Biography (read more)

Paul Raymond O’Dette was born on 2 February 1954 in Pittsburgh and raised in Columbus, Ohio, where he began on electric guitar before turning to lute transcriptions and ultimately the lute itself. An American lutenist, conductor, and musicologist specializing in early music, he has made more than 120 recordings of Renaissance and Baroque repertoire on lute, archlute, theorbo, and Baroque guitar, earning five Grammy nominations. Since 1976 he has served as Professor of Lute and Director of Early Music at the Eastman School of Music, and he is Co-Artistic Director of the Boston Early Music Festival, alongside extensive research into seventeenth-century continuo practice and lute technique.

Read more on Wikipedia

Paul O’Dette is widely regarded as one of the architects of the modern lute revival, combining exhaustive musicological research with a virtuosic, improvisatory performance style that reshaped expectations of historically informed lute playing. His complete recordings of Dowland and Francesco da Milano set benchmarks for the field, and decades of teaching at Eastman and directing the Boston Early Music Festival have trained generations of lutenists.

Sources:

Repertoire

Toccata Arpeggiata— Giovanni Girolamo Kapsberger
▶
Complete Lute Works (selections)— John Dowland
▶
Fantasia de mon triste— Francesco da Milano
▶
Mr. Dowland’s Midnight, P 99— John Dowland
▶
The Frogg Galliard, P 23 & 23a— John Dowland
▶
Toccata Arpeggiata— Giovanni Girolamo Kapsberger
▶
Aria di Fiorenza— Giovanni Girolamo Kapsberger
▶
Ouverture-Suite in D Major, TWV 55:D23: I. Ouverture— Georg Philipp Telemann
▶
Ino, TWV 20:41: I. Wohin, wo soll ich hin— Georg Philipp Telemann
▶
Ino, TWV 20:41: II. Ungöttliche Saturnia— Georg Philipp Telemann
▶
Ino, TWV 20:41: IIIa. O all ihr Mächte des Olympus— Georg Philipp Telemann
▶
Ino, TWV 20:41: IIIb. Wo bin ich? O Himmel— Georg Philipp Telemann
▶
Ino, TWV 20:41: IVa. Tanz der Tritonen— Georg Philipp Telemann
▶
Ino, TWV 20:41: IVb. Vivace spiritoso e con affetto— Georg Philipp Telemann
▶
Ino, TWV 20:41: V. Ungewohnte Symphonien— Georg Philipp Telemann
▶
Ino, TWV 20:41: VI. Meint ihr mich, ihr Nereiden?— Georg Philipp Telemann
▶
Ino, TWV 20:41: VII. Und nun! Ihr wendet Euch so schnell zurück?— Georg Philipp Telemann
▶
Ino, TWV 20:41: VIII. Tönt in meinem Lobgesang— Georg Philipp Telemann
▶
Germanicus, TWV 21:deest: Rimembranza crudel— Georg Philipp Telemann
▶
Emma und Eginhard, TWV 21:25: Das Auge starrt— Georg Philipp Telemann
▶
Emma und Eginhard, TWV 21:25: Erscheine bald, du Irrstern meiner Sinnen— Georg Philipp Telemann
▶
Emma und Eginhard, TWV 21:25: Ich habe mit mir selbst— Georg Philipp Telemann
▶
Emma und Eginhard, TWV 21:25: Je mehr, dass ich mich widersetze— Georg Philipp Telemann
▶
Flavius Bertaridus, TWV 21:27: Armselige, wie weit— Georg Philipp Telemann
▶
Flavius Bertaridus, TWV 21:27: Gemahl und Sohnes Angedenken— Composer not yet identified
▶
Flavius Bertaridus, TWV 21:27: Ihr Götter— Composer not yet identified
▶
Flavius Bertaridus, TWV 21:27: Beliebte Zephir— Georg Philipp Telemann
▶
Flavius Bertaridus, TWV 21:27: Mischt, ihr muntern Nachtigallen— Georg Philipp Telemann
▶
Flavius Bertaridus, TWV 21:27: Unschuld’gen Blutes— Georg Philipp Telemann
▶
Flavius Bertaridus, TWV 21:27: Ach komm, und schwebe— Georg Philipp Telemann
▶
Fanfare in D Major, TWV 50:44— Georg Philipp Telemann
▶
Der neumodische Liebhaber Damon, TWV 21:8: Lache nur, du Tigerherze!— Georg Philipp Telemann
▶
La couronne de fleurs, H. 486: Overture— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 1: Renaissez, paraissez (Flore)— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 1: Marche des Bergers— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Puisque Flore en ces lieux nous convie (Roselie, Bergeres)— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Trio. Trop indiscrets Zephirs – Et vous, fontaines et…— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Prélude pour animer les bergers au combat— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Recitative. Lorsqu’un torrent enfle par un soudain…— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Recitative. La foudre menaçant qui perce avec fureur…— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Menuet— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Recitative. Des héros fabuleux que la Grèce a chantes…— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 2: Recitative. Louis fait a nos temps, par ses faits…— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 3: Quittez, quittez Bergers, ce dessein temeraire (Pan, All)— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 3: Nous nous taisons. Pan nous l’ordonne (Roselie)— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 3: Bien que, pour etaler les Vertus immortelles (Flore, Pan)— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 3: Ballet. Bergers et Bergeres— Marc-Antoine Charpentier
▶
La couronne de fleurs, H. 486, Scene 3: Belles fleurs, tous les ans (Roselie, Amaranthe, All)— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488: Overture— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 1: Inventons mille jeux divers (Daphnee,…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 1: Ruisseau qui dans ce beau sejour…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 1: Compagnes fideles (Euridice)— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 1: Qu’il se croira fortune – Recitative….— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 1: Recitative. Soutiens-moi, chère Enone…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 2: Ah! Bergers, c’en est fait (Orphée,…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 2: Entrée de nymphes et de bergers…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 2: Recitative. Lache amant, pourrais-tu…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 3: Recitative. Ne tourne point, mon fils…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act I Scene 3: Recitative. Que d’un frivole espoir -…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 1: Affreux tourments (Ixion, Tantale, Titye)— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 2: Cessez, cessez, fameux coupables…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 2: Quelle touchante voix, quelle douce…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 2: Je ne refuse point le secours – Il…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 2: Les fantomes— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Prelude – Recitative. Que cherche en…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Je ne viens point ici – Pauvre amant…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Euridice n’est plus (Orphée)— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Le destin est contraire -…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Tu ne la perdras point, hélàs (Orphée)— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Quel charme imperieux -…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Souviens-toi du larcin (Orphée)— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Je cede, je me rends -…— Marc-Antoine Charpentier
▶
La descente d’Orphée aux enfers, H. 488, Act II Scene 4: Vous partez donc, Orphée – Entrée…— Marc-Antoine Charpentier
▶
Il prigionier superbo, P. 143i: I. Allegro e spirituoso— Giovanni Battista Pergolesi
▶
Il prigionier superbo, P. 143i: II. Largo— Giovanni Battista Pergolesi
▶
Il prigionier superbo, P. 143i: III. Allegro spiritoso— Giovanni Battista Pergolesi
▶
La serva padrona: Aspettare e non venire— Giovanni Battista Pergolesi
▶
La serva padrona: Questa è per me disgrazia— Giovanni Battista Pergolesi
▶
La serva padrona: Sempre in contrasti con te si sta— Giovanni Battista Pergolesi
▶
La serva padrona: In somma delle somme, per attendere al vostro bene— Giovanni Battista Pergolesi
▶
La serva padrona: Stizzoso, mio stizzoso, voi fate il borioso— Giovanni Battista Pergolesi
▶
La serva padrona: Benissimo, Hai tu inteso?— Giovanni Battista Pergolesi
▶
La serva padrona: Lo conosco a quegli occhietti— Giovanni Battista Pergolesi
▶
La serva padrona: Sinfonia— Giovanni Battista Pergolesi
▶
La serva padrona: Or che fatto tu sei dalla mia parte— Giovanni Battista Pergolesi
▶
La serva padrona: A Serpina penserete qualche volta— Giovanni Battista Pergolesi
▶
La serva padrona: Ah! quanto mi sa male di tal risoluzione— Giovanni Battista Pergolesi
▶
La serva padrona: Son imbrogliato io già— Giovanni Battista Pergolesi
▶
La serva padrona: Favorisca, signor, passi— Giovanni Battista Pergolesi
▶
La serva padrona: Contento tu sarai, avrai amor per me?— Giovanni Battista Pergolesi
▶
La serva padrona: Per te ho io nel core— Giovanni Battista Pergolesi
▶
Il Flaminio: I. Allegro e spiritoso— Giovanni Battista Pergolesi
▶
Il Flaminio: II. Grave— Giovanni Battista Pergolesi
▶
Il Flaminio: III. Allegro— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Vi so ben? Vi compariso?— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Ma lasciamo gli scherzi— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: A una povera polacca— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Ah, voleur, assassin, frippon!— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: E voi perché venite— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Hai ragion, sì signore— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Misero! A chi mi volgerò!— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Ecco il povero Tracollo— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Invano ti lusinghi rimovermi dal mio pensier costante— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Vado, vado; ed avrai core di veder— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Vedo l’aria che s’imbruna— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Par che ci pigli gusto— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Caro, perdonami, placa lo sdegno— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Gli credo, o non gli credo?— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Non si muove, non rifiata— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Ah, Livietta mia— Giovanni Battista Pergolesi
▶
Livietta e Tracollo: Sempre attorno, qual palomba— Giovanni Battista Pergolesi
▶
Onore vince amore: Fa l’alluorgio cammenare— Leonardo Leo
▶
Fantasie XIX— Albert de Rippe
▶
Pavane “La Romanesque”— Albert de Rippe
▶
Gaillarde “La Milanoise”— Albert de Rippe
▶
Fantasie III— Albert de Rippe
▶
Douce mémoire— Albert de Rippe
▶
On en dira ce qu’on voudra— Albert de Rippe
▶
Fantasie II— Albert de Rippe
▶
O passi sparsi— Albert de Rippe
▶
Pavane I— Albert de Rippe
▶
Galliarde I— Albert de Rippe
▶
Fantasie VIII— Albert de Rippe
▶
L’eccho [Dieu qui conduis]— Albert de Rippe
▶
Galliarde II— Albert de Rippe
▶
Fantasie IX— Albert de Rippe
▶
Or vien ça vien mamie Perrette— Albert de Rippe
▶
Fantasie I de Guyterne— Albert de Rippe
▶
Pavane II— Albert de Rippe
▶
Galliarde III— Albert de Rippe
▶
Fantasie XXII— Albert de Rippe
▶
Martin menoit— Albert de Rippe
▶
Fantasie V— Albert de Rippe
▶
Galliarde IV— Albert de Rippe
▶
Gaillarde Piemontoise— Albert de Rippe
▶
Fantasie II “de Guyterne”— Albert de Rippe
▶
La Seraphine— Albert de Rippe
▶
My Lady Hunnsdon’s Puffe, P 54— John DowlandA..
