Biography (read more)

Stephen Stubbs, a lutenist and music director, was born in 1951. Born in Seattle, he studied harpsichord and composition at the University of Washington, where he also began playing the lute. He then moved to England and Holland to study further, and gave his debut concert at London’s Wigmore Hall in 1976. From 1981 to 2013 he taught at the University of the Arts Bremen in Germany. He moved back to Seattle in 2006. In 2013 he became an artist in residence at the University of Washington in Seattle.

He has performed extensively with his ensembles Tragicomedia and Teatro Lirico and has conducted baroque operas worldwide, and has recorded numerous albums with ensembles including the Hilliard Ensemble, and with Andrew Lawrence-King. He is artistic co-director, with Paul O’Dette, of the Boston Early Music Festival. On February 8, 2015, he won a Grammy Award for Best Opera Recording, for a recording of Charpentier’s La descente d’Orphée aux enfers and La Couronne de fleurs.

Sources:

Repertoire

Vespro della Beata Vergine da concerto composto sopra canti fermi: Deus in adiutorium – Domine…— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Psalmus 109. Dixit Dominus— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Concerto. Nigra sum— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Psalmus 112. Laudate pueri— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Concerto. Pulchra es— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Psalmus 121. Laetatus sum— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Concerto. Duo Seraphim— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Psalmus 126. Nisi Dominus— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Concerto. Audi coelum— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Psalmus 147. Lauda, Jerusalem— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Sonata sopra “Sancta Maria,…— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Hymnus. Ave maris stella— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Magnificat— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Et exultavit— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Quia respexit— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Quia fecit mihi…— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Et misericordia eius— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Fecit potentiam— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Deposuit potentes— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Esurientes…— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Suscepit Israel— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Sicut locutus est— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Gloria Patri— Claudio Monteverdi
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Vespro della Beata Vergine da concerto composto sopra canti fermi: Magnificat. Sicut erat in…— Claudio Monteverdi
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Praeambulum— Heinrich Scheidemann
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Fantasia— Heinrich Scheidemann
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Concerte Ecclesiastico a 6 Voci: Dic nobis Maria quid vidisti in via— Heinrich Scheidemann
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Magnificat VIII Toni— Heinrich Scheidemann
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Ye Sacred Muses— William Byrd
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A Fancy— John Dowland
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Book of Songs, Book 4 “A Pilgrimes Solace”: Shall I strive with words to move. Shall I Strive…— John Dowland
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Fortune— William Byrd
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Blame I Confess— William Byrd
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Go from My Window— John Dowland
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Say, Love, If Ever Thou Didst Find— John Dowland
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My Lord Willoughby’s Welcome Home— John Dowland
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Come to Me Grief for Ever— William Byrd
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The Bells— William Byrd
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Ah Silly Soul— William Byrd
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The Carman’s Whistle— William Byrd
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Lady Hunsdon’s Puffe— John Dowland
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Come Again— John Dowland
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Tregian’s Ground— William Byrd
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Vos mépris chaque jour— Michel Lambert
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Concert No. 58 for 2 Equal Viols “Les Roulades”— Jean de Sainte-Colombe
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Je veux me plaindre— Sébastien Le Camus
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Laissez durer la nuit— Sébastien Le Camus
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Concert No. 6 for 2 Equal Viols “La Duchesse”— Jean de Sainte-Colombe
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Amour, cruel amour— Sébastien Le Camus
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Concert No. 9 for 2 Equal Viols “Le Suppliant”— Jean de Sainte-Colombe
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Forêts solitaires— Sébastien Le Camus
