audi Pontus (12Th Century) (Las Huelgas Mss.)— Traditional
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Postludium (Medieval Harp)— Traditional
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Shofars Call— Composer not yet identified
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Prayer For Jerusalem – The Psalms Of Kind David (10Th Century B.C.)— Composer not yet identified
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Instrumental Dance— Composer not yet identified
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The Peace Of Jerusalem (Psalm 122) – The Psalms Of King David (10Th Century B.C.)— Composer not yet identified
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Rabbi Akiva Goes To Jerusalem – Talmud, Makkot 24B— Composer not established
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Song Of Exile (Psalm 137, 1-6)— Composer not yet identified
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Instrumental Lament (Shofars)— Composer not yet identified
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Stavrotheotokia (Hymn To The Virgin At The Foot Of The Cross)— Traditional
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Fanfare “Pax In Nomine Domine”— Composer not yet identified
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Pope Urban II, First Call To The Crusade, 1095 – Recited Text In French— Composer not yet identified
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Crusaders’ Song: Pax In Nomine Domini— Composer not established
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Crusaders’ Song: Chevalier, Mult Estes Guaritz, 1146— Composer not yet identified
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Conductus : O Totius Asie – Anonymous (S. XIII)— Composer not yet identified
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Planctus « Pax In Nomine Domini »— Composer not yet identified
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The Dome Of The Rock – Ibn Battuta (1304-Ca.1377)— Composer not yet identified
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Zionida: Beautiful City, Delight Of The World— Traditional
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Cantiga De Santa Maria : O Ffondo Do Mar Tan Châo— Composer not yet identified
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Prelude (Oud)— Traditional
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The Koran, Sura XVII, 1- Mohammed Ascends To Heaven From The Temple Mount— Traditional
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Danse Of The Soma— Composer not yet identified
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Sallatu Allah – Arabic Tradition— Composer not yet identified
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Makam Uzäl Sakil “Turna”— Composer not yet identified
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Suleyman The Magnificent’s Dream, 1520 – Ottoman Legend— Composer not yet identified
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Warrior’s March (Anonymous Ottoman)— Composer not yet identified
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Palestina Hermoza Y Santa – Anonymous Sephardic (Oral Tradition, Sarajevo)— Traditional
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Palestinian Lament – Anonymous (Oral Tradition)— Traditional
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Andouni Armenian Lament, 1915 – Anonymous (Oral Tradition)— Traditional
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El Male Rahamim (Hymn To The Victims Of Auschwitz) , 1941— Composer not yet identified
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Funeral March— Composer not yet identified
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Instrumental Dialogue— Traditional
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A Plea For Peace In Arabic— Traditional
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Adonay Prayer For Peace In Hebrew— Composer not yet identified
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A Plea For Peace In Armenian— Composer not yet identified
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Da Pacem (Gregorian)— Traditional
▶
Apo Xeno Meros (In Greek) – Anonym (Oral Tradition)— Composer not yet identified
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Ghazal (In Arabic)— Composer not yet identified
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Ghazal (In Hebrew)— Composer not yet identified
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Ghazal (Palestine)— Traditional
▶
Siente Hermosa (Ladino)— Traditional
▶
Apo Xeno Meros (In Greek) Gregorian Chorus— Composer not yet identified
▶
Durme, Hermoza Donzella (Ladino)— Traditional
▶
Ghazal (In Arabic, Greek & Hebrew)— Composer not yet identified
▶
Ghazal (Instrumental, Morocco)— Traditional
▶
Final Ensemble (Tutti)— Composer not yet identified
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Final Fanfare “Against The Barriers Of The Spirit”— Traditional
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Premier Noël “Une Jeune Pucelle”— Composer not yet identified
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: I. Ouverture— Composer not established
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: II. Première partie, scène…— Composer not established
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: III. Première partie, scène…— Composer not yet identified
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: IV. Première partie, scène…— Composer not yet identified
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: V. Première partie, scène…— Composer not yet identified
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: VI. Seconde partie, scène 5e…— Composer not yet identified
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: VII. Seconde partie, scène…— Composer not yet identified
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In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes)— Composer not established
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Deuxième Noël “Or, nous dites Marie”— Composer not yet identified
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Messe de Minuit, H. 9: I. Kyrie— Composer not yet identified
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Messe de Minuit, H. 9: II. Gloria— Composer not established
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Messe de Minuit, H. 9: III. Credo— Composer not established
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Messe de Minuit, H. 9: IV. Offertoire “Laissez paître vos bêtes”— Composer not yet identified
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Messe de Minuit, H. 9: V. Sanctus— Composer not established
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Messe de Minuit, H. 9: VI. Agnus Dei— Composer not yet identified
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Folías (Pavana Con Su Glosa) – Antonio De Cabezón— Antonio de Cabezón
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Fantasía – Alonso Mudarra— Composer not yet identified
▶
Tiento De Falsas – Joan Cabanilles— Composer not established
▶
Jácaras – Gaspar Sanz— Composer not established
▶
Gaspar Sanz— Composer not established
▶
Paduana Del Re – Anonyme— Composer not yet identified
▶
Anonyme— Composer not established
▶
Arpegiatta – Girolamo Kapsberger— Composer not established
▶
Gallarda – Giacomo De Gorzanis— Composer not yet identified
▶
Girolamo Capsberger— Composer not yet identified
▶
Si Ay Perdut Mon Saber – Ponç D’Ortafà/Jordi Savall— Composer not established
▶
La Mariagneta – Anon/Jordi Savall— Composer not established
▶
Con Que La Lavaré – Anonyme— Composer not established
▶
El Pare I La Mare – Anonyme/Jordi Savall— Composer not yet identified
▶
Paradetas – Lucas Ruiz De Ribadayaz/Andrew Lawrence King— Composer not yet identified
▶
Clarines Y Trompetas – Gaspar Sanz— Composer not established
▶
Fantasía – Joan Cabanilles— Composer not established
▶
Toccata & Chiaccona – Alessandro Piccinini— Alessandro Piccinini
▶
Todo El Mundo En General – Fnancisco Correa De Arrauxo— Composer not established
▶
Canarios – Anonyme/Jordi Savall— Composer not yet identified
▶
Chacona: A La Vida Bona (Arañés)— Composer not yet identified
▶
Danza Del Hacha (Instr.) (Anónimo, Improv.)— Traditional
▶
Morseca: Di Perra Mora (Guerrero)— Composer not yet identified
▶
Negrilla A 4: San Sabeya Gugurumbé (Flecha)— Composer not yet identified
▶
Ritual Formulario: Hanacpachap Cussicuinin (Bocanegra)— Composer not yet identified
▶
Jota (Arpa & Perc.) (Anónimo, Improv.)— Composer not yet identified
▶
Tono Humano: Ay Que Me Río De Amor (Hidalgo)— Composer not yet identified
▶
Mestizo E Indio: Tleycantimo Choquiliya (Fernandes)— Composer not yet identified
▶
Negro A 5: Antonya Flaciquia Gasipà (Filipe Da Madre De Deus)— Composer not yet identified
▶
Cachua (Instr.) (Anónimo, Improv.)— Composer not yet identified
▶
Rorro: Desvelado Dueño Mio (Torrejón Y Velasco)— Composer not yet identified
▶
Negrilla: A Siolo Flasiquiyo (De Padilla)— Composer not established
▶
Juguete: Un Juguetico De Fuego (De Torres Y Portugal)— Composer not yet identified
▶
Juguete A 4: Convidando Esta La Noche (De Zépedes)— Composer not established
▶
Guaracha: Ay Que Me Abraso (De Zépedes)— Composer not established
▶
Villancico A 8: Serafín Que Con Dulce (Cererols)— Composer not yet identified
▶
I. TEIL – Jauchzet, frohlocket, auf, preiset die Tage – 1. Chor— Composer not yet identified
▶
Evangelist: Es begab sich aber zu der Zeit— Composer not yet identified
▶
Rezitativ (Alt) : Nun wird mein liebster Braütigam— Composer not yet identified
▶
Arie (Alt) : Bereite dich, Zion, mit zärtlichen Trieben— Composer not yet identified
▶
Choral: Wie soll ich dich empfangen?— Johann Sebastian Bach
▶
Evangelist: Und sie gebar ihren ersten Sohn— Johann Sebastian Bach
▶
Choral (Sopran) , Rezitativ (Bass) : Er ist auf Erden kommen arm— Johann Sebastian Bach
▶
Arie (Bass) : Großer Herr, o starker König— Johann Sebastian Bach
▶
Choral: Ach mein herzliebes Jesulein— Johann Sebastian Bach
▶
II. TEIL – Und es waren Hirten in derselben Gegend – 10. Sinfonia— Johann Sebastian Bach
▶
Evangelist: Und es waren Hirten in derselben— Johann Sebastian Bach
▶
Choral: Brich an, o schönes Morgenlicht— Composer not yet identified
▶
Evangelist: Der Engel Und der Engel sprach zu ihnen— Composer not yet identified
▶
Rezitativ (Bass) : Was Gott dem Abraham verheissen— Composer not yet identified
▶
Arie (Tenor) : Frohe Hirten, eilt, ach eilet— Composer not yet identified
▶
Evangelist: Und das habt zum Zeichen— Johann Sebastian Bach
▶
Choral: Schaut hin, dort liegt im finstern Stall— Johann Sebastian Bach
▶
Rezitativ (Bass) : So geht denn hin, ihr Hirten, geht— Composer not yet identified
▶
Arie (Alt) : Schlafe, mein Liebster, genieße der Ruh— Composer not yet identified
▶
Evangelist: Und alsobald war da bei dem Engel— Johann Sebastian Bach
▶
Chor: Ehre sei Gott in der Höhe— Composer not yet identified
▶
Rezitativ (Bass) : So recht, ihr Engel, jauchzt und singet— Johann Sebastian Bach
▶
Choral: Wir singen dir in deinem Heer— Composer not yet identified
▶
III. TEIL – Herrscher des Himmels, erhîre das Lallen – 24. Chor— Johann Sebastian Bach
▶
Evangelist: Und da die Engel von ihnen gen Himmel fuhren— Johann Sebastian Bach
▶
Chor: Lasset uns nun gehen gen Bethlehem— Johann Sebastian Bach
▶
Rezitativ (Bass) : Er hat sein Volk getröste— Johann Sebastian Bach
▶
Choral: Dies hat er alles uns getan— Johann Sebastian Bach
▶
Duett (Sopran, Bass) : Herr, dein Mitleid, dein Erbarmen— Johann Sebastian Bach
▶
Evangelist: Und sie kamen eilend und funden beide— Composer not yet identified
▶
Arie (Alt) : Schließe, mein Herze, dies selige Wunder— Johann Sebastian Bach
▶
Rezitativ (Alt) : Ja, ja, mein Herz soll es bewahren— Johann Sebastian Bach
▶
Choral: Ich will dich mit Fleiß bewahren— Composer not yet identified
▶
Evangelist: Und die Hirten kehrten wieder um— Johann Sebastian Bach
▶
Choral: Seid froh dieweil— Johann Sebastian Bach
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[Da Capo] 24. Chor: Herrscher des Himmels, erhöre das Lallen— Composer not yet identified
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IV TEIL – Fallt mit Danken, fallt mit Loben – 36. Chor— Composer not yet identified
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Evangelist: Und da acht Tage um waren— Composer not yet identified
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Rezitativ (Bass) : Immanuel, o süßes Wort! – Choral und Arioso (Sopran, Bass) – Rezitativ (Bass)— Composer not yet identified
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Arie (Sopran, Echo-Sopran) : Flößt, mein Heiland, flößt dein Namen— Johann Sebastian Bach
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Rezitativ (Bass) : mit Choral (Sopran) Wohlan, dein Name soll allein – Jesu, meine Freund und Wonne— Johann Sebastian Bach
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Arie (Tenor) : Ich will nur dir zu Ehren leben— Composer not yet identified
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Choral: Jesus richte mein Beginnen— Johann Sebastian Bach
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V. TEIL – Ehre sei dir, Gott, gesungen – 43. Chor— Composer not yet identified
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Evangelist: Da Jesus geboren war zu Bethlehem— Composer not yet identified
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Chor mit Rezitativ (Alt) : Wo ist der neugeborne König der Jüden?— Composer not yet identified
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Choral: Dein Glanz all Finsternis verzehrt— Johann Sebastian Bach
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Arie (Bass) : Erleucht auch meine finstre Sinnen— Composer not yet identified
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Evangelist: Da das der König Herodes hörte— Composer not yet identified
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Rezitativ (Alt) : Warum wollt ihr erschrecke?— Composer not yet identified
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Evangelist: Und ließ versammlen alle Hohenpriester— Composer not yet identified
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Terzett (Sopran, Tenor, Alt) : Ach, wenn wird die Zeit erscheinen?— Johann Sebastian Bach
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Rezitativ (Alt) : Mein Liebster herrschet schon— Composer not yet identified
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Choral: Zwar ist solche Herzensstube— Composer not yet identified
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VI. Teil – Herr, wenn die stolzen Feinde schnauben – 54. Chor— Johann Sebastian Bach
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Evangelist, Herodes: Da berief Herodes die Weisen heimlich— Johann Sebastian Bach
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Rezitativ (Sopran) : Du Falscher, suche nur den Herrn zu fällen— Composer not yet identified
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Arie (Sopran) : Nur ein Wink von seinen Händen— Johann Sebastian Bach
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Evangelist: Als sie nun den König gehöret hatten— Composer not yet identified
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Choral: Ich steh an deiner Krippen hier— Johann Sebastian Bach
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Evangelist: Und Gott befahl ihnen im Traum— Johann Sebastian Bach
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Rezitativ (Tenor) : So geht! Genug, mein Schatz geht nicht von hier— Composer not yet identified
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Arie (Tenor) : Nun mögt ihr stolzen Feinde schrecken— Composer not yet identified
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Rezitativ (Quartett) : Was will der Höllen Schrecken nun— Johann Sebastian Bach
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Choral: Nun seid ihr wohl gerochen— Composer not yet identified
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Sibil.la Llatina— Composer not established
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Sibil.la Provençal— Composer not established
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Sibil.la Catalana— Composer not established
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Invocació: Campana & Flauta Doble— Composer not yet identified
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Text: Doctrina Pueril, LXXIIII, Sobre la Música— Composer not established
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Taksim: Kanun, Oud & Viella – Moaxaja Ya man Laibd Bihi Chamoulo— Traditional
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Raimon de Miraval: Aissi cum es genser Pascors— Composer not yet identified
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Text: Llibre dels Fets de Jaume I.— Composer not yet identified
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Fanfara: Vents & Percussió— Traditional
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Improvisació ceterina— Composer not yet identified
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Kalenda Maya – Raimbaut de Vaqueiras (Instrumental)— Composer not yet identified
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Text: Retrat de joventut del Llibre de contemplació de Ramon Llull— Composer not yet identified
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Veri dulcis in tempore – Anònim (Còdex de 1010)— Composer not established
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Maqam Hijaz – Plany àrab – Ibn Zaidun— Traditional
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Text: Vida de Mestre Ramon, §1, 4— Composer not yet identified
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1265 Inicia la peregrinació a Sant Jaume de Compostel·la i altres lloc sants.— Composer not yet identified
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Santa Maria, strela do dia (Cantiga de Santa Maria, 100) – Alfons X el Savi— Composer not established
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Música: Taksim: Ney & Kanun— Composer not yet identified
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Himne a la verge en àrab: Ya Mariam el bekr— Composer not yet identified
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Música: Viella & Duduk— Composer not yet identified
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Mater Dei plena gratia / Mater, virgo pia / Eius Motet anònim (Còdex de Montpeller, 66)— Composer not yet identified
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Música: Tambor— Composer not yet identified
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Istampitta: Belicha (Instrumental Flauta & Percussió)— Composer not yet identified
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Narració: Blanquerna estava en oració…— Composer not established
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1290 El general dels franciscans, Ramon Gaufredi, l’autoritza a ensenyar als convents…— Composer not established
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Ave, donna santíssima – Anònim, Laudari de Cortona— Composer not yet identified
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Música: Arpa Medieval— Composer not yet identified
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Plany de Jerusalem contra Roma: Jerusalem se plaint et li païs – Anònim— Composer not yet identified
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Música: Oud & Kanun— Traditional
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Moaxaja Billadi Askara Mon abdi Llama – Dansa àrab— Composer not yet identified
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1295 A Roma, Llull fa una Petició a Bonifaci VIII, nou papa elegit el desembre de l’any…— Composer not yet identified
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Conductus: Roma gaudens jubila – Anònim s. XIII— Composer not established
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Música: Berenguer de Palou: Tant m’abelis joys (Improvisacions Instrumental)— Composer not yet identified
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Deus est ainsi comme li pelicans – Sirventès religiós – Teobalt I de Navarra— Composer not established
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Improvisació Arpa Medieval— Traditional
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Quant ai lo mon consirat – Cant espiritual anònim— Composer not yet identified
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Taksim (Instrumental)— Traditional
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Dansa otomana Hicâz son Yürük Semai— Traditional
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Text: Lo Desconhort de Ramon Llull – Música: Guiraut de Borneill (No puesc sofrir la dolor)— Composer not yet identified
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Música: Campanes— Composer not yet identified
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Conductus: O totius Asie Gloria, Regis Alexandrie Filia – Anònim (s. XIII)— Composer not yet identified
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Música: Improvisació sobre Reis glorios. Psalteri: Andrew Lawrence-King— Composer not established
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Anònim: Fanfara de Coronació— Composer not yet identified
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Te Deum – Melodia gregoriana (versió Jordi Savall)— Composer not yet identified
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1306 Expulsió dels jueus de França per Felip IV el Bell.— Composer not yet identified
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Plany jueu: Qamti be – Ishon Layla— Traditional
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Música: Taksim (Instrumental) / Text: Vida de mestre Ramon, §36— Composer not established
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Dansa del vent: Kevokê (Ney, instrumental)— Composer not yet identified
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Música: Introducció arpa gòtica— Traditional
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Piangeti christiani – Anònim— Composer not yet identified
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Música: Improvisació llaüt medieval / Text: Vida de Mestre Ramon, §42— Composer not established
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Tribum / Quoniam secta / Merito hec patimur – Motet – Philippe de Vitry— Composer not yet identified
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Taksim: Kanun & Oud— Traditional
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Qaduka (Tradicional)— Composer not yet identified
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Música: Tambor Fúnebre— Traditional
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Veni Sancte Spiritus – Guillaume Dufay— Composer not yet identified
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Música: Tambors, Duduk & Ney / Text: Breviculum, figura 8— Composer not yet identified
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Música: Tambor II— Composer not yet identified
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Propiñan de Melyor – Anònim, Cancionero Colombina, No. 57— Composer not yet identified
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Der Makām «Uzzäl uşūleş Darb-i feth» – Mss. D. Cantemir N. 209— Composer not established
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Música: Campanes II— Composer not yet identified
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Improvisació ceterina II— Composer not yet identified
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Dindirindin – Anònim (CMM 127)— Composer not yet identified
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Gloria Patri et Filio (Magnificat) – Guillaume Dufay (CMM 74)— Composer not yet identified
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Recercadas Sobre El Canto Llano “La Spagna” – Rec. Segunda— Diego Ortiz
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Recercadas Sobre El Canto Llano “La Spagna” – Rec. Tercera— Diego Ortiz
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Recercadas Sobre El Canto Llano “La Spagna” – Rec. Primera— Diego Ortiz
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Recercadas Sobre El Canto Llano “La Spagna” – Rec. Quarta— Diego Ortiz
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Recercadas Sobre El Canto Llano “La Spagna” – Rec. Quinta— Diego Ortiz
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Recercadas Sobre El Canto Llano “La Spagna” – Rec. Sesta— Diego Ortiz
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Recercadas Sobre El Madrigal “O Felici O Occhi Miei” – Rec. Quarta— Diego Ortiz
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Recercadas Sobre El Madrigal “O Felici O Occhi Miei” – Recercara Primera— Diego Ortiz
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Recercadas Sobre El Madrigal “O Felici O Occhi Miei” – Rec. Segunda— Diego Ortiz
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Recercadas Sobre El Madrigal “O Felici O Occhi Miei” – Rec. Tercera— Diego Ortiz
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Recercadas Para Viola Da Gamba Sola – Rec. Tercera— Diego Ortiz
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Recercadas Para Viola Da Gamba Sola – Rec. Segunda— Diego Ortiz
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Recercadas Para Viola Da Gamba Sola – Rec. Primera— Diego Ortiz
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Recercadas Para Viola Da Gamba Sola – Rec. Quarta— Diego Ortiz
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Recercadas Sobre La Cancion “Doulce Memoire” – Rec. Quarta— Diego Ortiz
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Recercadas Sobre La Cancion “Doulce Memoire” – Rec. Primera— Diego Ortiz
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Recercadas Sobre La Cancion “Doulce Memoire” – Rec. Segunda— Diego Ortiz
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Recercadas Sobre La Cancion “Doulce Memoire” – Rec. Tercera— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Quarta Sobre La Folia— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Primera Sobre Tenores El Passamezzo Antiguo— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Octava Sobre La Folia— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Quinta Boz— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Tercera Sobre El Passamezzo Moderno— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Sexta Sobre La Romanesca— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Séptima Sobre La Romanesca— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Quinta Sobre El Passamezzo Antiguo— Diego Ortiz
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Recercadas Sobre Tenores – Rec. Segunda Sobre El Passamezzo Moderno— Diego Ortiz
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Premier Concert: Prélude – Gravement (Couperin)— François Couperin
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Premier Concert: Allemande – Légèrement (Couperin)— François Couperin
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Premier Concert: Sarabande – Mesuré (Couperin)— François Couperin
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Premier Concert: Gavotte – Notes Égales Et Coulées (Couperin)— François Couperin
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Premier Concert: Gigue – Légèrement (Couperin)— François Couperin
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Premier Concert: Menuet En Trio (Couperin)— François Couperin
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Second Concert: Prélude – Gracieusement (Couperin)— François Couperin
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Second Concert: Allemande Fuguée – Gayement (Couperin)— François Couperin
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Second Concert: Air Tendre (Couperin)— François Couperin
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Second Concert: Air Contre Fugué – Vivement (Couperin)— François Couperin
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Second Concert: Echos – Tendrement (Couperin)— François Couperin
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Troisième Concert: Prélude – Lentement (Couperin)— François Couperin
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Troisième Concert: Allemande – Légèrement (Couperin)— François Couperin
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Troisième Concert: Courante (Couperin)— François Couperin
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Troisième Concert: Sarabande – Grave (Couperin)— François Couperin
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Troisième Concert: Gavotte (Couperin)— François Couperin
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Troisième Concert: Muzette – Naïvement (Couperin)— François Couperin
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Troisième Concert: Chaconne Légère (Couperin)— François Couperin
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Quatrième Concert: Prélude – Gravement (Couperin)— François Couperin
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Quatrième Concert: Allemande – Légèrement (Couperin)— François Couperin
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Quatrième Concert: Courante Françoise (Couperin)— François Couperin
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Quatrième Concert: Courante À L’Italiene (Couperin)— François Couperin
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Quatrième Concert: Sarabande – Très Tendrement (Couperin)— François Couperin
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Quatrième Concert: Rigaudon – Légèrement Et Marqué (Couperin)— François Couperin
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Quatrième Concert: Forlane. Rondeau – Gayement (Couperin)— François Couperin
▶
Musique Bulgare – Taksim & Dance— Traditional
▶
Veri dulcis in tempore – Anonymous, Codex of 1010— Composer not yet identified
▶
Plainte Instrumentale I (Drums & Duduk)— Composer not yet identified
▶
Les Trois Principes, alef, mem, shin (Cabbalistic text from the Book of Creation)— Composer not yet identified
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Reis glorios Instrumental (Drums, Bells, Medieval harp)— Composer not established
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Paire sant – Text recited in Occitan— Composer not yet identified
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En to stavro pares tosa –Anonymous Byzantine chant— Composer not yet identified
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Fanfare de Croisade (Instr.)— Traditional
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Taksim & Andalusi Dance Mawachah Chamoulo – Anonymous— Composer not established
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Instrumental lament II (Duduk & Kaval)— Composer not yet identified
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Pos de chantar, Cançon– Guilhem de Peitieu— Composer not yet identified
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A chantar m’er de so – Countess (Beatritz) of Dia— Composer not established
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Letter from Eberwin of Steinfeld to Bernard of Clairvaux – Recited text— Composer not established
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Mentem meam ledit dolor – Anonymous— Composer not established
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Ave generosa (Inst.) – Hildegarde von Bingen— Composer not yet identified
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Consolament (Cathar prayer) – Recited and sung text— Composer not yet identified
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Funeral march (Drums)— Traditional
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Heu miser (Instr.)— Composer not yet identified
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A per pauc de chantar – Peire Vidal— Composer not yet identified
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Innocent III is Pope (1198-1216) . Bells / “Publicains” are burned at Troyes. Drums— Traditional
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Chant de la Sybille Occitaine “Ell jorn del judizi” – Anonymous— Composer not yet identified
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Fanfare (Treble shawm)— Composer not yet identified
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Ego enim scio… – Recited text— Composer not established
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Quant ai lo mon consirat – Anonymous— Composer not yet identified
▶
Mot era dous e plazens – Giraut de Bornelh— Composer not yet identified
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E l’abas de Cistels. Vers. 4 – William of Tudela— Composer not yet identified
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Innocent III proclaims the first Crusade in Christian lands – “Nous exhortons” – Recited text— Composer not established
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Cant l’apostolis saub. Vers 5 – William of Tudela— Composer not established
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Fanfares and battle calls (Inst.)— Traditional
▶
Le barnatges de Fransa. Vers 21 – William of Tudela— Composer not yet identified
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Quascus plor e planh – Guilhem Augier Novella / Giraut de Bornelh— Composer not established
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Lavaurs fon tan fortz vila. Vers 68 – William of Tudela— Composer not yet identified
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Cruciferi ex precepto… –Recited text— Composer not yet identified
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Vai, Hugonet, ses bistensa – Raimon de Miraval— Composer not established
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Chanson addressed to Peter II of Aragon : “Bel m’es qu’ieu chant e coindei” – Raimon de…— Composer not established
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Aissi cum es genser Pascors – Raimon de Miraval— Composer not yet identified
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L’Epictafi de S. de Montfort. Vers 208 – Anonymous Chanson— Composer not established
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D’un sirventes far – Guilhem Figueira— Composer not yet identified
▶
Fanfare (Inst.)— Traditional
▶
Clergue si fan pastor – Peire Cardenal— Composer not yet identified
▶
Instrumental lament (Duduk & Kaval)— Composer not yet identified
▶
Legalisation of torture in the Papal Bull “Ad exstirpanda” – Recited text— Composer not yet identified
▶
Un sirventes novel vueill comensar – Peire Cardenal— Composer not yet identified
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Beliche (Stampitta)— Composer not yet identified
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Del tot vey remaner valor – Guilhem Montanhagol— Composer not yet identified
▶
Planctus “Lavandose le mane” (Inst.) mss.Rossi— Composer not yet identified
▶
Pater Noster – Cathar prayer— Composer not yet identified
▶
Tartarassa ni voutor – Peire Cardenal— Composer not established
▶
Audi pontus, audi tellus – Anonymous (Las Huelgas)— Composer not yet identified
▶
El Rey de Francia – Anonymous (Sephardic)— Composer not established
▶
Preaching of Père Autier : “Il n’est pas étonnant…” – Recited text— Composer not yet identified
▶
Marche funèbre (Drum)— Traditional
▶
No puesc sofrir la dolor (Inst.) Giraut de Borneill— Composer not established
▶
Instrumental lament III (Duduk and drum)— Composer not yet identified
▶
Audi, bénigne – Anonymous/Dufay— Composer not established
▶
O crudele suplicium. Planctus— Composer not established
▶
Taksim & Makām-ı Saba uşūleş Çenber— Composer not established
▶
Instrumental lament IV (Kaval, bells & drums)— Composer not yet identified
▶
O très piteulx de tout espoir fontaine – Guillaume Dufay— Composer not established
▶
Si ay perdut mon saber – Ponç d’Ortafà / J. Savall— Composer not yet identified
▶
Danza Alta (Instrumental)— Composer not established
▶
Aquella Mora Garrida— Composer not established
▶
Por Las Sierras De Madrid— Composer not established
▶
Rodrigo Martínez— Composer not yet identified
▶
A Sonbra De Mis Cabellos (Instrumental)— Composer not established
▶
Al Alva Venid— Composer not yet identified
▶
Tres Morillas— Composer not yet identified
▶
¿Qué Me Queréis, Cavallero?— Composer not established
▶
O Voy (Instrumental)— Composer not yet identified
▶
Torre De La Niña— Composer not yet identified
▶
Míos Fueron, Mi Coraçón— Composer not yet identified
▶
Pues Bién, Para Ésta— Composer not established
▶
O Desdichado De Mi (Instrumental)— Composer not yet identified
▶
La Bella Malmaridada— Composer not established
▶
La Tricotea— Composer not yet identified
▶
Ave Color Vini Clari (Instrumental)— Composer not yet identified
▶
A Los Baños De Amor— Composer not yet identified
▶
Harto De Tanta Porfía— Composer not established
▶
Pase El Agoa, Ma Julieta— Composer not established
▶
El Cervel Mi Fa (Instrumental)— Composer not established
▶
Si D’Amor Pena Sentís— Composer not established
▶
Ay, Que Non Ay!— Composer not established
▶
Pues Que Jamás Olvidaros— Composer not yet identified
▶
Fanfare des Médicis : Palle, palle (instrumental)— Composer not established
▶
Motet : Parce, Domine— Composer not established
▶
La morra (instrumental)— Composer not established
▶
Motet : Sustinuimus pacem à 4 v.— Composer not established
▶
Chanson : Innsbruck, ich muß dich lassen— Composer not established
▶
Chanson de carnaval : Hora e di maggio— Composer not established
▶
Chanson instrumentale : A la battaglia— Composer not established
▶
Lamentation : Quis dabit capiti meo aquan?— Composer not established
▶
Motet : Sancti spiritus assit nobis gratia— Composer not established
▶
Motet : Angeli, Archangeli à 6 v.— Composer not established
▶
Motet instrumental (Duc de Ferrara) : La Mi La Sol— Composer not established
▶
Motet : Optime Divino date munere pastor ovili à 6 v.— Composer not established
▶
Motet (Choralis Constantinus) : Circumdederunt me— Composer not established
▶
Lied : O Welt, ich muß dich lassen— Composer not established
▶
Motet (Contrafactum de Virgo prudentissima) : Christus, filius Dei à 6 v.— Composer not established
▶
Borin Cocek (Serbie)— Traditionnel
▶
Doina & hora (Roumanie)— Traditionnel
▶
Ta xyla & Çeçen kızı (Grèce & Turquie)— Traditionnel
▶
Chichovata (Bulgarie)— Traditionnel
▶
Der makām-ı Hüseynī Sakīl-i Ağa Rıżā (Turquie)— Traditionnel
▶
Zajdi, Zajdi (Serbie) . Aleksandar Sarijevski— Traditionnel
▶
Sborenka (Bulgarie)— Traditionnel
▶
Azt hittem hogy minden könnyem (Tsigane)— Traditionnel
▶
Kovni (Kurde)— Traditionnel
▶
Cuando el Rey Nimrod (Séfarade)— Traditionnel
▶
Sousta (Grèce)— Traditionnel
▶
Galabovska Ruchenitsa (Bulgarie)— Traditionnel
▶
Bilijana (Macédoine)— Traditionnel
▶
Ciocârlia / Seva (Croatie)— Traditionnel
▶
Suite – Doina, Purtata, Hora ka la kaval (Roumanie)— Traditionnel
▶
Sanie cu zurgălăi (Tsigane)— Traditionnel
▶
Suite – Hora de ascultare, Hora mare, Hora lui Dragoi (Roumanie-Tsigane)— Traditionnel
▶
Vrcavo Kolo (Tradition de Serbie centrale)— Traditionnel
▶
Pastirska Elegija (Serbie)— Traditionnel
▶
El Cant dels Ocells (The Singing of the Birds)— Composer not yet identified
▶
La Filadora (The Spinning)— Composer not yet identified
▶
El Fill del Rei (The King’s Son)— Traditional
▶
El Mestre (The Teacher)— Traditional
▶
El Comte Arnau (Count Arnaud)— Traditional
▶
Mariagneta— Composer not yet identified
▶
Cançó del Lladre (Song of the Thief)— Composer not yet identified
▶
El Testament d’Amèlia (The Will of Amelia)— Traditional
▶
Mareta no’m faces plorar (Mummy, donʼt make me cry)— Traditional
▶
Cancó de Bresol: La mare de Déu (Lullaby : Mother of God)— Composer not yet identified
▶
Els Segadors (Reapers) – original historic romance— Composer not yet identified
▶
Els Segadors (Reapers) – Hymn of Catalonia— Traditional
▶
The Secund Tuning: I. Come liue with me, and be my love— Composer not established
▶
The Secund Tuning: II. Galliard— Composer not established
▶
The Secund Tuning: III. The Punckes delight— Composer not yet identified
▶
The First Tuning: I. Almaine— Composer not established
▶
The First Tuning: II. Coranto— Composer not yet identified
▶
The First Tuning: III. Coranto— Composer not established
▶
The Secund Tuning: I. Mounsiers Almaine— Composer not established
▶
The Secund Tuning: II. Coranto— Composer not established
▶
The Secund Tuning: III. Coranto— Composer not established
▶
The Secund Tuning: IV. If my complaints— Composer not yet identified
▶
The Secund Tuning: V. Whoope doe me no harme goodman— Composer not established
▶
The Third Tuning: I. Almaine— Composer not established
▶
The Third Tuning: II. Galliard— Composer not yet identified
▶
The Third Tuning: III. Coranto— Composer not established
▶
The Third Tuning: IV. Coranto— Composer not yet identified
▶
The Secund Tuning: I. Pauin— Composer not established
▶
The Secund Tuning: II. Coranto II— Composer not established
▶
The Secund Tuning: III. Walsingham— Composer not yet identified
▶
The Bag-pipe tuning: I. A pointe— Composer not yet identified
▶
The Bag-pipe tuning: II. The Lanca-shire pipes ·— Composer not established
▶
The Bag-pipe tuning: III. Pipes of Rumsey ·— Composer not established
▶
The Bag-pipe tuning: IV. Kate of Bardie— Composer not established
▶
The Bag-pipe tuning: V. [A Gig]— Composer not yet identified
▶
The Bag-pipe tuning: VI. A toye— Composer not yet identified
▶
The English Dancing Master (The Harp-way sharp tuning) : I. La Cloche— Composer not established
▶
The English Dancing Master (The Harp-way sharp tuning) : II. Saraband— Composer not established
▶
Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum— Claudio Monteverdi
▶
Antiphona: Angelicam vitam— Claudio Monteverdi
▶
Psalmus 109: Dixit Dominus— Claudio Monteverdi