▶
The Shoemaker’s Wife. A Toy, P 58— John Dowla..
▶
La Mia Barbara, P 95— John DowlandAuto-genera..
▶
Sir John Smith, his Almain, P 47— John Dowlan..
▶
A Fancy, P 6— John DowlandAuto-generated by Y..
▶
Sir John Langton, his Pavin, P 14— John Dowla..
▶
The King of Denmark, his Galliard, P 40— John..
▶
The Frog Galliard, P 23a— John DowlandCompose..
▶
Lachrimae, P 15— John DowlandAuto-generated b..
▶
Galliard to Lachrimae, P 46— John DowlandAuto..
▶
Fantasie, P 1a— John DowlandAuto-generated by..
▶
Forlorne Hope Fancye, P 3— John DowlandAuto-g..
▶
The collected Lute Music of John Dowland: Forlorne Hope Fancye, P 2— John Dowland
▶
The Right Honourable Robert, Earl of Essex, his Galliard, P 42a— John Dowland
▶
A Coye Joye, P 80— John DowlandAuto-generated..
▶
Mrs Vaux’s Gigge, P 57— John DowlandAuto-gene..
▶
Mrs Winter’s Jump, P 55— John DowlandAuto-gen..
▶
The Right Honourable the Lady Cliftons Spirit, P 45— John Dowland
▶
Wallsingham, P 67— John DowlandAuto-generated..
▶
The collected Lute Music of John Dowland: A Fancy, P 5— John Dowland
▶
A Pavin, P 18— John DowlandAuto-generated by ..
▶
The most sacred Queene Elizabeth, her Galliard, P 41— John Dowland
▶
Semper Dowland semper dolens, P 9— John Dowla..
▶
Sweet Robyne, P 70 (Bonus Track)— John Dowlan..
▶
The collected Lute Music of John Dowland: Captaine Digorie Piper his Galliard, P 19 (Bonus Track)— John Dowland
▶
Mignarda, P 34 (Bonus Track)— John DowlandAut..
▶
My Lady Hunnsdon’s Puffe (P 54)— John Dowland
▶
The Shoemaker’s Wife. A Toy (P 58)— John Dowland
▶
La Mia Barbara (P 95)— John Dowland
▶
Sir John Smith, his Almain (P 47)— John Dowland
▶
A Fancy (P 6)— John Dowland
▶
Sir John Langton, his Pavin (P 14)— John Dowland
▶
The King of Denmark, his Galliard (P 40)— John Dowland
▶
The Frog Galliard (P 23a)— John Dowland
▶
Lachrimae (P 15)— John Dowland
▶
Galliard to Lachrimae (P 46)— John Dowland
▶
Fantasie (P 1a)— John Dowland
▶
Farewell (P 3)— John Dowland
▶
Forlorne Hope Fancye (P 2)— John Dowland
▶
The Right Honourable Robert, Earl of Essex, his Galliard (P 42a)— John Dowland
▶
A Coye Joye (P 80)— John Dowland
▶
Mrs Vaux’s Gigge (P 57)— John Dowland
▶
Mrs Winter’s Jump (P 55)— John Dowland
▶
The Right Honourable the Lady Cliftons Spirit (P 45)— John Dowland
▶
Walsingham (P 67)— John Dowland
▶
A Fancy (P 5)— John Dowland
▶
A Pavin (P 18)— John Dowland
▶
The most sacred Queene Elizabeth, her Galliard (P 41)— John Dowland
▶
Semper Dowland semper dolens (P 9)— John Dowland
▶
Fantasia (3)— Francesco da Milano
▶
Fantasia (App. 31)— Francesco da Milano
▶
Que voulez-vous dire de moi— Josquin des Prez
▶
Tu discois que je mourroye— Claudin de Sermisy
▶
Fantasia (64)— Francesco da Milano
▶
Fantasia (16)— Francesco da Milano
▶
O bone Jesu— Antonio de Ribera
▶
Fantasia (40)— Francesco da Milano
▶
Fantasia (56)— Francesco da Milano
▶
Fantasia (39)— Francesco da Milano
▶
Fantasia (58)— Francesco da Milano
▶
Ricercar (4)— Francesco da Milano
▶
De mon triste desplaisir— Jean Richafort
▶
Vignon vignetta— Claudin de Sermisy
▶
Ricercar (8)— Francesco da Milano
▶
Fantasia (38)— Francesco da Milano
▶
Fantasia (41)— Francesco da Milano
▶
Las je my plains— Claudin de Sermisy
▶
Fantasia (20)— Francesco da Milano
▶
Fantasia (21)— Francesco da Milano
▶
Mon pere si ma marie— Anonymous
▶
Ricercar (51)— Francesco da Milano
▶
Fantasia (30)— Francesco da Milano
▶
Ricercar (5)— Francesco da Milano
▶
Fantasia (28)— Francesco da Milano
▶
Fantasia (66)— Francesco da Milano
▶
Reveillez moy— Garnier
▶
Ricercar (13)— Francesco da Milano
▶
Fantasia (83)— Francesco da Milano
▶
Pourquoy allez vous seullette— Anonymous
▶
Ricercar (10)— Francesco da Milano
▶
Fantasia (63)— Francesco da Milano
▶
Quand’io penso al martire— Jacques Arcadelt
▶
Fantasia (33)— Francesco da Milano
▶
Fantasia (34) “La Compagna”— Francesco da Milano
▶
La Battaglia— Clément Janequin
▶
Ricercar (26)— Marco dall’ Aquila
▶
Nous bergiers— Clément Janequin
▶
Ricercar (17)— Marco dall’ Aquila
▶
Ricercar (19)— Marco dall’ Aquila
▶
La Cara Cossa Nos. 3, 4 & 5— Marco dall’ Aquila
▶
Ricercar (20)— Marco dall’ Aquila
▶
Fantasia (27)— Marco dall’ Aquila
▶
Saltarello ‘La Traditora’ No. 1— Marco dall’ Aquila
▶
Plus nulz regrets— Josquin des Prez
▶
Ricercar (6)— Marco dall’ Aquila
▶
Il est bel et bon— Pierre Passereau
▶
Fantasia (9)— Marco dall’ Aquila
▶
La Rosée du moys de may— Jean Rousée
▶
Saltarello ‘La Traditora’ No. 3— Marco dall’ Aquila
▶
Pioverin— Marco dall’ Aquila
▶
Il Marchese di Saluzzo— Marco dall’ Aquila
▶
La Cara Cossa Nos. 1, 2, 11 & 6— Marco dall’ Aquila
▶
Ricercar (2)— Marco dall’ Aquila
▶
Pomo— Marco dall’ Aquila
▶
Ricercar (18)— Marco dall’ Aquila
▶
Saltarello ‘La Traditora’ No. 2— Marco dall’ Aquila
▶
La Cara Cossa No. 10— Marco dall’ Aquila
▶
Pavana— Marco dall’ Aquila
▶
Piva— Marco dall’ Aquila
▶
Tocha tocha la Canella— Marco dall’ Aquila
▶
Fantasia (7)— Marco dall’ Aquila
▶
C’est à grand tort— Claudin de Sermisy
▶
Carnalesca— Marco dall’ Aquila
▶
Donne impresteme il vostro burato da buratare la mia farina— Marco dall’ Aquila
▶
Ricercar (15)— Marco dall’ Aquila
▶
In te Domine speravi— Josquin des Prez
▶
Toccata arpeggiata— Girolamo Kapsberger
▶
Gagliarda 11a— Girolamo Kapsberger
▶
Toccata 5a— Girolamo Kapsberger
▶
Aria di Fiorenza— Girolamo Kapsberger
▶
Toccata 1— Girolamo Kapsberger
▶
Gagliarda 1a— Girolamo Kapsberger
▶
Corrente 1a— Girolamo Kapsberger
▶
Toccata VI— Girolamo Kapsberger
▶
Gagliarda 10a— Girolamo Kapsberger
▶
Corrente 7a— Girolamo Kapsberger
▶
Corrente 2a— Girolamo Kapsberger
▶
Ciachone— Girolamo Kapsberger
▶
Toccata V— Girolamo Kapsberger
▶
Gagliarda 12a— Girolamo Kapsberger
▶
Corrente 12a— Girolamo Kapsberger
▶
Toccata III— Girolamo Kapsberger
▶
Gagliarda 4a— Girolamo Kapsberger
▶
Corrente 11a— Girolamo Kapsberger
▶
Toccata 1a— Girolamo Kapsberger
▶
Toccata 2a— Girolamo Kapsberger
▶
Bergamasca— Girolamo Kapsberger
▶
Kapsberger— Girolamo Kapsberger
▶
Colascione— Girolamo Kapsberger
▶
Canario— Girolamo Kapsberger
▶
En me revenant— Anonymous
▶
Courante— Jacques Gaultier
▶
Courante ‘Son adieu’— Jacques Gaultier
▶
Courante sur ‘J’avois brisè mes fers’— Jacques Gaultier
▶
Chacogne— Anonymous
▶
Filou’— Luc Despond
▶
Prelude— Daniel Bacheler
▶
Fantasie— Daniel Bacheler
▶
Galliard upon a Galliard— Daniel Bacheler
▶
Pavin— Robert Johnson
▶
Almaine— Robert Johnson
▶
Fantasia— Lorenzini Di Roma
▶
Fantasia sopra ‘la Canzon degli Ucelli’— Diomedes Cato
▶
Ballet— Jacob Polonais
▶
Courante sur le Courante de Perrichon— Jacob Polonais
▶
Sarabande— Jacob Polonais
▶
Sarabrand— Cuthbert Hely
▶
La jeune fillette’— Daniel Bacheler
▶
Pavan of the Composition of Mee and Castle Island— Herbert of Cherbury
▶
A Piece Without Title, P.51— John Dowland
▶
Pavana (Mylius, 1622)— John Dowland
▶
Mr Knights Galliard, P 36— John Dowland
▶
My Lord Willobies wellcome home, P 66— John Dowland
▶
The Frogg Galliard, P 23 & 23a— John Dowland
▶
A Fancy, P.5— J..