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Chaconne du concert No. 48 for 2 Equal Viols “Le Rapporté”— Jean de Sainte-Colombe
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Ombre de mon amant— Michel Lambert
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Concert No. 32 for 2 Equal Viols “L’Eslevé changé”— Jean de Sainte-Colombe
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On n’entend rien— Sébastien Le Camus
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Concert No. 3 for 2 Equal Viols “Le Tendre”— Jean de Sainte-Colombe
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Ballo del gran duca— Emilio de’ Cavalieri
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Toccata seconda, & ligatura per l’arpa à 4— Giovanni Maria Trabaci
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Sinfonia à due— Francesco Corbetta
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Partite sopra ciaccona— Girolamo Frescobaldi
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Chiacona— Francesco Corbetta
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Capricci A Due Stromenti, Quagliotta Canzone— Bellerofonte Castaldi
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Ballo secondo: Ballo – Gagliarda – Corrente— Girolamo Kapsberger
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Capriccio detto hermafrodito— Bellerofonte Castaldi
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Partite sopra passacagli— Girolamo Frescobaldi
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Folias— Francesco Corbetta
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Cappriccio detto spagnolino— Bellerofonte Castaldi
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Sonata: I. Prelude— Francesco Corbetta
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Sonata: II. Almanda— Francesco Corbetta
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Sonata: III. Sarabanda I— Francesco Corbetta
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Sonata: IV. Sarabanda II— Francesco Corbetta
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Partie de chacone— Francesco Corbetta
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Passacalli della vita— TRADITIONAL
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Sonata di chitarra, e violino, con basso continuo— Giovanni Battista Granata
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Partite sopra folia— Girolamo Frescobaldi
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Pur ti miro— Claudio Monteverdi
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Suite pour luth en sol mineur, BWV 995: I. Prélude— Johann Sebastian Bach
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Suite pour luth en sol mineur, BWV 995: II. Allemande— Johann Sebastian Bach
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Suite pour luth en sol mineur, BWV 995: III. Courante— Johann Sebastian Bach
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Suite pour luth en sol mineur, BWV 995: IV. Sarabande— Johann Sebastian Bach
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Suite pour luth en sol mineur, BWV 995: V. Gavotte I – II— Johann Sebastian Bach
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Suite pour luth en sol mineur, BWV 995: VI. Gigue— Johann Sebastian Bach
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Prélude, Fugue et Allegro en mi bémol majeur, BWV 998: I. Prélude— Johann Sebastian Bach
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Prélude, Fugue et Allegro en mi bémol majeur, BWV 998: II. Fugue— Johann Sebastian Bach
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Prélude, Fugue et Allegro en mi bémol majeur, BWV 998: III. Allegro— Johann Sebastian Bach
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Sonate en sol mineur, BWV 1001: I. Adagio— Johann Sebastian Bach
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Sonate en sol mineur, BWV 1001: II. Fuga— Johann Sebastian Bach
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Sonate en sol mineur, BWV 1001: III. Siciliano— Johann Sebastian Bach
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Sonate en sol mineur, BWV 1001: IV. Presto— Johann Sebastian Bach
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Harp Consort: No. 8 in G Major, Paven & divisions— William Lawes
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Harp Consort: No. 7 in G Major, Aire— William Lawes
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Harp Consort: No. 3 in G Major, Alman – Corant – Corant – Saraband— William Lawes
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Harp Consort: No. 11 in D Minor, Fantazy— William Lawes
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Harp Consort: No. 4 in D Minor, Aire – Aire – Corant – Saraband— William Lawes
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Harp Consort: No. 9 in D Major, Paven & divisions— William Lawes
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Harp Consort: No. 5 in D Major, Alman – Corant – Corant – Saraband— William Lawes
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Harp Consort: No. 6 in D Major, Alman – Corant – Corant – Saraband – Alman— William Lawes
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Harp Consort: No. 10 in G Minor, Paven & divisions— William Lawes
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Harp Consort: No. 2 in G Minor, Aire – Corant – Corant – Saraband— William Lawes
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Harp Consort: No. 1 in G Minor, Alman – Corant – Corant – Saraband— William Lawes