▶
Concerto: Nigra sum— Claudio Monteverdi
▶
Antiphona: In Dei orto sata— Claudio Monteverdi
▶
Psalmus 112: Laudate pueri— Claudio Monteverdi
▶
Concerto: Pulchra es— Claudio Monteverdi
▶
Antiphona: Paterni oblita amoris— Claudio Monteverdi
▶
Psalmus 121: Laetatus sum— Claudio Monteverdi
▶
Concerto: Duo Seraphim— Claudio Monteverdi
▶
Antiphona: In Sancte Trinitatis— Claudio Monteverdi
▶
Psalmus 126: Nisi Dominus— Claudio Monteverdi
▶
Concerto: Audi cœlum— Claudio Monteverdi
▶
Antiphona: Trinitate venerata— Claudio Monteverdi
▶
Psalmus 147: Lauda Jerusalem— Claudio Monteverdi
▶
Sonata sopra Sancta Maria— Claudio Monteverdi
▶
Hymnus: Ave maris stella— Claudio Monteverdi
▶
Antiphona: Hodie beata Barbara— Claudio Monteverdi
▶
Magnificat— Claudio Monteverdi
▶
Newe ausserlesene Paduanen, Galliarden, Canzonen, Allmand und Coranten auff allen musicalischen…— William Brade
▶
Newe ausserlesene Paduanen und Galliarden auff allen musicalischen Instrumenten und…— William Brade
▶
Sibil-La Mallorquina: R/ Al Jorn Del Judici Un Rey Vendrà Perpetual R/ (Monastère Des Nonnes…— Traditional
▶
Sibil-La Mallorquina: Ans Del Judici Tot Anant R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Del Cel Gran Foc Devallarà R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Llos Puigs E.Ls Plans R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Hanc Hom Non Féu Res R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Ladonchs No Haurà Hom Talent R/ (Monastère Des Nonnes De La Concepció)— Traditional
▶
Sibil-La Mallorquina: Del Morir Serà Tot Lur Talens, R/ (Monastère Des Nonnes De La Concepció)— Traditional
▶
Sibil-La Mallorquina: Cascun Cos S’Alma Cobrarà R/ (Monastère Des Nonnes De La Concepció)— Traditional
▶
Sibil-La Mallorquina: Los Infants Qui Nats No Seran R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: E Dirà Cascú Axí R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Déus Dexendrà Del Celsa Ius R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: So Es Aquest Que Nos Panges R/ (Monastère Des Nonnes De La Concepció)— Composer not yet identified
▶
Sibil-La Mallorquina: Déus Dirà Aycels Dulcement R/ (Monastère Des Nonnes De La Concepció)— Traditional
▶
Sibil-La Valenciana: Fanfares (Cathédrale De València)— Traditional
▶
Sibil-La Valenciana: Gloria Tibi Domine (Cathédrale De València)— Traditional
▶
Sibil-La Valenciana: R/ Al Jord Del Judici (Cathédrale De València)— Traditional
▶
Sibil-La Valenciana: D’Una Verge Naixerà R/ (Cathédrale De València)— Composer not yet identified
▶
Sibil-La Valenciana: Mostrar-S’han Quinze Senyals R/ (Cathédrale De València)— Composer not yet identified
▶
Sibil-La Valenciana: D’Alt Dels Cels Devallara R/ (Cathédrale De València)— Composer not yet identified
▶
Sibil-La Valenciana: Portarà Cascú Escrit R/ (Cathédrale De València)— Composer not yet identified
▶
Sibil-La Valenciana: Als bons Darà Goig Etern R/ (Cathédrale De València)— Traditional
▶
Sibil-La Valenciana: Mare De Déu Pregau Per Nos R/ (Cathédrale De València)— Traditional
▶
Sibil-La Valenciana: Vosaltres Tots Que Escoltau R/ (Cathédrale De València)— Composer not yet identified
▶
Sibil-La Valenciana: Fanfares II (Cathédrale De València)— Traditional
▶
Cantica Beatae Virginis – Hymn Ave Maria, For 4 Voices (Attributed; 1575-1600)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Motet Gaude, Maria Virgo, For 5 Voices (1572)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Motet Trahe Me, Post Te, For 6 Voices (1583)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Motet Salve Regina, For 8 Voices (1572)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Antiphon Ave Regina Caelorum, For 5 Voices (1572)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Motet Sancta Maria Succurre Miseris, For 4 Voices (1572)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Motet Ne Timeas, Maria, For 4 Voices (1572)— Composer not yet identified
▶
Cantica Beatae Virginis – Motet Senex Puerum Portabat, A 4 (1572)— Composer not yet identified
▶
Cantica Beatae Virginis – Motet O Magnum Mysterium, For 4 Voices (1572)— Tomás Luis de Victoria
▶
Cantica Beatae Virginis – Motete Vidi, Speciosam, 1572— Composer not yet identified
▶
Cantica Beatae Virginis – Magnificat Primi Toni, For 8 Voices (1600)— Composer not yet identified
▶
La Guirnalda de Rosas : una Matica de Ruda— Composer not yet identified
▶
Saltarello (Cantigas de Santa Maria n.77-119)— Composer not established
▶
Kamti Beivshan Layla— Composer not yet identified
▶
Gagauski— Composer not yet identified
▶
Amazigh Lullaby— Composer not yet identified
▶
A la una Yo Nací— Composer not yet identified
▶
Üsküdar— Traditional
▶
Las Estrellas de los Cielos— Composer not yet identified
▶
LaMoledet Shuvi Roni— Composer not yet identified
▶
Taksim & Makam Kurdi Pesrev— Composer not established
▶
Alef, Mem Shin— Composer not yet identified
▶
Taksim – Pesendîde « Saz Semârsi »— Composer not established
▶
Noumi Noumi Yaldati— Composer not yet identified
▶
La Armada Turca— Composer not yet identified
▶
En la Santa Helena— Composer not yet identified
▶
Shaar Petach Dodi— Traditional
▶
Taksim Kanun (improvisation)— Composer not yet identified
▶
Nana Andaluza Duerme Mi Niña— Traditional
▶
El Rey Que Tanto Madruga— Composer not yet identified
▶
Ana Av Rajman— Composer not yet identified
▶
Estampita cominciamento di gioia— Composer not established
▶
Κοιμησου Χαiδεμενο Μου (Lullaby)— Traditional
▶
Hon Tahon— Composer not yet identified
▶
Taksim & Makam « Rast Murass’a »— Composer not yet identified
▶
Adonenu Elohenu— Traditional
▶
Introduction and Bulgarian Dance— Composer not yet identified
▶
Mireu el Nostre Mar— Composer not yet identified
▶
Samai maqam Bayati— Traditional
▶
Creire m’en fach— Traditional
▶
Ya fajr— Traditional
▶
Shaouia— Traditional
▶
Improvisation Oud— Traditional
▶
Mawal Sap’awi, ‘Ala Al-‘Aqiqa, Beiny wa Beinak— Traditional
▶
Istampitta : Isabella— Traditional
▶
Ce Brun Hal asmar— Traditional
▶
Trotto— Traditional
▶
Ghazal— Traditional
▶
Qalaq— Traditional
▶
Cantiga 41: Virgen, madre de nostro Sennor— Traditional
▶
Hija mia— Traditional
▶
Una pastora (Espagne, mélodie Séfarade)— Traditional
▶
Damas— Traditional
▶
Improvisation Ney— Traditional
▶
Cantus Caravaggio I— Composer not established
▶
1 Lachrimæ Tristes— Composer not established
▶
Deploratio I (Improvisation)— Composer not established
▶
Planctus Caravaggio I— Composer not yet identified
▶
Extasis (Improvisation)— Composer not yet identified
▶
Fantasia « Moro, Lasso » (d’après Carlo Gesualdo)— Composer not established
▶
2 Lachrimæ Invocantis (Improvisation)— Composer not yet identified
▶
Sinfonia di Guerra (d’après Monteverdi)— Composer not yet identified
▶
Pugna & Damnatio— Composer not yet identified
▶
Imploratio (Improvisation)— Composer not established
▶
Deploratio II (Improvisation)— Composer not yet identified
▶
Concentus: Aria-Recit-Lamento-Aria (d’après A.Stradella & L.Rossi)— Composer not established
▶
Lachrimæ Dolcissima (Improvisation)— Composer not established
▶
Durezze ligature (d’après Trabaci)— Composer not established
▶
Cantus Caravaggio II « O Lux »— Composer not established
▶
Passacaglia « Umbrae » (Improvisation)— Composer not established
▶
4 Lachrimae Amara (Improvisation)— Composer not established
▶
Transitio (Improvisation)— Composer not established
▶
Passacaglia « Libertas »— Composer not established
▶
5 Lachrimae Dolente (Improvisation)— Composer not established
▶
Deploratio III (Improvisation)— Composer not established
▶
Consonanze Stravaganti (d’après Trabaci)— Composer not established
▶
Cantus Caravaggio III « Extempore »— Composer not yet identified
▶
6 Lachrimæ Gementes (Improvisation)— Composer not yet identified
▶
Spiritum Morientis— Composer not yet identified
▶
Liberatio (Improvisation)— Composer not yet identified
▶
Deploratio IV (Improvisation)— Composer not yet identified
▶
7 Lachrimae Exultantes (Improvisation)— Composer not yet identified
▶
Planctus Caravaggio II— Composer not yet identified
▶
Cantus Caravaggio IV « In Memoriam »— Composer not yet identified
▶
Bonus 1: Ritornello a 2— Composer not yet identified
▶
Bonus 2: Galladra di Venosa— Composer not yet identified
▶
Bonus 3: Sarabande— Composer not established
▶
Bonus 4: La Barcha del moi amor— Composer not yet identified
▶
Enzina: Una Sanosa Porfia— Composer not yet identified
▶
Levanta, Pascual— Composer not yet identified
▶
Qu’Es De Ti, Desconsoldado ?— Composer not yet identified
▶
Mortal Tristura Me Dieron— Composer not established
▶
Amor Con Fortuna— Composer not yet identified
▶
Fata La Parte— Composer not yet identified
▶
Ay, Triste, Que Vengo— Composer not established
▶
Cucu, Cucu, Cucucu !— Composer not yet identified
▶
Despierta, Despierta Tus Fuerças, Pegaso— Composer not established
▶
Triste Espana Sin Ventura— Composer not established
▶
A Tal Perdita Tan Triste— Composer not yet identified
▶
Quédate, Carillo, Adios— Composer not yet identified
▶
Si Habra En Este Baldrés ?— Composer not established
▶
El Qui Rige Y El Regido— Composer not established
▶
Mas Vale Trocar— Composer not yet identified
▶
Hoy Comamos Y Bevamos— Composer not yet identified
▶
Sibilla Latine (Barcelona X & XIth Centuries)— Composer not yet identified
▶
Sibilla Provençale (Montpellier, Lectionarium XII-XIIIth Centuries)— Composer not established
▶
Sibilla Catalane (Seu D’Urgele, XVth Century)— Composer not yet identified
▶
Dixit Dominus, RV 595: I. Chorus “Dixit Dominus”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: II. Chorus “Donec ponam”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: III. Aria “Virgam virtutis”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: IV. Duet “Tecum principium”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: V. Chorus “Juravit Dominus”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: VI. Aria “Dominus a dextris tuis”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: VII. Chorus “Judicabit in nationibus”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: VIII. Aria “De torrente in via bibet”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: IX. Trio “Gloria Patri”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: X. Chorus “Sicut erat in principio”— Antonio Vivaldi
▶
Dixit Dominus, RV 595: XI. Chorus “Et in saecula saeculorum”— Antonio Vivaldi
▶
Dixit & Magnificat, K. 193: I. Allegro “Dixit Dominus”— Wolfgang Amadeus Mozart
▶
Dixit & Magnificat, K. 193: II. Andante “Gloria Patri”— Wolfgang Amadeus Mozart
▶
Dixit & Magnificat, K. 193: III. Allegro “Et in saecula saeculorum”— Composer not yet identified
▶
Dixit & Magnificat, K. 193: IV. Allegro “Magnificat”— Wolfgang Amadeus Mozart
▶
Dixit & Magnificat, K. 193: V. Allegro “Gloria Patri”— Wolfgang Amadeus Mozart
▶
Dixit Dominus, HWV 232: I. Soli & Chorus “Dixit Dominus”— George Frideric Handel
▶
Dixit Dominus, HWV 232: II. Chorus “Donec ponam”— George Frideric Handel
▶
Dixit Dominus, HWV 232: III. Aria “Virgam virtutis”— Composer not yet identified
▶
Dixit Dominus, HWV 232: IV. Aria “Tecum principium”— George Frideric Handel
▶
Dixit Dominus, HWV 232: V. Chorus “Juravit Dominus”— George Frideric Handel
▶
Dixit Dominus, HWV 232: VI. Chorus “Tu es sacerdos”— George Frideric Handel
▶
Dixit Dominus, HWV 232: VII. Chorus “Dominus a dextris tuis”— George Frideric Handel
▶
Dixit Dominus, HWV 232: VIII. Chorus “Judicabit in nationibus”— George Frideric Handel
▶
Dixit Dominus, HWV 232: IX. Chorus “Conquassabit capita”— George Frideric Handel
▶
Dixit Dominus, HWV 232: X. Soli & Chorus “De torrente in via bibet”— Composer not yet identified
▶
Dixit Dominus, HWV 232: XI. Chorus “Gloria Patri”— Composer not yet identified
▶
Durme, Hermosa Donzella— Composer not yet identified
▶
In Primo Nocturno I— Composer not established
▶
No La Devemos Dormir (Villancicos)— Composer not yet identified
▶
In Primo Nocturno II— Composer not established
▶
Romance Del Conde Claros— Composer not established
▶
Hor Che’l Ciel, E La Terra (1 Parte)— Composer not yet identified
▶
Cosi Sol D’Una Chiara Fonte Viva (2 Parte)— Composer not yet identified
▶
Nana : Aurtxo Txikia Negarrez— Composer not established
▶
Rorro : Desvelado Duneo Moi— Composer not established
▶
El Mariner— Traditional
▶
With The Doll— Composer not established
▶
Kuuus, Kuus Kallike— Arvo Pärt
▶
Les Voiux Humaines— Composer not yet identified
▶
Nana : Duermete, Nino, Derme— Manuel de Falla
▶
Cuando El Rey Nimrod— Composer not yet identified
▶
Lullabie— Anthony Holborne
▶
The Night Watch— Anthony Holborne
▶
Nuit— Composer not yet identified
▶
La Rêveuse— Composer not yet identified
▶
A Dance For The Followers Of Night— Henry Purcell
▶
Prelude (The Fairy Queen)— Henry Purcell
▶
A Fairies Dance— Composer not yet identified
▶
Alcione – Prélude De L’Acte Troisième— Marin Marais
▶
Symphonie Pour Le Sommeil— Composer not yet identified
▶
Air Of The 3rd Suite, Bwv 1068— Johann Sebastian Bach
▶
La Paix : Largo Alla Siciliana— Composer not established
▶
Sonata Vi. Lento— Composer not yet identified
▶
Mrcia Funebre. Adagio Assai— Ludwig van Beethoven
▶
Various Fantasies— Eustache du Caurroy
▶
Huictiesme Fantasie. A Quatre— Eustache du Caurroy
▶
Dixhuitiesme Fantasie. A Quatre— Eustache du Caurroy
▶
Premiere Fantasie. A Quatre— Eustache du Caurroy
▶
Vingtsixiesme Fantasie. A Trois— Eustache du Caurroy
▶
Sixiesme Fantasie. A Trois— Eustache du Caurroy
▶
Vingtiesme Fantasie. A Quatre— Eustache du Caurroy
▶
Trentequatriesme Fantasie. A Cinq— Eustache du Caurroy
▶
Trenteseptiesme Fantasie. A Cinq— Eustache du Caurroy
▶
Neufiesme Fantasie. A Quatre— Eustache du Caurroy
▶
Dixseptiesme Fantasie. A Quatre— Eustache du Caurroy
▶
Vingthuitiesme Fantasie. A Cinq— Eustache du Caurroy
▶
Quatorziesme Fantasie. A Quatre— Eustache du Caurroy
▶
Unziesme Fantasie. A Quatre— Eustache du Caurroy
▶
Dixiesme Fantasie. A Quatre— Eustache du Caurroy
▶
Quarantiesme Fantasie. A Six— Eustache du Caurroy
▶
Quaranteuniesme. A Six— Eustache du Caurroy
▶
Quarantedeuxiesme Fantasie. A Six— Eustache du Caurroy
▶
Requiem in D Minor, K. 626: I. Introitus: Requiem aeternam— Composer not yet identified
▶
Requiem in D Minor, K. 626: II. Kyrie eleison— Composer not yet identified
▶
Requiem in D Minor, K. 626: III. Sequentia: No. 1, Dies irae— Composer not established
▶
Requiem in D Minor, K. 626: III. Sequentia: No. 2, Tuba mirum— Composer not yet identified
▶
Requiem in D Minor, K. 626: III. Sequentia: No. 3, Rex tremendae— Composer not yet identified
▶
Requiem in D Minor, K. 626: III. Sequentia: No. 4, Recordare— Composer not established
▶
Requiem in D Minor, K. 626: III. Sequentia: No. 5, Confutatis— Composer not yet identified
▶
Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa— Composer not yet identified
▶
Requiem in D Minor, K. 626: IV. Offertorium: No. 1, Domine Jesu— Composer not established
▶
Requiem in D Minor, K. 626: IV. Offertorium: No. 2, Hostias— Composer not established
▶
Requiem in D Minor, K. 626: V. Sanctus— Composer not yet identified
▶
Requiem in D Minor, K. 626: VI. Benedictus— Composer not established
▶
Requiem in D Minor, K. 626: VII. Agnus Dei— Composer not established
▶
Requiem in D Minor, K. 626: VIII. Communio: Lux aeterna— Composer not yet identified
▶
Propiñan de Melyor— Composer not yet identified
▶
¿Cómo no le andaré yo?— Composer not yet identified
▶
Dime, triste coraçón— Composer not yet identified
▶
Pues con sobra de tristura— Composer not established
▶
¿Querer vieja yo?— Composer not established
▶
Lealtat, o lealtat— Composer not established
▶
¿Quién vos dió tal señorío?— Composer not established
▶
Donde estas que non te veo— Composer not established
▶
No tenga nadie sperança— Composer not yet identified
▶
Muy crueles bozes dan— Composer not established
▶
In exitu Israel— Composer not yet identified
▶
Mi querer tant vos quiere— Composer not yet identified
▶
Buenas nuevas de Algeria— Composer not established
▶
Qué’s mi vida preguntáys— Composer not established
▶
Muy triste será mi vida— Composer not established
▶
Pinguele, rrespinguete— Composer not yet identified
▶
Nunca fue pena mayor— Composer not yet identified
▶
Glosa sobre “Nunca fue pena mayor”— Composer not yet identified
▶
Carnago – Triana: Señora, qual soy venido— Composer not yet identified
▶
Quien tiene vida en esperança— Composer not established
▶
Dinos madre del donsel— Composer not established
▶
Niña y viña— Composer not established
▶
A sonbra de mis cabellos— Composer not established
▶
Tres morillas m’enamoran— Composer not established
▶
¿Qué me queréis, caballero?— Composer not established
▶
O voy— Composer not established
▶
Pues bien, para ésta— Composer not established
▶
O desdichado de mi— Composer not yet identified
▶
Ave color vini clari— Composer not yet identified
▶
El cervel mi fa— Composer not established
▶
¡Ay, que non ay!— Composer not yet identified
▶
Di, Perra Mora— Composer not yet identified
▶
Prado Verde Y Florido— Composer not established
▶
Dexó la venda, el arco y el aljaba— Composer not yet identified
▶
Lágrimas de mi consuelo— Composer not yet identified
▶
Pués que me tienes Miguel— Composer not established
▶
Susana Un Dia— Antonio de Cabezón
▶
¡Ay Jesús qué mal fraile!— Composer not yet identified
▶
Claros Y Frescos Rios— Alonso Mudarra
▶
Pués No Puedo Olvidarte— Composer not yet identified
▶
Ojos Claros Y Serenos— Composer not yet identified
▶
A Humorous Pavin (43) (Hume)— Composer not yet identified
▶
Captaine Humes Galliard (50) (Hume)— Composer not established
▶
My Hope Is Decayed (7) (Hume)— Composer not yet identified
▶
Captaine Humes Pavin (46) (Hume)— Composer not yet identified
▶
Harke, Harke (10) (Hume)— Composer not yet identified
▶
A Souldiers Galliard (48) (Hume)— Composer not yet identified
▶
The Spirit Of Gambo (4) (Hume)— Composer not yet identified
▶
A Pavin (42) (Hume)— Composer not yet identified
▶
Touch Me Lightly (38) (Hume)— Composer not yet identified
▶
Beccus An Hungarian Lord (95) (Hume)— Composer not yet identified
▶
The Second Part (96) (Hume)— Composer not established
▶
Loves Farewell (47) (Hume)— Composer not yet identified
▶
The Duke Of Holstones Almaine (6) (Hume)— Composer not established
▶
Death (12) (Hume)— Composer not yet identified
▶
Life (13) (Hume)— Composer not established
▶
A Question (25) (Hume)— Composer not yet identified
▶
An Answere (26) (Hume)— Composer not yet identified
▶
The New Cut (27) (Hume)— Composer not yet identified
▶
A Souldiers Resolution (11) (Hume)— Composer not yet identified
▶
Good Againe (14) (Hume)— Composer not yet identified
▶
La Spagna (Basse Dance)— Composer not established
▶
Dit Le Bourguynon— Composer not established
▶
Quedate, Carillo (Villancico)— Composer not established
▶
De Tous Biens Plaine (Chanson)— Composer not yet identified
▶
Basse Danse: Mappa Mundi— Composer not yet identified
▶
Chiave, Chiave (Toccata Instrumental)— Composer not established
▶
Pues Con Sombra De Tristura (Villancico)— Composer not established
▶
Buenas Nuevas De Alegría (Villancico)— Composer not established
▶
Si De Vos Mi Bien (Villancico)— Composer not established
▶
Mundus Et Musica (Canon Perpetuum)— Composer not established
▶
Glosa Sobre “Nunca Fue Pena Mayor”— Composer not established
▶
No Tenga Nadie Sperança (Villancico)— Composer not established
▶
Muy Triste Será Mi Vida (Villancico)— Composer not established
▶
Propinan De Melyor— Composer not established
▶
Estas Noches A Tan Largas (Villancico)— Composer not established
▶
O Desdichado De Mi (Villancico)— Composer not established
▶
A Sombra De Mis Cabellos— Composer not yet identified
▶
Quien Vos Dio Tal Señorío? (Villancico)— Composer not established
▶
Un Niño Nos Es Nacido (Villancico)— Composer not yet identified
▶
Viva El Gran Re Don Fernando— Composer not established
▶
Vive Le Roy— Composer not yet identified
▶
La Spagna, A— Composer not established
▶
Mortal Tristura Me Dieron (Villancico)— Composer not yet identified
▶
Pavana “La Battaglia” Per Sonar— Composer not yet identified
▶
La Moresca— Composer not established
▶
Passamezzo Moderno III— Diego Ortiz
▶
Romanesca VII— Diego Ortiz
▶
Tiento III Primer Tono— Composer not yet identified
▶
Glosas Sobre “Hermosa Catalina”— Composer not yet identified
▶
Buelbe Tus Claros Ojos (Villancico)— Composer not established
▶
Diferencias Sobre “La Dama Le Demanda”— Composer not yet identified
▶
« Susana Un Jur » (Glosa)— Antonio de Cabezón
▶
Fantasía VIII— Composer not yet identified
▶
Jam Lucis Orto Sidere— Orlando di Lasso
▶
Ensalada— Composer not yet identified
▶
Himno XVI— Composer not yet identified
▶
Batalla De Morales— Composer not yet identified
▶
Omnes De Saba Venient— Orlando di Lasso
▶
Tiento De Batalla— Composer not established
▶
Alme Deus, Qui Cuncta Tenes— Orlando di Lasso
▶
Música: Folias (imperfectas) (Arpa)— Anonimo
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Recitado I (1) : “La Locura Disipa Con Su Sola Presencia las Preocupaciones de Su Auditorio”— Anonimo
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La Folia : Yo Soy La Locura— Henry du Bailly
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Recitado III (2) : “Cómo la Locura Es llevada a Hacer Su Propio Elogio” / Música: Passamezzo…— Diego Ortiz
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Recitado VII (3) : “Orígenes de la Locura”— Anonimo
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Recitado VIII – VIII (4) : “Su Lugar de Nacimiento, Sus Años de Infancia” / Música: Folias…— Anonimo
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Recitado IX (5) : “Sus Seguidoras” / Música (Continuación) : Folias de la Sosta (Arpa)— Anonimo
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Recitado X (6) : “Títulos de la Locura Para Figurar Entre las Diosas” / Música: Romanesca…— Alonso Mudarra
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Folía: Rodrigo Martínez (Improvisación a Partir del villancico del C.M. de Palacio No. 12)— Anonimo
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Recitado XI (7) : “Cómo Perpetúa la Especie Humana” / Música (Continuación) : Folía:…— Anonimo
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Recitado XII (8) : “Cómo Produce la Felicidad de la Vida” / Música (Continuación) : Folía:…— Anonimo
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Si Habrá en Este Baldrés (C.M. Palacio No. 179)— Juan del Enzina
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Recitado XIII (9) : “Vínculos Que la unen Con la Infancia y Esa Segunda Infancia que Es la…— Anonimo
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Diferencias Sobre las Vacas (Improvisación) (C. M. Medinacel)— Anonimo
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Recitado XIV (10) : “Cómo Prolonga la Infancia y Hace Retroceder la Vejez” / Música: Folías…— Anonimo
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Recitado XVI (11) : “De la Preeminencia de la Locura en el Mundo” / Música: Harke, harke (Viola…— Tobias Hume
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Recitado XIX (12) : “La Locura es Necesaria a la Amistad” / Música: Belle qui tiens ma vie…— Thoinot Arbeau
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Recitado XX (13) : “No Hay Matrimonio Duradero Sin Complicidad de la Locura” / Música…— Thoinot Arbeau
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Cucú, cucú, cucucú ! (C.M. Palacio No. 94)— Juan del Enzina
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Recitado XXI (14) : “La Locura es el Vínculo de la Sociedad Humana” / Música: Paduana del Re…— Anonimo
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Recitado XXIII (15) : “Inspira las Hazañas Guerreras” / Música: Pavana La Battaglia— Clément Janequin
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Recitado XXV (16) : “De la Inferioridad de la Sabiduría en Todas las Circunstancias de la Vida”…— Anonimo
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Recitado XXVIII (17) : “La Locura es la Madre de las Artes” / Música: My Lady Carey’s Dompe…— Anonimo
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Recitado XXIX (18) : “Reivindica para Sí la Palma de la Auténtica Sabiduría” / Música: Las…— Anonimo
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Recitado XXX (19) : “Cómo la Locura es Guía de Sabiduría” / Música: Pavana con Su Glosa— Antonio de Cabezón
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Recitado XXXII (20) : “Relaciones de la Locura con la Ignorancia” / Música: Desperada (Anónimo…— Anonimo
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La Spagna (Siglo XV)— Anonimo
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Recitado LV (21) : “Locura de los Reyes” / Música: Las Vacas (Romanesca)— Anonimo
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Recitado LVII – LIX (22) : “Locura de los Obispos, los Cardenales y los Soberanos Pontífices” /…— Anonimo
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Recitado LXVI (23) : “Relaciones de la Religión Cristiana con la Locura” / Música: Patres…— Johannes Cornago
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Recitado LXVII (24) : “La Locura es el Bien Soberano” / Música: Dios te salve, Cruz Preciosa…— Anonimo
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Diferencias Sobre “Las Vacas” (Arpa)— Antonio de Cabezón
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Recitado LXVIII (25) : “Adiós al Lector” / Música: Folias Portuguesas (Arpa)— Anonimo
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Marcha Guerrera Otomana— Anonimo
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Narración 1: “Carta de Erasmo Sobre la Guerra Contra los Turcos”— Anonimo
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Saltarello : Une musque de Buscaye (Instrumental)— Josquin des Prez
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Narración 2: Adagio 145. “La Fortuna Sonríe a los Audaces”— Josquin des Prez
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Taskim & Danza (Anónimo Otomano)— Anonimo
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Narración 3: “Erasmo de Rotterdam y los Judíos” / Música: Las Estrellas de los Cielos…— Anonimo
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Lavava y Suspirava (Romance Sefardita)— Anonimo
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Malor me bat (Malheur me bat) (Odhecaton No. 63)— Jean d’Ockeghem
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Narración 4: “Epitafio para Johannes Ockeghem, Músico Incomparable” / Música: Fortune, par ta…— Johannes Vincenet
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La déploration sur la mort d’Ockeghem— Josquin des Prez
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Narración 5: “Panegírico de Felipe el Hermoso” / Música: Adieu mes amours (Improvisación Arpa)— Anonimo
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Narración – Adagio 3415. “El Amor Hace Músico” / Música: De tous biens plaine (C. M….— Hayne van Ghizeghem
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Frottola : In te Domine speravi (C. M. Palacio No. 84)— Josquin des Prez
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Narración 7: “Enchiridion. La Importancia de los Clásicos” / Música: Ave maris stella (Arpa -…— Damianus
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Narración 8: Adagio 3001. “La guerra es Dulce para Quienes no la Han Hecho” / Música:…— Anonimo
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Narración 9: “Carta de Erasmo a Tomás Moro (Sobre el Elogio de la Folía) “— Anonimo
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Narración 10: “El Príncipe de Maquiavelo” / Música: Gallarda di Venosa (Arpa)— Carlo Gesualdo
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Narración 11: Erasmo. “Institución del Príncipe Cristiano” (1516) / Música: Himno XVI…— Antonio de Cabezón
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Taksim & Makam «Rast Murass’a» (Mss. No. 214)— Dimitri Cantemir
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Narración 12: “Tomás Moro. Utopia: Sobre la Justicia y la Prosperidad Social” / Música:…— John Lloyd
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Narración 13: “Erasmo. Querella de la Paz” / Música: Mille regrets— Josquin des Prez
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Narración 14: “Carta de Martín Lutero a Erasmo de Rotterdam” (28 marzo 1519) / Música: Psalm:…— Anonimo
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Narración 15: “Carta de Erasmo de Rotterdam a Martín Lutero” (30 mayo 1519)— Anonimo
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Narración 16: “Carta de Martín Lutero a Erasmo” (15 abril 1524) / Música: Psalm: Christ ist…— Hans Leo Hassler
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Narración 17: “Erasmo de Rotterdam Sobre El Libre Albedrío” (1524) / Música: In Nomine a 5…— Christopher Tye
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Pavane «La Bataille» (Publicado por Jacques Moderne en «Musique de Joie» Lyon, ca. 1540)— Anonimo
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Narración 18: “Carta de Erasmo de Rotterdam al Rey de Francia Francisco I” (16 Junio 1526) /…— Anonimo
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Gazel (Chant Ottoman) (Poema de Fuzuli)— Mehmet bin Süleyman
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Narración 19: “Lutero a Erasmo. El Siervo Albedrío” (1525-1530) / Música: Psalm: Christ lag…— Martin Luther
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Christ ist erstanden à 6 voces— Heinrich Isaac
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Narración 20: Adagio 2100. “Las Palabras Son los Médicos de las Almas Enfermas” / Música: Now…— John Dowland
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Narración 21: “La Muerte de Erasmo” (Stefan Zweig)— Anonimo
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Plangite Pierides (Lamento por la Muerte de Erasmo)— Benedictus Appenzeller
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Narración 22: “El Legado Espiritual de Erasmo” / Música: Durezze e ligature (Instrumental)— Giovanni Maria Trabaci
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Aria della Battaglia à 8— Composer not established
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La Battaglia per cantar e sonar à 8— Composer not established
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Canzon in echo à 8— Composer not yet identified
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Canzon A 12 in Echo— Composer not established
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Fontei: Pianto d’Erinna— Nicolo Fontei
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Il Lamento: “Su’l Rodano severo”— Composer not yet identified
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Pavana: El Bisson (à 4)— Composer not established
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Lamento di Iole: “Uccidimi dolore”— Composer not established
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Première suite, Airs pour les driades et les bergers: I. Ouverture— Marin Marais
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Première suite, Airs pour les driades et les bergers: II. Marche pour les bergers et les bergères— Composer not yet identified
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Première suite, Airs pour les driades et les bergers: III. Air pour les faunes et les driades— Marin Marais
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Première suite, Airs pour les driades et les bergers: IV. Menuet pour les bergers et les bergères— Composer not yet identified
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Première suite, Airs pour les driades et les bergers: V. Menuet pour les mêmes— Composer not yet identified
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Première suite, Airs pour les driades et les bergers: VI. Bourée pour les bergers et les…— Composer not yet identified
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Première suite, Airs pour les driades et les bergers: VII. Passepied I & II pour les mêmes— Composer not yet identified
▶
Deuxième suite, Airs pour les eoliens et les eoliennes: I. Air— Composer not yet identified
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Deuxième suite, Airs pour les eoliens et les eoliennes: II. Menuet— Composer not yet identified
▶
Deuxième suite, Airs pour les eoliens et les eoliennes: III. Air— Marin Marais
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Deuxième suite, Airs pour les eoliens et les eoliennes: IV. Menuet da capo— Composer not yet identified
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Deuxième suite, Airs pour les eoliens et les eoliennes: V. Sarabandes— Composer not yet identified
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Deuxième suite, Airs pour les eoliens et les eoliennes: VI. Gigue— Composer not yet identified
▶
Troisième suite, Airs pour les prêtresse et les magiciens: I. Prélude de l’acte second— Composer not yet identified
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Troisième suite, Airs pour les prêtresse et les magiciens: II. Sarabande pour les prêtresses…— Composer not yet identified
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Troisième suite, Airs pour les prêtresse et les magiciens: III. Prélude pour la prêtresse de…— Marin Marais
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Troisième suite, Airs pour les prêtresse et les magiciens: IV. Gigues pour les mêmes— Composer not yet identified
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Troisième suite, Airs pour les prêtresse et les magiciens: V. Airs I & II pour les magiciens— Composer not yet identified
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Quatrième suite, Airs pour les matelots et les tritons: I. Prélude de l’acte Troisième— Marin Marais
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Quatrième suite, Airs pour les matelots et les tritons: II. Marche pour les matelots— Marin Marais
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Quatrième suite, Airs pour les matelots et les tritons: III. Air pour les mêmes— Composer not yet identified
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Quatrième suite, Airs pour les matelots et les tritons: IV. Air «tambourin» pour les mêmes— Marin Marais
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Quatrième suite, Airs pour les matelots et les tritons: V. Symphonie pour le sommeil— Composer not yet identified
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Quatrième suite, Airs pour les matelots et les tritons: VI. Tempête— Marin Marais
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Quatrième suite, Airs pour les matelots et les tritons: VII. Ritournelle— Composer not yet identified
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Quatrième suite, Airs pour les matelots et les tritons: VIII. Entract’ menuet— Marin Marais
▶
Quatrième suite, Airs pour les matelots et les tritons: IX. Chaconne pour les tritons— Composer not yet identified
▶
Sinfonia Nr. 3 In Es-Flat Op. 55 “Eroica” – Allegro Con Brio— Ludwig van Beethoven
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Sinfonia Nr. 3 In Es-Flat Op. 55 “Eroica” – Marcia Funebre, Adagio Assai— Ludwig van Beethoven
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Sinfonia Nr. 3 In Es-Flat Op. 55 “Eroica” – Scherzo – Allegro Vivace— Ludwig van Beethoven
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Sinfonia Nr. 3 In Es-Flat Op. 55 “Eroica” – Finale. Allegro Molto – Poco Andante – Presto— Ludwig van Beethoven
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Ouvertüre “Coriolan” Op. 62— Ludwig van Beethoven
▶
The Musical Priest / Scotch Mary— Traditional Irish
▶
Caledonia’s Wail for Niel Gow— Simon Fraser
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The Humours Of Scariff— Traditional Irish
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Alistair MacAlastair— Nathaniel Gow
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Tom Brigg’s, Jig— Ryan’s Mammoth
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The Globby O, Jig— Ryan’s Mammoth
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Lord Moira’s & Jinrikisha— Ryan’s Mammoth
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Sackow’s (Jig)— Traditional Irish
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Hard Is My Fate— Traditional Scottish
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Chapel Keithack— William Marshall
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Gudewife, Admit The Wanderer— Simon Fraser
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Macpherson’s Lament— James Macpherson
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Tullochgorum— Traditional Scottish Reel
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Pretty Peggy— Traditional Scottish/Irish
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Twas within a furlong of Edinburgh Town— Henry Playford
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Màiri Bhàn Òg: Mary Young & Fair— Simon Fraser
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Dowd’s Reel— Traditional Irish
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Lady Mary Hay’s Scots Measure— Traditional
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Carolan’s Farewell— Turlough O’Carolan
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Gusty’s Frolics— Traditional
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Emigrants Reel— Ryan’s Mammoth
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The Lamentations Of Owen Roe O’Neill— Turlough O’Carolan
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Princess Beatrice— W.B. Laybourn
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Prince Charlie’s Last View Of Edinburg— Traditional Scottish
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Trip It Upstairs (Single Jig)— Traditional Irish
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Mrs. McPherson of Gibton— William Marshall
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Tuttle’s— Traditional Irish
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Lament for the Death of his Second Wife— Niel Gow
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The Gander in the Pratie Hole— Traditional Irish
▶
Messe in H-moll, BWV 232: Kyrie eleison I— Johann Sebastian Bach
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Messe in H-moll, BWV 232: Christe Eleison— Johann Sebastian Bach
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Messe in H-moll, BWV 232: Kyrie Eleison II— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Gloria in excelsis— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Et in terra pax— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Laudamus te— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Gratias agimus— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Domine Deus— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Qui tollis peccata mundi— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Qui sedes ad dextram Patris— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Quoniam tu solus sanctus— Johann Sebastian Bach
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Messe in H-moll, BWV 232: Cum Sancto Spiritu— Johann Sebastian Bach
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Messe in H-moll, BWV 232: Credo in unum Deum— Johann Sebastian Bach
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Messe in H-moll, BWV 232: Patrem omnipotentem— Johann Sebastian Bach
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Messe in H-moll, BWV 232: Et in unum Dominum— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Et incarnatus est— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Crucifixus— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Et resurrexit— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Et in Spiritum Sanctum— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Confiteor— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Et expecto— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Sanctus— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Osanna in excelsis— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Benedictus— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Osanna repetatur— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Agnus Dei— Johann Sebastian Bach
▶
Messe in H-moll, BWV 232: Dona nobis pacem— Johann Sebastian Bach
▶
Prologo: Sinfonia – Vivo (Corselli)— Composer not yet identified
▶
Prologo: Sinfonia – Allegro E Piano (Corselli)— Composer not yet identified
▶
Prologo: Sinfonia – Spiritoso (Corselli)— Composer not established
▶
Prologo: Marcia (Corselli)— Composer not established
▶
Prologo: Recitatiyo (Gilade E Berenice) – Ma D’Onde, O Mia Regina (Corselli)— Composer not established
▶
Prologo: Aria (Berenice) – Da Quel Ferro Che Ha Svenato (Risoluto E Staccato) (Corselli)— Composer not established
▶
Atto Primo: Sinfonia – Allegro (Vivaldi)— Composer not yet identified
▶
Atto Primo: Sinfonia – Andante (Vivaldi)— Composer not established
▶
Atto Primo, Scena I: Recitativo (Farnace E Tamiri) – Benché Vinto E Sconfitto (Vivaldi)— Composer not established
▶
Atto Primo, Scena I: Aria (Farnace) – Ricordati Che Sei (Allegro) (Vivaldi)— Composer not established
▶
Atto Primo, Scena II: Recitativo (Tamiri) – Ch’io Me Tolga Col Ferro (Vivaldi)— Composer not established
▶
Atto Primo, Scena II: Aria (Tamiri) – Combattono Quest’Alma (Vivaldi)— Composer not yet identified
▶
Atto Primo, Scena III: Coro – Dell’Eusino Con Aura Seconda (Allegro) (Vivaldi)— Composer not yet identified
▶
Atto Primo, Scena III: Recitativo (Gilade E Berenice) – Del Nemico Farnace (Vivaldi)— Composer not yet identified
▶
Atto Primo, Scena IV: Recitativo (Pompeo, Gilade E Berenice) – Amazzone Real Dell’Oriente (Vivaldi)— Composer not yet identified
▶
Atto Primo, Scena V: Recitativo (Pompeo) – Guerrieri Eccovi A Fronte (Vivaldi)— Composer not yet identified
▶
Atto Primo, Scena V: Coro – Su Campioni Su Guerrieri (Vivaldi)— Composer not yet identified
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Atto Primo, Scena V: Recitativo (Farnace) – In Si Gran Punto Ancora (Vivaldi)— Composer not yet identified