▶
My Ladie Riches Galyerd, P 43a— John Dowland
▶
The Lady Laitons Almone, P 48— John Dowland
▶
A Dream (Lady Leighton’s Paven) , P 75— John Dowland
▶
Galliard, P 104— John Dowland
▶
Orlando sleepeth, P 61— John Dowland
▶
What if a Day, P 79— John Dowland
▶
Mrs Winters Jumpp, P 55— John Dowland
▶
M. Giles Hobies Galiard, P 29— John Dowland
▶
Dr Cases Pauen, P 12— John Dowland
▶
Mellancoly Galliard, P 25— John Dowland
▶
Mistris Whittes Thinge, P 50— John Dowland
▶
Go from my windowe, P 64— John Dowland
▶
Almain, P 49— J..
▶
Mrs Whites Nothing, P 56— John Dowland
▶
Pavan, P 18— Jo..
▶
Farwell, P 3— J..
▶
Fantasia prima— Simone MOLINARO
▶
Ballo detto il Conte Orlando— Simone MOLINARO
▶
Saltarello del predetto ballo— Simone MOLINARO
▶
Fantasia nona— Simone MOLINARO
▶
Saltarello primo— Simone MOLINARO
▶
Fantasia terza— Simone MOLINARO
▶
Saltarello secondo— Simone MOLINARO
▶
Canzone a quattro di Gioseppe Guami— Simone MOLINARO
▶
Pass’e mezzo in tre modi— Simone MOLINARO
▶
Gagliarda in tre modi— Simone MOLINARO
▶
Fantasia Duodecima— Giovanni Battista dalla GOSTENA
▶
Fantasia XXV— Giovanni Battista dalla GOSTENA
▶
Saltarello sesto— Simone MOLINARO
▶
Fantasia Quinta— Simone MOLINARO
▶
Pass’e mezzo in sei modi— Simone MOLINARO
▶
Gagliarda in quattro modi— Simone MOLINARO
▶
Fantasia XV— Simone MOLINARO
▶
Fantasia XIV— Simone MOLINARO
▶
Saltarello quarto— Simone MOLINARO
▶
Fantasia ottava— Giovanni Battista dalla GOSTENA
▶
Fantasia sopra Susane un jour— Giulio SEVERINO
▶
Susane un jour— Giovanni Battista dalla GOSTENA
▶
Saltarello settimo— Simone MOLINARO
▶
Frais et galliard (Arr. Molinaro)— Clemens NON PAPA
▶
Suite in A Minor, BWV 995: I. Prelude – Très Vite— Johann Sebastian Bach
▶
Suite in A Minor, BWV 995: II. Allemande— Johann Sebastian Bach
▶
Suite in A Minor, BWV 995: III. Courante— Johann Sebastian Bach
▶
Suite in A Minor, BWV 995: IV. Sarabande— Johann Sebastian Bach
▶
Suite in A Minor, BWV 995: V. Gavotte I & II en Rondeaux— Johann Sebastian Bach
▶
Suite in A Minor, BWV 995: VI. Gigue— Johann Sebastian Bach
▶
Partita in E Major, BWV 1006a: I. Prelude— Johann Sebastian Bach
▶
Partita in E Major, BWV 1006a: II. Loure— Johann Sebastian Bach
▶
Partita in E Major, BWV 1006a: III. Gavotte en Rondeaux— Johann Sebastian Bach
▶
Partita in E Major, BWV 1006a: IV. Minuet I & II— Johann Sebastian Bach
▶
Partita in E Major, BWV 1006a: V. Bourée— Johann Sebastian Bach
▶
Partita in E Major, BWV 1006a: VI. Gigue— Johann Sebastian Bach
▶
Sonata in G Minor, BWV 1001: I. Adagio— Johann Sebastian Bach
▶
Sonata in G Minor, BWV 1001: II. Fuga – Allegro— Johann Sebastian Bach
▶
Sonata in G Minor, BWV 1001: III. Siciliana— Johann Sebastian Bach
▶
Sonata in G Minor, BWV 1001: IV. Presto— Johann Sebastian Bach
▶
Wie möcht ich fröhlich werden— Mel..
▶
Ricercar terzo— Melchior Neusidler..
▶
Un gai bergier— Melchior Neusidler..
▶
Pass’e mezzo antico con il suo saltarello— Melchior Neusidler
▶
Der Fuggerin Dantz— Melchior Neusi..
▶
Ricercar secondo from Il primo libro— Melchior Neusidler
▶
Ich gieng einmal spatzieren— Melch..
▶
O felici occhi miei— Melchior Neus..
▶
Ricercar secondo from Il secondo libro— Melchior Neusidler
▶
Fantasia— Melchior NeusidlerAuto-g..
▶
Phantasia— Melchior NeusidlerAuto-..
▶
Cara mia dolce stella— Melchior Ne..
▶
Chi passa per ‘sta strada— Melchio..
▶
Wann ich des morgens früh auffsteh— Melchior Neusidler
▶
O s’io potessi donna— Melchior Neu..
▶
Fantasia 21— Melchior NeusidlerAut..
▶
Nun lob mein Seel den herren, Psalm 103— Melchior Neusidler
▶
Herr gott nun sey gepreyset— Melch..
▶
Joseph lieber Joseph mein— Melchio..
▶
Pass’e mezzo e saltarello— Melchio..
▶
Ancor che col partire— Melchior Ne..
