Biography (read more)

Xavier Díaz-Latorre was born in Barcelona, Spain, in 1968. He trained first as a classical guitarist, studying with Óscar Ghiglia at the Musikhochschule Basel and graduating in 1993, before turning to early music and studying lute with Hopkinson Smith at the Schola Cantorum Basiliensis. Since 1995 he has performed widely in baroque opera and concert repertoire as a member of Jordi Savall’s ensembles Hespèrion XXI, La Capella Reial de Catalunya and Le Concert des Nations, and has appeared under conductors including René Jacobs and Thomas Hengelbrock. He leads his own ensemble, Laberintos Ingeniosos, devoted to Spanish Golden Age music, and has taught at ESMUC Barcelona, the Royal Conservatory of Brussels, and, from 2024, the Schola Cantorum Basiliensis.

As guitarist, lutenist and theorbist, Xavier Díaz-Latorre has been a fixture of Jordi Savall’s ensembles for three decades, contributing to more than thirty recordings that helped shape the modern sound of Iberian and French baroque continuo playing. Through Laberintos Ingeniosos he has championed neglected Spanish Golden Age guitar and lute repertoire, while his teaching posts at ESMUC, Brussels and now the Schola Cantorum Basiliensis place him at the center of training Europe’s next generation of plucked-string continuo specialists.

Sources:

Repertoire

Suite in G minor, BWV 995— Johann Sebastian Bach
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Passacaglia— Heinrich Ignaz Franz Biber
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Chaconne— Robert de Visée
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La Compagna— Francesco da Milano
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Kapsberger piece for chitarrone— Giovanni Girolamo Kapsberger
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Folía— Francesco Corbetta
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Suite in D minor— Robert de Visée
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Alemanda “La Serenísima” in G— Gaspar Sanz
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Caccini & Kapsperger, Nuove Musiche: Monodies & Toccatas in the New Style (Full album, 20 tracks)— Giulio Caccini / Giovanni Girolamo Kapsberger
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Sor: Pièces pour la guitare (Full album, 9 tracks)— Fernando Sor
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Francesco da Milano: Libro della Fortuna (1536) (Full album, 33 tracks)— Francesco da Milano
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Narvaez: Los Libros del Delphin (Full album, 27 tracks)— Luys de Narváez
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Robert de Visée: Pièces pour Théorbe & Guitare (Full album, 33 tracks)— Robert de Visée
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Stolen Roses (Full album, 14 tracks)— Various composers
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Schubertiade (Full album, 28 tracks)— Franz Schubert
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La Guitarra dels Lleons (vol. 1) (Full album, 11 tracks)— Various (Catalan/Spanish guitar repertoire)
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Francisco Guerau, Poema harmónico (1694) for Guitar (Full album, 25 tracks)— Francisco Guerau
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La Guitarra dels Lleons (vol. 2) (Full album, 11 tracks)— Various (Catalan/Spanish guitar repertoire)
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Goyesca (Seguidillas boleras) (Full album, 23 tracks)— Various (Spanish popular song / bolero, Goya era)
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Spanish Popular Songs (Full album, 21 tracks)— Traditional (Spanish popular song)
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Seguidilla— Fernando Sor
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Tirana— Composer not established
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Tirana del Caramba— Composer not established
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Los cuatro muleros— Composer not established
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Inés— Composer not established
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Romance de D. Boyso— Composer not established
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Cuando sales al campo— Composer not established
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Hechizeta (Tomas Damas)— Composer not established
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Zorongo— Composer not established
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Anda Jaleo— Composer not established
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El café de Chinitas— Composer not established
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Nana de Sevilla— Composer not established
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Las Morillas de Jaén— Composer not established
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La flor de la canela— Composer not established
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Al lado de mi cabaña— Composer not established
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Los reyes de la baraja— Composer not established
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El Vito— Composer not established
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Zapateado (G. Giménez)— Composer not established
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Las tres hojas— Composer not established
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La perrita chita— Composer not established
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A la nanita nana— Composer not established
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Passeos por el Cuarto Tono / Giga Improvisada— Composer not established
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Acto primero: Cesa de atormentarme— Fernando Sor
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Acto primero: Preparáme la tumba— Fernando Sor
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Acto primero: Los canónigos, madre— Fernando Sor
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Acto primero: Mucha tierra he corrido— Fernando Sor