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Atto Primo, Scena VI: Recitativo (Selinda, Aquilio, Berenice, Pompeo E Gilade) – Signor,…— Composer not yet identified
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Atto Primo, Scena VII: Recitativo (Selinda, Gilade E Aquilio) – A’Nostri Danni Armata (Vivaldi)— Composer not established
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Atto Primo, Scena VII: Aria (Gilade) – Nell’ Intimo Del Petto (Andante Molto) (Vivaldi)— Composer not yet identified
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Atto Primo, Scena VIII: Recitativo (Aquilio E Selinda) – A’Sorprendermi Il Cor (Vivaldi)— Composer not yet identified
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Atto Primo, Scena VIII: Aria (Aquilio) – Penso Che Que’ Begl’Occhi (Allegro) (Vivaldi)— Composer not yet identified
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Atto Primo, Scena IX: Recitativo (Selinda) – Qual Sembianza Improvvisa (Vivaldi)— Composer not established
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Atto Primo, Scena IX: Aria (Selinda) – Al Vesseggiar (Allegro Non Molto) (Vivaldi)— Composer not established
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Atto Primo, Scena X: Recit. Accomp. (Tamiri Col Piccolo Figlio) – Figlio, Non Vi É Più Scampo…— Composer not yet identified
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Atto Primo, Scena XI: Recitativo (Berenice E Tamiri) – Fermati, Ingrata! (Vivaldi)— Composer not established
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Atto Primo, Scena XII: Recitativo (Berenice E Pompeo) – Signor, Costei Ch’Audace Empie (Vivaldi)— Composer not yet identified
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Atto Primo, Scena XII: Aria (Berenice) – Da Quel Ferro Che Ha Svenato (Allegro) (Vivaldi)— Composer not established
▶
Atto Primo, Scena XIII: Recitativo (Pompeo E Tamiri) – L’Asia Non È Ancor Doma (Allegro) (Vivaldi)— Composer not established
▶
Atto Primo, Scena XIII: Aria (Tamiri) – Leon Feroce (Vivaldi)— Composer not yet identified
▶
Atto Primo, Scena XIV: Recitativo (Pompeo) – Come Ben Fa Veder (Vivaldi)— Composer not established
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Atto Primo, Scena XIV: Aria (Pompeo) – Sorge L’Irato Nembo (Allegro) (Vivaldi)— Composer not yet identified
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Aria (Farnace) – S’Arma Il Cielo Di Tuoni E Di Lampi (Corselli)— Composer not established
▶
Atto Secondo, Scena I: Recitativo (Gilade, Aquilio E Selinda) – Principessa Gentil (Vivaldi)— Composer not established
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Atto Secondo, Scena I: Recitativo (Gilade, Aquilio E Selinda) – Lascia Di Sospirar (Allegro)…— Composer not established
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Atto Secondo, Scena II: Reitativo (Berenice E Gilade) – Di Farnace E Del Figlio (Vivaldi)— Composer not established
▶
Atto Secondo, Scena II: Aria (Berenice) – Langue Misero Quel Valore (Allegro) (Vivaldi)— Composer not established
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Atto Secondo, Scena III: Recitativo (Gilade) – No Ch’Amar Non E Fallo (Vivaldi)— Composer not established
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Atto Secondo, Scena III: Aria (Gilade) – C’È Un Dolce Furore (Vivaldi)— Composer not established
▶
Atto Secondo, Scena IV: Recitativo (Farnace) – Non Che Ceder (Vivaldi)— Composer not established
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Atto Secondo, Scena V: Recitativo (Tamiri E Farnace) – Pupille O Voi Sognate (Vivaldi)— Composer not established
▶
Atto Secondo, Scena V: Aria (Farnace) – Gelido In Ogni Vena (Larghetto) (Vivaldi)— Composer not established
▶
Atto Secondo, Scena VI: Recitativo (Berenice E Tamiri) – Olà, Queste Superbe (Vivaldi)— Composer not established
▶
Atto Secondo, Scena VII: Recit. Accompagnato (Farnace E Tamiri) – Quest’è La Fè Spergiura…— Composer not established
▶
Atto Secondo, Scena VIII: Recitativo (Tamiri) – Dite Che V’ho Fatt’io (Andante) (Vivaldi)— Composer not established
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Atto Secondo, Scena IX: Aria (Tamiri) – Arsa Da Rai Cocenti (Allegro) (Vivaldi)— Composer not established
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Atto Secondo, Scena X: Recitativo (Selinda E Gilade) – Ah, S’Egli È Ver Che M’ami (Vivaldi)— Composer not established
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Atto Secondo, Scena X: Aria (Gilade) – Quel Tuo Ciglio (Minuet) (Vivaldi)— Composer not established
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Atto Secondo, Scena XI: Recitativo (Selinda E Farnace) – Dove Mai Ti Trasporta (Vivaldi)— Composer not established
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Atto Secondo, Scena XI: Aria (Farnace) – Spogli Pur L’Ingiusta Roma (Vivaldi)— Composer not established
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Atto Secondo, Scena XII: Recitativo (Berenice, Selinda, Aquilio E Pompeo) – Dell’Iniquo Farnace…— Composer not established
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Atto Secondo, Scena XII: Aria (Pompeo) – Roma Invitta Una Clemente (Vivaldi)— Composer not established
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Atto Secondo, Scena XIII: Recitativo (Selinda, Aquilio E Berenice) – Frà Le Libishe Serpi…— Composer not established
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Atto Secondo, Scena XIII: Aria (Berenice) – Lascerò D’Esser Spietata (Allegro) (Vivaldi)— Composer not established
▶
Atto Secondo, Scena XIV: Recitativo (Selinda E Aquilio) – Aquilio, Ebben Pensati? (Vivaldi)— Composer not established
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Atto Secondo, Scena XIV: Duetto (Selinda E Aquilio) – Io Sento Nel Petto (Vivaldi)— Composer not established
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Marcia (Corselli)— Composer not established
▶
Atto Terzo, Scena I: Recitativo (Berenice, Gilade Aquilio E Pompeo) – Gilade. Gran Regina (Vivaldi)— Composer not established
▶
Atto Terzo, Scena I: Aria (Berenice) – Quel Candido Fiore (Allegro) (Vivaldi)— Composer not established
▶
Atto Terzo, Scena II: Recitativo (Tamiri, Pompeo E Farnace) – Signor; Se La Clemenza (Vivaldi)— Composer not established
▶
Atto Terzo, Scena II: Aria (Tamiri) – Forse O Caro In Questi Accenti (Andante) (Vivaldi)— Composer not established
▶
Atto Terzo, Scena III: Recitativo (Farnace) – Si, Qualche Nume (Vivaldi)— Composer not established
▶
Atto Terzo, Scena III: Aria (Farnace) – Quel Torrente Che S’Innalza (Vivaldi)— Composer not established
▶
Atto Terzo, Scena IV: Recitativo (Selinda E Gilade) – Gilade, Il Tuo Pensiero (Vivaldi)— Composer not established
▶
Atto Terzo, Scena IV: Aria (Gilade) – Scherza L’Aura Lusinghiera (Andante Molto) (Vivaldi)— Composer not established
▶
Atto Terzo, Scena V: Recitativo (Selinda E Aquilio) – Aquilio, Il Braccio Forte (Vivaldi)— Composer not established
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Atto Terzo, Scena V: Aria (Selinda) – Ti Vantasti Mio Guerriero (Vivaldi)— Composer not established
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Atto Terzo, Scena VI: Recitativo (Aquilio, Pompeo E Farnace) – Oh, Stelle Quale Impresa (Vivaldi)— Composer not established
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Atto Terzo, Scena VII: Recitativo (Pompeo, Berenice E Farnace) – Regina, In Costui Riconosci…— Composer not established
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Atto Terzo, Scena VIII: Recitativo (Tamiri E Farnace) – Oh, Dio Fermati I Colpi (Vivaldi)— Composer not established
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Atto Terzo, Scena VIII: Quartetto (Berenice, Pompeo, Tamiri E Farnace) – Io Crudel? (Allegro)…— Composer not established
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Atto Terzo, Scena IX: Recitativo (Berenice) – Farnace I Numi Alfine (Vivaldi)— Composer not established
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Atto Terzo, Scena IX: Recitativo (Berenice) – Voglio Che Mora (Vivaldi)— Composer not established
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Atto Terzo, Scena Ultima: Recitativo (Gilade, Selinda, Berenice, Pompeo E Farnace) – Berenice…— Composer not established
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Atto Terzo, Scena Ultima: Coro Finale – Coronata Di Gigli E Di Rose (Vivaldi)— Composer not established
▶
Pièces De Viole – 1Ere Suite. Allemande La Laborde— Antoine Forqueray
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Pièces De Viole – 1Ere Suite. La Forqueray— Antoine Forqueray
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Pièces De Viole – 1Ere Suite. La Cottin— Antoine Forqueray
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Pièces De Viole – 1Ere Suite. La Bellemont— Antoine Forqueray
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Pièces De Viole – 1Ere Suite. La Portugaise— Antoine Forqueray
▶
Pièces De Viole – 1Ere Suite. La Couperin— Antoine Forqueray
▶
Pièces De Viole – 2Eme Suite. La Bouron— Antoine Forqueray
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Pièces De Viole – 2Eme Suite. La Mandoline— Antoine Forqueray
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Pièces De Viole – 2Eme Suite. La Du Breüil— Antoine Forqueray
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Pièces De Viole – 2Eme Suite. La Leclair— Antoine Forqueray
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Pièces De Viole – 2Eme Suite. Chaconne. La Buisson— Antoine Forqueray
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Caiase De Un Espino— Mateo Romano
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Lamento De Belisa – De Pechos Sobre Una Torre— Lope de Vega
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Pasacalles V— Juan Cabanilles
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Afuera, Afuera Que Sale— Manuel Machado
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Como Retumban Los Remos!— Lope de Vega
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Soliloquios Amorosos De Un Alma A Dios – Si Tus Penas— Lope de Vega
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Tiento Lleno— Juan Cabanilles
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Desde Las Torres Del Alma— Juan Blas de Castro
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Entre Dos Alamos Verdes— Juan Blas de Castro
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Ojos, Que Me Desdeñais— José Marin
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No Hay Que Decirle El Primor— Anonymous
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Codex Las Huelgas: I. Iocundare plebs fidelis cuius Pater est in celis (Prose CLH 67)— Composer not established
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Codex Las Huelgas: II. Audi pontus audi tellus (Conductus CLH 161)— Composer not established
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Codex Las Huelgas: III. Eterni numinis (Prose VI de Santa María la Real CLH 55)— Composer not established
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Codex Las Huelgas: IV. Kyrie fons bonitatis (Organum CLH 3)— Composer not established
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Codex Las Huelgas: V. Gaude Virgo plena Deo (Prose IX de Santa María CLH 76)— Composer not established
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Codex Las Huelgas: VI. Alpha bovi et leoni (Motet XXVIII CLH 83)— Composer not established
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Codex Las Huelgas: VII. Virgines egregie (Prose XXIII de la Vierge CLH 72)— Composer not established
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Codex Las Huelgas: VIII. Cum sint difficilia Salomoni tria (Notre-Dame Conductus mss. Firenze P9)— Composer not established
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Codex Las Huelgas: IX. Virgo sidus aureum (Prose VIII de Santa María CLH 57)— Composer not established
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Codex Las Huelgas: X. O Maria Virgo Davitica O Maria maris stella (Motet XXI CLH 104)— Composer not established
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Codex Las Huelgas: XI. Flavit auster (Prose XL de Santa María CLH 58)— Composer not established
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L’introduzione. Maestoso ed Adagio— Joseph Haydn
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Evangelium : Peter, dimitte illis ; non enim sciunt quid faciunt— Joseph Haydn
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Sonata I. Largo— Joseph Haydn
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Evangelium : Hodie mecum eris in Paradiso— Joseph Haydn
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Sonata II. Grave e Cantabile— Joseph Haydn
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Evangelium : Mulier ecce filius tuus— Joseph Haydn
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Sonata III. Grave— Joseph Haydn
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Evangelium : Deus meus, Deus meus, ut quid dereliquistime ?— Joseph Haydn
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Sonata IV. Largo— Joseph Haydn
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Evangelium : Sitio— Joseph Haydn
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Sonata V. Adagio— Joseph Haydn
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Evangelium : Consummatum est— Joseph Haydn
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Sonata IV. Lento— Joseph Haydn
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Evangelium Pater, in manus tuas comendo spiritum meum— Joseph Haydn
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Sonata VII. Largo— Joseph Haydn
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Il Terremoto. Presto con tutta la forza— Joseph Haydn
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L’Orfeo, Prologo: Ritornello – Dal mio permesso amato— Claudio Monteverdi
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L’Orfeo, Ato primo: I. In questo lieto e fortunato giorno— Claudio Monteverdi
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L’Orfeo, Ato primo: II. Lasciate i monti— Claudio Monteverdi
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L’Orfeo, Ato primo: III. Rosa del ciel— Claudio Monteverdi
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L’Orfeo, Ato primo: IV. Vieni Imeneo, deh vieni— Claudio Monteverdi
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L’Orfeo, Ato primo: V. Ritornello – Alcun non sia— Claudio Monteverdi
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L’Orfeo, Atto secondo: I. Sinfonia – Ecco pur ch’à voi ritorno— Claudio Monteverdi
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L’Orfeo, Atto secondo: II. Mira, ch’à se n’alletta— Claudio Monteverdi
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L’Orfeo, Atto secondo: III. Ahi, caso acerbo!— Claudio Monteverdi
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L’Orfeo, Atto secondo: IV. In un fiorito prato— Claudio Monteverdi
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L’Orfeo, Atto secondo: V. Tu se’ morta— Claudio Monteverdi
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L’Orfeo, Atto secondo: VI. Ahi, caso acerbo!— Claudio Monteverdi
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L’Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi?— Claudio Monteverdi
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L’Orfeo, Atto terzo: I. Sinfonia – Scorto da te mio Nume— Claudio Monteverdi
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L’Orfeo, Atto terzo: II. Ecco l’atra palude— Claudio Monteverdi
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L’Orfeo, Atto terzo: III. O tu ch’innanzi mort’a queste rive— Claudio Monteverdi
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L’Orfeo, Atto terzo: IV. Possente Spirto— Claudio Monteverdi
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L’Orfeo, Atto terzo: V. Ritornello – Orfeo son io— Claudio Monteverdi
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L’Orfeo, Atto terzo: VI. Sol tu nobil Dio— Claudio Monteverdi
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L’Orfeo, Atto terzo: VII. Sinfonia— Claudio Monteverdi
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L’Orfeo, Atto terzo: VIII. Sinfonia a 7— Claudio Monteverdi
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L’Orfeo, Atto terzo: XIX. Sinfonia— Claudio Monteverdi
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L’Orfeo, Atto quarto: I. Signor, quel infelice— Claudio Monteverdi
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L’Orfeo, Atto quarto: II. Sinfonia – Qual honor di te sia degno— Claudio Monteverdi
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L’Orfeo, Atto quarto: III. O dolcissimi lumi— Claudio Monteverdi
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L’Orfeo, Atto quarto: IV. Sinfonia a 7 – E la virtute un raggio— Claudio Monteverdi
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L’Orfeo, Atto quinto: I. Ritornello— Claudio Monteverdi
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L’Orfeo, Atto quinto: II. Sinfonia— Claudio Monteverdi
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L’Orfeo, Atto quinto: III. Saliam cantand’al cielo— Claudio Monteverdi
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L’Orfeo, Atto quinto: IV. Vanne, Orfeo, felice a pieno – Moresca— Claudio Monteverdi
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L’Orfeo, Atto quinto: V. Moresca— Claudio Monteverdi
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Das Paradies und die Peri, Op. 50: Erster Theil: III. Der hehre Engel, der die Pforte— Robert Schumann
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Das Paradies und die Peri, Op. 50: Erster Theil: V. So sann sie nach— Robert Schumann
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Musique de Ioye: No. 1, Bassedance— Anonymous
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Musique de Ioye: No. 2, Tordion 8— Anonymous
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Musique de Ioye: No. 3, Ta bonne grace— Roquelay
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Musique de Ioye: No. 4, Bassedance 1. Ta bonne grace— Anonymous
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Musique de Ioye: No. 5, Tordion 2— Anonymous
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Musique de Ioye: No. 6, Ricercare XIII— Modena
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Musique de Ioye: No. 7, Ricercare XXII— Modena
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Musique de Ioye: No. 8, Ricercare XVI— Modena
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Musique de Ioye: No. 9, Ricercare V— Modena
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Musique de Ioye: No. 10, Il estoit une fillette— Clément Janequin
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Musique de Ioye: No. 11, Pauane 13— Anonymous
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Musique de Ioye: No. 12, Pauane 14— Anonymous
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Musique de Ioye: No. 13, Gailarde 15— Anonymous
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Musique de Ioye: No. 14, Ricercare XXIV— Costa
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Musique de Ioye: No. 15, Ricercare XVII— Antonio de Cabezón
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Musique de Ioye: No. 16, Ricercare IV— Willaert
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Musique de Ioye: No. 17, Helas amy— Pierre Sandrin
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Musique de Ioye: No. 18, Bassedance 5— Anonymous
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Musique de Ioye: No. 19, Tordion 6— Anonymous
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Musique de Ioye: No. 20, Pauane 11— Anonymous
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Musique de Ioye: No. 21, Rivercare VIII— Modena
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Musique de Ioye: No. 22, Rivcercare X— Modena
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Musique de Ioye: No. 23, Ricercare XIV. Da pacem Domine— Parabosco
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Musique de Ioye: No. 24, Branle simple 22— Gervaise
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Musique de Ioye: No. 25, Branle de Bourgoigne 23— Gervaise
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Musique de Ioye: No. 26, Branle de Bourgoigne 17— Gervaise
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XIX Chansons nouvelles: No. 1, Ung gay bergier— Clément Janequin
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XIX Chansons nouvelles: No. 2, Jehanneton fut l’aultre jour— Clément Janequin
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XIX Chansons nouvelles: No. 3, L’espoir confus— Clément Janequin
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XIX Chansons nouvelles: No. 4, Il estoit une fillette— Clément Janequin
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XIX Chansons nouvelles: No. 5, Guillot ung jour— Clément Janequin
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XIX Chansons nouvelles: No. 6, Secouez moy— Clément Janequin
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XIX Chansons nouvelles: No. 7, Une belle jeune espousée— Clément Janequin
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XIX Chansons nouvelles: No. 8, Ung jour Robin— Clément Janequin
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XIX Chansons nouvelles: No. 9, Plus ne suys— Clément Janequin
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XIX Chansons nouvelles: No. 10, Baisez moy tost— Clément Janequin
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XIX Chansons nouvelles: No. 11, M’amye a eu de Dieu— Clément Janequin
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XIX Chansons nouvelles: No. 12, Sy celle la qui oncques— Clément Janequin
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XIX Chansons nouvelles: No. 13, Las qu’on congneust— Clément Janequin
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XIX Chansons nouvelles: No. 14, L’amour, la mort et la vie— Clément Janequin
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XIX Chansons nouvelles: No. 15, O fortune n’estois tu pas contente— Clément Janequin
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XIX Chansons nouvelles: No. 16, J’atens le temps— Clément Janequin
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XIX Chansons nouvelles: No. 17, Va rossignol— Clément Janequin
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XIX Chansons nouvelles: No. 18, Si come il chiaro sole— Clément Janequin
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XIX Chansons nouvelles: No. 19, Ou mettra l’on ung baiser— Clément Janequin
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Moduli quinis vocibus: No. 1, Multarum hic resonat concors— Orlando di Lasso
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Moduli quinis vocibus: No. 2, Emendemus in melius— Orlando di Lasso
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Moduli quinis vocibus: No. 3, Verba mea auribus, Pt. 2. Quoniam ad te orabo— Orlando di Lasso
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Moduli quinis vocibus: No. 4, Pater Abraham miserere mei, Pt. 2. Fili recordare— Orlando di Lasso
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Moduli quinis vocibus: No. 5, Si bona suscepimus— Orlando di Lasso
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Moduli quinis vocibus: No. 6, Angelicus Domini locutus est— Orlando di Lasso
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Moduli quinis vocibus: No. 7, Stabunt iusti in magna canstantia, Pt. 2. Hi sunt quos habuimus— Orlando di Lasso
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Moduli quinis vocibus: No. 8, Veni dilecte mi, Pt. 2. Videamus si floruit— Orlando di Lasso
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Moduli quinis vocibus: No. 9, Quid prodest homini si mundum, Pt. 2. Futurum est enim— Orlando di Lasso
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Pater noster, sex vocum – Panem nostrum— Orlando di Lasso
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The Lady of Sussex delight— Composer not established
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The King of Denmarks Delight— Composer not established
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The Duke of Lenox Delight (A French Almaine)— Composer not established
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A Mery Conceit. The Queens Delight— Composer not established
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What greater griefe— Composer not established
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The Earle of Salisbury’s Favoret, “Sweet Musicke”— Composer not established
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The Earle of Arundel’s Favoret, “Sweet Ayre”— Composer not established
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Fain would I change that note— Composer not established
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The Earle of Pembrooke’s Galiard— Composer not established
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The Souldiers Song— Composer not established
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The Lady Canes delight (An Almaine)— Composer not established
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The Pashion of Musicke. Sir Christopher Hattons Choice— Composer not established
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The Duke of Holstones Delight (An Almaine)— Composer not established
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Alas poore men— Composer not established
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A Masque— Composer not established
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Tobacco— Composer not established
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A Jigg for Ladies— Composer not established
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Suite In D Minor – I Prelude— Mr Demachy
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Suite In D Minor – II Allemande— Mr Demachy
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Suite In D Minor – III Courante— Mr Demachy
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Suite In D Minor – IV Sarabande— Mr Demachy
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Suite In D Minor – V Gigue— Mr Demachy
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Suite In D Minor – VI Gauotte— Mr Demachy
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Suite In D Minor – VII Menuet— Mr Demachy
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Suite In D Major – VI Gauotte— Mr Demachy
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Suite In D Major – VII Menuet— Mr Demachy
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Suite In G Minor- I Allemande— Mr Demachy
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Suite In G Minor- II Courante ; Double— Mr Demachy
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Suite In G Minor- III Sarabande ; Double— Mr Demachy
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Suite In G Minor- IV Gigue— Mr Demachy
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Suite In G Minor- V Gauotte— Mr Demachy
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Suite In G Major – I Prelude— Mr Demachy
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Suite In G Major – II Allemande— Mr Demachy
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Suite In G Major – III Courante— Mr Demachy
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Suite In G Major – IV Sarabande— Mr Demachy
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Suite In G Major – V Gigue— Mr Demachy
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Suite In G Major – VI Chaconne— Mr Demachy
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IV. Suitte En Mi Mineur: Prelude – Fort Lentement – Gay – Lentement (A Discretion) – Gay -…— Composer not established
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IV. Suitte En Mi Mineur: Courante I (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Allemande – Lentement (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Courante II (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Sarabande – Grave (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Gigue (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Gavotte (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Borrée (De Sainte Colombe Le Fils)— Composer not established
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IV. Suitte En Mi Mineur: Menuet (De Sainte Colombe Le Fils)— Composer not established
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II. Suitte En La Mineur: Prelude (De Sainte Colombe Le Fils)— Composer not established
▶
II. Suitte En La Mineur: Courante (De Sainte Colombe Le Fils)— Composer not established
▶
II. Suitte En La Mineur: Sarabande (De Sainte Colombe Le Fils)— Composer not established
▶
II. Suitte En La Mineur: Gigue (De Sainte Colombe Le Fils)— Composer not established
▶
V. Suitte En Si Mineur: Prelude (De Sainte Colombe Le Fils)— Composer not established
▶
V. Suitte En Si Mineur: Allemande (De Sainte Colombe Le Fils)— Composer not established
▶
V. Suitte En Si Mineur: Courante (De Sainte Colombe Le Fils)— Composer not established
▶
V. Suitte En Si Mineur: Sarabande (De Sainte Colombe Le Fils)— Composer not established
▶
V. Suitte En Si Mineur: Gavotte (De Sainte Colombe Le Fils)— Composer not established
▶
V. Suitte En Si Mineur: Gigue (De Sainte Colombe Le Fils)— Composer not established
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I. Suitte En Sol Mineur: Allemande (De Sainte Colombe Le Fils)— Composer not established
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I. Suitte En Sol Mineur: Courante (De Sainte Colombe Le Fils)— Composer not established
▶
I. Suitte En Sol Mineur: Sarabande (De Sainte Colombe Le Fils)— Composer not established
▶
I. Suitte En Sol Mineur: Gigue (De Sainte Colombe Le Fils)— Composer not established
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I. Suitte En Sol Mineur: Fantaisie En Rondeau (De Sainte Colombe Le Fils)— Composer not established
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I. Suitte En Sol Mineur: Gavotte (De Sainte Colombe Le Fils)— Composer not established
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I. Suitte En Sol Mineur: Double (De Sainte Colombe Le Fils)— Composer not established
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III. Suitte En Fa Majeur: Prelude (De Sainte Colombe Le Fils)— Composer not established
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III. Suitte En Fa Majeur: Allemande (De Sainte Colombe Le Fils)— Composer not established
▶
III. Suitte En Fa Majeur: Courante (De Sainte Colombe Le Fils)— Composer not established
▶
III. Suitte En Fa Majeur: Sarabande (De Sainte Colombe Le Fils)— Composer not established
▶
III. Suitte En Fa Majeur: Gigue (De Sainte Colombe Le Fils)— Composer not established
▶
III. Suitte En Fa Majeur: Gavotte (De Sainte Colombe Le Fils)— Composer not established
▶
III. Suitte En Fa Majeur: Borée (De Sainte Colombe Le Fils)— Composer not established
▶
III. Suitte En Fa Majeur: Menuet (De Sainte Colombe Le Fils)— Composer not established
▶
VI. Suitte En Fa Mineur: Sarabande (De Sainte Colombe Le Fils)— Composer not established
▶
VI. Suitte En Fa Mineur: Gavotte (De Sainte Colombe Le Fils)— Composer not established
▶
VI. Suitte En Fa Mineur: Tombeau Por Mr. De Ste. Colombe Le Père (De Sainte Colombe Le Fils)— Composer not established
▶
Concerto I, en Fa Majeur, BWV 1046 – I. [Allegro]— Johann Sebastian Bach
▶
Concerto I, en Fa Majeur, BWV 1046 – II. Adagio— Johann Sebastian Bach
▶
Concerto I, en Fa Majeur, BWV 1046 – III. Allegro— Johann Sebastian Bach
▶
Concerto I, en Fa Majeur, BWV 1046 – IV. Menuetto & Trio – Polacca & Trio— Johann Sebastian Bach
▶
Concerto II, en Fa Majeur, BWV 1047 – I. Allegro— Johann Sebastian Bach
▶
Concerto II, en Fa Majeur, BWV 1047 – II. Andante— Johann Sebastian Bach
▶
Concerto II, en Fa Majeur, BWV 1047 – III. Allegro assai— Johann Sebastian Bach
▶
Concerto III, en Sol Majeur, BWV 1048 – I. [Allegro]— Johann Sebastian Bach
▶
Concerto III, en Sol Majeur, BWV 1048 – II. Adagio— Johann Sebastian Bach
▶
Concerto III, en Sol Majeur, BWV 1048 – III. Allegro— Johann Sebastian Bach
▶
Concerto IV, en Sol Majeur, BWV 1049 – I. Allegro— Johann Sebastian Bach
▶
Concerto IV, en Sol Majeur, BWV 1049 – II. Andante— Johann Sebastian Bach
▶
Concerto IV, en Sol Majeur, BWV 1049 – III. Presto— Johann Sebastian Bach
▶
Concerto V, en Ré Majeur, BWV 1050 – I. Allegro— Johann Sebastian Bach
▶
Concerto V, en Ré Majeur, BWV 1050 – II. Affettuoso— Johann Sebastian Bach
▶
Concerto V, en Ré Majeur, BWV 1050 – III. Allegro— Johann Sebastian Bach
▶
Concerto VI, en Si Bémol Majeur, BWV 1051 – I. [Allegro]— Johann Sebastian Bach
▶
Concerto VI, en Si Bémol Majeur, BWV 1051 – II. Adagio ma non tanto— Johann Sebastian Bach
▶
Concerto VI, en Si Bémol Majeur, BWV 1051 – III. Allegro— Johann Sebastian Bach
▶
Canticum in honorem Beate Virginis Mariae inter homines et angelos, H. 400— Composer not established
▶
Symphonie devant Regina Coeli. Prélude à trois voix, H. 509— Composer not established
▶
Pour la conception de la Vierge, H. 313— Composer not established
▶
Nativité de la Vierge, H. 309— Composer not established
▶
Prélude pour le Salve Regina, H. 23a— Composer not established
▶
Salve Regina à trois voix pareilles, H. 23— Composer not established
▶
Pour la fête de l’Epiphanie, H. 395— Composer not established
▶
Prélude pour le Magnificat à quatre voix, H. 533— Composer not established
▶
Magnificat, H. 80— Composer not established
▶
Stabat Mater pour les religieuses, H. 15— Composer not established
▶
Litanies de la Vierge à six voix et deux dessus de violes, H. 83— Composer not established
▶
Missa assumpta est Maria, H. 11a: I. Sinfonie devant le Kyrie 1— Composer not established
▶
Missa assumpta est Maria, H. 11a: II. Kyrie 1— Composer not established
▶
Missa assumpta est Maria, H. 11a: III. Sinfonie devant le Christe— Composer not established
▶
Missa assumpta est Maria, H. 11a: IV. Christe— Composer not established
▶
Missa assumpta est Maria, H. 11a: V. Sinfonie devant le Kyrie 2— Composer not established
▶
Missa assumpta est Maria, H. 11a: VI. Kyrie 2— Composer not established
▶
Missa assumpta est Maria, H. 11a: VII. Gloria— Composer not established
▶
Missa assumpta est Maria, H. 11a: VIII. Et in terra pax hominibus— Composer not established
▶
Missa assumpta est Maria, H. 11a: IX. Laudamus Te— Composer not established
▶
Missa assumpta est Maria, H. 11a: X. Domine Deus, Rex caelestis— Composer not established
▶
Missa assumpta est Maria, H. 11a: XI. Qui tollis— Composer not established
▶
Missa assumpta est Maria, H. 11a: XII. Quoniam tu solus sanctus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XIII. Credo in unum Deum— Composer not established
▶
Missa assumpta est Maria, H. 11a: XIV. Patrem omnipotentem— Composer not established
▶
Missa assumpta est Maria, H. 11a: XV. Et in unum Dominum Jesum Christum filium Dei— Composer not established
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Missa assumpta est Maria, H. 11a: XVI. Et incarnatus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XVII. Crucifixus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XVIII. Et resurrexit— Composer not established
▶
Missa assumpta est Maria, H. 11a: XIX. Et in spiritum sanctum Dominum— Composer not established
▶
Missa assumpta est Maria, H. 11a: XX. Confiteor unum Baptisma in remissionem peccatorum— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXI. Et vitam venturi saeculi. Amen— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXII. Sinfonie devant le Sanctus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXIII. Sanctus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXIV. Sinfonie derrière le Sanctus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXV. Sinfonie devant l’Agnus— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXVI. Agnus Dei— Composer not established
▶
Missa assumpta est Maria, H. 11a: XXVII. Sinfonie derrière l’Agnus— Composer not established
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Missa assumpta est Maria, H. 11a / Domine Salvum fac regem, H. 303— Composer not established
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Concert pour quatre parties de violes, H. 545: I. Prélude— Composer not established
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Concert pour quatre parties de violes, H. 545: II. Allemande— Composer not established
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Concert pour quatre parties de violes, H. 545: III. Sarabande. Rondeau— Composer not established
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Concert pour quatre parties de violes, H. 545: IV. Gigue anglaise— Composer not established
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Concert pour quatre parties de violes, H. 545: V. Gigue française— Composer not established
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Concert pour quatre parties de violes, H. 545: VI. Passacaille— Composer not established
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In nativitatem domini canticum, H. 416: Nuit— Composer not established
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Bassedance 7— Anonymous
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Tordion 8— Anonymous
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Roquelay: Ta Bonne Grace— Roquelay
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Roquelay: Bassedance 1 “Ta Bonne Grace”— Roquelay
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Tordion 2 (Anonyme)— Anonymous
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Modena: Ricercare XIII— Modena
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Modena: Ricercare XXII— Modena
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Modena: Ricercare Xvi— Modena
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Modena: Ricercare V— Modena
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Jannequin: Il Estoit Une Filette (Jannequin)— Jannequin
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Pauane 13 “La Gaiette”— Anonymous
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Pauane 14— Anonymous
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Gaillarde 15— Anonymous
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Costa: Ricercare XXIV— Costa
▶
Cabezon: Ricercare XVII— Antonio de Cabezón
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Willaert: Ricercare IV— Willaert
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Sandrin: Helas Amy— Pierre Sandrin
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Sandrin: Bassedance 5 “Hellas Amy”— Pierre Sandrin
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Tordio 6— Anonymous
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Modena: Pauane 11 “La Bataille”— Modena
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Modena: Ricercare VIII— Modena
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Modena: Ricercare X— Modena
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Parabosco: Ricercare XIV “Da Pacem Domine”— Parabosco
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Gervaise: Branle Simple 22— Gervaise
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Gervaise: Branle De Bourgoigne 23— Gervaise
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Gervaise: Branle De Bourgoigne 17 (Gervaise)— Gervaise
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Symphony in G Minor, WoO 29 “Zwickauer”: II. Andantino quasi allegretto – Intermezzo quasi…— Robert Schumann
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Symphony No. 2 in D Minor, WAB 100 “Annuliert”: I. Allegro— Anton Bruckner
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Symphony No. 2 in D Minor, WAB 100 “Annuliert”: II. Andante— Anton Bruckner
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Symphony No. 2 in D Minor, WAB 100 “Annuliert”: III. Scherzo. Presto – Trio. Langsamer und ruhiger— Anton Bruckner
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Symphony No. 2 in D Minor, WAB 100 “Annuliert”: IV. Finale. Moderato – Allegro vivace— Anton Bruckner
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Ohimè Ch’Io Cado (Libro Nono)— Claudio Monteverdi
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Lettera Amorosa A Voce Sola In Genere Rappresentativo E Si Canta Senza Battuta (Settimo Libro)…— Claudio Monteverdi
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Si Dolce È Il Tormento (Libro Nono)— Claudio Monteverdi
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Lamento D’Arianna— Claudio Monteverdi
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Quel Sguardo Sdegnosetto (Scherzi Musicali) , 1632— Claudio Monteverdi
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Salve O Regina— Claudio Monteverdi
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O Quam Pulchra— Claudio Monteverdi
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Exulta Filia Sion— Claudio Monteverdi
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Pianto Della Madonna Sopra Il Lamento D’Arianna— Claudio Monteverdi
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Venite Videte— Claudio Monteverdi
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Rotundellus— Composer not established
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Lamento— Composer not established
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Danza De Las Espadas— Composer not established