▶
Fantasia super ancor che col partire— Melchior Neusidler
▶
Hail! bright Cecilia, Z. 328: IV. Tis Nature’s Voice— Henry Purcell
▶
Susanna, HWV 66: X. Celia has a Thousand Charmes— Henry Purcell
▶
Susanna, The Indian Queen: I Attempt from Love’s sickness to fly— Henry Purcell
▶
If Musick be the food of Love, Z. 379— Henry Purcell
▶
Not all my torments, Z. 400— Henry Purcell
▶
From silent Shades – Mad Bess— Henry Purcell
▶
Oedipus, Z. 583: II. Musick for a while— Henry Purcell
▶
Pausanias, the Betrayer of his Country, Z. 585: I. Sweeter than Roses— Henry Purcell
▶
Celebrate this Festival, Z. 321: Crown the Altar— Henry Purcell
▶
Lord, what is man?— Henry Purcell
▶
Sleep, Adam, Sleep— Henry Purcell
▶
Now that the sun hath veil’d his light (An evening hymn on a ground)— Henry Purcell
▶
The Fatal Hour comes on apace— Henry Purcell
▶
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir— Henry Purcell
▶
The Fairy Queen, Z. 629: Thrice happy Lovers— Henry Purcell
▶
The Fairy Queen, Z. 629: Hark! The echoing Air— Henry Purcell
▶
The Fairy Queen, Z. 629: Hark! How all things— Henry Purcell
▶
Fuor della Stigia sponda— Alessandro Stradella
▶
Sinfonia, No. 22— Alessandro Stradella
▶
Non havea il sole ancora— Alessandro Stradella
▶
Frena, ò Filli, il fiero orgoglio— Alessandro Stradella
▶
Si salvi chi può— Alessandro Stradella
▶
Sinfonia No. 12— Alessandro Stradella
▶
Ferma il corso e torna al lido— Alessandro Stradella
▶
Suite in C Major from Studentenmusik: I. Paduan— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: II. Alemanda— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: III. Courant, Adagio— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: IV. Courant, Allegro— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: V. Alemanda— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: VI. Courant— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: VII. Ballo— Johann Rosenmüller
▶
Suite in C Major from Studentenmusik: VIII. Sarabanda— Johann Rosenmüller
▶
Jubilent aethera— Johann Rosenmüller
▶
Sonata X à 5— Johann Rosenmüller
▶
Sonata VII à 4— Johann Rosenmüller
▶
In te, Domini, speravi— Johann Rosenmüller
▶
Sonata XI à 5— Johann Rosenmüller
▶
Sonata IV à 3— Johann Rosenmüller
▶
Ach Herr, strafe mich micht in deinem Zorn— Johann Rosenmüller
▶
Sonata III à 2— Johann Rosenmüller
▶
Lieber Herre Gott, wecke uns auf— Johann Rosenmüller
▶
Walsingham Galliard— Anonymous
▶
A Paven to Delight— John Johnson
▶
The Lady Frances Sidneys Almayne— Richard Allison
▶
O Dear Life— William Byrd
▶
My True Love Hath My Heart— Anonymous
▶
As I went to Walsingham— John Johnson
▶
O Lord, How Vain Are All Our Frail Delights— William Byrd
▶
Go Merely Wheele— John Johnson
▶
Go From My Wyndoe— Richard Allison
▶
Mr. Allisons Almayne— Richard Allison
▶
Walsingham— Edward Collard
▶
In a Grove Most Rich of Shade— Guillaume Tessier
▶
The Lady Frances Sidneys Goodnight— Richard Allison
▶
Squiers Galliard— Anonymous
▶
Primiero— Anonymous
▶
Come to Me, Grief, Forever— William Byrd
▶
Partita in E Major, BWV 1006a: VI. Gigue— Johann Sebastian Bach
▶
Sonata in G Minor, BWV 1001: II. Fuga – Allegro— Johann Sebastian Bach
▶
Daniells Jigge— Daniel Bacheler
▶
Pavan— Daniel Bacheler
▶
Galliard— Daniel Bacheler
▶
Mounsieurs Almanie— Daniel Bacheler
▶
En me revenant— Daniel Bacheler
▶
A Pavin— Daniel Bacheler
▶
Fin de galliarde— Daniel Bacheler
▶
Prelude— Daniel Bacheler
▶
Fantasie— Daniel Bacheler
▶
A Gallyard— Daniel Bacheler
▶
Le jeune filette— Daniel Bacheler
▶
A Galliard— Daniel Bacheler
▶
Almaine— Daniel Bacheler
▶
Courante— Daniel Bacheler
▶
Volta— Daniel Bacheler
▶
Sinfonia in D Major— Nicolas ..
▶
Pathodia Sacra: Quare tristis es (Psalm 42)— Constantijn Huygens
▶
Je veux mon doux Sauueur— Anonymous
▶
Divisions on a Theme— Daniel Norcombe
▶
Sinfonia in G Minor— Nicolas a Kempis
▶
Fantasia Resonans— Joachim van den Hove
▶
Onse Vader— Jacob van Eyck
▶
Pathodia Sacra: Avertisti faciem— Constantijn Huygens
▶
En fin mon ame— Anonymous
▶
Lachrime Pavaen— Johann Schop
▶
Ciaccona— Tarquinio Merula
▶
Hélas Seigneur— Nicolas Vallet
▶
Doulants Lachrymae— Dirk Rafaelsz Camphuysen
▶
Fantasia a 3— John Coprario
▶
Pathodia Sacra (Psalm 119) : Erravi— Constantijn Huygens
▶
Schriet niet meer— David Petersen
▶
Fantasia a 3, No. 9, MB 15— Orlando Gibbons
▶
Wanneer het hert— Dirk Rafaelsz Camphuysen
▶
Mon Dieu la belle Entrée— Anonymous
▶
Les Bouffons— Composer not established
▶
Pavane and Galliarde “de la Battaille”— Composer not established
▶
L’Arboscello Ballo Furlano— Composer not established
▶
La Parma / Saltarello— Composer not established
▶
Almande / Saltarello— Composer not established
▶
Schiarazula Marazula— Composer not established
▶
Baisés moy tant tant— Adrian Willaert
▶
O Ma dame pers-je mon temps— Adrian Le Roy
▶
O Combien est heureuse— Adrian Le Roy
▶
Ton amour ma maistresse— Anonymous
▶
Pimontoyse— Adrian Le Roy
▶
Vous estes la personne— Adrian Le Roy
▶
Bransles de Poictou— Adrian Le Roy
▶
Première Suytte de Branles— Pierre Attaingnant
▶
Première Suytte de Branles d’Escosse— Pierre Attaingnant
▶
Susanne un jour— Cipriano de Rore
▶
Susanne un jour (embellished by Doron Sherwin)— Orlando di Lasso
▶
Le Pied de cheval— Adrian Le Roy
▶
Sixième branle de Bourgongne— Adrian Le Roy
▶
Bransle gay— Adrian Le Roy
▶
Je ne seray jamais bergere— Adrian Le Roy
▶
Je suis déshéritée— Claude Le Jeune
▶
Allons, allons gay— Claude Le Jeune
▶
Rossignol, mon mignon— Claude Le Jeune
▶
Hélas faut-il que je lamente— Anonymous
▶
A Fancy, P 73— John Dowland
▶
Pavana Dowlandi Angli [Mylius #2]— John Dowland
▶
Doulands Rounde Battell Galyarde, P 39— John Dowland
▶
Pavin (arr. Dowland)— Mauritius, Landgrave of Hessen
▶
The Erle of Darbies Galiard, P 44— John Dowland
▶
Mistris Norrishis Delight, P 77— John Dowland
▶
A Jig, P 78— John Dowland
▶
The Earl Of Essex Galliard, P 89— John Dowland
▶
Galliard, P 76— John Dowland
▶
Une Jeune Fillette, P 93— John Dowland
▶
Gagliarda, P 103— John Dowland
▶
Pavana Lachrimae— Joachim van den Hove
▶
Squires Galliard— John Dowland
▶
A Fancy, P 72— John Dowland
▶
Hasellwoods Galliard, P 84— Anthony Holborne
▶
Sir Thomas Monson, his Pavin— Robert Dowland
▶
Sir Thomas Monson, his Galliard— Robert Dowland
▶
Almande— Robert Dowland
▶
Sir Henry Umptons Funerall— John Dowland
▶
Captayne Pipers Galliard, P 88— John Dowland
▶
A Fantasie, P 1— John Dowland
▶
Pastyme with good companye— Henry VIII
▶
Philip’s Dump— Philip Van Wilder
▶
The Duke Of Somersettes Dompe— Anonymous
▶
My Lady Careys Dompe— Anonymous
▶
Fantasy— Anonymous
▶
Sellenger’s Round— Anonymous
▶
A Dump— Anonymous
▶
Anthony Pavyn— Anthony de Countie
▶
A Downe— Anonymous
▶
Pavin— Alfonso Ferrabosco the younger
▶
A Canzonetta— Alfonso Ferrabosco the younger
▶
Collard’s Ground— Edward Collard
▶
The Gathering Of Pescodes— John Johnson
▶
A Paven to delight: The Galliarde to delighte— John Johnson
▶
Quadro Paven— John Johnson
▶
Omnino Galliard— John Johnson
▶
Carmans whistle— John Johnson
▶
Passingmeasures Pavin— John Johnson
▶
A Pavin By Mr. Johnsonn— John Johnson
▶
A Pavin By Mr. Johnsonn: Galliard— John Johnson
▶
Conde Claros— Anonymous
▶