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Suite: Alman, Corant 1 – Corant 2— William Lawes
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Il prigionier superbo, P. 143i: I. Allegro e spirituoso— Giovanni Battista Pergolesi
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Il prigionier superbo, P. 143i: II. Largo— Giovanni Battista Pergolesi
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Il prigionier superbo, P. 143i: III. Allegro spiritoso— Giovanni Battista Pergolesi
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La serva padrona: Aspettare e non venire— Giovanni Battista Pergolesi
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La serva padrona: Questa è per me disgrazia— Giovanni Battista Pergolesi
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La serva padrona: Sempre in contrasti con te si sta— Giovanni Battista Pergolesi
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La serva padrona: In somma delle somme, per attendere al vostro bene— Giovanni Battista Pergolesi
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La serva padrona: Stizzoso, mio stizzoso, voi fate il borioso— Giovanni Battista Pergolesi
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La serva padrona: Benissimo, Hai tu inteso?— Giovanni Battista Pergolesi
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La serva padrona: Lo conosco a quegli occhietti— Giovanni Battista Pergolesi
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La serva padrona: Sinfonia— Giovanni Battista Pergolesi
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La serva padrona: Or che fatto tu sei dalla mia parte— Giovanni Battista Pergolesi
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La serva padrona: A Serpina penserete qualche volta— Giovanni Battista Pergolesi
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La serva padrona: Ah! quanto mi sa male di tal risoluzione— Giovanni Battista Pergolesi
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La serva padrona: Son imbrogliato io già— Giovanni Battista Pergolesi
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La serva padrona: Favorisca, signor, passi— Giovanni Battista Pergolesi
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La serva padrona: Contento tu sarai, avrai amor per me?— Giovanni Battista Pergolesi
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La serva padrona: Per te ho io nel core— Giovanni Battista Pergolesi
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Il Flaminio: I. Allegro e spiritoso— Giovanni Battista Pergolesi
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Il Flaminio: II. Grave— Giovanni Battista Pergolesi
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Il Flaminio: III. Allegro— Giovanni Battista Pergolesi
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Livietta e Tracollo: Vi so ben? Vi compariso?— Giovanni Battista Pergolesi
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Livietta e Tracollo: Ma lasciamo gli scherzi— Giovanni Battista Pergolesi
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Livietta e Tracollo: A una povera polacca— Giovanni Battista Pergolesi
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Livietta e Tracollo: Ah, voleur, assassin, frippon!— Giovanni Battista Pergolesi
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Livietta e Tracollo: E voi perché venite— Giovanni Battista Pergolesi
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Livietta e Tracollo: Hai ragion, sì signore— Giovanni Battista Pergolesi
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Livietta e Tracollo: Misero! A chi mi volgerò!— Giovanni Battista Pergolesi
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Livietta e Tracollo: Ecco il povero Tracollo— Giovanni Battista Pergolesi
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Livietta e Tracollo: Invano ti lusinghi rimovermi dal mio pensier costante— Giovanni Battista Pergolesi
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Livietta e Tracollo: Vado, vado; ed avrai core di veder— Giovanni Battista Pergolesi
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Livietta e Tracollo: Vedo l’aria che s’imbruna— Giovanni Battista Pergolesi
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Livietta e Tracollo: Par che ci pigli gusto— Giovanni Battista Pergolesi
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Livietta e Tracollo: Caro, perdonami, placa lo sdegno— Giovanni Battista Pergolesi
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Livietta e Tracollo: Gli credo, o non gli credo?— Giovanni Battista Pergolesi
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Livietta e Tracollo: Non si muove, non rifiata— Giovanni Battista Pergolesi
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Livietta e Tracollo: Ah, Livietta mia— Giovanni Battista Pergolesi
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Livietta e Tracollo: Sempre attorno, qual palomba— Giovanni Battista Pergolesi
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Onore vince amore: Fa l’alluorgio cammenare— Leonardo Leo
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I’m Sick of Love: O Let Me Lie— Composer not established
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There’s None to Soothe My Soul to Rest (Arr. for Tenor and Lute by Robert A. Smith)— Composer not established
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Enfin la beauté que j’adore Paris— Composer not established
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Perfect and Endless Circles are London— Composer not established