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Istampitta “In Pro”— Composer not established
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Ritual— Composer not established
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El Rey De Francia— Composer not established
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Danza Ritual— Composer not established
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Istampitta, “La Manfredina”— Composer not established
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Alba— Composer not established
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Paxarico Tu Te Llamas— Composer not established
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Danza Del Viento— Composer not established
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Istampitta, “Lamento Di Tristano”— Composer not established
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Ductia— Composer not established
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Marcha turca (santur, oud & percusion) (Anónimo – Turquia)— Composer not established
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Toccata (Anónimo – CMC 68)— Composer not established
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Dinos, madre del donçel (villancico) (Triana – CMC 90)— Composer not established
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Je ne vis oncques (arpa) (Guillaume Dufay)— Composer not established
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La Spagna: Danza alta (instr.) (Francisco de la Torre)— Composer not established
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Muy crueles bozes dan (villancico) (Anónimo – CMC 6)— Composer not established
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Pavana (Pues que jamás olvidaros) (Juan del Enzina)— Composer not established
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Patres nostri peccaverunt (himno) (Johannes Cornago)— Composer not established
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Viva el gran Re Don Fernando (instr.) (Carlo Verardi)— Composer not established
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El que rige y el regido (villancico) (Juan del Enzina)— Composer not established
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Paseabase el Rey moro (romance) (Luys de Narváez)— Composer not established
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Lavava y suspirava (romance) (Anónimo Sefardí)— Composer not established
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Bassa & Alta Danza “Mappa mundi” (Johannes Cornago)— Composer not established
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Françeses, ¿por qué rrazón? (villancico) (Pedro de Tordesillas)— Composer not established
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Sanctus (Anónimo – CMC 47)— Composer not established
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Triste España sin ventura (villancico) (Juan del Enzina)— Composer not established
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Canción en ritmo Quddan de la Nuba (Tradición de Al-Andalus)— Composer not established
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Requiem aeternam (Graduale) (Pedro de Escobar)— Composer not established
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Suite No. 3 in D Minor for Gambas a 5: I. Paduan— Composer not established
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Suite No. 3 in D Minor for Gambas a 5: II. Galliard— Composer not established
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Suite No. 3 in D Minor for Gambas a 5: III. Ballet— Composer not established
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Suite No. 3 in D Minor for Gambas a 5: IV. Sarabande— Composer not established
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Suite No. 3 in D Minor for Gambas a 5: V. Courente— Composer not established
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Suite No. 3 in D Minor for Gambas a 5: VI. Ballet— Composer not established
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Viola da Gamba Suite No. 3 in G Major: I. Paduan— Composer not established
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Viola da Gamba Suite No. 3 in G Major: II. Galliard— Composer not established
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Viola da Gamba Suite No. 3 in G Major: III. Ballet— Composer not established
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Viola da Gamba Suite No. 3 in G Major: IV. Sarabande— Composer not established
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Viola da Gamba Suite No. 3 in G Major: V. Courente— Composer not established
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Viola da Gamba Suite No. 3 in G Major: VI. Ballet— Composer not established
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Suite No. 11 in G Major for Winds a 5: I. Paduan— Composer not established
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Suite No. 11 in G Major for Winds a 5: II. Galliard— Composer not established
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Suite No. 11 in G Major for Winds a 5: III. Ballet— Composer not established
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Suite No. 11 in G Major for Winds a 5: IV. Sarabande— Composer not established
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Suite No. 11 in G Major for Winds a 5: V. Courente— Composer not established
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Suite No. 11 in G Major for Winds a 5: VI. Ballet— Composer not established
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Suite No. 12 in C Major for Gambas and Winds a 5: I. Paduan— Composer not established
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Suite No. 12 in C Major for Gambas and Winds a 5: II. Galliard— Composer not established
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Suite No. 12 in C Major for Gambas and Winds a 5: III. Ballet— Composer not established
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Suite No. 12 in C Major for Gambas and Winds a 5: IV. Sarabande— Composer not established
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Suite No. 12 in C Major for Gambas and Winds a 5: V. Courente— Composer not established
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Suite No. 12 in C Major for Gambas and Winds a 5: VI. Ballet— Composer not established
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Folias (Imperfectas) (Arpa)— Composer not established
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Recitat I (1) : “Només aparèixer, la Follia esvaeix les preocupacions del seu auditori”— Composer not established
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Recitat III (2) : “Com la Follia és moguda a fer el seu propi elogi” / Música: Passamezzo Antico— Diego Ortiz
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Recitat VII (3) : “Orígens de la Follia”— Composer not established
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Recitat VIII (4) : “El seu lloc de naixement, els seus anys d’infantesa” / Música: Folías de…— Composer not established
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Recitat IX (5) : “Les seves seguidores” / Música (Continuació) : Folías de la costa (Arpa)— Composer not established
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Recitat X (6) : “Sobre els títols amb què la Follia figura entre les deesses” / Música:…— Alonso Mudarra
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Folía: Rodrigo Martínez (Improvisació a partir del Villancet del C. M. de Palacio No. 2)— Composer not established
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Recitat XI (7) : “Com perpetua l’espècia humana” / Música (Continuació) : Folía: Rodrigo…— Composer not established
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Recitat XII (8) : “Com fa la felicitat de la vida” / Música (Continuació) : Folía: Rodrigo…— Composer not established
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Recitat XIII (9) : “Els lligams que uneixen la Follia a la infantesa i a aquesta segona…— Composer not established
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Diferencias Sobre “Las Vacas” (Improvisació) (C. M. Medinaceli)— Composer not established
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Recitat XIV (10) : “Com prolonga la infantesa i retarda la velledat” / Música: Folías antiguas…— Composer not established
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Recitat XVI (11) : “Sobre la preeminència de la Follia al món” / Música: Harke, harke— Composer not established
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Recitat XIX (12) : “La Follia és necessària per a l’amistat” / Música: Belle qui tiens ma…— Composer not established
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Recitat XX (13) : “No hi ha cap matrimoni durador sense la complicitat de la Follia” / Música…— Composer not established
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Cucú, cucú, cucucú! (C.M. Palacio No. 94)— Composer not established
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Recitat XXI (14) : “La Follia és el bé de la societat humana” / Música: Paduana del Re (Mss…— Composer not established
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Recitat XXIII (15) : “La Follia inspira els fets guerrers” / Música: Pavana La Battaglia— Composer not established
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Recitat XXV (16) : “Sobre la inferioritat d’aquesta saviesa en totes les circumstàncies de la…— Composer not established
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Recitat XXVIII (17) : “És la mare de les arts” / Música: My Lady Carey’s Dompe (Arpa – Dansa…— Composer not established
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Recitat XXIX (18) : “Reivindica per a si mateixa el mèrit de la veritable saviesa” / Música:…— Composer not established
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Recitat XXX (19) : “Com la Follia és una guia de la saviesa” / Música: Pavana con su Glosa— Antonio de Cabezón
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Recitat XXXII (20) : “Sobre les relacions de la Follia amb la ignorància” / Música: Desperada— Composer not established
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La Spagna (XV Segle)— Composer not established
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Recitat LV (21) : “Follia dels reis” / Música: Las Vacas (Romanesca)— Composer not established
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Recitat LVII – LIX: “Follia dels bisbes, dels cardenals i dels summes pontífexs” / Música:…— Composer not established
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Recitat LXVI (23) : “Sobre les relacions entre la religió cristiana i la Follia” / Música:…— Composer not established
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Recitat LXVII (24) : “La Follia és el bé suprem” / Música: Dios te salve, Cruz preciosa…— Composer not established
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Recitat LXVIII (25) : “Adéu al lector” / Música: Folias Portuguesas (Arpa)— Composer not established
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Makam «Muhayyer pesrev» (Marxa guerrera otomana) (XV Segle)— Composer not established
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Narració 1: “La Guerra contra els Turcs” / Música: Taksim (Improvisació santur)— Composer not established
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Narració 2: Adagi 145. “La fortuna somriu als audaços” / Música: Fortuna desperata— Josquin des Prez
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Taskim & Dansa (Anònim Otomà)— Composer not established
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Narració 3: “Erasme de Rotterdam i els Jueus” / Música: Las estrellas de los cielos (Sefardita)— Composer not established
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Lavava y suspirava (Romanç sefardita)— Composer not established
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Narració 4: “Epitafi per Jean Ockeghem, músic sense parió” / Música: Fortune, par ta cruaulté— Composer not established
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Narració 5: “Panegíric de Felip el Bell”— Composer not established
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Narració 6: Adagi 3415. “L’amor fa músic” / Música: De tous biens plaine (C. M….— Composer not established
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Narració 7: “Enquiridió. La importància dels clàssics” / Música: Ave maris stella (Arpa -…— Composer not established
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Narració 8: Adagi 3001. “La guerra és dolça per a aquells que no hi han anat mai”— Composer not established
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Narració 9: “Carta d’Erasme a Thomas More sobre la publicació de L’Elogi de la Follia”— Composer not established
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Narració 10: “El Príncep de Maquiavel” / Música: Gallarda di Venosa (Arpa)— Carlo Gesualdo
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Narració 11: “Erasme. Institució del príncep cristià” (1516) / Música: Himno XVI…— Antonio de Cabezón
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Narració 12: “Thomas More. La Utopia: Sobre la justícia i la prosperitat social” / Música:…— Composer not established
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Narració 13: “Erasme. La queixa de la pau” / Música: Mille regrets— Josquin des Prez
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Narració 14: “Carta de Martí Luter a Erasme de Rotterdam” (28 de març de 1519) / Música:…— Composer not established
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Narració 15: “Carta d’Erasme de Rotterdam a Martí Luter” (30 de maig de 1519) / Música: In…— Composer not established
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Narració 16: “Carta de Martí Luter a Erasme” (15 d’abril de 1524) / Música: Psalm: Christ…— Composer not established
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Narració 17: “Erasme a Luter – Diatriba sobre el lliure albir” (1524) / Música: In Nomine a 5…— Composer not established
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Pavane «La Bataille» (Publicat per Jacques Moderne a “Musique de Joie” Lyon, ca. 1540)— Composer not established
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Narració 18: “Carta d’Erasme de Rotterdam al rei de França Francesc I” (16 de Juny de 1526)…— Composer not established
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Gazel (Cant Otomà) (Poema de Fuzuli)— Composer not yet identified
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Narració 19: “Luther a Erasme. Sobre el serf albir” / Música: Psalm: Christ lag in Todes…— Composer not established
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Christ ist erstanden à 6 votar— Composer not established
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Narració 20: Adagi 2100. “Les paraules són els metges de les ànimes malaltes” / Música: Now…— John Dowland
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Narració 21: “Erasme mor a Basilea” (Stefan Zweig)— Composer not established
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Plangite Pierides (Plany per la mort d’Erasme)— Composer not yet identified
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Narració 22: “El llegat espiritual d’Erasme” / Música: Durezze e ligature (Instrumental)— Composer not established
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Sibila Galaica – Madre De Deus— Composer not established
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Sibila Galaica – U Verra Na Carne— Composer not established
▶
Sibila Galaica – E U El A Todos— Composer not established
▶
Sibila Galaica – E En Aquel Dia— Traditional
▶
Sibila Galaica – U Veras Dos Santos— Composer not yet identified
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Sibila Galaica – U Ao Juyzio— Composer not yet identified
▶
Sibila Galaica – U Leixaram Todos— Composer not yet identified
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Sibila Galaica – U Queimara Fogo— Composer not yet identified
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Sibila Galaica – U Veras Os Angeos— Composer not yet identified
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Sibila Galaica – U Diran As Tronpas— Composer not yet identified
▶
Sibila Galaica – U Sera O Ayre— Composer not established
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Sibila Galaica – U Verra Do Çeo— Composer not established
▶
Sibila Galaica – U Terran Escrito— Composer not yet identified
▶
Sibila Galaica – E Quando S’Iguaren— Composer not yet identified
▶
Sibila Galaica – Eu O Sol Crato— Composer not established
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Sibila Galaica – E Du O Mar Grande— Composer not yet identified
▶
Sibila Galaica – E U Estrelas— Composer not established
▶
Sibila Galaica – E Du O Inferno— Composer not established
▶
Sibila Galaica – E U Todo-Los Reys— Composer not yet identified
▶
Sibila Galaica – E U Mostrar Ele— Composer not established
▶
Sibila Galaica – Que Polos Teus Rogos— Composer not yet identified
▶
Sibila Castellana – Tocata— Composer not yet identified
▶
Sibila Castellana – Iudicii Signum— Traditional
▶
Sibila Castellana – Quantos Aqui Estrades— Traditional
▶
Sibila Castellana – Si Oyésedes Lo Que Dixo Sibila— Composer not yet identified
▶
Sibila Castellana – El Rey De Los Cielos Verna— Traditional
▶
Sibila Castellana – A Dios Veran Presente— Composer not yet identified
▶
Sibila Castellana – Las Animas Veniran— Composer not yet identified
▶
Sibila Castellana – Dexaran Los Ricos— Traditional
▶
Sibila Castellana – Dios Los Infiernos Quebrantara— Traditional
▶
Sibila Castellana – Los Pecadores Seran Danados— Composer not yet identified
▶
Sibila Castellana – Dios Mostrara Los Pecados— Traditional
▶
Sibila Castellana – Perdera El Sol Su Resplandor— Traditional
▶
Sibila Castellana – Los Montes Pues Baxaran— Composer not yet identified
▶
Sibila Castellana – Montes Ni Campos No Seran— Composer not yet identified
▶
Sibila Castellana – Fuentes Y Rios Fuego Arderan— Traditional
▶
Sibila Castellana – La Tierra Se Abrira— Composer not yet identified
▶
Sibila Castellana – Una Reina Se Levantara— Composer not yet identified
▶
Sibila Castellana – Pues Vos Los Criastes— Composer not yet identified
▶
Sibila Castellana – Eta Es Nuestra Senora— Composer not yet identified
▶
Sibila Castellana – Pues Sera El Juzgament— Traditional
▶
Musice De L’Enfance Du Dauphin: Pavane Pour La Petitte Guaire, Fait Pour Les Cornetz En 1601…— Composer not yet identified
▶
Musice De L’Enfance Du Dauphin: Gaillarde, En Suitte (Philidor)— Composer not yet identified
▶
Musice De L’Enfance Du Dauphin: Muzette “Ma Mignone” (Philidor)— Composer not established
▶
Musice De L’Enfance Du Dauphin: Pavane Fait Au Mariage De Mr. Vandosme En 1609 (Philidor)— Composer not established
▶
Musice De L’Enfance Du Dauphin: Branle En Faubourdon (Philidor)— Composer not established
▶
Musice De L’Enfance Du Dauphin: Gaillarde En Suitte (Philidor)— Composer not yet identified
▶
Musiques Pour Le Sacre Du Roy Faites Le 17 Octobre 1610: Pavane Pour Les Hautbois Fait Au Sacre…— Composer not established
▶
Musiques Pour Le Sacre Du Roy Faites Le 17 Octobre 1610: 2e Air En Suitte (Philidor)— Composer not established
▶
Musiques Pour Le Sacre Du Roy Faites Le 17 Octobre 1610: 3e Air En Suitte (Philidor)— Composer not established
▶
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII…— Composer not yet identified
▶
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Bourée D’Avignonez (Philidor)— Composer not established
▶
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Ballet A Cheval Pour Le Grand…— Composer not yet identified
▶
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: 2e Air En Suitte (Philidor)— Composer not yet identified
▶
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: 3e Air En Suitte (Philidor)— Composer not established
▶
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: 4e Air En Suitte (Philidor)— Composer not yet identified
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Ombres…— Composer not established
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: 2e Air Pour…— Composer not established
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Charivaris…— Composer not yet identified
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Gavotte En…— Composer not established
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Suisses….— Composer not yet identified
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les…— Composer not yet identified
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Gacons…— Composer not established
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Entrée De…— Composer not yet identified
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Vallets…— Composer not established
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Nimphes…— Composer not yet identified
▶
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Bergers…— Composer not yet identified
▶
Les Musiques Royales De 1643 À 1650: Fanfare (Philidor)— Composer not yet identified
▶
Les Musiques Royales De 1643 À 1650: Intrada – Gavotte – Sarabande (Philidor)— Composer not yet identified
▶
Les Musiques Royales De 1643 À 1650: Charivaris Pour Les Hautbois 1648 (Philidor)— Composer not yet identified
▶
Les Musiques Royales De 1643 À 1650: Courante De La Reine D’Angleterre 1634 (Philidor)— Composer not yet identified
▶
Les Musiques Royales De 1643 À 1650: Gavotte (Philidor)— Composer not established
▶
Les Musiques Royales De 1643 À 1650: Fantaisie “Les Pleurs D’Orphée” (Philidor)— Composer not established
▶
Les Musiques Royales De 1643 À 1650: Libertas (Philidor)— Composer not established
▶
Les Musiques Royales De 1643 À 1650: Sarabandes & Tambourin (Philidor)— Composer not yet identified
▶
Les Musiques Royales De 1643 À 1650: “A L’Impero D’Amore” (Sarabande) (Philidor)— Composer not established
▶
The Bag-Pipe Tuning— Anonymous
▶
2Nd Tuning – Pauin— William Corkine
▶
2Nd Tunin – Coranto— William Corkine
▶
2Nd Tuning – Walsingham— William Corkine
▶
3Rd Tuning – Almaine— Alfonso Ferrabosco the younger
▶
3Rd Tuning – Galliard— Alfonso Ferrabosco the younger
▶
3Rd Tuning – Coranto— Alfonso Ferrabosco the younger
▶
2Nd Tuning – Mounsiers Almaine— William Corkine
▶
2Nd Tuning – Coranto— William Corkine
▶
2Nd Tuning – If My Complaints— William Corkine
▶
2Nd Tuning – Whoope Doe Me No Harme Goodman— William Corkine
▶
1St Tuning – Almaine— Alfonso Ferrabosco the younger
▶
1St Tuning – Coranto— Alfonso Ferrabosco the younger
▶
2Nd Tuning – Come Liue With Me, And Be My Love— William Corkine
▶
2Nd Tuning – Galliard— William Corkine
▶
2Nd Tuning – The Punckes Delight— William Corkine
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – Ouverture— Marin Marais
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – Marche Pour Les Bergers Et Les…— Marin Marais
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – Air Pour Les Faunes Et Les Driades— Marin Marais
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – Menuet Pour Les Bergers Et Les…— Marin Marais
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – 2Ème Menuet Pour Les Mêmes— Marin Marais
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – Bourée Pour Les Bergers Et Les…— Marin Marais
▶
Alcione – 1Ère Suite – Airs Pour Les Driades Et Les Bergers – Passepied I & Ii Pour Les Mêmes— Marin Marais
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Alcione – 2Ème Suite – Airs Pour Les Eoliens Et Les Eoliennes – Air— Marin Marais
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Alcione – 2Ème Suite – Airs Pour Les Eoliens Et Les Eoliennes – Menuet— Marin Marais
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Alcione – 2Ème Suite – Airs Pour Les Eoliens Et Les Eoliennes – 2Ème Air— Marin Marais
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Alcione – 2Ème Suite – Airs Pour Les Eoliens Et Les Eoliennes – Menuet Da Capo— Marin Marais
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Alcione – 2Ème Suite – Airs Pour Les Eoliens Et Les Eoliennes – Sarabandes— Marin Marais
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Alcione – 2Ème Suite – Airs Pour Les Eoliens Et Les Eoliennes – Gigue— Marin Marais
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Alcione – 3Ème Suite – Airs Pour Les Prêtresse Et Les Magiciens – Prélude De L’Acte Second— Marin Marais
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Alcione – 3Ème Suite – Airs Pour Les Prêtresse Et Les Magiciens – Sarabande Pour Les…— Marin Marais
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Alcione – 3Ème Suite – Airs Pour Les Prêtresse Et Les Magiciens – Prélude Pour La Prêtresse…— Marin Marais
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Alcione – 3Ème Suite – Airs Pour Les Prêtresse Et Les Magiciens – Gigues Pour Les Mêmes— Marin Marais
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Alcione – 3Ème Suite – Airs Pour Les Prêtresse Et Les Magiciens – Airs I & Ii Pour Les Magiciens— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Prélude De L’Acte Troisième— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Marche Pour Les Matelots— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – 2Ème Air Pour Les Mêmes— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – 3Ème Air “Tambourin” Pour Les…— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Symphonie Pour Le Sommeil— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Tempête— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Ritournelle— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Entract’ Menuet— Marin Marais
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Alcione – 4Ème Suite – Airs Pour Les Matelots Et Les Tritons – Chaconne Pour Les Tritons— Marin Marais
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Violin Concerto No. 2 in G Minor “Summer”, RV 315: III. Presto— Antonio Vivaldi
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Cantigas De Santa Maria – Introduction, CSM 176— Composer not established
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Cantigas De Santa Maria – Santa Maria, Strela Do Dia, CSM 100— Composer not established
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Cantigas De Santa Maria – Pero Cantigas De Loor, CSM 400— Composer not yet identified
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Cantigas De Santa Maria – Instrumental, CSM 123— Composer not established
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Cantigas De Santa Maria – Muito Faz Grand’Erro, CSM 209— Composer not established
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Cantigas De Santa Maria – Por Nos De Dulta Tirar, CSM 18— Composer not established
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Cantigas De Santa Maria – Instrumental, CSM 142— Composer not yet identified
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Cantigas De Santa Maria – Pode Por Santa Maria, CSM 163— Composer not yet identified
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Cantigas De Santa Maria – Miragres Fremosos Faz Por Nos, CSM 37— Composer not yet identified
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Cantigas De Santa Maria – Instrumental, CSM 77-119— Composer not established
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Cantigas De Santa Maria – De Toda Chaga Ben Pode Guarir, CSM 126— Composer not established
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Cantigas De Santa Maria – Pero Que Seja A Gente, CSM 181— Composer not established
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Cantigas De Santa Maria – Conclusion, CSM 176— Composer not established
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Première Suite: Prélude— François Couperin
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Première Suite: Allemande légère— François Couperin
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Première Suite: Courante— François Couperin
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Première Suite: Sarabande grave— François Couperin
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Première Suite: Gavotte— François Couperin
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Première Suite: Gigue— François Couperin
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Première Suite: Passacaille ou Chaconne— François Couperin
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Deuxième Suite: Prélude— François Couperin
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Deuxième Suite: Fuguéte— François Couperin
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Deuxième Suite: Pompe funèbre— François Couperin
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Deuxième Suite: La chemise blanche— François Couperin
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Sonata IV (C Dur) BWV 529 (D’Après La Sonate V Pour Orgue) : Allegro (Bach)— Johann Sebastian Bach
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Sonata IV (C Dur) BWV 529 (D’Après La Sonate V Pour Orgue) : Largo (Bach)— Johann Sebastian Bach
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Sonata I (G Dur) , BWV 1027: Adagio— Johann Sebastian Bach
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Sonata I (G Dur) BWV 1027: Allegro Ma Non Tanto (Bach)— Johann Sebastian Bach
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Sonata I (G Dur) BWV 1027: Andante (Bach)— Johann Sebastian Bach
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Sonata I (G Dur) BWV 1027: Allegro Moderato (Bach)— Johann Sebastian Bach
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Sonata II (D Dur) BWV 1028: Adagio (Bach)— Johann Sebastian Bach
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Sonata II (D Dur) BWV 1028: Allegro (Bach)— Johann Sebastian Bach
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Sonata II (D Dur) BWV 1028: Andante (Bach)— Johann Sebastian Bach
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Sonata III (G Moll) BWV 1029: Vivace (Bach)— Johann Sebastian Bach
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Sonata III (G Moll) BWV 1029: Adagio (Bach)— Johann Sebastian Bach
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Sonata III (G Moll) BWV 1029: Allegro (Bach)— Johann Sebastian Bach
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Canticum In Honorem Beatae Virginis Mariae, H 400— Composer not established
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Symphonie Devant Regina – Prelude A 3, H 509 – Pour La Conception De La Vièrge, H 313— Composer not yet identified
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Nativitie De La Vièrge, H 309— Composer not established
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Prelude & Salve Regina À Trois Voix Pareilles, H 23— Composer not established
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Pour La Fête De L’Epiphanie, H 395— Composer not yet identified
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Prelude Pour La Magnificat, H 533 – Magnificat, H 80— Composer not established
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Stabat Mater Pour Des Religieuses, H 15— Composer not yet identified
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Litanies De La Vièrge, H 83— Composer not established
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Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, suite en ré mineur: II. Allemande (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, suite en ré mineur: III. Courante (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, suite en ré mineur: IV. Sarabande (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, suite en ré mineur: VI. Gavotte (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686)— Marin Marais
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Pièces à deux violes du Premier Livre: Chaconne en sol majeur (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: I. Prélude (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: II. Allemande (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: III. Courante (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: V. Gigue (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: VI. Menuet (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: VII. Fantaisie en écho (1686)— Marin Marais
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Pièces à deux violes du Premier Livre, Suite en sol majeur: VIII. Tombeau de Mr Meliton (1686)— Marin Marais
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Pièces de viole du Second Livre, Folies d’Espagne: II. 20 (1701)— Marin Marais
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Pièces de viole du Second Livre, les voix humaines: II. 63 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Petite fantaisie, II. 84 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Allemande, II. 85 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Courante, II. 87 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 89 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 91 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Menuet, II. 92 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Gavotte, II. 93 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Menuet, II. 94 (1701)— Marin Marais
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Pièces de viole du Second Livre, suite en si mineur: Tombeau po’ Mons’ de Lully, II. 95 (1701)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Prélude [11] – Lentement (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Allemande [2] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Courante [3] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Sarabande [4] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Gigue [5] & Double [6] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite I en la mineur: Grand Ballet [13] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite IV en ré majeur: Prélude [10] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite IV en ré majeur: Fantaisie [41] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite IV en ré majeur: Rondeau [54] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite IV en ré majeur: Plainte [55] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite IV en ré majeur: La Brillante [57] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite IV en ré majeur: La Folette [45] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: Prélude [92] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: Allemande La Magnifique [96] &…— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: Courante [98] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: Sarabande Grave [99] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: Gigue à l’angloise [100] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: Menuet [103] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: La Muzette [105] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: 2è Muzette [106] (1711)— Marin Marais
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Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche Tartare, IV. 55 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: La Tartarine, IV. 58 &…— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Les Fêtes Champestres, IV….— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Le Tourbillon, IV. 64 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Le Labyrinthe, IV. 74 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: L’Arabesque, IV. 80 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Allemande la Superbe, IV. 81…— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: La Rêveuse, IV. 82 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche, IV. 83 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Gigue, IV. 84 (1711)— Marin Marais
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Le Badinage, IV. 87 (1711)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Prélude, V. 63 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Fantaisie, V. 64 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Allemande La Marianne, V. 70 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Sarabande, V. 66 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Gigue la Pagode, V. 67 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Gavotte, V. 68 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Menuet, V. 69 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Le Tombeau pour Marais le Cadet, V….— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: Rondo le Badin, V. 72 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en sol mineur: La Georgienne dite la Maupertuis, V….— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Prélude, V. 92 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Allemande la Bailly Duchené,…— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: La Simplicité Paÿsanne, V. 94…— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Sarabande, V. 98 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Menuets, V. 100 & V. 99 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Marche Persane dite la Savigny,…— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Gigue la résolue, V. 104 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Le Tableau de l’Opération de…— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Les Relevailles, V. 109 (1725)— Marin Marais
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Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Suitte, V. 110 (1725)— Marin Marais
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O Lux À 5— Composer not established
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In Nomine À 4— Composer not established
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In Nomine À 5, “Weep No More Rachell”— Composer not established
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In Nomine À 6— Composer not established
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In Nomine À 5 “Farwell My Good I. For Ever”— Composer not yet identified
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In Nomine À 5, “Rachells Weepinge”— Composer not yet identified
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Rubum Quem À 5— Composer not yet identified
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In Nomine À 5, “My Death”— Composer not yet identified
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In Nomine À 5, “Blamles”— Composer not yet identified
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In Nomine À 5— Composer not established
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In Nomine À 5, “Rounde”— Composer not yet identified
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In Nomine À 5, “Follow Me”— Composer not established
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Motet: Christus Resurgens, For 5 Voices— Composer not established
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Dum Transisset À 5, No. 1— Composer not yet identified
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Dum Transisset À 5, No. 2— Composer not yet identified
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Dum Transisset À 5, No. 3— Composer not established
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Dum Transisset À 5, No. 4— Composer not established
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Amavit À 5— Composer not established
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In Nomine À 5, “Surrexit Non Est Hicc”— Composer not established
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In Nomine À 5, “Free From All”— Composer not established
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In Nomine À 5, “Trust”— Composer not established
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In Nomine À 5, “Beleve Me”— Composer not yet identified
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In Nomine À 5, “Crye”— Composer not yet identified
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Lawdes Deo À 5— Composer not yet identified
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In Nomine À 5, “I Come”— Composer not established
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In Nomine À 5, “Re La Re”— Composer not established
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In Nomine À 5, “Howld Fast”— Composer not established
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In Nomine À 5, “Saye So”— Composer not yet identified
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In Nomine À 5, “Seldome Sene”— Composer not established
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In Nomine À 5, “Reporte”— Composer not established
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Sit Fast À 3— Composer not yet identified
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Paduan À 4 Voc. Cantus IV— Composer not yet identified
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Galliard À 4 Voc. Cantus VIII— Composer not yet identified
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Courant À 4 Voc. Cantus IX— Composer not established
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Courant À 4 Voc. Cantus XIX— Composer not established
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Canzon À 5 Voc. Ad Imitationem Bergamas – Cantus XXVI— Composer not yet identified
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Courant À 4 Voc. Cantus XXIII— Composer not established
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Galliard À 5 Voc. Cantus XXV— Composer not established
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Courant À 4 Voc. Cantus XVII— Composer not established
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Galliard Battaglia À 5 Voc. Cantus XXI— Composer not yet identified