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Acto primero: Estudio— Fernando Sor
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Acto segundo: Las mujeres y cuerdas— Fernando Sor
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Acto segundo: Muchacha y la vergüenza— Fernando Sor
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Acto segundo: Cuando de tí me aparto— Fernando Sor
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Acto segundo: El que quisiera amando— Fernando Sor
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Acto segundo: Introducción, tema y variacones Op. 9— Fernando Sor
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Acto tercero: Que costoso el logro— Fernando Sor
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Acto tercero: Me pregunta un amigo— Fernando Sor
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Acto tercero: Lo que no quieras darme— Fernando Sor
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Acto tercero: Mis descuidados ojos— Fernando Sor
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Acto tercero: Sin duda que tus ojos— Fernando Sor
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Acto tercero: Fantasia para dos guitarras Op. 41— Fernando Sor
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Epílogo: ¿ Cómo ha de resolverse ?— Fernando Sor
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Epílogo: Yo no sé lo que tiene— Fernando Sor
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Epílogo: Cuantas naves han visto— Fernando Sor
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Epílogo: Acuérdate bien mío— Fernando Sor
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Epílogo: Si dices que mios ojos— Fernando Sor
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Epílogo: Puede una buena moza— Fernando Sor
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Epílogo: Aquellos ojos verdes— Fernando Sor
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Canción del Emperador, Mille regres del cuarto tono canción de Josquin, Book III— Luys de Narváez
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Fantasía 1 del Primer tono, Book I— Luys de Narváez
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Fantasía 10 del quarto tono, Book II— Luys de Narváez
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Fantasía 11 del quinto tono, Book II— Luys de Narváez
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Fantasía 2 del Segundo tono, Book I— Luys de Narváez
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Tres diferencias de Guárdame las vacas por otra parte, Book VI— Luys de Narváez
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Sanctus & Osanna de la misa d’Ercules Dux Ferrarie de Josquin, Book III— Luys de Narváez
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Fantasía 7 del séptimo tono, Book I— Luys de Narváez
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Fantasía 5 del quinto tono de consonancia, Book I— Luys de Narváez
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Veinte y dos diferencias de Conde Claros, Book VI— Luys de Narváez
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Seis diferencias del igno de Nuestra Señora O gloriosa domina, Book IV— Luys de Narváez
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Fantasía 4 del quarto tono, Book I— Luys de Narváez
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Una canción del quinto tono Gombert, Book III— Luys de Narváez
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Je veulx layser melancolie del primer tono (Jean Richafort) , Book III— Luys de Narváez
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Cum sancto espiritu de la missa de la fuga Josquin, Book III— Luys de Narváez
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Fantasía 3 del tercer tono, Book I— Luys de Narváez
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Cuatro diferencias de Guárdame las vacas, Book VI— Luys de Narváez
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Fantasía del octavo tono, Book I— Luys de Narváez
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Sanctus & Osanna de la missa de faysan regres Josquin, Book III— Luys de Narváez
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Fantasía del primer tono, Book II— Luys de Narváez
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Fantasía 14 del primer tono, Book II— Luys de Narváez
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Fantasía 12 del quinto tono, Book II— Luys de Narváez
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Fantasía 13 del primer tono, Book II— Luys de Narváez
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Una baxa de contrapunto, Book VI— Luys de Narváez
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Cinco contrapuntos de Sacri Solemnis, Book IV— Luys de Narváez
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Fantasía 6 del sesto tono, Book I— Luys de Narváez
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Canción del primer tono (Nicolas Gombert) , Book III— Luys de Narváez
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Pièces de théorbe, Suite in A Minor: I. Prélude— Robert de Visée
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Pièces de théorbe, Suite in A Minor: II. Allemande ‘La Royalle’— Robert de Visée
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Pièces de théorbe, Suite in A Minor: III. Courante— Robert de Visée
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Pièces de théorbe, Suite in A Minor: IV. Sarabande— Robert de Visée
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Pièces de théorbe, Suite in A Minor: V. Masquerade— Robert de Visée
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Pièces de théorbe, Suite in A Minor: VI. Chaconne— Robert de Visée
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Pièces pour la guitare in D Minor: I. Prelude— Robert de Visée
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Pièces pour la guitare in D Minor: II. Allemande— Robert de Visée
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Pièces pour la guitare in D Minor: III. Courante— Robert de Visée
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Pièces pour la guitare in D Minor: IV. Sarabande— Robert de Visée