Sonata a mandolino e basso continuo: I. Allegro— Domenico Scarlatti
▶
Sonata a mandolino e basso continuo: II. Grave— Domenico Scarlatti
▶
Sonata a mandolino e basso continuo: III. Allegro— Domenico Scarlatti
▶
Settima Toccata— Michelangelo Rossi
▶
Capritio sopra li cinque tempi— Giovanni Battista Vitali
▶
Capritio— Giovanni Battista Vitali
▶
Passa Galli per la lettera E— Giovanni Battista Vitali
▶
Capritio primo— Giovanni Battista Vitali
▶
Chiacona per la lettera B— Giovanni Battista Vitali
▶
Sonata di basso solo— Gregorio Strozzi
▶
Toccata per B quadro— Francesco Maria Bassano
▶
Susanne ung jour (after Lassus)— Francesco Rognoni
▶
Variazioni sulla “Follia di Spagna”— Alessandro Scarlatti
▶
Aria amorosa— Nicola Matteis
▶
Sonata a due bassi: I. Allegro— Bernardo Pasquini
▶
Sonata a due bassi: II. Andante— Bernardo Pasquini
▶
Sonata a due bassi: III. Allegro— Bernardo Pasquini
▶
Suite from “The False Consonances of Music”: I. Preludio— Nicola Matteis
▶
Suite from “The False Consonances of Music”: II. Ayre— Nicola Matteis
▶
Suite from “The False Consonances of Music”: III. Giga— Nicola Matteis
▶
Suite from “The False Consonances of Music”: IV. Ayre— Nicola Matteis
▶
Suite from “The False Consonances of Music”: V. Giga— Nicola Matteis
▶
Sonata a mandolino, e basso: I. Arpeggio— Carlo Arrigoni
▶
Sonata a mandolino, e basso: II. Allegro— Carlo Arrigoni
▶
Sonata a mandolino, e basso: III. Adagio— Carlo Arrigoni
▶
Sonata a mandolino, e basso: IV. Allegro— Carlo Arrigoni
▶
King of Denmark, his Galliard, P 40— John Dowland
▶
Sir John Langton his Pavan, P 14— John Dowland
▶
Mr. Langton’s Galliard, P 33— John Dowland
▶
A Fancy, P 7— John Dowland
▶
A Pavan, P 16— John Dowland
▶
Queene Elizabeth, her Galliard, P 41— John Dowland
▶
Mrs Cliftons Allmaine, P 53— John Dowland
▶
Lady Clifton’s Spirit, P 45— John Dowland
▶
Tarleton’s Resurrection, P 59— John Dowland
▶
Tarleton’s Willy, P 81— John Dowland
▶
Fortune my foe, P 62— John Dowland
▶
The Queenes Galliard, P 97— John Dowland
▶
A Galliard on “Walsingham”, P 31— John Dowland
▶
Dowland’s Adew for Master Oliver Cromwell, P 13— John Dowland
▶
Ferdinando, Earle of Darby, his Galliard, P 44a— John Dowland
▶
Lord Strang’s March, P 65— John Dowland
▶
Mistresse Nichols Almand, P 52— John Dowland
▶
Hor che gli augelli— Jacopo Peri
▶
Lungi dal vostro lume— Jacopo Peri
▶
Ballo: Pavana – Gagliarda – Balletto – Sciolta— Jacopo Peri
▶
Tra le lagrime e i sospiri— Jacopo Peri
▶
Uccidimi, dolore— Jacopo Peri
▶
Ricercar del primo tuono del Zazzerino— Jacopo Peri
▶
Se tu parti da me— Jacopo Peri
▶
Tu dormi, e ‘l dolce sonno— Jacopo Peri
▶
Caro dolce ben mio— Jacopo Peri
▶
Tra le donne onde s’onora— Jacopo Peri
▶
Lasso, ch’i’ ardo— Jacopo Peri
▶
Bellissima regina— Jacopo Peri
▶
Occhi, fonti del core— Jacopo Peri
▶
O miei giorni— Jacopo Peri
▶
Torna, deh torna— Jacopo Peri
▶
Tutto ‘l dì piango— Jacopo Peri
▶
Al fonte, al prato— Jacopo Peri
▶
Preludium, P 98— John Dowland
▶
A Fantasia, P 71— John Dowland
▶
An Almand, P 96— John Dowland
▶
Pavana, P 94— John Dowland
▶
A Galliard [upon a galliard by Daniel Bachelar] , P 28— John Dowland
▶
My Lord Wilobies Welcom Home, P 66a— John Dowland
▶
The Shoemakers Wife, a Toy, P 58— John Dowland
▶
The Right Honourable The Lord Viscount Lisle, his Galliard, P 38— John Dowland
▶
Coranto, P 100— John Dowland
▶
A Galliard, P 82— John Dowland
▶
The Lady Russells Paven, P 17— John Dowland
▶
Galliard [on “Awake Sweet Love”] , P 92— John Dowland
▶
The Frog Galliard, P 23— John Dowland
▶
Come Away, P 60— John Dowland
▶
Loth to Departe, P 69— John Dowland
▶
The King’s Delight— Anonymous
▶
All in a Garden Green— Anonymous
▶
Gathering Peascods— Anonymous
▶
Blew-cap for me— Anonymous
▶
Fortune my foe (Lute solo)— Anonymous
▶
Browning— William Byrd
▶
Jog on— Anonymous
▶
Courante – Packington’s Pound— Michael Praetorius
▶
Daphne— Anonymous
▶
Huntsuppe (Lute solo)— John Whitfield
▶
The Lovely Northerne Lasse— Anonymous
▶
Tantz— Johann Schultz
▶
O Nachbar Roland— Samuel Scheidt
▶
Dulcina— William Brade
▶
As att noone Dulcina rested— Anonymous
▶
Grimstock (Cittern solo)— Anonymous
▶
Robin is to the Greenwood Gone— Anonymous
▶
Ricercar – Bonny Sweet Robin— Thomas Simpson
▶
A Light Hearts A Jewell— Anonymous
▶
Child Grove— Anonymous
▶
Easter Thursday— Anonymous
▶
The Beggar Boy— Anonymous
▶
Mr. Issac’s Maggot— Anonymous
▶
The Little Barley-Corne— Anonymous
▶
The Happy Meeting— Anonymous
▶
Boatman— Anonymous
▶
Trip and go— Anonymous
▶
Barbara Allen’s Cruelty— Anonymous
▶
Preludium— William Byrd
▶
Browning my dear— Henry Stoning
▶
Hollis Berrie— Anonymous
▶
Newcastle— Anonymous
▶
Newmarket— Anonymous
▶
Now, o now, I needs must part— John Dowland
▶
Coockow as I me Walked— John Baldwine
▶
Sing Care Away— Anonymous
▶
Souches Marche— Anonymous
▶
Emperor of the Moon— Anonymous
▶
Tickle my Toe— Anonymous
▶
I Smell a Rat— Anonymous
▶
Wilson’s Wilde— Anonymous
▶
Begone, Sweit Night— Anonymous
▶
Strawberries and Cream— Anonymous
▶
The Queen’s Delight— Anonymous
▶
Half Hanniken— Anonymous
▶
Nottingham Ale— Anonymous
▶
Solus cum sola, P 10— John Dowland
▶
Suzanna Galliard, P 91— John Dowland
▶
Sir John Smith his Almain, P 47— John Dowland
▶
Sweet Robyne, P 70— John Dowland
▶
Dowlands first galliard, P 22— John Dowland
▶
Mayster Pypers Pavyn, P 8— John Dowland
▶
Captain Digorie Piper his Galliard, P 19— John Dowland
▶
Mounsieur’s Almaine— John Dowland
▶
Mrs Brigide Fleetwoods paven, P 11 “Solus sine sola”— John Dowland
▶
Dowlands Galliard, P 20— John Dowland
▶
Farwell [An “In Nomine”] , P 4— John Dowland
▶
Aloe, P 68— John Dowland
▶
Capitain Candishe his Galyard, P 21— John Dowland
▶
Can she excuse, P 42— John Dowland
▶
Mrs Vaux Galliarde, P 32— John Dowland
▶
Mrs Vauxes Gigge, P 57— John Dowland
▶
Sir Henry Guilforde his Almaine— John Dowland
▶
Mignarda, P 34— John Dowland
▶
Sir John Souch his Galliard, P 26— John Dowland
▶
Fantasia, P 1a— John Dowland
▶
Passemeze en b mol— Nicolas Vallet
▶
Bouree d’Avignon— Nicolas Vallet
▶
Gaillarde du comte Essex— Nicolas Vallet
▶
Boerinneken— Nicolas Vallet
▶
Les Pantalons— Nicolas Vallet
▶
Praeludium— Nicolas Vallet
▶
Allemande fortune helas pourquoy— Nicolas Vallet
▶
Fantasie La Mendiante— Nicolas Vallet
▶
Soet Robbert— Nicolas Vallet
▶
Gaillarde— Nicolas Vallet
▶
Pavanne en forme de complainte— Nicolas Vallet
▶
Carillon de Village— Nicolas Vallet
▶
Onse Vader in Hemelryck— Nicolas Vallet
▶
La Sarabande espagnolle— Nicolas Vallet
▶
Guillemette— Nicolas Vallet
▶
Courante La Vallette— Nicolas Vallet
▶
Courante de Mars— Nicolas Vallet
▶
La Chacona— Nicolas Vallet
▶
Une Jeune Fillette— Nicolas Vallet
▶
Onder de Lindegröne— Nicolas Vallet
▶
La Princesse— Nicolas Vallet
▶
L’avignonne— Nicolas Vallet
▶
Slaep soete slaep— Nicolas Vallet
▶
Fantasia prima— Simone MOLINARO
▶
Ballo detto il Conte Orlando— Simone MOLINARO
▶
Saltarello del predetto ballo— Simone MOLINARO
▶
Fantasia nona— Simone MOLINARO
▶
Saltarello primo— Simone MOLINARO
▶
Fantasia terza— Simone MOLINARO
▶
Saltarello secondo— Simone MOLINARO
▶
Canzone a quattro di Gioseppe Guami— Simone MOLINARO
▶
Pass’e mezzo in tre modi— Simone MOLINARO
▶
Gagliarda in tre modi— Simone MOLINARO