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Paduan À 4 Voc. Cantus VI— Composer not yet identified
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Alamande À 4 Voc. Cantus XVI— Composer not yet identified
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Canzon À 5 Voc. Super Cantionem Gallicam Cantus XXIX— Composer not yet identified
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Paduan À 4 Voc. Cantus V— Composer not established
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Courant Dolorosa À 4 Voc. Cantus IX— Composer not yet identified
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Courant À 4 Voc. Cantus XIII— Composer not yet identified
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Canzon À 5 Voc. Super O Bachbar Roland. Cantus XXVIII— Composer not established
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Folia: Rodrigo Martinez, 1490 – Improvisations D’Après Le Villancico Du CMP (Anonyme)— Composer not yet identified
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Recercada Quarta Sobre La Folia, 1553 (Ortiz)— Composer not established
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Folia: Para Quien Crié Cabellos, 1557 (De Cabezón)— Composer not established
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Recercada Ottava Sobre La Folia, 1553 (Ortiz)— Composer not yet identified
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Folia: Hoy Comamos Y Bebamos, Vers. 1520 – Improvisations D’Après Le Villancico De Juan Del…— Composer not established
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D’Après Le Mss. Flores De Música, 1357-60, Madrid Bibl. Nacional (1706-1709) (Martín Y Coll)— Composer not yet identified
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Op. 5 Roma 1700 / MS. VM7 6308 Paris Bibl. Nationale (Corelli)— Composer not yet identified
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Second Livre De Pièces De Viole, Paris 1701 (Marais)— Composer not yet identified
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Lachrymae Antiquae— John Dowland
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Lachrimae Antiquae— Composer not yet identified
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Tiento de tantos tonos— Composer not yet identified
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Mariam Matrem— Composer not yet identified
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Glosas sobre el Mariam Matrem— Composer not yet identified
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Pavana y Gallarda— Composer not established
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Le Couperin de Figueras— Composer not established
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Cunctissimus concanentes— Composer not established
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La festa, la follia… i després… el record— Composer not established
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Les Pleurs— Composer not established
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Sentimientos— Composer not yet identified
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Pompe Funébre— François Couperin
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Jubilus— Composer not yet identified
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Santa Maria, Estrela do dia— Composer not established
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Himno a Santiago— Composer not yet identified
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De biauté, de valour— Composer not established
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GloSavall— Composer not yet identified
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El jorn del judizi— Composer not established
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L’Admonició Apocalíptica— Composer not established
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Pour le Tombeau de Wilde – I. I Heard his Tears— Composer not established
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Pour le Tombeau de Wilde – II. Iin the Deep Wells of Llight…— Composer not yet identified
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Sinfonia No. 3 “Eroica” Op. 55: I. Allegro con brio— Ludwig van Beethoven
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Sinfonia No. 3 “Eroica” Op. 55: II. Marcia Funebre, Adagio assai— Ludwig van Beethoven
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Sinfonia No. 3 “Eroica” Op. 55: III. Scherzo. Allegro vivace— Ludwig van Beethoven
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Sinfonia No. 3 “Eroica” Op. 55: IV. Finale, Allegro molto – poco andante – Presto— Ludwig van Beethoven
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Coriolan, Op. 62: Overture— Ludwig van Beethoven
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Captain Humes Pauin— Tobias Hume
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A Souldiers Galliard— Tobias Hume
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The Duke Of Holstones Almaine— Tobias Hume
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My Hope Is Decayed— Tobias Hume
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Loues Farewell— Tobias Hume
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Good Againe— Tobias Hume
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Death— Tobias Hume
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Life— Tobias Hume
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Touch Me Lightly— Tobias Hume
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Beccus An Hungarian Lord His Delight— Tobias Hume
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A Souldiers Resolution— Tobias Hume
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A Pauin— Tobias Hume
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Symphonie À Grand Orchestre En Ré: I. Adagio – Allegro Vivace – Presto— Composer not yet identified
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Symphonie À Grand Orchestre En Ré: II. Andante— Composer not established
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Symphonie À Grand Orchestre En Ré: III. Minuetto – Allegro – Trio— Composer not established
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Symphonie À Grand Orchestre En Ré: IV. Allegro Con Moto— Composer not established
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Losesclavos Felices (Ouverture Pastorale)— Composer not yet identified
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Overture in F Minor, Op. 1— Composer not established
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Cantigas de Santa Maria, CSM 400: Pero cantigas de loor (Remastered)— Composer not established
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Cantigas de Santa Maria, CSM 123: Instrumental (Remastered)— Composer not established
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Cantigas de Santa Maria, CSM 176: Introducción (Remastered)— Composer not established
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Cantigas de Santa Maria, CSM 100: Santa Maria, strela do dia (Remastered)— Composer not yet identified
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Cantigas de Santa Maria, CSM 209: Muito faz grand’erro (Remastered)— Composer not established
▶
Cantigas de Santa Maria, CSM 18: Por nos de dulta tirar (Remastered)— Composer not yet identified
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Cantigas de Santa Maria, CSM 142: Instrumental (Remastered)— Composer not yet identified
▶
Cantigas de Santa Maria, CSM 163: Pode por Santa Maria (Remastered)— Composer not established
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Cantigas de Santa Maria, CSM 37: Miragres fremosos faz por nos (Remastered)— Composer not yet identified
▶
Cantigas de Santa Maria, CSM 77-119: Instrumental (Remastered)— Composer not yet identified
▶
Cantigas de Santa Maria, CSM 126: De toda chaga ben pode guarir (Remastered)— Composer not yet identified
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Cantigas de Santa Maria, CSM 181: Pero que seja a gente (Remastered)— Composer not established
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Cantigas de Santa Maria, CSM 383: O ffondo do mar tan chão (Remastered)— Composer not established
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Cantigas de Santa Maria, CSM 176: Conclusión (Remastered)— Composer not established
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Musica: Folias (imperfectas) (Arpa)— Anonimo
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Narrazione I (1) : “La Follia, con la sua sola presenza, indirizza i pensieri dei suoi…— Anonimo
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Narrazione III (2) : “Come la Follia è indotta a fare il proprio elogio” / Musica: Passamezzo…— Diego Ortiz
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Narrazione VII (3) : “Origini della Follia”— Anonimo
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Narrazione VIII (4) : “Il suo luogo di nascita, i suoi anni d’infanzia” / Musica: Folías de…— Anonimo
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Narrazione IX (5) : “Il suo seguito” / Musica (Continuazione) : Folías de la costa (Arpa)— Anonimo
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Narrazione X (6) : “Del diritto che ha la Follia di essere considerata come una dea” / Musica:…— Alonso Mudarra
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Folía: Rodrigo Martínez (Improvvisazione dal villancico del C. M. de Palacio No. 12)— Anonimo
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Narrazione XI (7) : “Come la Follia perpetua la specie umana” / Musica (Continuazione) : Folía:…— Anonimo
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Narrazione XII (8) : “Come la Follia fa la felicità della vita” / Musica (Continuazione) :…— Anonimo
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Narrazione XIII (9) : “Dei legami che uniscono la Follia all’infanzia e a quella seconda…— Anonimo
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Diferencias Sobre Las Vacas (C. M. Medinaceli)— Anonimo
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Narrazione XI (10) : “Come essa prolunga l’infanzia e rimanda la vecchiaia” / Musica: Folías…— Anonimo
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Narrazione XVI (11) : “Della preminenza della Follia nel mondo” / Musica: Harke, harke (Viola…— Tobias Hume
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Narrazione XIX (12) : “La Follia è necessaria all’amicizia” / Musica: Belle qui tiens ma vie…— Thoinot Arbeau
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Narrazione XX (13) : “Non c’è matrimonio duraturo senza la complicità della Follia” / Musica…— Thoinot Arbeau
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Cucú, cucú, cucucú ! (C. M. Palacio No. 94)— Juan del Enzina
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Narrazione XXI (14) : “La Follia è il bene della società umana” / Musica: Paduana del Re (Mss…— Anonimo
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Narrazione XXIII (15) : “La Follia ispira le prodezze militari” / Musica: Pavana La Battaglia— Clément Janequin
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Narrazione XXV (16) : “Dell’inferiorità della saggezza in tutte le circostanze della vita” /…— Anonimo
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Narrazione XXVIII (17) : “È madre delle arti” / Musica: My Lady Carey’s Dompe (Danza…— Anonimo
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Narrazione XXIX (18) : “La Follia rivendica la palma della vera saggezza” / Musica: Las Vacas…— Anonimo
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Narrazione XXX (19) : “Come la Follia è una guida di saggezza” / Musica: Pavana con su Glosa— Antonio de Cabezón
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Narrazione XXXII (20) “Dei rapporti della Follia con l’ignoranza” / Musica: Desperada (Anonimo…— Anonimo
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La Spagna (XV secolo)— Anonimo
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Narrazione LV (21) : Follia dei Re— Anonimo
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Narrazione LVII – LIX (22) : “Follia dei vescovi, dei cardinali e dei sommi pontefici” /…— Anonimo
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Narrazione LXVI (23) : “Dei rapporti della religione cristiana con la Follia” / Musica: Patres…— Johannes Cornago
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Narrazione LXVII (24) : “La Follia è il bene supremo” / Musica: Dios te salve, Cruz preciosa…— Anonimo
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Narrazione LXVIII (25) : “Addio al lettore” / Musica: Folias Portuguesas (Arpa)— Anonimo
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Makam «Muhayyer pesrev» (Marcia guerriera ottomana) (XV Secolo)— Anonimo
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Narrazione 1: “Lettera di Erasmo sulla guerra contro i turchi” / Musica: Taksim…— Anonimo
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Saltarello: Une musque de Buscaye (Strumentale)— Josquin des Prez
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Narrazione 2: Adagio 145. “La fortuna sorride agli audaci” / Musica: Fortuna desperata— Josquin des Prez
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Taskim & Danza (Anonimo Ottomano)— Anonimo
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Narrazione 3: “Erasmo di Rotterdam e gli ebrei” / Musica: Las estrellas de los cielos (Sefardita)— Anonimo
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Lavava y suspirava (Romanzo sefardita)— Anonimo
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Narrazione 4: “Epitaffio per Johannes Ockeghem, musicista senza pari” / Musica: Fortune, par ta…— Johannes Vincenet
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Latura tu (Strumentale) (Odhecaton No. 94)— Antoine Bruhier
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Narrazione 5: “Il Panegirico di Filippo il Bello” / Musica: Adieu mes amours (Improvvisazione arpa)— Anonimo
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Narrazione 6: Adagio 3415.” L’amore rende musico” / Musica: De tous biens plaine (C. M….— Hayne van Ghizeghem
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Narrazione 7: “Enchiridion. L’importanza dei Classici” / Musica: Ave maris stella (Arpa – C….— Damianus
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Narrazione 8: Adagio 3001. “La guerra sembra bella” / Musica: Fanfarria e tamburi Vexilla Regis…— Anonimo
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Danza Alta (Strumentale) (C. M. Palacio No. 321)— Francisco de la Torre
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Narrazione 9: “Erasmo da Rotterdam al suo caro Tommaso Moro sulla pubblicazione de l’Elogio…— Anonimo
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Narrazione 10: “Il Principe di Machiavelli” / Musica: Gallarda di Venosa (Arpa)— Carlo Gesualdo
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Narrazione 11: “Erasmo. Educazione del principe cristiano” (1516) / Musica: Himno XVI (Strumentale)— Antonio de Cabezón
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Narrazione 12: “Tommaso Moro Utopia. Sulla giustizia e la prosperità sociale” /Musica:…— John Lloyd
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Narrazione 13: “Erasmo. Il compianto della pace” / Musica: Mille regrets— Josquin des Prez
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Narrazione 14: “Lettera di Martin Lutero ad Erasmo” (28 marzo 1519) / Musica: Psalm: A solis…— Anonimo
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Narrazione 15: “Lettera di Erasmo da Rotterdam a Martin Lutero” (30 maggio 1519)— Anonimo
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Narrazione 16: “Lettera di Martin Lutero ad Erasmo” (15 aprile 1524) / Musica: Psalm: Christ…— Hans Leo Hassler
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Narrazione 17: “Erasmo a Lutero: Diatriba sul libero arbitrio” / Musica: In Nomine a 5 Free…— Christopher Tye
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Pavane “La Bataille” (Pubblicato da Jacques Moderne a “Musique de Joie” Lyon, ca. 1540)— Anonimo
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Narrazione 18: “Lettera di Erasmo da Rotterdam al Re di Francia Francesco I” (16 giugno 1526) /…— Anonimo
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Gazel (Canto Ottomano) (Versi di Fuzuli)— Mehmet bin Süleyman
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Narrazione 19: “Lutero a Erasmo. Del servo arbitrio” / Musica: Psalm: Christ lag in Todes…— Martin Luther
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Musica: Christ ist erstanden à 6 voce— Heinrich Isaac
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Narrazione 20: Adagio 2100. “Le parole sono i medici delle anime malate” / Musica: Now o now…— John Dowland
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Narrazione 21: La morte di Erasmo (Stefan Zweig)— Anonimo
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Plangite Pierides (Lamento per la morte di Erasmo)— Benedictus Appenzeller
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Narrazione 22: “L’eredità spirituale di Erasmo” / Musica: Durezze e ligature (Strumentale)— Giovanni Maria Trabaci
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Sir John Souch his Galiard— John Dowland
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Lachrimae Antiquae Novae— John Dowland
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M. Henry Noell his Galiard— John Dowland
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Lachrimae Gementes— John Dowland
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The Earl of Essex Galiard— John Dowland
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Lachrimae Tristes— John Dowland
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M. Nicho. Gryffith his Galiard— John Dowland
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Lachrimae Coactae— John Dowland
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M. Giles Hoby his Galiard— John Dowland
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Lachrimae Amantis— John Dowland
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M. Thomas Collier his Galiard— John Dowland
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Lachrimae Verae— John Dowland
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Captaine Digorie Piper his Galiard— John Dowland
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Semper Dowland semper Dolens— John Dowland
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The King of Denmarks Galiard— John Dowland
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Sir Henry Umptons Funerall— John Dowland
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M. Bucton his Galiard— John Dowland
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M. John Langtons Pavan— John Dowland
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Mrs Nichols Almand— John Dowland
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M. George Whitehead his Almand— John Dowland
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Folias (Imperfectas)— Anonyme
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Narration I (1) : “La Folie, par sa seule présence, dirige les soucis de ses auditeurs”— Anonyme
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Narration III (2) : “Comment la Folie est conduite à faire son propre Éloge” / Musique:…— Diego Ortiz
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Narration VII (3) : “Origines de la Folie”— Anonyme
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Narration VIII (4) : “Son lieu de naissance, ses années d’enfance” / Musique: Folias de la costa— Anonyme
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Narration IX (5) : “Ses suivantes” / Musique (Suite) : Folias de la costa— Anonyme
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Narration X (6) : “Des titres qu’a la Folie à figurer parmi les déesses” / Musique: Romanesca— Alonso Mudarra
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Folía: “Rodrigo Martínez” (Anonyme, improvisation d’après le villancico du C. M. Palacio…— Anonyme
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Narration XI (7) : “Comment elle perpétue l’espèce humaine” / Musique: Folía: “Rodrigo…— Anonyme
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Narration XII (8) : “Comment elle fait le bonheur de la vie” / Musique (Suite) : Folía:…— Anonyme
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Narration XIII (9) :” Des liens qui unissent la Folie et l’enfance et cette seconde enfance…— Anonyme
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Narration XIV (10) : “Comment elle prolonge l’Enfance et recule la Vieillesse” / Musique:…— Anonyme
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Narration XVI (11) : “De la prééminence de la Folie dans le monde” / Musique: Harke, harke— Tobias Hume
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Narration XIX (12) : “La Folie est nécessaire à l’amitié” / Musique: Belle qui tiens ma vie…— Thoinot Arbeau
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Narration XX (13) : “Il n’est point de mariage durable sans la complicité de la Folie” /…— Thoinot Arbeau
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Narration XXI (14) : “La Folie est le bien de la société humaine” / Musique: Paduana del Re…— Anonyme
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Narration XXIII (15) : “Elle inspire les exploits guerriers” / Musique: Pavana La Battaglia— Clément Janequin
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Narration XXV (16) : “De l’infériorité de cette même sagesse dans toutes les circonstances…— Anonyme
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Narration XXVIII (17) : “Elle est mère des arts” / Musique: My Lady Carey’s Dompe (Danse…— Anonyme
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Narration XXIX (18) : “Elle revendique elle même la palme de la sagesse vraie” / Musique: Las…— Anonyme
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Narration XXX (19) : “Comment la Folie est un guide de sagesse” / Musique: Pavana con su Glosa…— Antonio de Cabezón
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Narration XXXII (20) : “Des rapports de la Folie avec l’ignorance” / Musique: Desperada…— Anonyme
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La Spagna (XVè siècle)— Anonyme
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Narration LV (21) : “Folie des Rois” / Musique: Las Vacas (Romanesca)— Anonyme
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Narration LVII – LIX (22) : “Folie des Evêques, des cardinaux et des souverains pontifes” /…— Anonyme
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Narration LXVI (23) : “Des rapports de la religion chrétienne avec la Folie” / Musique: Patres…— Johannes Cornago
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Narration LXVII (24) : “La Folie est le souverain bien” / Musique: Dios te salve, Cruz preciosa…— Anonyme
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Diferencias Sobre “Las Vacas”— Antonio de Cabezón
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Narration LXVIII (25) : “Adieu au lecteur” / Musique: Folias Portuguesas— Anonyme
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Makam « Muhayyer pesrev » (Marche guerrière ottomane, Xvè siècle)— Anonyme
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Narration 1: “Lettre d’Érasme sur la Guerre contre les Turcs” / Musique: Taksim (Improvisation)— Anonyme
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Saltarello: Une musique de Buscaye (Instumental)— Josquin des Prez
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Narration 2: Adage 145 “La fortune sourit aux audacieux” / Musique: Fortuna desperata— Josquin des Prez
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Taskim & Danse (Anonyme Ottoman)— Anonyme
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Narration 3: “Érasme de Rotterdam et les juifs” / Musique: Las Estrellas de los Cielos…— Anonyme
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Lavava y suspirava (Romance sépharade)— Anonyme
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Narration 4: “Épitaphe pour Jean d’Ockeghem, musicien hors pair” / Musique: Fortune, par ta…— Johannes Vincenet
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La déploration sur la mort d’Ockeghem— Josquin des Prez
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Narration 5: “Le Panégyrique de Philippe le Beau” / Musique: Adieu mes amours (Improvisation)— Anonyme
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Narration 6: Adage 3415 “L’amour rend musicien” / Musique: De tous biens plaine (C. M….— Hayne van Ghizeghem
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Narration 7: “Enchiridion. L’importance des classiques” / Musique: Ave maris stella (C. M….— Damianus
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Narration 8: Adage 3001 “La guerre paraît douce à ceux qui n’en ont pas l’expérience” /…— Anonyme
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Narration 9: “Lettre d’Érasme de Rotterdam à son cher Thomas More sur la publication de…— Anonyme
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Le Prince de Machiavel / Musique: Gallarda di Venosa— Carlo Gesualdo
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La Spagna a 5— Josquin des Prez
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Erasme. Institution du Prince Chretien (1516) / Musique: Himno XVI (Cabezeon)— Antonio de Cabezón
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Taksim et Makam – Rast Murass’a— Dimitri Cantemir
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Thomas More: “Utopie Sur la Justice et la prosperite sociale” / Musique: Puzzle-canon I— John Lloyd
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Adoramus te Domine— Anonyme
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Erasme: “La Complainte de la Paix” / Musique : Mille regrets— Josquin des Prez
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“Lettre de Martin Luther a Erasme de Rotterdam” (28 mars 1519) / Musique: Psaume A solis ortus…— Anonyme
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“Lettre d’Erasme de Rotterdam a Martin Luther” (30 mai 1519) / Musique: In nomine a 5— Anonyme
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“Lettre de Martin Luther a Erasme” (15 avril 1524) / Musique: Psaume Christ ist erstanden— Hans Leo Hassler
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“Erasme de Rotterdam à Martin Luther – Diatribe du libre arbitre” / Musique: In Nomine a 5…— Christopher Tye
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Pavane La Bataille— Anonyme
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“Lettre d’Erasme au Roi de France Francois 1er” (16 Juin 1526)— Anonyme
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Gazel— Mehmet bin Süleyman
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“Martin Luther à Erasme Du Serf Arbitre” / Musique: Psaume Christ lag in Todes— Martin Luther
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Adage 2100: “Les mots sont les médecins des âmes malades” / Musique: Now o now— John Dowland
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In Nomine a 5 – My Death— Christopher Tye
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La mort d’Erasme (Zweig)— Anonyme
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Plangite plerides (Planctus pour la mort d’Erasme)— Benedictus Appenzeller
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“Le legs spirituel d’Erasme” / Musique: Durezze e ligature— Giovanni Maria Trabaci
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Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Angenehme, heitere Empfindungen, welche bei…— Ludwig van Beethoven
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Symphony No. 6 in F Major, Op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto— Ludwig van Beethoven
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Symphony No. 6 in F Major, Op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro— Ludwig van Beethoven
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Symphony No. 6 in F Major, Op. 68 “Pastoral”: IV. Donner, Sturm. Allegro— Composer not yet identified
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Symphony No. 6 in F Major, Op. 68 “Pastoral”: V. Hirtengesang. Wohltätige, mit Dank an die…— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: II. Allegretto— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto— Ludwig van Beethoven
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Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio— Composer not yet identified
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Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio— Composer not yet identified
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Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando— Ludwig van Beethoven
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Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto— Ludwig van Beethoven
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Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace— Ludwig van Beethoven
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Symphony No. 9 in D Minor, Op. 125 “Choral”: I. Allegro ma non troppo e un poco maestoso— Composer not yet identified
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Symphony No. 9 in D Minor, Op. 125 “Choral”: II. Molto vivace— Ludwig van Beethoven
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Symphony No. 9 in D Minor, Op. 125 “Choral”: III. Adagio molto e cantabile— Composer not yet identified
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Symphony No. 9 in D Minor, Op. 125 “Choral”: IV. Presto – Allegro Assai— Composer not yet identified
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Symphony No. 9 in D Minor, Op. 125 “Choral”: V. Presto – Recitativo— Ludwig van Beethoven
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Symphony No. 9 in D Minor, Op. 125 “Choral”: V. Allegro assai vivace alla marcia— Ludwig van Beethoven
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Symphony No. 9 in D Minor, Op. 125 “Choral”: V. Allegro ma non tanto— Ludwig van Beethoven
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Water Music – Suite #1 In F, HWV 348 – Prelude— Composer not yet identified
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Water Music – Suite #1 In F, HWV 348 – Menuet 1— Composer not yet identified
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Water Music – Suite #1 In F, HWV 348 – Menuet 2— George Frideric Handel
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Water Music – Suite #1 In F, HWV 348 – Rigaudon 1— George Frideric Handel
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Water Music – Suite #1 In F, HWV 348 – Rigaudon 2— Composer not yet identified
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Water Music – Suite #1 In F, HWV 348 – Gigue 1— Composer not yet identified
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Water Music – Suite #1 In F, HWV 348 – Gigue 2— Composer not yet identified
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Water Music – Suite #1 In F, HWV 348 – Bourrée— George Frideric Handel
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Water Music – Suite #1 In F, HWV 348 – Lentement— Composer not yet identified
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Water Music – Suite #1 In F, HWV 348 – Alla Hornpipe— George Frideric Handel
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Water Music – Suite #2 In D, HWV 349 – Ouverture— Composer not yet identified
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Water Music – Suite #2 In D, HWV 349 – Adagio E Staccato— George Frideric Handel
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Water Music – Suite #2 In D, HWV 349 – Allegro— George Frideric Handel
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Water Music – Suite #2 In D, HWV 349 – Andante, Allegro— Composer not yet identified
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Water Music – Suite #2 In D, HWV 349 – Menuet— George Frideric Handel
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Water Music – Suite #2 In D, HWV 349 – Air— Composer not yet identified
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Water Music – Suite #2 In D, HWV 349 – Bourrée— Composer not yet identified
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Water Music – Suite #2 In D, HWV 349 – Hornpipe— George Frideric Handel
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Water Music – Suite #2 In D, HWV 349 – Aria— Composer not yet identified
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Music For The Royal Fireworks, HWV 351 – Overture— George Frideric Handel
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Music For The Royal Fireworks, HWV 351 – Allegro, Lentement, Allegro— George Frideric Handel
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Music For The Royal Fireworks, HWV 351 – Bourrée— Composer not yet identified
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Music For The Royal Fireworks, HWV 351 – La Paix— Composer not yet identified
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Music For The Royal Fireworks, HWV 351 – La Réjouissance— Composer not yet identified
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Music For The Royal Fireworks, HWV 351 – Minuet 1 & 2— George Frideric Handel
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Ohime ch’io cado (libro nono)— Claudio Monteverdi
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Lettera amorosa a voce sola in genero rappresentativo e si canta senza battuta (Settimo Libro)— Composer not yet identified
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Quel sguardo sdegnosetto (Scherzi musicali, 1632)— Claudio Monteverdi
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Altri canti d’amor – Sinfonia— Claudio Monteverdi
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Altri canti d’amor— Claudio Monteverdi
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Altri canti d’amor – Tu cui tessuta han die Cesare alloro— Composer not yet identified
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Altri canti d’amor – Che mentre guerre canta e guerre sona— Claudio Monteverdi
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Gira il nemico— Composer not yet identified
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Gira il nemico – Noi lasciamo accostar— Claudio Monteverdi
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Gira il nemico – Armi false non san— Claudio Monteverdi
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Gira il nemico – Vuol degl’occhi— Composer not yet identified
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Gira il nemico – Non è più tempo— Composer not yet identified
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Gira il nemico – Cor mio non val fugir— Composer not yet identified
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Introduzione al ballo: Volgendo il ciel— Composer not yet identified
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Ballo: Move al mio bel suon— Claudio Monteverdi
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Ciaccona (Antonio Falconiero ca. 1585-1656)— Composer not yet identified
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Seconda parte del ballo: Ei l’armi e su destrier alato— Claudio Monteverdi
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Sinfonia a Cinque— Claudio Monteverdi
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Altri canti di marte— Composer not yet identified
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Due belli occhi— Composer not yet identified
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Lamento della ninfa – non havea febo ancora— Composer not yet identified
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Lamento della ninfa— Claudio Monteverdi
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Lamento della ninfa – Si tra sdegnsoi pianti— Claudio Monteverdi
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Sinfonia a sei— Claudio Monteverdi
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Hor che’l ciel, e la terra— Claudio Monteverdi
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Cosi sol d’una chiara fonte viva— Composer not yet identified
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Alcione, Prologue: Ouverture— Marin Marais
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Alcione, Prologue: “Apollon et le Dieu des bois”— Composer not yet identified
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Alcione, Prologue: Air des Faunes et des Driades— Composer not yet identified
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Alcione, Prologue: “Fuyez, fuyez, mortels, fuyez”— Composer not yet identified
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Alcione, Prologue: Ritournelle: “Aimable paix, c’est toi que célèbrent mes chants!”— Marin Marais
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Alcione, Prologue: “Règne, règne, fille du ciel, mets la discorde aux fers”— Marin Marais
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Alcione, Prologue: Prélude – “A l’éclat de vos chants”— Composer not yet identified
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Alcione, Prologue: Marche (pour les Bergers et les Bergères)— Composer not yet identified
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Alcione, Prologue: 1er Menuet (pour les mêmes) – “Le doux Printemps ne paraît point sans Flore”— Composer not yet identified
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Alcione, Prologue: Bourrée (pour les mêmes)— Composer not yet identified
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Alcione, Prologue: Premier et deuxième Passepieds (pour les mêmes)— Marin Marais
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Alcione, Prologue: “Qu’un spectacle charmant signale ma victoire”— Composer not yet identified
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Alcione, Prologue: Entr’acte (Reprise de l’Ouverture)— Composer not yet identified
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Alcione, Acte I Scène 1 : “Vous voyez le palais où l’hymen d’Alcione”— Composer not yet identified
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Alcione, Acte I Scène 1 : “Trop malheureux Pelée, hélas ! Quelle est ta peine?”— Marin Marais
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Alcione, Acte I Scène 1 : “J’oserai plus pour vous, seigneur, que vous n’osez”— Composer not yet identified
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Alcione, Acte I Scène 2: “Aimez-vous sans alarmes”— Composer not yet identified
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Alcione, Acte I Scène 2: “Partage, cher amie, les transports de mon âme”— Composer not yet identified
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Alcione, Acte I Scène 2: “Du plus ardent amour mon cœur est enflammé”— Marin Marais
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Alcione, Acte I Scène 2: “Ah ! Que ton cœur n’est-il plus tendre”— Composer not yet identified
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Alcione, Acte I Scène 2: “Que rien ne trouble plus une flamme si belle”— Composer not yet identified
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Alcione, Acte I Scène 2 : “Chantez, chantez, faites entendre”— Composer not yet identified
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Alcione, Acte I Scène 2: “Que rien ne trouble plus une flamme si belle” (II)— Composer not yet identified
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Alcione, Acte I Scène 2: Air gravement et piqué— Composer not yet identified
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Alcione, Acte I Scène 2: Sarabande et deuxième air “Que vos désirs puissent toujours renaître!”— Marin Marais
▶
Alcione, Acte I Scène 2: Gigue— Composer not yet identified
▶
Alcione, Acte I Scène 2: Menuet – “Dans ces lieux, amour, tu nous ramènes”— Composer not yet identified
▶
Alcione, Acte I Scène 3: “On approche : cessez, et qu’un profond silence”— Composer not yet identified
▶
Alcione, Acte I Scène 3: “Le flambeau de l’amour n’a fait naître en votre âme”— Marin Marais
▶
Alcione, Acte I Scène 3: “Écoutez nos serments, arbitres des humains”— Composer not yet identified
▶
Alcione, Acte I Scène 3: Tempête – “Quel bruit ! Quels terribles éclats!”— Composer not yet identified
▶
Alcione, Acte I Scène 3: “Ce n’est point mon palais qu’il faut réduire en poudre”— Marin Marais
▶
Alcione, Acte I Scène 3: “Quel embrasement ! Quel ravage!”— Composer not yet identified
▶
Alcione, Acte II Scène 1: Prélude – “Le Roi dans ces lieux va se rendre”— Marin Marais
▶
Alcione, Acte II Scène 2: Prélude lentement – “Dieux cruels, punissez ma rage et mes murmures”— Composer not yet identified
▶
Alcione, Acte II Scène 2: “L’injuste Ciel à mes maux m’abandonne”— Marin Marais
▶
Alcione, Acte II Scène 2: “Vous, dont les mystères affreux”— Composer not yet identified
▶
Alcione, Acte II Scène 3: “Éprouvez notre ardeur fidèle”— Composer not yet identified
▶
Alcione, Acte II Scène 3: Premier Air des Magiciens— Marin Marais
▶
Alcione, Acte II Scène 3: “Sévère fille de Cérès”— Marin Marais
▶
Alcione, Acte II Scène 3: Symphonie – “Fleuves affreux qui, par vos noirs torrents”— Composer not yet identified
▶
Alcione, Acte II Scène 3: Premier Air des Magiciens – “Nos vœux sont écoutés dans les…— Composer not yet identified
▶
Alcione, Acte II Scène 3: Deuxième Air des Magiciens— Composer not yet identified