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Celestial Music ye Gods Inspire, Z. 322: When Orpheus Sang All Nature Did Rejoice— Composer not established
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Suite from King Arthur Z. 628 (Arr. for Baroque Guitar by Stephen Stubbs) : Your Hay it is…— Composer not established
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Tell Me No More You Love; in Vain— Composer not established
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L’Orontea, Act II: Intorno all’idol mio’— Composer not established
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I Rise and Grieve— Composer not established
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At the Mid Hour of Night (Arr. for Tenor and Lute by John Pyke Hullah)— Composer not established
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She Loves and She Confesses, Too— Composer not established
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Complaint, P. 63: Fortune My Foe— Composer not established
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Time Stands Still— Composer not established
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The Self-Banished— Composer not established
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Mary’s Dream (Arr. for Tenor and Lute by Richard Langdon)— Composer not established
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La Cleopatra, Act I: Scene 2. Luci belle— Composer not established
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O, Lead Me to Some Peaceful Gloom— Composer not established
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The Three Ravens (Arr. for Tenor and Lute by Thomas Ravenscroft)— Composer not established
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Packington’s Pound— Composer not established
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Cesses Mortels de Soupirer— Composer not established
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Black is the Colour of My True Love’s Hair (Arr. for Tenor and Lute by John Jacob Niles)— Composer not established
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O, Solitude— Composer not established
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Fantasia in C Major— David Kellner
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Fantasia in A Minor— David Kellner
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Fantasia in D Major— David Kellner
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Campanella in D Major— David Kellner
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Aria in A Major— David Kellner
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Courante in D Major— David Kellner
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Sarabande— David Kellner
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Giga in A Major— David Kellner
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Gavotte in D Major— David Kellner
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Fantasia in D Minor— David Kellner
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Fantasia in F Major— David Kellner
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Fantasia in A Major— David Kellner
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Rondeau in A Major— David Kellner
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Giga in D Major— David Kellner
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Pastorel in A Major— David Kellner
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Passepied in A Major— David Kellner
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Chaconne in A Major— David Kellner
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Stubbs: First Descent— Stephen Stubbs
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Traditional: Menino Jesus à Lappa— Composer not established
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Stubbs: Recercar— Stephen Stubbs
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Bernart de Ventadorn: Can Vei La Lauzeta Mover— Composer not established
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Traditional: First Triage— Composer not established
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Traditional: Man in the Moon— Composer not established
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Traditional: Corpus Christi— Composer not established
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Traditional: Whistling in the Dark— Composer not established
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Traditional: Swart Mekerd Smethes— Composer not established
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Solage: Fumeux Fume— Composer not established
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Traditional: Hortus Ignotus— Composer not established
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Traditional: Mystery Play— Composer not established
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Traditional: I Sing of a Maiden— Composer not established
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Traditional: Theoleptus 22— Composer not established
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Stubbs: Second Descent— Stephen Stubbs
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Traditional: Second Triage— Composer not established
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Stubbs: Prelude— Stephen Stubbs
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Canzon “La Treccha” (No. 4 from “Canzoni overo sonate concertate per chiesa e camera, Op. 12”)— Tarquinio Merula