▶
Fantasia Duodecima— Giovanni Battista dalla GOSTENA
▶
Fantasia XXV— Giovanni Battista dalla GOSTENA
▶
Saltarello sesto— Simone MOLINARO
▶
Fantasia Quinta— Simone MOLINARO
▶
Pass’e mezzo in sei modi— Simone MOLINARO
▶
Gagliarda in quattro modi— Simone MOLINARO
▶
Fantasia XV— Simone MOLINARO
▶
Fantasia XIV— Simone MOLINARO
▶
Saltarello quarto— Simone MOLINARO
▶
Fantasia ottava— Giovanni Battista dalla GOSTENA
▶
Fantasia sopra Susane un jour— Giulio SEVERINO
▶
Susane un jour— Giovanni Battista dalla GOSTENA
▶
Saltarello settimo— Simone MOLINARO
▶
Frais et galliard (Arr. Molinaro)— Clemens NON PAPA
▶
M. George Whitehead his Almand— John Dowland
▶
Mr. John Langton’s Pavan— John Dowland
▶
Come heavy sleepe— John Dowland
▶
M. Nicholas Gryffith his Galiard— John Dowland
▶
Sorrow, stay— John Dowland
▶
M Buctons Galiard— John Dowland
▶
M. Henry Noel his Galiard— John Dowland
▶
The First Booke of Songes: No. 9, Go crystal tears— John Dowland
▶
The Firste Booke of Songes: The Earl Of Essex Galliard, P 42— John Dowland
▶
Captaine Digorie Piper his Galiard— John Dowland
▶
I saw my Lady weepe— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: I. Lachrimae Antiquae— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: II. Lachrimae Antiquae Novae— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: III. Lachrimae Gementes— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: IV. Lachrimae Tristes— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: V. Lachrimae Coactae— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: VI. Lachrimae Amantis— John Dowland
▶
The collected Lute Music of John Dowland, Lachrimae, P 15: VII. Lachrimae Verae— John Dowland
▶
Flow, my tears— John Dowland
▶
Pavana alla venetiana— Joan Ambrosio Dalza
▶
Saltarello— Joan Ambrosio Dalza
▶
Recercar primo— Vincenzo Capirola
▶
“De tous bien playne”— Hayne van Ghizeghem
▶
“De tu biens plaene”— Hayne van Ghizeghem
▶
Padoana belissima— Vincenzo Capirola
▶
Spagna seconda— Vincenzo Capirola
▶
Recercar II:XIII— Vincenzo Capirola
▶
“O mia ciecha e dura sorte”— Marco Cara
▶
“Che farala, che dirala”— Michele Pesenti
▶
Recercare— Francesco Spinacino
▶
“Malor me bat”— Johannes Martini
▶
Laudato Dio— Anonymous
▶
Recercar— Joan Ambrosio Dalza
▶
Calata ala spagnola ditto terzetti— Joan Ambrosio Dalza
▶
Recercar quinto— Vincenzo Capirola
▶
“Non ti spiaqua l’ascoltar”— Anonymous
▶
La vilanela— Vincenzo Capirola
▶
“Adiu mes amours”— Josquin des Prez
▶
“Tientalora,” Balletto da ballare— Vincenzo Capirola
▶
Et in terra pax— Josquin des Prez
▶
Qui tolis pechata mondi— Josquin des Prez
▶
Tastar de corde – Recercar dietro— Joan Ambrosio Dalza
▶
Pavana alla ferrarese— Joan Ambrosio Dalza
▶
Daniell Batchelar: Mounsier’s Almaine (1610)— Composer not established
▶
Ballad Tunes: Pakington’s Pownde, Grimstock, Greensleeves (Anon), Greensleeves, Goe from my…— Composer not established
▶
Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli— Composer not established
▶
Scottish Music (c. 1620): A Scots Tune, Corne Yards, A Scots Tune, Gypsies Lilt, A Scots Tune,…— Composer not established
▶
Anthony Holborne (d. 1602): The Fairy Rownde, A Paven, Galliard To The Paven Before,…— Composer not established
▶
Gregory Huwet: Fantasie (1595)— Composer not established
▶
Thomas Robinson: Lantero, The Spanish Pavin, Robin Is To The Greenwood Gone— Composer not established
▶
Jácaras por la E— Santiago De Murcia
▶
La Jota— Santiago De Murcia
▶
Marizápalos— Santiago De Murcia
▶
Gallardas— Santiago De Murcia
▶
Tarantelas— Santiago De Murcia
▶
Preludio Grabe— Santiago De Murcia
▶
La Cadena— Santiago De Murcia
▶
Una Giga de Corelli— Santiago De Murcia
▶
Zarambeques— Santiago De Murcia
▶
Passacalles por la E— Santiago De Murcia
▶
Fandango— Santiago De Murcia
▶
Marionas por la B— Santiago De Murcia
▶
Cumbées— Santiago De Murcia
▶
Payssanos— Santiago De Murcia
▶
Folias Ytalianas— Santiago De Murcia
▶
Las Penas— Santiago De Murcia
▶
Allegro— Santiago De Murcia
▶
Grabe— Santiago De Murcia
▶
Otros canarios— Santiago De Murcia
▶
Canarios— Santiago De Murcia
▶
I Cannot Keepe my Wyfe at Howme— Anonymous
▶
Up Tails All— Anonymous
▶
The Spanish Pavane— Anonymous
▶
Robin Hoode— Mr. Ascue
▶
John com Kisse me now— Anonymous
▶
Chromatica Pavana— Peter Philips
▶
Sueit smyling Katie loves me— Anonymous
▶
Put on your sark on Monenday— Anonymous
▶
Buckinghames Branle— Anonymous
▶
The Laydie Louthians lilte— Anonymous
▶
La Volta— William Byrd
▶
Wolsey’s Wilde— William Byrd
▶
Pavana Bray (set by Francis Cutting)— William Byrd
▶
Galiarda— William Byrd
▶
Will yow Walke the Woods soe Wylde— William Byrd
▶
My Lord Willoughbies Welcom Home— William Byrd
▶
Lusty Gallant— Anonymous
▶
A Ground— Anonymous
▶
Home again, market is done— Anonymous
▶
Trenchmore— Anonymous
▶
Mall Symes— Anonymous
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 55 The Night Watch— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 56 Almayne— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 57 Almaine— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 62 The widowes myte— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 1 Bona Speranza— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 34 Muy linda— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 61 Wanton— Anthony Holborne
▶
Passion— Anthony Holborne
▶
Playfellow— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 60 The Honie suckle— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 63 The Fairie-Round— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 58 The Fruit of Love— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 5 The Cradle— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 6 The New-Yeeres gift— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 4 Lullabie— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 39 Pavan— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 40 Galliard— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 65 Heigh ho holiday— Anthony Holborne
▶
Il Nodo di Gordio— Anthony Holborne
▶
Sicke, sicke, and very sicke— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 31 The Funerals— Anthony Holborne
▶
Pavans, Galliards, Almains and other Short Aeirs, H-6252: No. 64 As it Fell on a Holie Eve— Anthony Holborne
▶
Last will and testament— Anthony Holborne
▶
The Farewell— Anthony Holborne
▶
Paradizo— Anthony Holborne
▶
The Sighes— Anthony Holborne
▶
Posthuma— Anthony Holborne
▶
Galliard (32)— Anthony Holborne
▶
My selfe— Anthony Holborne
▶
Spero— Anthony Holborne
▶
Tom Scarlett— John Playford
▶
Old Simon the King— John Playford
▶
Another Division on a Ground by Mr. John Banister— John Playford
▶
Moll Peatly, or The Old Marinett— John Playford
▶
The Bear’s Dance— John Playford
▶
Hunsdon House— John Playford
▶
Sir Martin Marah’s Jigg— John Playford
▶
Fy Nay, Prithee John!— John Playford
▶
Paul’s Steeple, or The Duke of Norfolk— John Playford
▶
The Glory of the West— John Playford
▶
The Mock Glory of the West— John Playford
▶
The Glory of the Sun— John Playford
▶
Faronell’s Division on a Ground— John Playford
▶
Long Cold Nights— John Playford
▶