▶
Alcione, Acte II Scène 3: Symphonie – “Une fureur soudaine a saisi mes esprits”— Composer not yet identified
▶
Alcione, Acte II Scène 3: “Qu’entends-je ! Quel funeste oracle!” – Deuxième Air des Magiciens— Composer not yet identified
▶
Alcione, Acte III Scène 1: Prélude – “Ô Mer, dont le calme infidèle”— Marin Marais
▶
Alcione, Acte III Scène 2: Prélude gay – “L’amour vient de vous faire une faveur nouvelle”— Marin Marais
▶
Alcione, Acte III Scène 3: Marche – “Contraignez-vous, on vient”— Marin Marais
▶
Alcione, Acte III Scène 3: Marche pour les Matelots et Matelotes— Marin Marais
▶
Alcione, Acte III Scène 3: “Régnez, Zéphirs, régnez sur la liquide plaine”— Composer not yet identified
▶
Alcione, Acte III Scène 3: Marche pour les Matelots et Matelotes – “Amants malheureux”— Composer not yet identified
▶
Alcione, Acte III Scène 3: Deuxième Air des Matelots et Matelotes – “Pourquoi craignons-nous”— Composer not yet identified
▶
Alcione, Acte III Scène 3: Troisième Air des Matelots et Matelotes— Composer not yet identified
▶
Alcione, Acte III Scène 4: Ritournelle violons – “Quoi, les soupirs et les pleurs d’Alcione”— Composer not yet identified
▶
Alcione, Acte III Scène 4: “C’est toi que j’en atteste”— Composer not yet identified
▶
Alcione, Acte III Scène 5: “Il fuit… Il craint mes pleurs”— Composer not yet identified
▶
Alcione, Acte III Scène 5: “Que vois-je ? De ses sens elle a perdu l’usage”— Marin Marais
▶
Alcione, Acte III Scène 5: Marche pour les Matelots et Matelotes— Composer not yet identified
▶
Alcione, Acte IV Scène 1: Ritournelle violons – “Amour, cruel Amour, sois touché de mes peines”— Marin Marais
▶
Alcione, Acte IV Scène 2: Violons – “On prépare le sacrifice”— Marin Marais
▶
Alcione, Acte IV Scène 3: Prélude – “Ô Toi, qui de l’Hymen défends les sacrés nœuds”— Marin Marais
▶
Alcione, Acte IV Scène 3: Sarabande— Marin Marais
▶
Alcione, Acte IV Scène 3: “Dieu des amants, heureux qui sent tes flammes”— Marin Marais
▶
Alcione, Acte IV Scène 3: “Reine des Dieux, exauce nos souhaits”— Composer not yet identified
▶
Alcione, Acte IV Scène 3: Flûtes (on entend une Symphonie fort douce)— Marin Marais
▶
Alcione, Acte IV Scène 3: Symphonie violons et flûtes allemandes – “Quels sons charmants!”— Marin Marais
▶
Alcione, Acte IV Scène 3: Symphonie – “Eloignez-vous et laissez Alcione”— Composer not yet identified
▶
Alcione, Acte IV Scène 4: “Volez, Songes, volez, faites-lui voir l’orage”— Composer not yet identified
▶
Alcione, Acte IV Scène 5: Tempête— Marin Marais
▶
Alcione, Acte IV Scène 5: “Ciel ! Ô Ciel, quel affreux Orage!”— Composer not yet identified
▶
Alcione, Acte IV Scène 6: “Où suis-je et qu’ai-je vu ! Je perds ce que j’adore”— Composer not yet identified
▶
Alcione, Acte IV Scène 6: Menuet Entr’acte— Marin Marais
▶
Alcione, Acte V Scène 1: Prélude – “Ô nuit ! Redouble des ténèbres”— Composer not yet identified
▶
Alcione, Acte V Scène 1: “Qu’ai-je fait, malheureux!”— Composer not yet identified
▶
Alcione, Acte V Scène 2: Ritournelle (flûtes)— Marin Marais
▶
Alcione, Acte V Scène 2: “Barbares, laissez-moi ; votre pitié m’offense”— Composer not yet identified
▶
Alcione, Acte V Scène 2: “Ombre de mon époux, c’est par toi que je jure”— Marin Marais
▶
Alcione, Acte V Scène 3: Ritournelle (flûtes) – “Quel Dieu descend ici ? Quel Astre nous…— Marin Marais
▶
Alcione, Acte V Scène 4: “Qu’ai-je entendu ? Grands Dieux : croirai-je cet oracle?”— Marin Marais
▶
Alcione, Acte V Scène 5: “Régnez, Aurore, à votre tour”— Composer not yet identified
▶
Alcione, Acte V Scène 5: “Mais, quel funeste objet a frappé mes regards!”— Composer not yet identified
▶
Alcione, Acte V Scène 6: Prélude – “Je viens vous affranchir de la Parque cruelle”— Marin Marais
▶
Alcione, Acte V Scène 6: “Quoi ! Je revois Ceix”— Marin Marais
▶
Alcione, Acte V Scène 6: “Chantez, divinités de l’onde”— Marin Marais
▶
Alcione, Acte V Scène 6: Chaconne— Marin Marais
▶
I. Consort Set A 5 In G Minor: Fantazya – A 5 (Lawes)— William Lawes
▶
I. Consort Set A 5 In G Minor: On The Playnsong – A 5 (Lawes)— William Lawes
▶
I. Consort Set A 5 In G Minor: Aire – A 5 (Lawes)— William Lawes
▶
II. Consort Set A 5 In A Minor: Fantazy No. 1 – A 5 For Ye Violls (Lawes)— William Lawes
▶
II. Consort Set A 5 In A Minor: Fantazia No. 2 – A 5 (Lawes)— William Lawes
▶
II. Consort Set A 5 In A Minor: Aire – A 5 (Lawes)— William Lawes
▶
III. Consort Set A 5 In C Minor: Fantazia – A 5 (Lawes)— William Lawes
▶
III. Consort Set A 5 In C Minor: Aire No. 1 – A 5 (Lawes)— William Lawes
▶
III. Consort Set A 5 In C Minor: Paven – A 5 (Lawes)— William Lawes
▶
III. Consort Set A 5 In C Minor: Aire No. 2 – A 5 (Lawes)— William Lawes
▶
IV. Consort Set A 5 In F Major: Fantazy – A 5 (Lawes)— William Lawes
▶
IV. Consort Set A 5 In F Major: Paven – A 5 (Lawes)— William Lawes
▶
IV. Consort Set A 5 In F Major: Aire – A 5 (Lawes)— William Lawes
▶
V. Consort Set A 5 In C Major: Fantazy – A 5 (Lawes)— William Lawes
▶
V. Consort Set A 5 In C Major: Paven – A 5 (Lawes)— William Lawes
▶
V. Consort Set A 5 In C Major: Aire – A 5 (Lawes)— William Lawes
▶
VI. Consort Set A 6 In F Minor: Paven – A 6 (Lawes)— William Lawes
▶
VI. Consort Set A 6 In F Minor: Fantazy – A 6 (Lawes)— William Lawes
▶
VI. Consort Set A 6 In F Minor: Aire – A 6 (Lawes)— William Lawes
▶
VII. Consort Set A 6 In C Major: Fantazy No. 1 – A 6 (Lawes)— William Lawes
▶
VII. Consort Set A 6 In C Major: Fantazy No. 2 – A 6 (Lawes)— William Lawes
▶
VII. Consort Set A 6 In C Major: Aire – A 6 (Lawes)— William Lawes
▶
VIII. Consort Set A 6 In F Major: Aire No. 1 – A 6 (Lawes)— William Lawes
▶
VIII. Consort Set A 6 In F Major: Fantazy No. 1 – A 6 (Lawes)— William Lawes
▶
VIII. Consort Set A 6 In F Major: Aire No. 2 – A 6 (Lawes)— William Lawes
▶
VIII. Consort Set A 6 In F Major: Fantazy No. 2 – A 6 (Lawes)— William Lawes
▶
IX. Consort Set A 6 In B Flat Major: Fantazia – A 6 (Lawes)— William Lawes
▶
IX. Consort Set A 6 In B Flat Major: Aire – A 6 (Lawes)— William Lawes
▶
IX. Consort Set A 6 In B Flat Major: Inominy – A 6 (Lawes)— William Lawes
▶
X. Consort Set A 6 In C Minor: Fantazia No. 1 – A 6 (Lawes)— William Lawes
▶
X. Consort Set A 6 In C Minor: Fantazia No. 2 – A 6 (Lawes)— William Lawes
▶
X. Consort Set A 6 In C Minor: Inomine – A 6 (Lawes)— William Lawes
▶
X. Consort Set A 6 In C Minor: Aire – A 6 (Lawes)— William Lawes
▶
Great Mass in C Minor, K. 427: II. Gloria: Gratias agimus tibi— Composer not established
▶
Great Mass in C Minor, K. 427: II. Gloria: Jesu Christe— Composer not yet identified
▶
Great Mass in C Minor, K. 427: IV. Sanctus: Sanctus— Composer not yet identified
▶
Great Mass in C Minor, K. 427: IV. Sanctus: Hosanna in excelsis— Composer not established
▶
Great Mass in C Minor, K. 427: IV. Sanctus: Hosanna in excelsis [da capo]— Composer not established
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Ma Mariagneta— Composer not established
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El Pare I Al Mare— Composer not established
▶
Folias— Composer not yet identified
▶
Si Ay Perdut Mon Saber— Composer not established
▶
Clarines & Trompetas— Composer not established
▶
Todo El Mundo En General— Composer not established
▶
Lachrimae Pavan— Composer not yet identified
▶
Arpegiatta— Girolamo Kapsberger
▶
Musical Humors— Composer not yet identified
▶
Toccata & Chiaccona— Composer not yet identified
▶
Paradetas— Composer not yet identified
▶
Batalla Imperial (J.C. Kerll) (Cabanilles)— Composer not established
▶
Tiento De Falsas II (Cabanilles)— Composer not yet identified
▶
Passacalles I (Cabanilles)— Composer not yet identified
▶
Tiento Lleno 2o Tono (Cabanilles)— Composer not established
▶
Corrente Italiana (Obertura) (Cabanilles)— Composer not yet identified
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Tiento De Falsas 8 Punt Alt (Cabanilles)— Composer not yet identified
▶
Passacalles IV (Cabanilles)— Composer not yet identified
▶
Tiento XVIII Por A La Mi Re (Cabanilles)— Composer not yet identified
▶
Tiento I Ple (Cabanilles)— Composer not established
▶
Tiento XVII De “Pange Lingua” Punt Alt (Cabanilles)— Composer not yet identified
▶
Tiento IX De Contres (Cabanilles)— Composer not established
▶
Tzigan nota (Improvisation au style Tsigane)— Traditional
▶
Alef mem shin (Texte hébraïque Occitanie IXème siècle) – Musique: Vido venir tus cavalleros…— Composer not yet identified
▶
Marche Ottomane (Manuscrit Cantemir 209)— Composer not established
▶
Emina (Bosnie)— Composer not yet identified
▶
Doina Olteniasca / Hora Láutareascá (Roumanie)— Traditional
▶
Kadona sedi v bachona (Montagnes Rhodope Bulgarie)— Composer not yet identified
▶
Tillirkotissa (Chypre)— Traditional
▶
Egy veleg (Chanson et danse dans le style des Tsiganes de Budapest)— Traditional
▶
Berceuses: Hajda lilibe (Roumanie Moldavie) / Fúdd el jó szél (Pusztina) / Szundi szundi…— Composer not yet identified
▶
Taksim & Gulubovska Ruchenica (Danse de Trachea)— Composer not yet identified
▶
Milo mou kai mandarini / Konial (Grèce)— Composer not yet identified
▶
Küçüksu’da Gördüm seni / Tanburi Mustafa Çavuş (Ottoman)— Composer not established
▶
Moma e moma rodila (Montagnes Rhodope Bulgarie)— Traditional
▶
Vrcavo Kolo (Serbie)— Traditional
▶
Dui dui demonori (Chant Tsigane Roumanie)— Traditional
▶
Zapjevata sojka ptika (Ramizem) (Bosnie et Turquie)— Traditional
▶
Doãna Olteniasca (Instr. Tsigane Roumanie)— Composer not yet identified
▶
Segélj el uram isten (Chanson de Mariage) (Chant Tsigane Hongrie)— Traditional
▶
Selfo (Improvisation à la Clarinette) (Albanie et Grèce)— Traditional
▶
Godini ludi mladi (Macédoine)— Composer not yet identified
▶
Gidem dedim aman (Roumélie)— Composer not yet identified
▶
Hermoza muchachica (Séfarade)— Traditional
▶
Κόνιαλι (Koniali) (Grèce & Turquie)— Composer not yet identified
▶
Elment a két lány (Hongrie)— Traditional
▶
Dök Zülfünü meyoana gel / Tanburi Mustafa Çavuş (Ottoman)— Composer not yet identified
▶
Intro & Slivensko Paidushko Horo (Thrace Bulgarie)— Traditional
▶
Yasemi mou (Chypre)— Traditional
▶
Souvenir de Dijon (Serbie) (Composition de Bora Dugić)— Composer not yet identified
▶
De man daje mol te piau (Tsigane Roumanie)— Traditional
▶
A csitari hegyek alatt (Tsigane)— Traditional
▶
Ah! sto çemo (Bosnie)— Composer not yet identified
▶
Et Sharey Ratzon (Séfarade/Arabe)— Composer not yet identified
▶
Serbian Pot-pourri: Stani Stani Ibar Vodo— Composer not established
▶
Taksim & Gazel / Poème de Fuzuli (Improvisation)— Traditional
▶
Zaplakala e vdovitsa (Bulgarie)— Traditional
▶
Hung-Rom Tzig-Tzigan nota— Composer not yet identified
▶
Sarhos / Ime Tze (Chypre)— Traditional
▶
Danse Urbaine (Serbie)— Composer not yet identified
▶
Kradem ti se u veceri (Bosnie)— Traditional
▶
Taksim (Improvisation à l’accordéon) (Serbie)— Composer not yet identified
▶
Ben bir göçmen Kızı (Turquie)— Composer not yet identified
▶
Elégie de Minuit (Serbie)— Traditional
▶
Fehér Galamb (Lamentation funeraire) (Hongrie)— Composer not yet identified
▶
Shuvi nav shi / Yossef ibn Sulai— Composer not yet identified
▶
Plainte de l’Exil / Duduk improvisation (Arménie)— Traditional
▶
Torah (Hébreu)— Traditional
▶
Apo xeno meros (Grèce)— Composer not yet identified
▶
Üsküdar (Turquie)— Traditional
▶
Ruse Kose (Serbie centrale)— Composer not yet identified
▶
Durme hermosa donzella (Séfarade)— Composer not yet identified
▶
Instrumental tsigane (Lent – rapide)— Traditional
▶
Tutti (Lent-rapide)— Traditional
▶
Paavin Of Albarti (Alberti)— Composer not established
▶
Gallyard (Alberti)— Composer not yet identified
▶
In Nomine A 5 (Anonyme)— Composer not yet identified
▶
In Nomine III A 5 (Strogers)— Composer not yet identified
▶
Desperada (Anonyme)— Composer not yet identified
▶
Gallyard (Anonyme)— Composer not yet identified
▶
Allemande (Anonyme)— Composer not established
▶
Browning My Dear (Woodcock)— Composer not established
▶
In Nomine V A 5 (White)— Composer not established
▶
Ronda (Anonyme)— Composer not established
▶
La Represa (Anonyme)— Composer not yet identified
▶
Gallyard II (Anonyme)— Composer not yet identified
▶
In Nomine II A 5 (Woodcock)— Composer not established
▶
In Nomine III A 5 (Woodcock)— Composer not established
▶
Allemana D’Amor (Anonyme)— Composer not established
▶
Dance (Anonyme)— Composer not yet identified
▶
Quemadmodum A 6 (Taverner)— Composer not established
▶
Di Sei Soprani (Daman)— Composer not yet identified
▶
Pavana (Anonyme)— Composer not yet identified
▶
Brandeberges (Anonyme)— Composer not yet identified
▶
La Represa II (Anonyme)— Composer not yet identified
▶
In Nomine IV A 6 (Strogers)— Composer not established
▶
O Mater Mundi A 5 (Mundy)— Composer not established
▶
Pavana II (Anonyme)— Composer not yet identified
▶
Gallyard III (Anonyme)— Composer not yet identified
▶
Dance II (Anonyme)— Composer not yet identified
▶
In Nomine IV A 7 (Parsons)— Composer not yet identified
▶
The Song Called Trumpets A 6 (Parsons)— Composer not yet identified
▶
In Nomine V A 7 (Parsons)— Composer not yet identified
▶
Violin Concerto No. 1 in E Major “Spring”, RV 269: I. Allegro (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 1 in E Major “Spring”, RV 269: II. Largo e pianissimo (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 1 in E Major “Spring”, RV 269: III. Allegro (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 2 in G Minor “Summer”, RV 315: I. Allegro ma non molto (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 2 in G Minor “Summer”, RV 315: II. Adagio (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 2 in G Minor “Summer”, RV 315: III. Presto (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 3 in F Major “Autumn”, RV 293: I. Allegro (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 3 in F Major “Autumn”, RV 293: II. Adagio molto (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 3 in F Major “Autumn”, RV 293: III. Allegro (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 4 in F Minor “Winter”, RV 297: I. Allegro non molto (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 4 in F Minor “Winter”, RV 297: II. Largo (with Sonnet)— Antonio Vivaldi
▶
Violin Concerto No. 4 in F Minor “Winter”, RV 297: III. Allegro (with Sonnet)— Antonio Vivaldi
▶
Concerto for Violin and Cello in F Major “Il Proteo o sia il mondo al rovescio”, RV 544: I. Allegro— Antonio Vivaldi
▶
Concerto for Violin and Cello in F Major “Il Proteo o sia il mondo al rovescio”, RV 544: II. Largo— Antonio Vivaldi
▶
Concerto for Violin and Cello in F Major “Il Proteo o sia il mondo al rovescio”, RV 544: III….— Antonio Vivaldi
▶
Violin Concerto in E-Flat Major “La Tempesta di mare”, RV 253: I. Presto— Antonio Vivaldi
▶
Violin Concerto in E-Flat Major “La Tempesta di mare”, RV 253: II. Largo— Antonio Vivaldi
▶
Violin Concerto in E-Flat Major “La Tempesta di mare”, RV 253: III. Presto— Antonio Vivaldi
▶
Concerto for 4 Violins Op. 3, No. 10 in B Minor, RV 580: I. Allegro— Antonio Vivaldi
▶
Concerto for 4 Violins Op. 3, No. 10 in B Minor, RV 580: II. Largo – Larghetto – Adagio – Largo— Antonio Vivaldi
▶
Concerto for 4 Violins Op. 3, No. 10 in B Minor, RV 580: III. Allegro— Antonio Vivaldi
▶
Violin Concerto in B-Flat Major, RV 583: II. Andante— Antonio Vivaldi
▶
Violin Concerto No. 1 in E Major “Spring”, RV 269: I. Allegro— Antonio Vivaldi
▶
Violin Concerto No. 1 in E Major “Spring”, RV 269: II. Largo e pianissimo— Antonio Vivaldi
▶
Violin Concerto No. 1 in E Major “Spring”, RV 269: III. Allegro— Antonio Vivaldi
▶
Violin Concerto No. 2 in G Minor “Summer”, RV 315: I. Allegro ma non molto— Antonio Vivaldi
▶
Violin Concerto No. 2 in G Minor “Summer”, RV 315: II. Adagio— Antonio Vivaldi
▶
Violin Concerto No. 3 in F Major “Autumn”, RV 293: I. Allegro— Antonio Vivaldi
▶
Violin Concerto No. 3 in F Major “Autumn”, RV 293: II. Adagio molto— Antonio Vivaldi
▶
Violin Concerto No. 3 in F Major “Autumn”, RV 293: III. Allegro— Antonio Vivaldi
▶
Violin Concerto No. 4 in F Minor “Winter”, RV 297: I. Allegro non molto— Antonio Vivaldi
▶
Violin Concerto No. 4 in F Minor “Winter”, RV 297: II. Largo— Antonio Vivaldi
▶
Violin Concerto No. 4 in F Minor “Winter”, RV 297: III. Allegro— Antonio Vivaldi
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: I. Einleitung und Rezitativ: Seht, wie der strenge…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: II. Komm, holder Lenz! (Chor des Landvolk)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: IIIa. Rezitativ: Vom Widder strahlet (Simon)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: IIIb. Arie: Schon eilet froh der Akkermann (Simon)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: IVa. Rezitativ: Der Landmann hat sein Werk…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: IVb. Bittgesang: Sei nun gnädig, milder Himmel!…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: Va. Rezitativ: Erhört ist unser Fleh’n (Hanne)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: Vb. Freudenlied: O wie lieblich ist der Anblick…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Frühling: Vc. Freudenlied: Ewiger, mächtiger (Chor)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIa. Einleitung und Rezitativ: In grauem Schleier…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIb. Arie und Rezitativ: Der munt’re Hirt versammelt…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: VII. Lobgesang: Sie steigt herauf die Sonne (Terzett…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIIIa. Rezitativ: Nun regt und bewegt sich alles…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIIIb. Rezitativ: Die Mittagssonne (Lukas)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIIIc. Cavatine: Dem Druck erlieget die Natur (Lukas)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: IX. Rezitativ und Arie: Willkommen jetzt o drunkler…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: Xa. Rezitativ: O seht! Es steiget in der schwülen…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: Xb. Ach! das Ungewitter naht (Chor)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Sommer: Xc.Die düst’ren Wolken trennen sich (Terzett mit Chor)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Herbst: XIa. Einleitung und Rezitativ: Was durch seine Blüte…— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Herbst: XIb. Rezitativ: Den reichen Vorrat führt (Lucas, Simon)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Herbst: XII. So Lohnet die Natur den Fleiß (Terzett mit Chor)— Joseph Haydn
▶
Die Jahreszeiten, Hob. XXI:3, Der Herbst: XIIIa. Rezitativ: Seht, wie zum Haselbusche dort…— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XIIIb. Duett: Ihr Schönen aus der Stadt (Lukas, Hanne)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XIVa. Rezitativ: Nun zeiget das entblößte Feld (Simon)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XIVb. Arie: Steht auf die breiten Wiesen hin! (Simon)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XVa. Rezitativ: Hier treibt ein dichter Kreis (Lukas)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XVb. Hört! hört das laute Getön (Chor)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XVIa. Rezitativ: Am Rebenstocke blinket jetzt (Terzett)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Herbst: XVIb. Juhhe, juhhe! Der Wein ist da (Chor)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XVIIa. Einleitung und Rezitativ: Nun senket sich das…— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XVIIb. Cavatine: Licht und Leben sind geschwächet…— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XVIIIa. Rezitativ: Gefesselt steht der breite See (Lukas)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XVIIIb. Arie: Hier steht der Wandrer nun (Lukas)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XIXa. Rezitativ: Sowie er naht (Terzett)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XIXb. Spinnerlied: Knurre, schnurre, knurre (Hanne…— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XXa. Rezitativ: Abgesponnen ist der Flachs (Lukas)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XXb. Lied: Ein Mädchen, das auf Ehre hielt (Hanne mit…— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XXIa. Rezitativ: Von dürrem Oste dringt (Simon)— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XIb. Arie und Rezitativ: Erblicke hier, betörter…— Joseph Haydn
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Die Jahreszeiten, Hob. XXI:3, Der Winter: XXII. Dann bricht der größe Morgen an (Terzett und…— Joseph Haydn
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Como No Le Andaré Yo ?— Composer not established
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Francisco De La Torre – Dime, Triste Caraçon— Composer not yet identified
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Enrique: Pues Con Sobra De Tristura (Instrumental)— Composer not yet identified
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Triana: Quere Vieja Yo ?— Composer not established
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Triana: Quién Vos Dio Tal Senorio ?— Composer not yet identified
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Juan Urrede – Donde Estas Que Non Te Veo— Composer not yet identified
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Hurtado De Xeres – No Tenga Nadie Sperança— Composer not yet identified
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Enrique: Mi Querer Tant Vos Quiere— Composer not yet identified
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Cornago-Ockeghem – Qué’s Mi Vida Preguntays— Composer not yet identified
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Muy Triste Sera Mi Vida (Instrumental)— Composer not established
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Triana – Pinguele, Rrespinguete— Composer not yet identified
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Belmonte: Glosa Sobre “Nunca Fue Pena Mayor” (Instrumental)— Composer not yet identified
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Carnago-Trian: Senora, Qual Soy Venido— Composer not yet identified
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Triana: Dinos Madre Del Donsel— Composer not yet identified
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Nina E Vina— Composer not established
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Concert VIIIè – La Conférence— Composer not yet identified
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Concert XlIIè – Dalain— Composer not yet identified
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Concert IIIè – Le Tendre— Composer not yet identified
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Concert LIè – [La] Rougeville— Composer not established
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Concert LXVIIè – Le Figuré— Composer not established
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Le Parnasse ou l’Apothéose de Corelli: Corelli au piéd du Parnasse prie les Muses de le…— François Couperin
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Le Parnasse ou l’Apothéose de Corelli: Corelli, charmé de la bonne réception qu’on lui fait…— François Couperin
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Le Parnasse ou l’Apothéose de Corelli: Corelli buvant à la Source D’Hypocrêne, sa Troupe…— François Couperin
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Le Parnasse ou l’Apothéose de Corelli: Enthouziasme de Corelli causé par les eaux…— François Couperin
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Le Parnasse ou l’Apothéose de Corelli: Corelli, aprés son Enthouziasme, s’endort ; et sa…— Composer not yet identified
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Le Parnasse ou l’Apothéose de Corelli: Les Muses reveillent Corelli et le placent auprés…— François Couperin
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Le Parnasse ou l’Apothéose de Corelli: Remerciment de Corelli (gayement)— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Lully aux…— Composer not yet identified
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Air pour les…— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Vol de Mercure…— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Descente…— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Rumeur…— Composer not yet identified
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Plaintes des…— Composer not yet identified
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Enlévement de…— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Accueil entre…— Composer not yet identified
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Remerciment de…— Composer not yet identified
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Apollon…— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Air léger pour…— François Couperin
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: Second Air….— Composer not yet identified
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Concert instrumental sous le titre d’Apothéose pour l’incomparable M. de Lully: La Paix du…— Composer not yet identified
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Officium Defunctorum: I. Ad Matutinum— Composer not yet identified
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Officium Defunctorum: II. Invitatorium— Composer not yet identified
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Officium Defunctorum: III. In Primo Nocturno (Lecti I)— Composer not established
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Officium Defunctorum: IV. In Primo Nocturno (Lecti II)— Composer not established
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Officium Defunctorum: V. In Primo Nocturno (Lecti III)— Composer not established
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Officium Defunctorum: VI. In Secundo Nocturno— Composer not yet identified
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Missa pro Defunctis: I. Introitus— Composer not yet identified
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Missa pro Defunctis: II. Kyrie— Composer not yet identified
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Missa pro Defunctis: III. Graduale— Composer not yet identified
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Missa pro Defunctis: IV. Sequentia— Composer not yet identified
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Missa pro Defunctis: V. Offetorium— Composer not yet identified
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Missa pro Defunctis: VI. Sanctus— Composer not established
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Missa pro Defunctis: VII. Benedictus— Composer not yet identified
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Missa pro Defunctis: VIII. Agnus Dei— Composer not yet identified
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Missa pro Defunctis: IX. Communio— Composer not established
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Sacrae Cantiones: I. Ave Maria (A 4)— Composer not yet identified
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Sacrae Cantiones: II. Alma Redemptoris Mater (A 4)— Composer not established
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Sacrae Cantiones: III. Beata Dei Ginitrix, Maria (A 6)— Composer not established
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Sacrae Cantiones: IV. Pater Noster (A 8)— Composer not established
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Sacrae Cantiones: V. O Domine Jesu Christe I (Instrumental A 4)— Composer not yet identified
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Sacrae Cantiones: VI. O Domine Jesu Christe Ii (A 4)— Composer not established
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Sacrae Cantiones: VII. O Sacrum Convivium (A 5)— Composer not established
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Sacrae Cantiones: VIII. Laudate Dominum De Caelis (A 8)— Composer not established
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Sacrae Cantiones: IX. Gabriel Archangelus (A 4)— Composer not yet identified
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Sacrae Cantiones: X. Ave, Vrgo Sanctissima (A 5)— Composer not yet identified
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Sacrae Cantiones: XI. Salve Regina (A 4)— Composer not yet identified
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Sacrae Cantiones: XII. Regina Caeli (A 8)— Composer not yet identified
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Sacrae Cantiones: XIII. ʻO Altitudo Divitiarum (Instrumental A 8)— Composer not established
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Sacrae Cantiones: XIV. Trahe Me Post Te, Virgo Maria (A 5)— Composer not established
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Sacrae Cantiones: XV. Duo Seraphim (A 12)— Composer not established
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Sacrae Cantiones: XVI. Ave Maria (A 8)— Composer not yet identified
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Cantica Beatae Virginis: I. Hymn: Ave Maria, for 4 Voices (Attributed; c1575-1600)— Composer not yet identified
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Cantica Beatae Virginis: II. Motet: Gaude, Maria Virgo, for 5 Voices (1572)— Composer not yet identified
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Cantica Beatae Virginis: III. Motet: Trahe me, post te, for 6 Voices (1583)— Composer not yet identified
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Cantica Beatae Virginis: IV. Motet: Salve Regina, for 8 Voices (1572)— Tomás Luis de Victoria
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Cantica Beatae Virginis: V. Antiphon: Ave regina caelorum, for 5 Voices (1572)— Composer not yet identified
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Cantica Beatae Virginis: VI. Motet: Sancta Maria succurre miseris, for 4 Voices (1572)— Composer not yet identified
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Cantica Beatae Virginis: VII. Motet: Ne timeas, Maria, for 4 Voices (1572)— Composer not yet identified
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Cantica Beatae Virginis: VIII. Motet: Senex puerum portabat, a 4 (1572)— Tomás Luis de Victoria
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Cantica Beatae Virginis: IX. Motet: O magnum mysterium, for 4 Voices (1572)— Composer not yet identified
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Cantica Beatae Virginis: X. Motete Vidi, speciosam, 1572— Composer not yet identified
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Cantica Beatae Virginis: XI. Magnificat Primi toni, for 8 Voices (1600)— Composer not yet identified
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Die Schöpfung, Hob. XXI:2, Teil I: Präludium: Die Vorstellung des Chaos— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 1: Im Anfange schuf Gott Himmel und Erde (Raphael, Uriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 1: Und der Geist Gottes schwebte auf der Fläche der…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 1: Nun schwanden vor dem heiligen Strahle (Uriel, Chor)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 2: Und Gott machte das Firmament (Raphael)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 2: Mit Staunen sieht das Wunderwerk (Gabriel, Chor)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Und Gott sprach: Es sammle sich das Wasser under dem…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Rollend in schäumenden Wellen (Raphael)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Und Gott sprach, Es bringe die Erde Gras hervor…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Nun beut die Flur das frische Grün (Gabriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Und die himmlischen Heerscharen verkündigten den…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Stimmt an die Saiten, ergreift die Leier (Chor)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 4: Und Gott sprach, Es sei’n Lichter an der Feste (Uriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 4: In vollem Glanze steiget jetzt die Sonne (Uriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil I, Tag 4: Die Himmel erzählen die Ehre Gottes (Gabriel, Uriel,…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Und Gott sprach: Es bringe das Wasser (Gabriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Auf starkem Fittiche schwinget sich (Gabriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Und Gott schuf große Walfische (Raphael, Chor)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: In holder Anmut stehn’n mit jungem (Gabriel,…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Der Herr ist groß in seiner Macht (Gabriel, Uriel,…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Und Gott sprach, Es bringe die Erde hervor (Raphael)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Gleich öffnet sich der Erde Schoß (Raphael)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Nun scheint in vollem Glanze der Himmel (Raphael)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Und Gott schuf den Menschen nach seinem Ebenbilde…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Mit Würd’ und Hoheit angetan (Uriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Und Gott sah jedes Ding, was er gemacht hatte (Raphael)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Vollendet ist das große Werk (Gabriel, Uriel,…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil III: Aus Rosenwolken bricht, geweckt durch süßen Klang, der…— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil III: Von deiner Güt’, o Herr und Gott (Eva, Adam, Chor)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil III: Nun ist die erste Pflicht erfüllt (Adam, Eva)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil III: Holde Gattin! Dir zur Seite (Adam, Eva)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil III: O glücklich Paar, und glücklich immerfort (Uriel)— Joseph Haydn
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Die Schöpfung, Hob. XXI:2, Teil III: Singt dem Herren alle Stimmen! (Chor)— Joseph Haydn
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Altri Canti D’Amor – Sinfonia— Claudio Monteverdi
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Altri Canti D’Amor – Altri Canti D’Amor –— Claudio Monteverdi
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Altri Canti D’Amor – Tu Cui Tessuta Han Die Cesare Alloro— Claudio Monteverdi
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Altri Canti D’Amor – Che Mente Guerre Cante E Guerre Sona— Claudio Monteverdi
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Gira Il Nemico – Gira Il Nemico— Claudio Monteverdi
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Gira Il Nemico – Armi False Non Son— Claudio Monteverdi
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Gira Il Nemico – Vuol Degl’Occhi— Claudio Monteverdi
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Ballo Volgendo Il Ciel Movete Al Mio Bel Suon – Introduzione Al Ballo Volgendo Il Ciel— Claudio Monteverdi
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Ballo Volgendo Il Ciel Movete Al Mio Bel Suon – Ballo Muovete Al Mio Bel Suon— Claudio Monteverdi
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Ballo Volgendo Il Ciel Movete Al Mio Bel Suon – Ciaccona— Claudio Monteverdi
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Ballo Volgendo Il Ciel Movete Al Mio Bel Suon – Seconda Parte Del Ballo Ei L’Armi Cinse E Su…— Claudio Monteverdi
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Sinfonia A 5— Claudio Monteverdi
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Altri Canti Di Marte – Altri Canti Di Marte— Claudio Monteverdi
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Altri Canti Di Marte – Due Belli Occhi— Claudio Monteverdi
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Lamento Della Ninfa – Lamento Della Ninfa— Claudio Monteverdi
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Lamento Della Ninfa – Si Tra Sdegnosi Pianti— Claudio Monteverdi
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Sinfonia A 6— Claudio Monteverdi
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Hor Che’L Ciel – Hor Che’L Ciel, E La Terra— Claudio Monteverdi
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Hor Che’L Ciel – Così Sol D’Una Chiara Fonte Viva— Claudio Monteverdi
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Sacrae Cantiones – Ave Maria (A 4)— Francisco Guerrero
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Sacrae Cantiones – Alma Redemptoris Mater (A 4)— Francisco Guerrero
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Sacrae Cantiones – Beata Dei Ginitrix, Maria (A 6)— Francisco Guerrero
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Sacrae Cantiones – Pater Noster (A 8)— Francisco Guerrero
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Sacrae Cantiones – O Domine Jesu Christe I (Instrumental A 4)— Francisco Guerrero
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Sacrae Cantiones – O Domine Jesu Christe Ii (A 4)— Francisco Guerrero
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Sacrae Cantiones – O Sacrum Convivium (A 5)— Francisco Guerrero
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Sacrae Cantiones – Laudate Dominum De Caelis (A 8)— Francisco Guerrero
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Sacrae Cantiones – Gabriel Archangelus (A 4)— Francisco Guerrero
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Sacrae Cantiones – Ave, Vrgo Sanctissima (A 5)— Francisco Guerrero
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Sacrae Cantiones – Salve Regina (A 4)— Francisco Guerrero
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Sacrae Cantiones – Regina Caeli (A 8)— Francisco Guerrero
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Sacrae Cantiones – O Altitudo Divitiarum (Instrumental A 8)— Francisco Guerrero
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Sacrae Cantiones – Trahe Me Post Te, Virgo Maria (A 5)— Francisco Guerrero
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Sacrae Cantiones – Duo Seraphim (A 12)— Francisco Guerrero
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Sacrae Cantiones – Ave Maria (A 8)— Francisco Guerrero
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Johannes-Passion, BWV 245: Erster Teil: 1. Chorus. Herr, unser Herrscher, dessen Ruhm— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 2a. Rezitativ (Evangelist, Jesus). Jesus ging mit…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 2b. Chorus. Jesum von Nazareth!— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 2c. Rezitativ (Evangelist, Jesus). Jesus spricht zu ihnen— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 2d. Chorus. Jesum von Nazareth— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 2e. Rezitativ (Evangelist, Jesus). Jesus antwortete— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 3. Choral. O große Lieb— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 4. Rezitativ (Evangelist, Jesus). Auf dass das Wort…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 5. Choral. Dein Will gescheh— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 6. Rezitativ (Evangelist). Die Schar aber und der…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 7. Aria (Alto). Von den Stricken meiner Sünden— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 8. Rezitativ (Evangelist). Simon Petrus aber folgete Jesu— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 9. Aria (Soprano). Ich folge dir gleichfalls— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 10. Rezitativ (Evangelist, Magd, Petrus, Jesus,…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 11. Choral. Wer hat dich so geschlagen— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 12a. Rezitativ (Evangelist). Und Hannas sandte ihn…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 12b Chorus. Bist du nicht seiner Jünger einer?— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 12c. Rezitativ (Evangelist, Petrus, Servus). Er…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 13. Aria (Tenor). Ach, mein Sinn— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Erster Teil: 14. Choral. Petrus, der nicht denkt zurück— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 15. Choral. Christus, der uns selig macht— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 16a. Rezitativ (Evangelist, Pilatus). Da führeten sie…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 16b. Chorus. Wäre dieser nicht ein Übeltäter— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 16c. Rezitativ (Evangelist, Pilatus). Da sprach…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 16d. Chorus. Wir dürfen niemand töten— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 16e. Rezitativ (Evangelist, Pilatus, Jesus). Auf dass…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 17. Choral. Ach großer König, groß zu allen Zeiten— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 18a. Rezitativ (Evangelist, Pilatus, Jesus). Da sprach…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 18b. Chorus. Nicht diesen, sondern Barrabam!— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 18c. Rezitativ (Evangelist). Barrabas aber war ein Mörder— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 19. Arioso (Basso). Betrachte, meine Seel— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 20. Aria (Tenor). Erwäge, wie sein blutgefärbter…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21a. Rezitativ (Evangelist). Und die Kriegsknechte…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21b. Chorus. Sei gegrüßet, lieber Jüdenkönig!— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21c. Rezitativ (Evangelist, Pilatus). Und gaben ihm…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21d. Chorus. Kreuzige, kreuzige!— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21e. Rezitativ (Evangelist, Pilatus). Pilatus sprach…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21f. Chorus. Wir haben ein Gesetz— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 21g. Rezitativ (Evangelist, Pilatus, Jesus). Da…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 22. Choral. Durch dein Gefängnis, Gottes Sohn— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23a. Rezitativ (Evangelist). Die Jüden aber schrieen— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23b. Chorus. Lässest du diesen los— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23c. Rezitativ (Evangelist, Pilatus). Da Pilatus das…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23d. Chorus. Weg, weg mit dem, kreuzige ihn!— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23e. Rezitativ (Evangelist, Pilatus). Spricht Pilatus…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23f. Chorus. Wir haben keinen König— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 23g. Rezitativ (Evangelist). Da überantwortete er…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 24. Aria (Basso und Chorus). Eilt, ihr angefochtnen Seelen— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 25a. Rezitativ (Evangelist). Allda kreuzigten sie ihn— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 25b. Chorus. Schreibe nicht: „der Jüden König“— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 25c. Rezitativ (Evangelist, Pilatus). Pilatus antwortet— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 26. Choral. In meines Herzens Grunde— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 27a. Rezitativ (Evangelist). Die Kriegsknechte aber,…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 27b. Chorus. Lasset uns den nicht zerteilen— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 27c. Rezitativ (Evangelist, Jesus). Auf dass erfüllet…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 28. Choral. Er nahm alles wohl in Acht— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 29. Rezitativ (Evangelist, Jesus). Und von Stund an…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 30. Aria (Alto). Es ist vollbracht!— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 31. Rezitativ (Evangelist). Und neigte das Haupt und…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 32. Aria (Basso und Chorus). Mein teurer Heiland, laß…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 33. Rezitativ (Evangelist). Und siehe da, der Vorhang…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 34. Arioso (Tenor). Mein Herz, indem die ganze Welt— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 35. Aria (Soprano). Zerfließe, mein Herze— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 36. Rezitativ (Evangelist). Die Juden aber, dieweil es…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 37. Choral. O hilf, Christe, Gottes Sohn— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 38. Rezitativ (Evangelist). Darnach bat Pilatum Joseph…— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 39. Chorus. Ruht wohl, ihr heiligen Gebeine— Johann Sebastian Bach