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Pièces pour la guitare in D Minor: V. Gigue— Robert de Visée
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Pièces pour la guitare in D Minor: VI. Menuet— Robert de Visée
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Pièces pour la guitare in D Minor: VII. Gavotte— Robert de Visée
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Pièces pour la guitare in D Minor: VIII. Bourré— Robert de Visée
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Pièces pour la guitare in D Minor: IX. Passacaille— Robert de Visée
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Pièces pour la guitare in D Minor: X. Menuet (Majeur)— Robert de Visée
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Pièces de théorbe, Suite in D Major: I. Prélude— Robert de Visée
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Pièces de théorbe, Suite in D Major: II. Allemande— Robert de Visée
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Pièces de théorbe, Suite in D Major: III. Courante— Robert de Visée
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Pièces de théorbe, Suite in D Major: IV. Sarabande— Robert de Visée
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Pièces de théorbe, Suite in D Major: V. Gigue— Robert de Visée
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Pièces pour la guitare in B Minor: I. Prélude— Robert de Visée
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Pièces pour la guitare in B Minor: II. Allemande— Robert de Visée
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Pièces pour la guitare in B Minor: III. Sarabande— Robert de Visée
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Pièces pour la guitare in B Minor: IV— Robert de Visée
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Pièces pour la guitare in B Minor: V. Passacaille— Robert de Visée
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Pièces pour théorbe, Suite in C Minor: I. Prelude— Robert de Visée
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Pièces pour théorbe, Suite in C Minor: II. La Plainte ou Tombeau de Mesdemoiselles De Visée,…— Robert de Visée
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Pièces pour théorbe, Suite in C Minor: III. Courante— Robert de Visée
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Pièces pour théorbe, Suite in C Minor: IV. Sarabande— Robert de Visée
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Pièces pour théorbe, Suite in C Minor: V. Gigue— Robert de Visée
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Pièces pour théorbe, Suite in G Major: I. Muzette— Robert de Visée
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Pièces pour théorbe, Suite in G Major: II. Chaconne— Robert de Visée
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Le nuove musiche: No. 9, Sfogava con le stelle— Giulio Caccini
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Libro quarto d’intavolatura di chitarrone: Kapsberger— Composer not established
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Nuove musiche e nuova maniera di scriverle: No. 14, Vaga su spin’ascosa— Giulio Caccini
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Nuove musiche e nuova maniera di scriverle: No. 31, Tu ch’hai le penne Amore— Giulio Caccini
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Le nuove musiche: No. 1, Movetevi à pietà— Giulio Caccini
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Libro quarto d’intavolatura di chitarrone: Passacaglia No. 4— Composer not established
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Nuove Musiche, Arie a una e più voci di diversi autori: Almi luci beate— Giulio Caccini
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Nuove musiche e nuova maniera di scriverle: No. 29, Amor, ch’attendi— Giulio Caccini
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Le nuove musiche: No. 11, Dovrò dunque morire?— Giulio Caccini
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Libro quarto d’intavolatura di chitarrone: Canario— Composer not established
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Le nuove musiche: No. 7, Vedrò ’l mio sol— Giulio Caccini
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Nuove musiche e nuova maniera di scriverle: No. 32, Al fonte, al prato— Giulio Caccini
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Nuove musiche e nuova maniera di scriverle: No. 9, Ch’io non t’ami, cor moi— Giulio Caccini
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Sferraina and improvisation upon the Collascione— Composer not established
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Nuove musiche e nuova maniera di scriverle: No. 16, Tutti il dì piango— Giulio Caccini
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Nuove musiche e nuova maniera di scriverle: No. 28, Non ha ’l ciel cotanti lumi— Giulio Caccini
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Nuove musiche e nuova maniera di scriverle: No. 20, Torna, deh torna, pargoletto mio— Giulio Caccini
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Libro quarto d’intavolatura di chitarrone: Capona— Composer not established
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Nuove musiche e nuova maniera di scriverle: No. 35, Dalla porta d’oriente— Giulio Caccini
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Libro primo d’Intavolatura di Chitarone: Toccata Arpeggiata— Composer not established
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Esordio: La compagna— Francesco da Milano
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Canto I, Fortuna innamorata: Recercata XII— Francesco da Milano
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Canto I, Fortuna innamorata: Le plus gorgias du monde— Francesco da Milano
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Canto I, Fortuna innamorata: Recercata XIII— Francesco da Milano
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Canto I, Fortuna innamorata: Recercata XXVI— Francesco da Milano
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Canto II, Saggia fortuna: Recercata V— Francesco da Milano