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Ti lascio empia, incostate (Duet)— Francesco Manelli
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Chiacona (No. 20 from “Canzoni overo sonate concertate per chiesa e camera, Op. 12”)— Tarquinio Merula
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Cleofide, Act 1 Scene 17: No. 14, Duetto, “Se mai più sarò geloso” (Cleofide, Poro)— Johann Adolph Hasse
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Tanti strali al sen mi scocci, HWV 197— George Frideric Handel
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L’Orfeo, Act 3 “Orfeo, tu dormi?” (Euridice)— Antonio Sartorio
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La Calisto, Act 2 Scene 1: Recitativo, “Lucidissima face” (Endimione)— Francesco Cavalli
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Oual sopor repentino— Francesco Cavalli
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Ottone in Villa, RV 729, Act 2: “L’ombre, l’aure, e ancora il rio” (Caio, Tullia)— Antonio Vivaldi
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Ottone in Villa, RV 729, Act 1: “Gelosia, tu già rendi l’alma mia” (Caio)— Antonio Vivaldi
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Cessate, omai cessate, RV 684— Antonio Vivaldi
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La Pezzoli— Giovanni Legrenzi
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L’incoronazione di Poppea, SV 308, Act 3: “Pur ti moro, pur ti godo” (Poppea, Nerone)— Claudio Monteverdi
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Esther, HWV 50a: Praise the Lord with Cheerful Noise— George Frideric Handel
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Saul, HWV 53: Symphony— George Frideric Handel
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Concerto pour harpe en si bémol majeur, HWV 294 “Alexander’s Feast”: I. Allegro moderato— George Frideric Handel
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Concerto pour harpe en si bémol majeur, HWV 294 “Alexander’s Feast”: II. Larghetto— George Frideric Handel
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Concerto pour harpe en si bémol majeur, HWV 294 “Alexander’s Feast”: III. Allegro moderato— George Frideric Handel
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Esther, HWV 50a: Tune Your Harps to Cheerful Strains— George Frideric Handel
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Giulio Cesare, HWV 17: Sinfonia & V’adoro pupille— George Frideric Handel
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Rinaldo, HWV 7: Lascia ch’io pianga (Arr. for Harp by Stephen Stubbs)— George Frideric Handel
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Concerto en fa majeur, Op. 4 No. 5, HWV 293: I. Larghetto— George Frideric Handel
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Concerto en fa majeur, Op. 4 No. 5, HWV 293: II. Allegro— George Frideric Handel
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Concerto en fa majeur, Op. 4 No. 5, HWV 293: III. Alla Siciliana— George Frideric Handel
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Concerto en fa majeur, Op. 4 No. 5, HWV 293: IV. Presto— George Frideric Handel
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Alexander Balus, HWV 65: Hark, Hark, He Strikes the Golden Lyre— George Frideric Handel
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Concerto pour hautbois d’amour en la majeur, BWV 1055a: I. Allegro— Johann Sebastian Bach
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Concerto pour hautbois d’amour en la majeur, BWV 1055a: II. Adagio— Johann Sebastian Bach
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Concerto pour hautbois d’amour en la majeur, BWV 1055a: III. Allegro ma non tanto— Johann Sebastian Bach
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Concerto pour hautbois d’amour en ré majeur, BWV 1053a: I. Allegro— Johann Sebastian Bach
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Concerto pour hautbois d’amour en ré majeur, BWV 1053a: II. Siciliano— Johann Sebastian Bach
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Concerto pour hautbois d’amour en ré majeur, BWV 1053a: III. Allegro— Johann Sebastian Bach
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Passion selon saint Matthieu, BWV 244: Erbarme dich, mein Gott— Johann Sebastian Bach
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La morte d’Orfeo, Op. 2: Act I Scene 1: Teti, del mar regina (Teti, Fato)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act I Scene 2: Lascia, Diana, omai l’erranti spere (Ebro)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act I Scene 3: Su, su, dall’oriente uniti venticelli usciamo fuori (3…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act II Scene 1: Giote al mio natal, crinite stelle (Orfeo)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act II Scene 2: Tu lieto canti, Orfeo, e il tempo vola (Ebro, Orfeo)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act II Scene 3: Udit’ ha i cielo, o giovane canoro (Mercurio, Orfeo, Ebro)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act II Scene 4: Vedimi alle tue brame, o figlio amato (Apolline,…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act III Scene 1: Schernito et oltraggiato il padre Libero? (Bacco, Nisa)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act III Scene 2: Dove ne mandi, o dolce Orfeo (Chorus of Maenads, Nisa)— Stefano Landi