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Johannes-Passion, BWV 245: Zweiter Teil: 40. Choral. Ach Herr, laß dein lieb’ Engelein— Johann Sebastian Bach
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Taqsim and Narration I— Composer not yet identified
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Bismillah ir-Rahman— Composer not yet identified
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Taqsim and Narration II— Composer not yet identified
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Kouroukanfouga— Composer not yet identified
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Lamento di Tristano— Composer not yet identified
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Greek Song— Traditional
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Taqsim and Narration III— Composer not established
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Taqsim and Narration IV— Composer not established
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Kevoque— Traditional
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Taqsim and Narration V— Composer not yet identified
▶
Qays ibn al-Moullawwah— Composer not yet identified
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Taqsim and Narration VI— Composer not yet identified
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Nihavent— Traditional
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Taqsim and Narration VII— Composer not yet identified
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Danse of the Soul— Traditional
▶
Sallatu Allah— Composer not yet identified
▶
Taqsim and Chahamezrab— Traditional
▶
Taqsim and Neveser · Hal asmar— Composer not yet identified
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Taqsim and Narration VIII— Composer not established
▶
Véro (instrumental from Yémen)— Traditional
▶
Percussion— Traditional
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Der makām-ı Hüseynī Sakīl-i Ağa Rıżā— Composer not established
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Taqsim and Narration IX— Composer not established
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Talaa’ al-badr ‘aleina— Composer not yet identified
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Taqsim and Narration X— Composer not yet identified
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Sufí Dance— Composer not yet identified
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Taqsim and Narration XI— Composer not established
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Taqsim and Narration XII— Composer not yet identified
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En to stavro pares tosa— Composer not yet identified
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Ясен месец веч изгряава— Traditional
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Tabla— Composer not established
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Laïla Djân (Afghanistan)— Composer not yet identified
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Taqsim and Narration XIII— Composer not established
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Laïla Djân II (Afghanistan)— Traditional
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Taqsim and Narration XIV— Composer not yet identified
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Muddhu gare yashoda (Raga)— Composer not established
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Taqsim and Narration XV— Composer not yet identified
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Gao shan liu shui— Traditional
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Improvisation— Composer not established
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Jiao chuang ye yu— Composer not yet identified
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Danced Song “Ya bourdaeyn”— Traditional
▶
Improvisation (Double Flute) and Narration— Composer not yet identified
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Quant ai lo mont consirat— Composer not established
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Taqsim and Narration XVI— Composer not yet identified
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Fiyachia— Composer not yet identified
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Taqsim and Danced Song “‘Al maya, ‘Al maya”— Composer not yet identified
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Taqsim and Narration XVII— Composer not established
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Imperial Dance— Composer not yet identified
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Isabella (Stampitta)— Composer not established
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Tian shan zhi chun— Composer not yet identified
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Taqsim and Der makām Çargah sirto— Traditional
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Cerco de Baeza— Composer not established
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Xing jie— Composer not yet identified
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Li Saheb  – Taqsim— Traditional
▶
Mowachah Billadi Askara Min adbi Llama (arab-andalus music)— Traditional
▶
Ductia (CSM 123) instr.— Composer not established
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Saltarello – Guillaume Dufay / Jordi Savall— Composer not established
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Da Pacem – Gilles Binchois— Composer not established
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Deserts d’amichs, de béns e de senyor (rec.)— Composer not yet identified
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Rondeau (instrumental) “Ce jour” – Guillaume Dufay / Jordi Savall— Composer not yet identified
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Strambotto-caccia: Correno multi cani – Anonymous (Montecassino Songbook)— Composer not established
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Zappay lo campo (instr.) – Anonymous (Montecassino Songbook)— Composer not yet identified
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Ave Maris Stella – Guillaume Dufay— Composer not yet identified
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Makam Muhayyer “Küme” uşūleş Düyek – Acemler (War turkish march)— Composer not established
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Exultet caelum cum laudibus – Anonymous (Montecassino Songbook)— Composer not established
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Adoramus te – Anonymous (Montecassino Songbook)— Composer not yet identified
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Viva, viva Rey Fernando – Anonymous (Montecassino Songbook)— Composer not yet identified
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Miserere nostri / Vexilla regis – Anonymous (Montecassino Songbook)— Composer not yet identified
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La gran dolor (rec.) – Ausiàs March— Composer not yet identified
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El cervel mi fa (instr.) – Anonymous— Composer not yet identified
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Patres nostris peccaverunt – Johannes Cornago— Composer not established
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De Tous biens plaine – Haine van Guizeghem / Josquin Des Prez— Josquin des Prez
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Anonymous Ottoman – Taksim & Dance— Composer not yet identified
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Viva el Gran Rey Don Fernando – Carlo Verardi— Composer not established
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Lamento per la morte di Lorenzo Il Magnifico – Heinrich Isaac— Composer not yet identified
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Romance: La rosa enflorece – Anonymous Sefardí— Composer not established
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Salve regis Mater / Hic sacerdos – Marbriano de Orto— Composer not yet identified
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Hebrew song of peace Adonay – Anonymous (Sinagogal Song)— Composer not yet identified
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Elogio de Lucrecia – B. Accolti (rec.)— Composer not yet identified
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Déploration pour la mort de J. Ockeghem – Josquin Des Prez— Composer not yet identified
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Fortuna desperata – Anonymous— Composer not yet identified
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Absalon fili mi – Josquin Des Prez— Composer not yet identified
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Un cavalier di Spagna – Anonymous— Composer not established
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Drums & bells— Composer not yet identified
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Une musique de Buscaye (instr.) – Josquin Des Prez— Josquin des Prez
▶
Donna contro la mia voglia – Philippus de Lurano— Composer not established
▶
Villancico: Si abrá en estre baldrés – Juan del Enzina— Composer not established
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Soneto: Amor la tua virtute – Arcadelt / Bembo— Composer not yet identified
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Requiem – Josquin Des Prez— Composer not yet identified
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Pavana alla Ferrarese – Joan Ambrosio Dalza— Composer not yet identified
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Éloge de la duchesse de Ferrara (rec.) – Fondraglia— Composer not yet identified
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Epitafio: Aquí yaze en poca tierra – Fernández de Oviedo— Composer not established
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Castalios latices ploranda (rec.) – Ercole Strozzi— Composer not established
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Agnus Dei (Missa Hercules Rex) – Josquin Des Prez— Josquin des Prez
▶
Fanfaria – Jordi Savall— Composer not yet identified
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The Song of the Valencian Sibyl – Anonymous / Gandia Songbook – Refrains: Alonso and Bartomeu…— Composer not yet identified
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Fantasia I (harp) – Lluís del Milà— Composer not yet identified
▶
La Batalla (instr.) – Janequin / Susato— Composer not established
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Motet: Proch dolor – Josquin Des Prez— Josquin des Prez
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La guerra: Todos los buenos soldados – Mateu Flecha— Composer not established
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Fantasia II (harp) – Lluís del Milà— Composer not established
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Tau garçó la durundena – Bartomeu Cárceres— Composer not yet identified
▶
Meis olhos van por lo mare – Anonymous Portuguese— Composer not established
▶
Égloga III (1536) Aquella voluntad honesta y pura (rec.)— Composer not yet identified
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Jubilate Deo omnis terra – Cristóbal de Morales— Composer not established
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Pavana “O voy” – Juan Román (C. M. Palacio)— Composer not yet identified
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Credo in unum Deum – Francesc Borja (attributed)— Composer not yet identified
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Kyrie I (harp) – Venegas de Henestrosa— Composer not established
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Alma buscarte has en Mi – Teresa de Jesús— Composer not yet identified
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Lachrimosa dies illa – Cristóbal de Morales— Composer not established
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Mille regrets – Josquin Des Prez / Luys Narváez— Composer not yet identified
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Improvisation & Dance – Traditional Turkish, anonymous.— Composer not established
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Fanfare – Anonymous— Composer not established
▶
Psalm 35: Deba contre mes debateurs – Claude Goudimel— Composer not established
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Requiem: Pie Jesu Domine – Cristóbal de Morales— Composer not established
▶
El Rey y por S.M. Don Luis Carrillo (rec.) – Page 34 (Valencia 1611)— Composer not yet identified
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Improvisation – Moorish Lament— Composer not established
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Pange Lingua gloriosi (Gregorian)— Composer not established
▶
Pavana 1— Luis de Milán
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Gallarda 6— Luis de Milán
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Fantasia 11 (Psaltérion)— Luis de Milán
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Fantasia 1— Luis de Milán
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Fantasia 5 (Harpe)— Luis de Milán
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Pavana 3— Luis de Milán
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Gallarda 3— Luis de Milán
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Fantasia 19 (Harpe)— Luis de Milán
▶
Fantasia 10— Luis de Milán
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Fantasia 26 (Harpe)— Luis de Milán
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Pavana 2— Luis de Milán
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Gallarda 2— Luis de Milán
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Fantasia 8— Luis de Milán
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Fantasia 40 (Harpe)— Luis de Milán
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Fantasia 12— Luis de Milán
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Pavana 5 (Harpe)— Luis de Milán
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Fantasia 9— Luis de Milán
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Tiento 1 (Harpe)— Luis de Milán
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Fantasia 38— Luis de Milán
▶
Suite En Fa Majeur – Ouverture— Guillaume Dumanoir
▶
Suite En Fa Majeur – Libertas— Guillaume Dumanoir
▶
Suite En Fa Majeur – Allemande De Mr Verdier— Guillaume Dumanoir
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Suite En Fa Majeur – Courantes Nouvelles I & Ii— Guillaume Dumanoir
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Suite En Fa Majeur – Sarabande Italienne— Guillaume Dumanoir
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Suite En Fa Majeur – Courante I— Guillaume Dumanoir
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Suite En Fa Majeur – Courante Ii— Guillaume Dumanoir
▶
Suite En Sol Majeur – Allemande À 5— Michel Mazuel
▶
Suite En Sol Majeur – Courante I— Michel Mazuel
▶
Suite En Sol Majeur – Courante Ii— Michel Mazuel
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Suite En Sol Majeur – Courante I Da Capo— Michel Mazuel
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Suite En Sol Majeur – Saranbande— Michel Mazuel
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Suite En Sol Majeur – Bourrée I— Michel Mazuel
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Suite En Sol Majeur – Bourrée – Courante— Michel Mazuel
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Suite En Fa Majeur – Gigue— Michel Mazuel
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Suite En Si Bémol Majeur – Allemande À 5— Mignot de la Voye
▶
Suite En Si Bémol Majeur – Gagliarde— Mignot de la Voye
▶
Suite En Si Bémol Majeur – Courante— Mignot de la Voye
▶
Suite En Si Bémol Majeur – Gavotte— Mignot de la Voye
▶
Suite En Si Bémol Majeur – Sarabande De Mr De La Haye— Mignot de la Voye
▶
Fantaisie – Les Pleurs D’Orphée Ayant Perdu Sa Femme— Anonymous
▶
Suite Du Ballet De Stockholm – Intrada— Guillaume Dumanoir
▶
Suite Du Ballet De Stockholm – Geschwindt – Langsamer— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Presto – Langsam – Allgro— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Marche— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Air— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Sarabande— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Bransle— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Double— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Allegro— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Presto— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Aria Langsam – Presto— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Langsamer – Sarabande— Guillaume Dumanoir
▶
Suite Du Ballet De Stockholm – Hungaresca— Guillaume Dumanoir
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Suite Du Ballet De Stockholm – Marche – Tambourin— Guillaume Dumanoir
▶
Missa Bruxellensis – I. Kyrie (Biber)— Heinrich Ignaz Franz Biber
▶
Missa Bruxellensis – II. Gloria (Biber)— Heinrich Ignaz Franz Biber
▶
Missa Bruxellensis – III. Credo (Biber)— Heinrich Ignaz Franz Biber
▶
Missa Bruxellensis XXIII – IV. Sanctus (Biber)— Heinrich Ignaz Franz Biber
▶
Missa Bruxellensis XXIII – V. Agnus Dei (Biber)— Heinrich Ignaz Franz Biber
▶
The Prophetess – First Musick— Henry Purcell
▶
The Prophetess – Second Music— Henry Purcell
▶
The Prophetess – Symphony For Trumpets & Violin— Henry Purcell
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The Prophetess – Retornella— Henry Purcell
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The Prophetess – Dance Of The Furies : Soft Music – Dance— Henry Purcell
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The Prophetess – The Chair Dance— Henry Purcell
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The Fairy Queen – Act I – First Music (Prelude)— Henry Purcell
▶
The Fairy Queen – Act I – Hornpipe— Henry Purcell
▶
The Fairy Queen – Act I – Second Music (Air)— Henry Purcell
▶
The Fairy Queen – Act I – Rondeau— Henry Purcell
▶
The Fairy Queen – Act I – Ouverture— Henry Purcell
▶
The Fairy Queen – Act I – Tune (Jig)— Henry Purcell
▶
The Fairy Queen – Act II – A Prelude— Henry Purcell
▶
The Fairy Queen – Act II – A Bird’s Prelude— Henry Purcell
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The Fairy Queen – Act II – Echo— Henry Purcell
▶
The Fairy Queen – Act II – A Fairies Dances— Henry Purcell
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The Fairy Queen – Act II – A Dance Of The Followers Of Night— Henry Purcell
▶
The Fairy Queen – Act II – Tune (Air)— Henry Purcell
▶
The Fairy Queen – Act III – Prelude (“Love’s A Sweet Passion”)— Henry Purcell
▶
The Fairy Queen – Act III – Ouverture (Symphony While The Swans Caome Forward)— Henry Purcell
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The Fairy Queen – Act III – Dance Of The Fairies— Henry Purcell
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The Fairy Queen – Act III – Dance For The Green Men— Henry Purcell
▶
The Fairy Queen – Act III – A Dance For The Haymakers— Henry Purcell
▶
The Fairy Queen – Act III – Tune (Hornpipe)— Henry Purcell
▶
The Fairy Queen – Act IV – Symphony— Henry Purcell
▶
The Fairy Queen – Act IV – Entry Of Phoebus— Henry Purcell
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The Fairy Queen – Act IV – Tune (Air)— Henry Purcell
▶
The Fairy Queen – Act V – Prelude— Henry Purcell
▶
The Fairy Queen – Act V – Entry Dance— Henry Purcell
▶
The Fairy Queen – Act V – Symphony— Henry Purcell
▶
The Fairy Queen – Act V – Monkey’s Dance— Henry Purcell
▶
The Fairy Queen – Act V – Chaconne (Dance For The Chinese Man And Wowan)— Henry Purcell
▶
The Fairy Queen – Act V – Tune— Henry Purcell
▶
Música Religiosa (Vol. I) , I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Introducción)…— Composer not yet identified
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Música Religiosa (Vol. I) , I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia)— Composer not established
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Música Religiosa (Vol. I) , I. Adoramus Te (4 V.) CM 4: Crucem Tuam Adoramus (Antífonia)— Composer not yet identified
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Música Religiosa (Vol. I) , I. Adoramus Te (4 V.) CM 4: Ecce Enim Propter Lignum (Antífonia)— Composer not established
▶
Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Ave Maris Stella (A 3)…— Composer not established
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Sumens Illud Ave (Schola)…— Composer not yet identified
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Solve Vincla Reis (A 3)…— Composer not yet identified
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Monstra Te Esse Matrem…— Composer not established
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Virgo Singularis (A 4)…— Composer not yet identified
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Vitam Praesta Puram (Schola)…— Composer not yet identified
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Sit Laus Deo Patri (A 4)…— Composer not established
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Música Religiosa (Vol. I) , II. Ave Maris Stella (3 & 4 V.) CM 62: Amen (Himno De Vísperas)— Composer not established
▶
Música Religiosa (Vol. I) , III. Ave Maris Stella CM 76 (Damianus (Arpa)— Composer not yet identified
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Veni Sancte Spiritus (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Veni Pater Pauperum (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Consolator Optime (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : In Labore Requies (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : O Lux Beatissima (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Sine Tuo Nomine (Dufay)— Composer not yet identified
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Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Lava Quod Est Sordidum (Dufay)— Composer not yet identified
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Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Flecte, Quod Est Rigidum (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Da Tuis Fidelibus (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Da Virtuis Meritum (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , IV. Veni Sancte Spiritus (3 V.) : Amen (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri…— Composer not established
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Vexilla Regis…— Composer not established
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Quo Vulneratus…— Composer not yet identified
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Impleta Sunt Quae…— Composer not established
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Arbor Decora Et…— Composer not yet identified
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Beata Cujus…— Composer not yet identified
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: O Crux Ave, Spes…— Composer not established
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Te Summa Deus…— Composer not established
▶
Música Religiosa (Vol. I) , V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri….— Composer not established
▶
Música Religiosa (Vol. I) , VI. Fantasia (Instr.) CM 91 (Anónimo (Vientos)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Magnificat Anima Mea Dominum (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Et Exsultavit Spiritus Meus (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Quia Respexit Humilitatem (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Quia Fecit Mihi Magna (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Et Misericordia Ejus (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Fecit Potentiam In Brachio Suo (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Desposuit Potentes De Sede (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Esurientes Implevit Bonis (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Suscepit Israel Puerum Suum (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Sicut Locutus Est Ad Patres Nostros…— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Gloria Patri Et Fiolio (Dufay)— Composer not established
▶
Música Religiosa (Vol. I) , VII. Magnificat (4 V.) CM 74: Sicut Erat In Principio. Amen. (Dufay)— Composer not yet identified
▶
Música Religiosa (Vol. I) , VIII. Patres Nostri Peccaverunt (4 V.) CM 2 (Cornago)— Composer not established
▶
Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: Cum Autem Venissem Ad Locum…— Composer not yet identified
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Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: O Dulcissime Filie Sion…— Composer not yet identified
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Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: O Vos Qui Transitis Per Viam…— Composer not established
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Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: O Nimis Triste Spectaculum…— Composer not yet identified
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Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: Cum Portaretur Ad Sepulcrum…— Composer not yet identified
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Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: Cum Vero Venissem Ad Locum…— Composer not yet identified
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Música Religiosa (Vol. I) , IX. Cum Autem Venissem (4 V.) CM 120: Amen (Anónimo / Himno…— Composer not established
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Música Profana (Vol.II) , I.: Chiave, Chiave (Instr.) CM 131 (Toccata Instrumental) (Anónimo)— Composer not established
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Música Profana (Vol.II) , I.: Merce Te Chiamo CM 89 (Ballatta) (Anónimo)— Composer not established
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Música Profana (Vol.II) , I.: La Fille Guillemin (Instr.) CM 6 (Ballo) (Anónimo)— Composer not established
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Música Profana (Vol.II) , I.: O Tempo Bono CM 132 (Strambotto) (Anónimo)— Composer not established
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Música Profana (Vol.II) , II.: Zappay (Instr.) CM 20 (Strambotto Instr.) (Anónimo)— Composer not yet identified
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Música Profana (Vol.II) , II.: Piangendo Chiamo CM 24 (Disperata) (Anónimo)— Composer not established
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Música Profana (Vol.II) , II.: Puisque Vos Me Lasses Seulete / Je Ne Vous Amare Marioneta CM 86…— Composer not yet identified
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Música Profana (Vol.II) , II.: Alle Stamenge CM 133 (Canto Carnascialesco) (Anónimo)— Composer not yet identified
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Música Profana (Vol.II) , III.: Collinetto (Instr.) CM 22 (Ballo) (Anónimo)— Composer not established
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Música Profana (Vol.II) , III.: Amor Tu Non Me Gabasti CM 23 (Barzelletta) (Anónimo)— Composer not yet identified
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Música Profana (Vol.II) , III.: Je Vos Pri Mon Tres CM 109 (Triple Chanson) (Dufay)— Composer not yet identified
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Música Profana (Vol.II) , III.: Correno Multi Cani CM 140 (Strambotto-Caccia) (Anónimo)— Composer not yet identified
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Música Profana (Vol.II) , IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 – Miserere Pie…— Composer not established
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Música Profana (Vol.II) , IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 – Mort Tu As…— Composer not yet identified
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Música Profana (Vol.II) , IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 – Retoricque, Se…— Composer not established
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Música Profana (Vol.II) , IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 – En Sa Jonesse…— Composer not established
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Música Profana (Vol.II) , V.: La Spagna (Instr.) (Basse Dance) (Anónimo)— Composer not established
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Música Profana (Vol.II) , V.: Qu’es Mi Vida Preguntais CM 10 (Canción) (Cornago / Ockeghem)— Composer not established
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Música Profana (Vol.II) , V.: Viva Viva Rey Ferrando CM 111 (Canción) (Anónimo)— Composer not established
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Música Profana (Vol.II) , V.: De Tous Biens Plaine (Instr.) CM 85 (Chanson) (Van Ghizeghem)— Composer not established
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Música Profana (Vol.II) , V.: Dindirindin CM 127 (Canzon Alla Villota0 (Anónimo)— Composer not established
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I. Five-Part Dances: Dovehouse Pavan (Ferrabosco)— Composer not established
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I. Five-Part Dances: Almaine (Ferrabosco)— Composer not established
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II. Four-Part Fancyes: Fantasia (No. 14) (Ferrabosco)— Composer not yet identified
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II. Four-Part Fancyes: Fantasia (No. 4) (Ferrabosco)— Composer not yet identified
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II. Four-Part Fancyes: Fantasia (No. 2) (Ferrabosco)— Composer not yet identified
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II. Four-Part Fancyes: Fantasia (No. 8) (Ferrabosco)— Composer not yet identified
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III. Five- & Six- Part Consorts: In Nomine A 5 (Ferrabosco)— Composer not yet identified
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III. Five- & Six- Part Consorts: Fantasia (No. 3) A 6 (Ferrabosco)— Composer not yet identified
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IV. Four-Part Fancyes: Fantasia (No. 24) (Ferrabosco)— Composer not established
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IV. Four-Part Fancyes: Fantasia (No. 5) (Ferrabosco)— Composer not yet identified
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IV. Four-Part Fancyes: Fantasia (No. 7) (Ferrabosco)— Composer not yet identified
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IV. Four-Part Fancyes: Fantasia (No. 9) (Ferrabosco)— Composer not established
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V. Five- & Six-Part Consorts: Four-Note Pavan (Ferrabosco)— Composer not established
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V. Five- & Six-Part Consorts: Fantasia (No. 2) A 6 (Ferrabosco)— Composer not established
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VI. Four-Part Fancyes: Fantasia (No. 6) (Ferrabosco)— Composer not established
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VI. Four-Part Fancyes: Fantasia (No. 1) (Ferrabosco)— Composer not yet identified
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VI. Four-Part Fancyes: Fantasia (No. 10) (Ferrabosco)— Composer not yet identified
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VI. Four-Part Fancyes: Fantasia (No. 3) (Ferrabosco)— Composer not yet identified
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VII. Six-Part Consorts: In Nomine A 6 (Ferrabosco)— Composer not established
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VII. Six-Part Consorts: Fantasia (No. 6) A 6 (Ferrabosco)— Composer not established
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Suite pour theorbe in D Major: No. 1, Prélude— Robert de Visée
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Suite pour theorbe in D Major: No. 2, Allemande— Robert de Visée
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Suite pour theorbe in D Major: No. 3, Courante— Robert de Visée
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Suite pour theorbe in D Major: No. 4, Gavotte— Robert de Visée
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Suite pour theorbe in D Major: No. 5, Sarabande— Robert de Visée
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Suite pour theorbe in D Major: No. 6, Gigue— Robert de Visée
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Suite pour theorbe in C Minor: No. 1, Prélude— Robert de Visée
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Suite pour theorbe in C Minor: No. 1, La plainte ou tombeau de Mesdemoiselles de Visée,…— Robert de Visée
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Suite pour theorbe in C Minor: No. 2, Courante— Robert de Visée
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Suite pour theorbe in C Minor: No. 3, Sarabande— Robert de Visée
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Suite pour theorbe in C Minor: No. 4, Gigue— Robert de Visée
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Musette en rondeau— Robert de Visée
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Suite pour theorbe in D Minor: No. 1, Prélude— Robert de Visée
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Suite pour theorbe in D Minor: No. 2, Allemande— Robert de Visée
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Suite pour theorbe in D Minor: No. 3, Courante— Robert de Visée
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Suite pour theorbe in D Minor: No. 4, Gavotte— Robert de Visée
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Suite pour theorbe in D Minor: No. 5, Menuet— Robert de Visée
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Suite pour theorbe in D Minor: No. 6, Sarabande— Robert de Visée
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Suite pour theorbe in D Minor: No. 7, Gigue— Robert de Visée
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Entrée des espagnols de Mr de Lully— Robert de Visée
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Les Sylvains de Mr. Couperin— Robert de Visée
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Pièces de violle, Suite No. 1 in D Minor: No. 1, Prélude— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 2, Allemande— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 3, Courante— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 4, Sarabande— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 5, Gigue— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 6, Gavotte— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 7, Menuet— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 8, Gavotte— Le Sieur de Machy
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Pièces de violle, Suite No. 1 in D Minor: No. 9, Menüet— Le Sieur de Machy
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Pièces de violle, Suite No. 3 in G Minor: No. 1, Allemande— Le Sieur de Machy
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Pièces de violle, Suite No. 3 in G Minor: No. 2, Courante— Le Sieur de Machy
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Pièces de violle, Suite No. 3 in G Minor: No. 3, Sarabande— Le Sieur de Machy
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Pièces de violle, Suite No. 3 in G Minor: No. 4, Gigue— Le Sieur de Machy
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Pièces de violle, Suite No. 3 in G Minor: No. 5, Gavotte— Le Sieur de Machy
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Pièces de violle, Suite No. 4 in G Major: No. 1, Prélude— Le Sieur de Machy
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Pièces de violle, Suite No. 4 in G Major: No. 2, Allemande— Le Sieur de Machy
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Pièces de violle, Suite No. 4 in G Major: No. 3, Courante— Le Sieur de Machy
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Pièces de violle, Suite No. 4 in G Major: No. 4, Sarabande— Le Sieur de Machy
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Pièces de violle, Suite No. 4 in G Major: No. 5, Gigue— Le Sieur de Machy
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Pièces de violle, Suite No. 4 in G Major: No. 6, Chaconne— Le Sieur de Machy
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Folias (Imperfectas) (Harp)— Anoniem
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Gesproken tekst I (1) : “Alleen al door haar aanblik heeft de Zotheid de zorgen van haar…— Anoniem
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Gesproken tekst III (2) : “Waarom de Zotheid ertoe gekomen is zichzelve te prijzen” / Muziek:…— Diego Ortiz
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Gesproken tekst VII (3) : “Afkomst der Zotheid”— Anoniem
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Gesproken tekst VIII (4) : “Haar geboorteplaats en de jaren harer jonkheid” / Muziek: Folías de…— Anoniem
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Gesproken tekst IX (5) : “Haar gevolg” / Muziek (Voortzetting) : Folías de la costa (Harp)— Anoniem
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Gesproken tekst X (6) : “De aanspraken van de Zotheid om te midden van de godinnen plaats te…— Alonso Mudarra
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Folía: Rodrigo Martinez (Improvisatie van villancico C. M. de Palacio No. 12)— Anoniem
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Gesproken tekst XI (7) : “Hoe Zij de bron van alle leven is” / Muziek (Voortzetting) : Folía:…— Anoniem
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Gesproken tekst XII (8) : “Hoe zij de bron van elk levensgenot is” / Muziek (Voortzetting) :…— Anoniem
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Gesproken tekst XIII (9) : “Aangaande de banden die de kindsheid en de tweede kindsheid, dat is…— Anoniem
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Gesproken tekst XIV (10) : “Hoe Zij de jonkheid verlengt en de ouderdom weert” / Muziek: Folías…— Anoniem
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Gesproken tekst XVI (11) : “Overal wordt de Zotheid gevonden” / Muziek: Harke, harke— Tobias Hume
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Gesproken tekst XIX (12) : “De Zotheid is noodzakelijk voor de vriendschap” / Muziek: Belle qui…— Thoinot Arbeau
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Gesproken tekst XX (13) “Geen huwelijk houdt stand zonder de hulp van de Zotheid” / Muziek…— Thoinot Arbeau
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Cucú, cucú, cucucú ! (C. M. de Palacio No. 94)— Juan del Enzina
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Gesproken tekst XXI (14) : “De Zotheid is een groot goed voor de gemeenschap” / Muziek: Paduana…— Anoniem
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Gesproken tekst: XXIII (15) : “Zij zet aan tot voortreffelijk daden in de oorlog” / Muziek:…— Clément Janequin
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Gesproken tekst XXV (16) : “Over de minderwaardigheid der wijsheid in alle omstandigheden van…— Anoniem