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Canto II, Saggia fortuna: Recercata VI— Francesco da Milano
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Canto II, Saggia fortuna: Recercata VII— Francesco da Milano
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Canto II, Saggia fortuna: Recercata XXII— Francesco da Milano
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Canto II, Saggia fortuna: Recercata VIII— Francesco da Milano
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Canto III, Sconsolata fortuna: Recercata XVII— Francesco da Milano
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Canto III, Sconsolata fortuna: La sua fantasia (De mon triste)— Francesco da Milano
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Canto IV, Fortuna serena: Recercata I— Francesco da Milano
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Canto IV, Fortuna serena: Recercata II— Francesco da Milano
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Canto IV, Fortuna serena: Recercata III— Francesco da Milano
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Canto IV, Fortuna serena: Recercata IV— Francesco da Milano
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Canto V, Tormentata fortuna: Recercata XXV— Francesco da Milano
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Canto V, Tormentata fortuna: Fort se lament— Francesco da Milano
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Canto VI, Devota fortuna: Que voles vous dire de moy— Francesco da Milano
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Canto VI, Devota fortuna: Recercata XXIV— Francesco da Milano
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Canto VI, Devota fortuna: Recercata XV— Francesco da Milano
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Canto VI, Devota fortuna: Recercata XVI— Francesco da Milano
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Canto VI, Devota fortuna: Recercata XIV— Francesco da Milano
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Canto VII, Fiduciosa fortuna: Recercata XI— Francesco da Milano
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Canto VII, Fiduciosa fortuna: Recercata XXVII— Francesco da Milano
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Canto VII, Fiduciosa fortuna: Recercata XXVIII— Francesco da Milano
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Canto VII, Fiduciosa fortuna: Nous bergières— Francesco da Milano
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Canto VIII, Fortuna rassegnata: Recercata XXIII— Francesco da Milano
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Canto VIII, Fortuna rassegnata: Recercata X— Francesco da Milano
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Canto VIII, Fortuna rassegnata: Recercata IX— Francesco da Milano
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Canto VIII, Fortuna rassegnata: Recercata XXI— Francesco da Milano
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Epilogo: Las ye mi plains— Francesco da Milano
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Passeos por el Cuarto Tono y una Giga por el Mismo Punto— Gaspar Sanz
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Passagalia in G Minor— Composer not established
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Suite for the Lute in G Minor, BWV 995: I. Prélude— Johann Sebastian Bach
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Suite for the Lute in G Minor, BWV 995: II. Allemande— Johann Sebastian Bach
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Suite for the Lute in G Minor, BWV 995: III. Courante— Johann Sebastian Bach
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Suite for the Lute in G Minor, BWV 995: IV. Sarabande— Johann Sebastian Bach
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Suite for the Lute in G Minor, BWV 995: V. Gavotte 1 & 2— Johann Sebastian Bach
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Suite for the Lute in G Minor, BWV 995: VI. Giga— Johann Sebastian Bach
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Suite in A Minor: I. Allemande— Johann Paul von Westhoff
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Suite in A Minor: II. Courante— Johann Paul von Westhoff
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Suite in A Minor: III. Sarabande— Johann Paul von Westhoff
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Suite in A Minor: IV. Gigue— Johann Paul von Westhoff
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Partita in D Minor, BWV 1004: Ciaconna— Johann Sebastian Bach
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Fantasia in C Minor, WeissSW9— Sylvius Leopold Weiss
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Die Szene ist ein Bild— Composer not established
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Schubert: Der Wanderer, D. 489— Franz Schubert
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Klage an das Volk— Composer not established
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Schubert: Morgenlied, D. 685 (Arr. Pierlot for Voice, Flute & Guitar)— Franz Schubert
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Schubert: 36 Originaltänze, D. 365: No. 1 & No. 6 (Arr. Diabelli for Flute & Guitar)— Franz Schubert
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Schubert: Schäfers Klagelied, D. 121 (Arr. Pierlot for Voice, Flute, Guitar & Baryton)— Franz Schubert
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Schubert: Heideröslein, D. 257 (Arr. Pierlot for Voice & Guitar)— Franz Schubert
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20. August 1815: 20. August 1815— Composer not established
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Schubert: Wandrers Nachtlied, D. 224 (Arr. Pierlot for Voice & Guitar)— Franz Schubert
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Matiegka: Notturno in G Major, Op. 21: III. Lento e patetico— Wenzel Thomas Matiegka
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Matiegka: Notturno in G Major, Op. 21: IV. Zingara— Wenzel Thomas Matiegka
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Schubert: Auf dem Strom, D. 943 (Arr. Díaz-Latorre for Voice, Guitar & Baryton)— Franz Schubert