Johney Cock Thy Beaver: A Scotch Tune to a Ground— John Playford
▶
Greene-Sleeves— John Playford
▶
Stingo, or The Oyle of Barly— John Playford
▶
Cockleshells— John Playford
▶
Another Division on a Ground By Mr. P. B.— John Playford
▶
The Queen’s Jigg— John Playford
▶
Suite No. 1 in D Minor: I. Fantasy— William Lawes
▶
Suite No. 1 in D Minor: II. Aire— William Lawes
▶
Suite No. 1 in D Minor: III. Alman— William Lawes
▶
Suite No. 1 in D Minor: IV. Corant— William Lawes
▶
Suite No. 1 in D Minor: V. Corant— William Lawes
▶
Suite No. 1 in D Minor: VI. Saraband— William Lawes
▶
Suite No. 1 in D Minor: VII. Ecco— William Lawes
▶
Suite No. 2 in D Minor: I. Pavan— William Lawes
▶
Suite No. 2 in D Minor: II. Aire— William Lawes
▶
Suite No. 2 in D Minor: III. Aire— William Lawes
▶
Suite No. 2 in D Minor: IV. Corant— William Lawes
▶
Suite No. 2 in D Minor: V. Corant— William Lawes
▶
Suite No. 2 in D Minor: VI. Saraband— William Lawes
▶
Suite No. 2 in D Minor: VII. Saraband— William Lawes
▶
Suite No. 3 in D Minor: I. Aire— William Lawes
▶
Suite No. 3 in D Minor: II. Aire— William Lawes
▶
Suite No. 3 in D Minor: III. Corant— William Lawes
▶
Suite No. 3 in D Minor: IV. Corant— William Lawes
▶
Suite No. 3 in D Minor: V. Alman— William Lawes
▶
Suite No. 3 in D Minor: VI. Corant— William Lawes
▶
Suite No. 3 in D Minor: VII. Saraband— William Lawes
▶
Suite No. 4 in D Major: I. Paven— William Lawes
▶
Suite No. 4 in D Major: II. Aire— William Lawes
▶
Suite No. 4 in D Major: III. Aire— William Lawes
▶
Suite No. 4 in D Major: IV. Aire— William Lawes
▶
Suite No. 4 in D Major: V. Corant— William Lawes
▶
Suite No. 4 in D Major: VI. Saraband— William Lawes
▶
Suite No. 5 in D Major: I. Aire— William Lawes
▶
Suite No. 5 in D Major: II. Aire— William Lawes
▶
Suite No. 5 in D Major: III. Alman— William Lawes
▶
Suite No. 5 in D Major: IV. Aire— William Lawes
▶
Suite No. 5 in D Major: V. Corant— William Lawes
▶
Suite No. 5 in D Major: VI. Aire (Saraband)— William Lawes
▶
Suite No. 5 in D Major: VII. Saraband— William Lawes
▶
Suite No. 6 in D Major: I. Fantasy— William Lawes
▶
Suite No. 6 in D Major: II. Aire— William Lawes
▶
Suite No. 6 in D Major: III. Alman— William Lawes
▶
Suite No. 6 in D Major: IV. Corant— William Lawes
▶
Suite No. 6 in D Major: V. Ecco— William Lawes
▶
Suite No. 6 in D Major: VI. Aire. Morriss— William Lawes
▶
Suite No. 7 in A Minor: I. Pavan— William Lawes
▶
Suite No. 7 in A Minor: II. Ayre— William Lawes
▶
Suite No. 7 in A Minor: III. Allmain— William Lawes
▶
Suite No. 7 in A Minor: IV. Allmain— William Lawes
▶
Suite No. 7 in A Minor: V. Ayre— William Lawes
▶
Suite No. 7 in A Minor: VI. Corant— William Lawes
▶
Suite No. 7 in A Minor: VII. Saraband— William Lawes
▶
Suite No. 8 in C Major: I. Pavan— William Lawes
▶
Suite No. 8 in C Major: II. Ayre— William Lawes
▶
Suite No. 8 in C Major: III. Alman— William Lawes
▶
Suite No. 8 in C Major: IV. Ayre. Corant— William Lawes
▶
Suite No. 8 in C Major: V. Corant— William Lawes
▶
Suite No. 8 in C Major: VI. Saraband— William Lawes
▶
Suite No. 9 in F Major: I. Pavin— William Lawes
▶
Suite No. 9 in F Major: II. Aire— William Lawes
▶
Suite No. 9 in F Major: III. Allmain— William Lawes
▶
Suite No. 9 in F Major: IV. Corant— William Lawes
▶
Suite No. 9 in F Major: V. Allmain— William Lawes
▶
Suite No. 9 in F Major: VI. Corant— William Lawes
▶
Suite No. 9 in F Major: VII. Saraband— William Lawes
▶
Suite No. 10 in B-Flat Major: I. Pavan— William Lawes
▶
Suite No. 10 in B-Flat Major: II. Allmain— William Lawes
▶
Suite No. 10 in B-Flat Major: III. Corant— William Lawes
▶
Suite No. 10 in B-Flat Major: IV. Allmain— William Lawes
▶
Suite No. 10 in B-Flat Major: V. Corant— William Lawes
▶
Suite No. 10 in B-Flat Major: VI. Saraband— William Lawes
▶
Saltarello detto Trivella— Orazio Vecchi
▶
Fammi una canzonetta capriciosa— Orazio Vecchi
▶
La Guamina— Adriano Banchieri
▶
L’Alcenagina sopra Vestiva i colli— Adriano Banchieri
▶
La Pomponazza— Adriano Banchieri
▶
All’Arm’, All’Arm’— Lodovico Agostini
▶
Gagliarda detta Tamburin (Chilesotti Lutebook)— Anonymous
▶
Quand mon mari alloit à la guerre (Chilesotti Lutebook)— Anonymous
▶
Villanella (Chilesotti Lutebook)— Anonymous
▶
Dove son quei fieri occhi? (Chilesotti Lutebook)— Anonymous
▶
Fiamenga (Chilesotti Lutebook)— Anonymous
▶
Non vo’ pregare chi non m’ascolta (Bottegari Lutebook)— Orazio Vecchi
▶
Poi che pato per te (Anon./ Bottegari Lutebook)— Anonymous
▶
Sola soletta me ne vo (Bottegari Lutebook)— Cosimo Bottegari
▶
Io visans— Adrian Willaert
▶
Più non amo e più non ardo (Bottegari Lutebook)— Anonymous
▶
Anchor che co’l partire – David Douglass: Divisions on “Anchor che co’l partire”— Cipriano de Rore
▶
Fa una canzone senza note nere— Orazio Vecchi
▶
O bene mio fam’ uno favore— Adrian Willaert
▶
Divisions on “Frais et gaillard” (Madrigal by Clemens non Papa)— Giovanni Bassano
▶
Mostrav’ in ciel— Orazio Vecchi
▶
Onques amour— Thomas Crecquillon
▶
Divisions on “Onques amor”— Giovanni Bassano
▶
Io vorrei pur fuggir (Chilesotti Lutebook)— Anonymous
▶
Danza (Chilesotti Lutebook)— Anonymous
▶
Ballo Tedesco (Chilesotti Lutebook)— Anonymous
▶
Content ou non— Thomas Crecquillon
▶
S’eguale a la mia voglia— Cipriano de Rore
▶
Fantasia [Castelfranco Manuscript]— Francesco da Milano
▶
Ricercar #13— Francesco da Milano
▶
Fantasia #83— Francesco da Milano
▶
Pourquoy allez-fous seullette (Anon., Arr. Milano)— Francesco da Milano
▶
Fantasia #26— Francesco da Milano
▶
Pavana chiamata la Desperata— Pietro Paolo Borrono
▶
Ricercar— Marco dall’ Aquila
▶
Il est bel et bon (Passereau; arr. L’Aquila)— Marco dall’ Aquila
▶
Ricercar Lautre jour #101— Marco dall’ Aquila
▶
Nous bergiers (Janequin; arr. L’Aquila)— Marco dall’ Aquila
▶
La Traditora #3— Marco dall’ Aquila
▶
Fantasia #39— Francesco da Milano
▶
Fantasia #8— Francesco da Milano
▶
Fantasia dolcissima et amorosa— Francesco da Milano
▶
Fantasia #56— Francesco da Milano
▶
Fantasia XXII— Albert de Rippe
▶
L’Eccho (Gentian; arr. Ripa)— Albert de Rippe
▶
Fantasia VIII— Albert de Rippe
▶
Ricercar #16— Marco dall’ Aquila
▶
La Traditora #2— Marco dall’ Aquila
▶
La Battaglia (Janequin; arr. L’Aquila)— Marco dall’ Aquila
▶
Ricercar #33— Marco dall’ Aquila
▶
Pavana la Gombertina— Pietro Paolo Borrono
▶
Saltarello chiamato el Mazolo— Pietro Paolo Borrono
▶
Courante ‘Son adieu’— Jacques Gaultier
▶
Courante sur ‘J’avois brisè mes fers’— Jacques Gaultier
▶
Chacogne— Anonymous
▶
Filou’— Luc Despond
▶
Galliard upon a Galliard— Daniel Bacheler
▶
Fantasia sopra ‘la Canzon degli Ucelli’— Diomedes Cato
▶
Ballet— Jacob Polonais
▶
Courante sur le Courante de Perrichon— Jacob Polonais
▶
Sarabande— Jacob Polonais
▶
Sarabrand— Cuthbert Hely
▶
La jeune fillette’— Daniel Bacheler
▶
Pavan of the Composition of Mee and Castle Island— Herbert of Cherbury
▶
Beauty, since you so much desire— Thomas Campion
▶
Love me or not— Thomas Campion
▶
Your fair looks— Thomas Campion
▶
Never love unless you can— Thomas Campion
▶
O never to be moved— Thomas Campion
▶
The cypress curtain of the night— Thomas Campion
▶
Awake thou spring of speaking grace— Thomas Campion
▶
Come, you pretty false-eyed wanton— Thomas Campion
▶