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Gesproken tekst XXVIII (17) : “Zij is de moeder der kunsten” / Muziek: My Lady Carey’s Dompe…— Anoniem
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Saltarello (Gamba viols) (Mss. Venezia)— Anoniem
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Gesproken tekst XXIX (18) : “Zij eist de lauwerkrans van het verstand voor zichzelf op” /…— Anoniem
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Gesproken tekst XXX (19) : “Hoe de Zotheid een gids van de wijsheid is” / Muziek: Pavana con su…— Antonio de Cabezón
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Gesproken tekst XXXII (20) : “De betrekkingen van de Zotheid met onwetendheid” / Muziek:…— Anoniem
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La Spagna (15de eeuw)— Anoniem
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Gesproken tekst LV (21) : “De Zotheid der koningen” / Muziek: Las Vacas (Romanesca)— Anoniem
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Gesproken tekst LVII – LIX (22) : “De Zotheid der bisschoppen, kardinalen en soevereine…— Anoniem
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Gesproken tekst LXVI (23) : “Betrekkingen van de christelijke godsdienst met de Zotheid” /…— Johannes Cornago
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Gesproken tekst LXVII (24) “De Zotheid is het hoogste goed” / Muziek: Dios te salve, Cruz…— Anoniem
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Diferencias Sobre “Las Vacas” (Harp)— Antonio de Cabezón
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Gesproken tekst LXVIII (25) : “Afscheid van de lezer” / Muziek: Folias Portuguesas (Harp)— Anoniem
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Makam “Muhayyer pesrev” (Ottomaanse oorlogsmars) (15e eeuw)— Anoniem
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Gesproken tekst 1: “Brief van Erasmus. De oorlog tegen de Turken” / Muziek: Taksim…— Anoniem
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Saltarello: Une musique de Buscaye (Instrumentaal)— Josquin des Prez
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Gesproken tekst 2: Adage 145. “Wie niet waagt, wie niet wint” / Muziek: Fortuna desperata— Josquin des Prez
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Taskim & Dance (Anoniem Ottomaans)— Anoniem
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Gesproken tekst 3: “Erasmus van Rotterdam en de Joden” / Muziek: Las estrellas de los cielos…— Anoniem
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Lavava y suspirava (Sefardisch)— Anoniem
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Gesproken tekst 4: “Grafschrift voor Johannes Ockeghem, onvolprezen Muziekus” / Muziek: Fortune…— Johannes Vincenet
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“Latura tu (Instrumentaal) (Odhecaton No. 94)— Antoine Bruhier
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Gesproken tekst 5: “Lofrede op Filips de Schone” / Muziek: Adieu mes amours (Improvisatie Harp)— Anoniem
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Gesproken tekst 6: “Adagio 3415. Liefde leert je muziek waarderen” / Muziek: De tous biens…— Hayne van Ghizeghem
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Gesproken tekst 7: “Enchiridion. Het belang van de klassieken” / Muziek: Ave maris stella (Harp…— Damianus
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Gesproken tekst 8: Adagio 3001. “De oorlog is zoet voor wie hem niet kent” / Muziek: Drums &…— Anoniem
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Danza Alta (instrumentaal) (C. M. Palacio No. 321)— Francisco de la Torre
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Gesproken tekst 9: “Erasmus van Rotterdam aan zijn goede vriend Thomas More ter gelegenheid van…— Anoniem
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Gesproken tekst 10: “De Vorst van Machiavelli” / Muziek: Gallarda di Venosa (Harp)— Carlo Gesualdo
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Gesproken tekst 11: “Erasmus. Over de opvoeding van de christelijke vorst” (1516)— Antonio de Cabezón
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Gesproken tekst 12: “Thomas More’s Utopia: Over gerechtigheid en maatschappelijke voorspoed” /…— John Lloyd
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Gesproken tekst 13: “Erasmus. De klacht van de vrede” / Muziek: Mille regrets (Viola da gamba)— Josquin des Prez
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Gesproken tekst 14: “Brief van Maarten Luther aan Erasmus van Rotterdam” (28 maart 1519) /…— Anoniem
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Gesproken tekst 15: “Brief van Erasmus aan Luther” (30 mei 1519)— Anoniem
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Gesproken tekst 16: “Brief van Maarten Luther aan Erasmus (15 april 1524) ” / Muziek: Psalm:…— Hans Leo Hassler
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Gesproken tekst 17: “Erasmus van Rotterdam aan Luther – Hekelrede betreffende de vrije wil”…— Christopher Tye
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Pavane «La Bataille» (Uitgegeven door Jacques Moderne in “Musique de Joie” Lyon, ca. 1540)— Anoniem
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Gesproken tekst 18: “Brief van Erasmus van Rotterdam aan de Franse koning Frans I” (16 juni…— Anoniem
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Gazel (Otoman song) (Texst van Fuzuli)— Mehmet bin Süleyman
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Gesproken tekst 19: “Marteen Luther aan Erasmus. Over de slaafse wil” / Muziek: Psalm: Christ…— Martin Luther
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Christ ist erstanden à 6 stemmen— Heinrich Isaac
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Gesproken tekst 20: Adage 2100. “Woorden zijn de heelmeesters van zieke zielen” / Muziek: Now o Now— John Dowland
▶
Gesproken tekst 21: “Erasmus sterft in Basel” (Stefan Zweig)— Anoniem
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Plangite Pierides (Klaaglied op de dood van Erasmus van Rotterdam)— Benedictus Appenzeller
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Gesproken tekst 22: “De spirituele erfenis van Erasmus” (Stefan Zweig) / Muziek: Durezze e…— Giovanni Maria Trabaci
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Concerto con violino e viola da gamba, Archi e Continuo (La Maggiore, RV 546) : I. Allegro— Antonio Vivaldi
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Concerto con violino e viola da gamba, Archi e continuo (La Maggiore, RV 546) : II. Andante— Antonio Vivaldi
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Concerto con violino e viola da gamba, Archi e continuo (La Maggiore, RV 546) : III. Allegro— Antonio Vivaldi
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Concerto con 2 violini e viola da gamba, Archi e Continuo (Re Minore, RV 565) : I. Allegro,…— Antonio Vivaldi
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Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565) : II. Allegro— Antonio Vivaldi
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Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565) : III. Largo e…— Antonio Vivaldi
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Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565) : IV. Allegro— Antonio Vivaldi
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“Concerto Funebre” con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem….— Composer not yet identified
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Concerto “Il proteo o sia il mondo al Rovescio” con violino e violoncello, Archi e continuo (Fa…— Composer not yet identified
▶
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578) : I. Adagio e…— Antonio Vivaldi
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Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578) : II. Larghetto— Antonio Vivaldi
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Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578) : III. Allegro— Antonio Vivaldi
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Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580) : I. Allegro— Antonio Vivaldi
▶
Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580) : II. Largo— Antonio Vivaldi
▶
Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580) : III. Larghetto….— Antonio Vivaldi
▶
Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580) : IV. Allegro— Antonio Vivaldi
▶
Concerto con molti istromenti (Do Maggiore, RV 555) : II. Largo e spicato— Antonio Vivaldi
▶
Serenade In D, Serenata Notturna KV 239: Marcia (Maestoso) (Mozart)— Wolfgang Amadeus Mozart
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Serenade In D, Serenata Notturna KV 239: Menuetto – Trio (Mozart)— Wolfgang Amadeus Mozart
▶
Serenade In D, Serenata Notturna KV 239: Rondeau (Allegretto – Adagio – Allegro) (Mozart)— Wolfgang Amadeus Mozart
▶
Serenade In G, Eine Kleine Nachtmusik KV 525: Allegro (Mozart)— Wolfgang Amadeus Mozart
▶
Serenade In G, Eine Kleine Nachtmusik KV 525: Romance (Andante) (Mozart)— Wolfgang Amadeus Mozart
▶
Serenade In G, Eine Kleine Nachtmusik KV 525: Menuetto (Allegretto) – Trio (Mozart)— Wolfgang Amadeus Mozart
▶
Serenade In G, Eine Kleine Nachtmusik KV 525: Rondo (Allegro) (Mozart)— Wolfgang Amadeus Mozart
▶
Notturno In D Für Vier Orchester KV 286: Andante (Mozart)— Wolfgang Amadeus Mozart
▶
Notturno In D Für Vier Orchester KV 286: Allegretto Grazioso (Mozart)— Wolfgang Amadeus Mozart
▶
Notturno In D Für Vier Orchester KV 286: Menuetto – Trio (Mozart)— Wolfgang Amadeus Mozart
▶
Ein Musikalicher Spaß KV 522: Allegro (Mozart)— Wolfgang Amadeus Mozart
▶
Ein Musikalicher Spaß KV 522: Menuetto (Maestoso) – Trio (Mozart)— Wolfgang Amadeus Mozart
▶
Ein Musikalicher Spaß KV 522: Adagio Cantabile (Mozart)— Wolfgang Amadeus Mozart
▶
Ein Musikalicher Spaß KV 522: Presto (Mozart)— Wolfgang Amadeus Mozart
▶
The Bell Pavan— John Jenkins
▶
Fantasy No. 4— John Jenkins
▶
Fantasy No. 5— John Jenkins
▶
Fantasy No. 6— John Jenkins
▶
Fantasy No. 7— John Jenkins
▶
In Nomine No. 1— John Jenkins
▶
Fantasy No. 1— John Jenkins
▶
Fantasy No. 2— John Jenkins
▶
Fantasy No. 3— John Jenkins
▶
Pavan No. 2— John Jenkins
▶
Fantasy No. 8— John Jenkins
▶
Fantasy No. 9— John Jenkins
▶
Fantasy No. 11— John Jenkins
▶
Fantasy No. 10— John Jenkins
▶
In Nomine No. 2— John Jenkins
▶
Te Deum, H.146: I. Prélude— Composer not yet identified
▶
Te Deum, H.146: II. Te Deum laudamus (basse)— Composer not yet identified
▶
Te Deum, H.146: VI. Tu devicto mortis aculeo (basse et choeur)— Composer not yet identified
▶
In nativitatem Domini canticum, H.416: I. Praeludium— Composer not established
▶
In nativitatem Domini canticum, H.416: II. Récit— Composer not yet identified
▶
In nativitatem Domini canticum, H.416: V. Utinam dirumperes coelos (choeur)— Composer not established
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In nativitatem Domini canticum, H.416: VI. Ariette— Composer not yet identified
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In nativitatem Domini canticum, H.416: VII. Rorate coeli de super— Composer not established
▶
In nativitatem Domini canticum, H.416: VIII. Nuit « Lentement »— Composer not established
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In nativitatem Domini canticum, H.416: X. Réveil des Bergers— Composer not established
▶
In nativitatem Domini canticum, H.416: XI. Chorus Pastorum— Composer not yet identified
▶
In nativitatem Domini canticum, H.416: XIV. Récit (Berger)— Composer not yet identified
▶
In nativitatem Domini canticum, H.416: XV. Marche des Bergers— Composer not established
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In nativitatem Domini canticum, H.416: XVII. Chanson (L’Ange)— Composer not established
▶
Officium Defunctorum – Ad Matutinum— Composer not yet identified
▶
Officium Defunctorum – Invitatorium— Composer not established
▶
Officium Defunctorum – In Primo Nocturno (Lecti I)— Composer not yet identified
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Officium Defunctorum – In Primo Nocturno (Lecti II)— Composer not yet identified
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Officium Defunctorum – In Primo Nocturno (Lecti III)— Composer not yet identified
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Officium Defunctorum – In Secundo Nocturno— Composer not yet identified
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Missa Pro Defunctis – Introitus— Composer not yet identified
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Missa Pro Defunctis – Kyrie— Composer not yet identified
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Missa Pro Defunctis – Graduale— Composer not established
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Missa Pro Defunctis – Sequentia— Composer not yet identified
▶
Missa Pro Defunctis – Offetorium— Composer not yet identified
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Missa Pro Defunctis – Sanctus— Composer not yet identified
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Missa Pro Defunctis – Benedictus— Composer not yet identified
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Missa Pro Defunctis – Agnus Dei— Composer not established
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Missa Pro Defunctis – Communio— Composer not yet identified
▶
Missa Pro Defunctis – I. Introitus— Joan Cererols
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Missa Pro Defunctis – Ii. Kyrie— Joan Cererols
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Missa Pro Defunctis – Iii. Graduale— Joan Cererols
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Missa Pro Defunctis – Iv. Sequentia— Joan Cererols
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Missa Pro Defunctis – V. Offertorium— Joan Cererols
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Missa Pro Defunctis – Vi. Sanctus— Joan Cererols
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Missa Pro Defunctis – VII. Hei Mihi— Joan Cererols
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Missa Pro Defunctis – VIII. Agnus Dei— Joan Cererols
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Missa Pro Defunctis – IX. Communio— Joan Cererols
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Missa Pro Defunctis – X. Libera Me— Joan Cererols
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Missa De Batalla – I. Kyrie— Joan Cererols
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Missa De Batalla – II. Gloria— Joan Cererols
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Missa De Batalla – III. Credo— Joan Cererols
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Missa De Batalla – IV. Sanctus— Joan Cererols
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Missa De Batalla – V. Agnus Dei— Joan Cererols
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Fantasie XII— Orlando Gibbons
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Fantasie V— Orlando Gibbons
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Fantasie II— Orlando Gibbons
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Fantasie VII— Orlando Gibbons
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Fantasie III— Orlando Gibbons
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Fantasie VI— Orlando Gibbons
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Fantasie XIV— Orlando Gibbons
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Fantasie X— Orlando Gibbons
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Fantasie VIII— Orlando Gibbons
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Fantasie I— Orlando Gibbons
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Fantasie IX— Orlando Gibbons
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Fantasie XV— Orlando Gibbons
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Fantasie IV— Orlando Gibbons
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In Nomine A— Orlando Gibbons
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Danse [I]— Le Manuscrit du Roi
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La Prime Estampie Royal— Le Manuscrit du Roi
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Estampie Ancienne d’après: Kalenda maya (Raimbaut de Vaquieras)— Le Manuscrit du Roi
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La Seconde Estampie Royal— Le Manuscrit du Roi
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La Tierche Estampie roial— Le Manuscrit du Roi
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Chanson d’après: No puesc sofrir c’a la dolor (Giraut de Borneill)— Le Manuscrit du Roi
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La Quarte Estampie Royal— Le Manuscrit du Roi
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La Quinte Estampie Real— Le Manuscrit du Roi
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Estampie Ancienne d’après: No m’agrad’iverns (Raimbaut de Vaqueiras)— Le Manuscrit du Roi
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Danse [II]— Le Manuscrit du Roi
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La Sexte Estampie Real— Le Manuscrit du Roi
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La Septime Estampie Real— Le Manuscrit du Roi
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Planctus d’après: Pax! In nomini Domini! (Marcabru)— Le Manuscrit du Roi
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La Uitime Estampie Real— Le Manuscrit du Roi
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Dansse Real— Le Manuscrit du Roi
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invocation & Ductia— Composer not yet identified
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Ronda— Composer not established
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Alalà— Composer not yet identified
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Pandeirada— Traditional
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Istampita— Composer not yet identified
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Maruxina— Traditional
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Pregaria— Composer not yet identified
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Nana— Traditional
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Dança— Traditional
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Cantiga A Virgen— Composer not established
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Invocation & Alborada— Composer not yet identified
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Ductia de Santa Maria— Composer not established
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Cantiga Virgen Madre gloriosa— Composer not established
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Istampita & Rota— Composer not established
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Panxolina— Traditional
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Foliada— Composer not established
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Cançon— Traditional
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Ductia & Rota— Composer not established
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Ainhara & Canto de ciego I— Traditional
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Canto de ciego II— Traditional
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Canto de despedida & Danza— Traditional
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Por Que Llorax Blanca Niña – Romances Vocales: El Moro De Antequera (Rhodes)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: Levantose El Conde Niño (Salónica)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: El Rey De Francia (Esmirna)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: Por Allí Pasó Un Cavallero (Turquía)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: Por Que Llorax Blanca Niña (Sarajevo)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: La Guirnalda De Rosas (Rhodes)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: Nani, Nani (Marruecos)— Composer not established
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Por Que Llorax Blanca Niña – Romances Vocales: El Rey Que Tanto Madruga (Sofía)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Las Estrellas De Los Cielos (Alejandría?)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: En La Santa Helena (Sofía)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: A La Una Yo Nací (Sarajevo)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Improvisación (Oud & Percusión)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Paxarico Tu Te Llamas (Sarajevo)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Yo Era Niña De Casa Alta (Esmirna)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Longe De Mit Tu Estarás (Sofía)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Hermoza Muchachica (Jerusalén)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Axerico De Quinze Años (Salónica?)— Composer not established
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Las Estrellas De Los Cielos – Musica Instrumental: Improvisación Sobre “Axerico” (Sarod &…— Composer not established
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Bayle de Espadas (Con Pífano y Tamboril)— Traditional
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Cachua: Al Nacimiento de Christo Nuestro Señor (A Voz y Bajo)— Traditional
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Tonada: La Donosa (A Voz y Bajo, Para Bailar Cantando)— Traditional
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Tonada: El Tupamaro— Traditional
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Bayle del Chimo (A Violín y Bajo)— Traditional
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Tonada: El Diamante de Chachapoias (Para Baylar Cantando) & Tonada: El Tuppamaro de Caxamarca— Traditional
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Tonada: La Lata (A Voz y Bajo, Para Bailar Cantando)— Traditional
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Cachua: Al Nacimiento de Christo N. S. (A Duo y a Quatro, Con Violines y Bajo)— Traditional
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Tonada: El Conejo (A Voz y Bajo, Para Bailar Cantando)— Traditional
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Cachua: La Despedida, de Guamachuco— Traditional
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Tonadilla, llámase El Palomo, deLambayaque (Para Cantar y Bailar)— Traditional
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Tonada, llamadase La Selosa, del pueblo de Lambayeque (Para Cantar)— Traditional
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Tonada de El Chimo (A Dos Voces, Bajo y Tamboril, Para Baylar Cantando)— Traditional
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Tonada: El Congo (A Voz y Bajo, Para Baylar Cantando)— Traditional
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Tonada: La Brujita (Para Cantar de Guamachuco)— Traditional
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Tonada: El Huicho de Chachapoyas— Traditional
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Cachuyta de La Montaña, llamadas El vuen querer— Traditional
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Lanchas Para Baylar— Traditional
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Cachua Serranita, Nombrada— Traditional
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Cachua Serranita (Instrumental)— Traditional
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Pièces Du Premier Livre (1708) – Prelude— Composer not established
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Pièces Du Premier Livre (1708) – Allemande (Lentement Et Marqué)— Composer not established
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Pièces Du Premier Livre (1708) – Sarabande— Composer not established
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Pièces Du Premier Livre (1708) – La Milaneze (Légèrement)— Composer not established
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Pièces Du Premier Livre (1708) – La Diligence— Composer not established
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Pièces Du Premier Livre (1708) – L’Indifférente (Vivement)— Composer not established
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Pièces Du Premier Livre (1708) – Allemande (Vite Et Double)— Composer not established
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Pièces Du Premier Livre (1708) – Plainte— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – Prélude— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – La Surgere— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – Le Biron— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – Sarabande— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – Menuet— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – La Boussac— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – Rondeau— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – La Jourdain— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – Rigaudon I & II— Composer not established
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Première Suite De La Troisième Oeuvre (1731) – La Monguichet— Composer not established
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Les Éléments: I. Le Cahos : L’Eau – L’Air – La Terre – Le Feu— Composer not established
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Les Éléments: II. [Loure I :] La Terre— Composer not established
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Les Éléments: III. Chaconne : Le Feu— Composer not established
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Les Éléments: IV. Ramage : L’Air— Composer not established
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Les Éléments: V. Rossignols— Composer not established
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Les Éléments: VI. Rondeau : Air pour l’Amour— Composer not established
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Les Éléments: VII. Loure [II]— Composer not established
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Les Éléments: VIII. Sicillienne— Composer not established
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Les Éléments: IX. Caprice— Composer not established
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Les Éléments: X. Premier Tambourin : L’Eau— Composer not established
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Les Éléments: XI. Second Tambourin— Composer not established
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Les Éléments: XII. Premier Tambourin : L’Eau— Composer not established
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Music for The Tempest: I. Introduction— Composer not established
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Music for The Tempest: II. Galliard— Composer not established
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Music for The Tempest: III. Gavot— Composer not established
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Music for The Tempest: IV. Saraband— Composer not established
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Music for The Tempest: V. Lilk— Composer not established
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Music for The Tempest: VI. Curtain Tune— Composer not established
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Music for The Tempest: VII. Rustick Air— Composer not established
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Music for The Tempest: VIII. Minoit— Composer not established
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Music for The Tempest: IX. Corant— Composer not established
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Music for The Tempest: X. A Martial Jigge— Composer not established
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Music for The Tempest: XI. The Conclusion: A Canon 4 in 2— Composer not established
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Concerto in F La Tempesta di mare per Flauto solo e Corde, RV 433, Op 10, No. 1: I. Allegro— Antonio Vivaldi
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Concerto in F La Tempesta di mare per Flauto solo e Corde, RV 433, Op 10, No. 2: II. Largo— Antonio Vivaldi
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Concerto in F La Tempesta di mare per Flauto solo e Corde, RV 433, Op 10, No. 3: III. Presto— Antonio Vivaldi
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Alcione – Airs pour les Matelots et les Tritons: I. Prélude— Marin Marais
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Alcione – Airs pour les Matelots et les Tritons: II. Marche pour les Matelots I & II— Marin Marais
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Alcione – Airs pour les Matelots et les Tritons: III. Air des Matelots I & II— Marin Marais
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Alcione – Airs pour les Matelots et les Tritons: IV. Tempête— Marin Marais
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Alcione – Airs pour les Matelots et les Tritons: V. Ritournelle— Marin Marais
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Alcione – Airs pour les Matelots et les Tritons: VI. Chaconne pour les Tritons— Marin Marais
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: I. Ouverture (Grave: Allegro)— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: II. Sarabande. Die schlaffende Thetis— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: III. Bourrée. Die erwachende Thetis— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: IV. Loure. Der verliebte Neptunus— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: V. Gavotte. Die spielenden Najaden— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: VI. Harlequinade. Der Scherzenden Tritonen— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: VII. Der stürmende Aeolus— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: VIII. Menuet. Der angenehme Zephir— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3:IX. Gigue. Ebbe und Fluth— Composer not established
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Wassermusik, Hamburger Ebb und Flut, TWV 55:C3: X. Canarie. Die lustigen Bots Leute— Composer not established
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Les Indes Galantes, RCT 44: Air pour les Zéphirs— Jean-Philippe Rameau
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Les Indes Galantes, RCT 44: Orage et air pour Borée— Jean-Philippe Rameau
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Hippolyte et Aricie, RCT 43: Tonnerre— Jean-Philippe Rameau
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Zoroastre, RCT 62: Contredanse— Jean-Philippe Rameau
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Zoroastre, RCT 62: Contredanse très vive— Jean-Philippe Rameau
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Pièces De Viole Du Livre V – Suite En Sol – Prelude— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Fantasie— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Allemande “La Marianne”— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Sarabande— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Gigue “La Pagode”— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Gavotte— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Menuet— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Le Tombeau Pour Marais Le Cadet— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – Rondeau “Le Badin”— Marin Marais
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Pièces De Viole Du Livre V – Suite En Sol – La Georgienne Dite La Maupertuis— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Prelude— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Allemande “La Bailly Duchené”— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – La Simplicité Paÿsanne— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Sarabande— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Menuets— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Marche Persane Dite La Savigny— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Gigue “La Resolüe”— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Le Tableau De L’Operation De La Taille— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Les Relevailles— Marin Marais
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Pièces De Viole Du Livre V – Suite En Mi Mineur – Suitte— Marin Marais
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Les Indes Galantes – Ouverture— Jean-Philippe Rameau
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Les Indes Galantes – Musette en Rondeau— Jean-Philippe Rameau
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Les Indes Galantes – Air vif— Jean-Philippe Rameau
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Les Indes Galantes – Air des Incas pour la dévotion du Soleil— Jean-Philippe Rameau
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Les Indes Galantes – Air pour les amants qui suivent Bellone— Jean-Philippe Rameau
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Les Indes Galantes – Air pour les guerriers portant les Drapeaux— Jean-Philippe Rameau
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Les Indes Galantes – Menuets pour les Guerriers et Amazones I & II— Jean-Philippe Rameau
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Les Indes Galantes – Orage— Jean-Philippe Rameau
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Les Indes Galantes – Air pour les esclaves africains— Jean-Philippe Rameau
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Les Indes Galantes – Air pour Borée et la Rose— Jean-Philippe Rameau
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Les Indes Galantes – 2ème Air pour les Zephirs— Jean-Philippe Rameau
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Les Indes Galantes – Tambourins I/II— Jean-Philippe Rameau
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Les Indes Galantes – Chaconne— Jean-Philippe Rameau
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Naïs – Ouverture— Jean-Philippe Rameau
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Naïs – Musette tendre— Jean-Philippe Rameau
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Naïs – 16. Rigaudons I /II— Jean-Philippe Rameau
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Naïs – Sarabande— Jean-Philippe Rameau
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Naïs – Gavotte pour les Zéphirs— Jean-Philippe Rameau
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Naïs – Loure— Jean-Philippe Rameau
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Naïs – Musette— Jean-Philippe Rameau
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Naïs – Tambourins I/II— Jean-Philippe Rameau
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Naïs – Entrée des Luteurs— Jean-Philippe Rameau
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Naïs – Chaconne— Jean-Philippe Rameau
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Naïs – Air de Triomphe— Jean-Philippe Rameau
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Zoroastre – Ouverture— Jean-Philippe Rameau
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Zoroastre – Passepieds I/II— Jean-Philippe Rameau
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Zoroastre – Loure— Jean-Philippe Rameau
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Zoroastre – Air des Esprits Infernaux II— Jean-Philippe Rameau
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Zoroastre – Air tendre en Rondeau— Jean-Philippe Rameau
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Zoroastre – Air Grave— Jean-Philippe Rameau
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Zoroastre – Gavotte en Rondeau— Jean-Philippe Rameau
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Zoroastre – Sarabande— Jean-Philippe Rameau
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Zoroastre – Contredanse— Jean-Philippe Rameau
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Les Boréades – Ouverture— Jean-Philippe Rameau
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Les Boréades – Entrée— Jean-Philippe Rameau
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Les Boréades – Entrée des Peuples— Jean-Philippe Rameau
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Les Boréades – Contredanse en rondeau— Jean-Philippe Rameau
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Les Boréades – Les Vents— Jean-Philippe Rameau
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Les Boréades – Gavotte I & II pour les heures et les Zephirs— Jean-Philippe Rameau
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Les Boréades – Menuets I- II— Jean-Philippe Rameau
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Les Boréades – Contredanse très vive— Jean-Philippe Rameau
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Concert XXVII: Bourrasque – Bourrasque— Composer not established
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Concert XXVII: Bourrasque – Balet— Composer not established
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Concert XXVII: Bourrasque – Sarabande— Composer not established
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Concert XXVII: Bourrasque – Gavote— Composer not established
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Concert XXVII: Bourrasque – 2e sarabande gaye— Composer not established
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Concert XLVIII: Le raporté – le raporté— Composer not established
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Concert XLVIII: Le raporté – La belle— Composer not established
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Concert XLVIII: Le raporté – Passacaille du raporté – Chaconne raportée— Composer not established
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Concert XLI: Le retour – Le retour— Composer not established
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Concert XLI: Le retour – en gigue— Composer not established
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Concert XLI: Le retour – en menuet— Composer not established
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Concert XLI: Le retour – en courante— Composer not established
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Concert XLI: Le retour – balet tendre— Composer not established
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Concert XLI: Le retour – en pianelle— Composer not established
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Concert XLIV: Tombeau les regrets – Le tombeau des regrets— Composer not established
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Concert XLIV: Tombeau les regrets – Quarillon— Composer not established
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Concert XLIV: Tombeau les regrets – Les pleurs— Composer not established
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Concert XLIV: Tombeau les regrets – Joye des Elizées – Les Elizées— Composer not established
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Concert LIV: [La] Dubois – [La] Dubois— Composer not established
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Concert LIV: [La] Dubois – Gigue 1e— Composer not established
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Concert LIV: [La] Dubois – 2e Gigue en bourrasque— Composer not established
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Concert LIV: [La] Dubois – Menuet— Composer not established
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Concert LIV: [La] Dubois – Chaconne Dubois— Composer not established
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Concert LIV: [La] Dubois – Gavotte— Composer not established
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Concert VIII: La conférence- La conférence— Composer not established
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Concert VIII: La conférence – 1e gigue— Composer not established
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Concert VIII: La conférence – 2e gigue— Composer not established
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Concert VIII: La conférence – Ballet— Composer not established
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Concert VIII: La conférence – Gigue l’aisée— Composer not established
▶
Concert XLII: Dalain – Dalain— Composer not established
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Concert XLII: Dalain – Ballet— Composer not established
▶
Concert XLII: Dalain – Gigue— Composer not established
▶
Concert XLII: Dalain – Balet— Composer not established
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Concert III: Le tendre – Le tendre— Composer not established
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Concert III: Le tendre – Sarabande du tendre— Composer not established
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Concert III: Le tendre – Gavotte La ferme— Composer not established
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Concert III: Le tendre – Menuet du tendre— Composer not established
▶
Concert LI: [La] Rougeville – Rougeville— Composer not established
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Concert LI: [La] Rougeville – Gigue— Composer not established
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Concert LI: [La] Rougeville – Sarabande— Composer not established
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Concert LI: [La] Rougeville – En gavote— Composer not established
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Concert LI: [La] Rougeville – Menuet lent— Composer not established
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Concert LI: [La] Rougeville – Planelle lente— Composer not established
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Concert LI: [La] Rougeville – Chaconne de Rougeville— Composer not established
▶
Concert LXII: Le figuré— Composer not established
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