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Schubert: Sehnsucht, D. 516 (Arr. Pierlot for Voice, Flute & Guitar)— Franz Schubert
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Mertz: Nachtviolen, Op. 2: I. Andante espressivo— Johann Kaspar Mertz
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Schubert: Schwanengesang, D. 744 (Arr. Pierlot for Voice & Guitar)— Franz Schubert
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Schubert: Auf dem Wasser zu singen, D. 774 (Arr. Pierlot for Voice, Guitar & Baryton)— Franz Schubert
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Schubert: Lachen und Weinen, D. 777 (Arr. Pierlot for Voice, Flute, Guitar & Baryton)— Franz Schubert
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Geheimnis. An Franz Schubert— Composer not established
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Schubert: Nachtviolen, D. 752 (Arr. Pierlot for Voice, Flute, Guitar & Baryton)— Franz Schubert
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Ich kann die Scharade nicht erraten— Composer not established
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Schubert: Gesänge des Harfners, Op. 12 (Arr. Pierlot for Voice, Guitar & Baryton): No. 1, Wer…— Franz Schubert
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Improvisation on “Wer sich der Einsamkeit ergibt, Op. 12 No. 1, D. 478”— Marc Hantaï
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Schubert: Gesänge des Harfners, Op. 12 (Arr. Pierlot for Voice, Guitar & Baryton): No. 3, Wer…— Franz Schubert
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Improvisation on “Wer nie sein Brot mit Tränen aß, Op. 12 No. 3, D. 480”— Marc Hantaï
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Schubert: Gesänge des Harfners, Op. 12 (Arr. Pierlot for Voice, Guitar & Baryton): No. 2, An…— Franz Schubert
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Schubert: Piano Sonata No. 18 in G Major, D. 894: III. Menuetto & Trio (Arr. Pierlot for Guitar…— Franz Schubert
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An Franz— Composer not established
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Schubert: Schwanengesang, D. 957: No. 4, Ständchen (Arr. Pierlot for Voice, Flute, Guitar &…— Franz Schubert
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17 diferencias de Passacalles de Compasillo por primer tono— Composer not established
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19 diferencias de Passacalles por 3 tono de Compasillo y otras 17— Composer not established
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12 diferencias de Mari-Zàpalos— Composer not established
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15 diferencias de Passacalles por quinto tono de Compasillo— Composer not established
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14 diferencias de Passacalles por quarto tono de Compasillo— Composer not established
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18 diferencias de Mariona— Composer not established
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12 Passacalles por primer tono, punto baxo de Compasillo— Composer not established
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14 Passacalles de Compasillo por séptimo tono, punto alto— Composer not established
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13 diferencias de Villano— Composer not established
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14 diferencias de Passacalles por sexto tono de Compasillo— Composer not established
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12 diferencias de Pavana— Composer not established
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14 diferencias de Passacalles por octauo tono de Compasillo— Composer not established
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19 diferencias de Passacalles por séptimo tono de Compasillo— Composer not established
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14 diferencias de Passacalles por octavo alto de Compasillo— Composer not established
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14 Passacalles por Patilla de octavo punto alto de Compasillo— Composer not established
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13 diferencias de Gallarda— Composer not established
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16 diferencias de Passacalles de Compasillo por segundo tono— Composer not established
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29 diferencias de Xácara de la Costa— Composer not established
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12 Passacalles por segundo tono, punto baxo de Compasillo— Composer not established
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13 diferencias de Passacalles por segundillo de Compasillo— Composer not established
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12 diferencias de Folias— Composer not established
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13 Passacalles— Composer not established
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Les folies d’Espagne, Op. 15a (Thème – Variations I, II, III, IV – Menuet)— Fernando Sor
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Introduction and Variations on “Que ne suis-je la fougère!” in A Minor, Op. 26 (Introduction -…— Fernando Sor
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Fantaisie and Variations brillantes in E Minor, Op. 30 (Introduction – Thème – Variations I,…— Fernando Sor
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Guitar Sonata in C Major, Op. 15b, “Sonata seconda pour la Guitare” (Allegretto)— Fernando Sor
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6 Divertissements, Op. 2: No. 3, Andantino— Fernando Sor
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Morceaux de concert, Op. 54 (Introduction – Thème – Variations I, II, III, IV, V, VI – Allegro)— Fernando Sor
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Introduction and Variations on a Theme by Mozart in E Major, Op. 9 (Introduction – Thème -…— Fernando Sor
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24 Exercices très faciles & soigneusement doigtés, Op. 35: No. 17 in D Major. Estudio (Moderato)— Fernando Sor
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