So tired are all my thoughts— Thomas Campion
▶
Fire, fire— Thomas Campion
▶
Pined I am, and like to die— Thomas Campion
▶
Author of light— Thomas Campion
▶
See where she flies— Thomas Campion
▶
Fair, if you expect admiring— Thomas Campion
▶
Shall I come, sweet love, to thee?— Thomas Campion
▶
It fell on a summer’s day— Thomas Campion
▶
Kind are her answers— Thomas Campion
▶
Beauty is but a painted hell— Thomas Campion
▶
Sweet exclude me not— Thomas Campion
▶
Are you what your fair looks express?— Thomas Campion
▶
I care not for these ladies— Thomas Campion
▶
Never Weather-beaten Sail— Thomas Campion
▶
Toccata arpeggiata— Girolamo Kapsberger
▶
Gagliarda 11a— Girolamo Kapsberger
▶
Toccata 5a— Girolamo Kapsberger
▶
Toccata 1— Girolamo Kapsberger
▶
Gagliarda 1a— Girolamo Kapsberger
▶
Corrente 1a— Girolamo Kapsberger
▶
Toccata VI— Girolamo Kapsberger
▶
Gagliarda 10a— Girolamo Kapsberger
▶
Corrente 7a— Girolamo Kapsberger
▶
Corrente 2a— Girolamo Kapsberger
▶
Ciachone— Girolamo Kapsberger
▶
Toccata V— Girolamo Kapsberger
▶
Gagliarda 12a— Girolamo Kapsberger
▶
Corrente 12a— Girolamo Kapsberger
▶
Toccata III— Girolamo Kapsberger
▶
Gagliarda 4a— Girolamo Kapsberger
▶
Corrente 11a— Girolamo Kapsberger
▶
Toccata 1a— Girolamo Kapsberger
▶
Toccata 2a— Girolamo Kapsberger
▶
Bergamasca— Girolamo Kapsberger
▶
Kapsberger— Girolamo Kapsberger
▶
Colascione— Girolamo Kapsberger
▶
Canario— Girolamo Kapsberger
▶
Petite fantaisie dessus l’accord du leut— Adrian Le Roy
▶
Vray Dieu disoit une fillette— Adrian Le Roy
▶
Branle simple – Le branle precedent plus diminue – Branle gay— Adrian Le Roy
▶
Branles de Bourgogne: Premier, quatryesme et neufiesme branles— Adrian Le Roy
▶
Fantasie VII— Guillaume Morlaye
▶
Est-il douleur cruelle— Guillaume Morlaye
▶
Fantaisie IX— Guillaume Morlaye
▶
Pauane – Gaillarde— Guillaume Morlaye
▶
Fantaisie II— Albert De Pipe
▶
Le content est riche— Claudin de Sermisy
▶
Pauana chiamata la milanesa— Jean-Paul Paladin
▶
Gagliarda sopra la detta— Jean-Paul Paladin
▶
Lute Music: No. 9, The Shoemaker’s Wife, P. 58— John Dowland
▶
La mia Barbara, P. 95— John Dowland
▶
The Right Honourable the Lady Clifton’s Spirit, P. 45— John Dowland
▶
Mrs. Clifton’s Almain, P. 53— John Dowland
▶
Aloe, P. 68— John Dowland
▶
The Most Sacred Queene Elizabeth, Her Galliard, P. 41— John Dowland
▶
Walsingham, P. 67— John Dowland
▶
A Galliard in G Minor, P. 31 “On Walsingham”— John Dowland
▶
Semper Dowland Semper Dolens, P. 9— John Dowland
▶
Lute Music: No. 15, Fantasia in G Major, P. 1— John Dowland
▶
Fantasia for Lute in D Minor, P. 5— John Dowland
▶
Sir John Langton His Pavin, P. 14— John Dowland
▶
Lute Music: No. 11, The Lady Rich, Her Galliard, P. 44a— John Dowland
▶
Mrs. Winters Jump, P. 55— John Dowland
▶
Mistris Whittes Thinge, P. 50— John Dowland
▶
Mrs. Whites Nothing, P. 56— John Dowland
▶
Lachrimae in G Minor, P. 15— John Dowland
▶
Galliard to Lachrimae, P. 46— John Dowland
▶
Lute Music: No. 10, Farewell, P. 3— John Dowland
▶
Intabolatura de lauto: Ricercar No. 4 (Fantasia)— Francesco da Milano
▶
Intabolatura de lauto: Ricercar No. 3 (Fantasia)— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 21— Francesco da Milano
▶
Intabolatura de lauto: Mon per si ma marie— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 38— Francesco da Milano
▶
Intabolatura de lauto: Ricercar No. 5— Francesco da Milano
▶
Intabolatura de lauto: Reueillez moy— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 81— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 64— Francesco da Milano
▶
Intabolatura de lauto: O bone Yhesu— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 40— Francesco da Milano
▶
Intabolatura de lauto: De mon triste desplaisir— Francesco da Milano
▶
Intabolatura de lauto: Fantasia de mon triste No. 36— Francesco da Milano
▶
Intabolatura de lauto: Chi uoleno dir de moy— Francesco da Milano
▶
Intabolatura de lauto: Vignon uignetta— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 41— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 66— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 28— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 51— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 30— Francesco da Milano
▶
Intabolatura de lauto: Ricercar No. 16— Francesco da Milano
▶
Intabolatura de lauto: Ricercar No. 10— Francesco da Milano
▶
Intabolatura de lauto: Fort se lament— Francesco da Milano
▶
Intabolatura de lauto: Quand’io penso al martir— Francesco da Milano
▶
Intabolatura de lauto: Tu discois que je mourroye— Francesco da Milano
▶
Intabolatura de lauto: Fantasia No. 33— Francesco da Milano
▶
Intabolatura de lauto: Ricercar No. 34 “La compagna”— Francesco da Milano
▶
Drewries accordes— Anonymous
▶
A Mery Moode— Anonymous
▶
The Spanish Pavan— Alfonso Ferrabosco I
▶
Lord Willoughbies his Galliard— John Dowland
▶
My Lord Chamberlaine his Galliard— John Dowland
▶
Complaint— John Dowland
▶
Passymeasure Galliard: Passymeasures Galliard— John Danyel
▶
Sellengers Rounde (Arr. L. Nordstrom)— John Johnson
▶
The Flat Pavan: The Flatt Pavion (Flat Pavan)— John Johnson
▶
Galliard to the Flat Pavan: The Galyard to the Flatt Pavion (Galliard to the Flat Pavan)— John Johnson
▶
Dump, “Queen’s Treble”: A Dump— John Johnson
▶
A Fantasy— Thomas Robinson
▶
Twenty Waies upon the Bells— Thomas Robinson
▶
A Toy (Version for 2 lutes)— Thomas Robinson
▶
The Queenes Goodnight— Thomas Robinson
▶
Green Sleeves: Greensleeves— John Johnson
▶
La Vecchia Pavan: Lavecheo Pavin (La Vecchia Pavan)— John Johnson
▶
Galliard to La Vecchia Pavan: Lavecheo Galliard (Galliard to La Vecchia Pavan)— John Johnson
▶
A Fancy— John Marchant
▶
The New Hunt Is Up— John Johnson
▶
La Rossignoll— Anonymous
▶
Vivaldi: Concerto for 2 Mandolins in G Major, RV 532: I. Allegro— Antonio Vivaldi
▶
Vivaldi: Concerto for 2 Mandolins in G Major, RV 532: II. Andante— Antonio Vivaldi
▶
Vivaldi: Concerto for 2 Mandolins in G Major, RV 532: III. Allegro— Antonio Vivaldi
▶
Vivaldi: Trio Sonata in G Minor, RV 85: I. Andante molto— Antonio Vivaldi
▶
Vivaldi: Trio Sonata in G Minor, RV 85: II. Larghetto— Antonio Vivaldi
▶
Vivaldi: Trio Sonata in G Minor, RV 85: III. Allegro— Antonio Vivaldi
▶
Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro— Antonio Vivaldi
▶
Vivaldi: Mandolin Concerto in C Major, RV 425: II. Largo— Antonio Vivaldi
▶
Vivaldi: Mandolin Concerto in C Major, RV 425: III. Allegro— Antonio Vivaldi
▶
Vivaldi: Lute Concerto in D Major, RV 93: I. [Allegro giusto]— Antonio Vivaldi
▶
Vivaldi: Lute Concerto in D Major, RV 93: II. Largo— Antonio Vivaldi
▶
Vivaldi: Lute Concerto in D Major, RV 93: III. Allegro— Antonio Vivaldi
▶
Vivaldi: Trio Sonata in C Major, RV 82: I. Allegro non molto— Antonio Vivaldi
▶
Vivaldi: Trio Sonata in C Major, RV 82: II. Larghetto— Antonio Vivaldi
▶
Vivaldi: Trio Sonata in C Major, RV 82: III. Allegro— Antonio Vivaldi
▶
Vivaldi: Concerto for Viola d’Amore and Lute in D Minor, RV 540: I. Allegro— Antonio Vivaldi
▶
Vivaldi: Concerto for Viola d’Amore and Lute in D Minor, RV 540: II. Largo— Antonio Vivaldi
▶
Vivaldi: Concerto for Viola d’Amore and Lute in D Minor, RV 540: III. Allegro— Antonio Vivaldi
▶