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La morte d’Orfeo, Op. 2: Act III Scene 3: Ah, infelice Ireno! Ah! lagrimose luci che vedeste…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act III Scene 4: Se mai per nostro amore (Bacco, Furore, Chorus of…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act IV Scene 1: Senatori del ciel, numi sovrani (Mercurio, Uno Degli…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act IV Scene 2: Bacco Niseo, Libero Bacco (Chorus of the Maenads,…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act IV Scene 3: Il desio di veder l’amato figlio le collinette amene…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act IV Scene 4: Versate, ahime!, versate (Fileno, Calliope, Chorus of…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act V Scene 1: Ombre grate d’Averno, grate al paro de’ vaghi lampi…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act V Scene 2: A che ti lagni, Orfeo, e, mesto il ciglio (Mercurio,…— Stefano Landi
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La morte d’Orfeo, Op. 2: Act V Scene 3: Finale: Ancor nebbia han le menti: cessi omai (Chorus…— Stefano Landi
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Noble en Tinacria naciste (jácara)— Juan Hidalgo
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Sinfonia quarta a tre— Andrea Falconieri
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Recitative: A todos miro— Juan Hidalgo
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Riñen y pelean entre Berzebillo con Satanasillo, y Caruf, y Pantul— Andrea Falconieri
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Bayle de los dichos diabolos— Andrea Falconieri
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¡Crédito es de mi decoro!— Juan Hidalgo
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Fantasia detta la Portia— Andrea Falconieri
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Canzon prima a due: Movement 1— Bartolomé de Selma Y Salaverde
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En los floridos páramos— Juan Hidalgo
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¡Ay amor, ay ausencia!— Juan Hidalgo
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¡Ay, que si, ay, que no!— Juan Hidalgo
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Canzon terza, soprano solo— Bartolomé de Selma Y Salaverde
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Canzon prima a due: Movement 2— Bartolomé de Selma Y Salaverde
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De los ceños del diciembre— Juan Hidalgo
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¿Como ha de saber Belilla?— Juan Hidalgo
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L’Eroica a tre & Ciaccona— Andrea Falconieri
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Canzon ottava, soprano e basso— Bartolomé de Selma Y Salaverde
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De las luces que en el mar— Juan Hidalgo
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La noche tenebrosa— Juan Hidalgo
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Trompicábalas amor— Juan Hidalgo
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Corelli: Sonata “Follia” Op. 5, No. 12: Adagio— Arcangelo Corelli
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Stubbs, Eilander, Headley, Valent: Improvisation I on the Folia bass— Stephen Stubbs
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Caccini: Amarilli, mia bella (1601)— Giulio Caccini
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Cazzati: Balletto Quarto: Adaggio— Maurizio Cazzati
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Anonymous, Ruiz de Ribayaz: Folia variations for harp solo— Anonymous
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Stubbs, Eilander, Headley, Valent: Improvisation II on the Folia bass— Stephen Stubbs
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Farina: Sonata Seconda detta la Desperata— Carlo Farina
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Granata: Sonata di Chittarra, e Violino, con il suo Basso Continuo— Giovanni Battista Granata
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Corelli: Sonata Op. 5, No. 10: Sarabanda— Arcangelo Corelli
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Foscarini: Aria della Fulia variata (con parti variati)— Giovanni Paolo Foscarini
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J.K. Horn: Suite— Johann Kaspar Horn
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Stubbs: Arpeggiata a mio modo (2004)— Stephen Stubbs
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Welcome, Vicegerent of the Mighty King, Z. 340— Henry Purcell
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O dive custos Auriacae domus, Z. 504— Henry Purcell
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Raise, Raise the Voice, Z. 334— Henry Purcell
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The Fairy Queen, Z. 629, Act V: The Plaint. “O Let Me Ever, Ever Weep”— Henry Purcell
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Incassum Lesbia, incassum rogas, Z. 383— Henry Purcell
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Young Thyrsis’ Fate the Hills and Groves Deplore, Z. 473— Henry Purcell
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Why, Why Are All the Muses Mute, Z. 343— Henry Purcell
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Rinaldo, HWV 7a, Act I: Scherzano sul tuo volto (Almirena, Rinaldo)— George Frideric Handel
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Rinaldo, HWV 7a, Act I: Prélude (Presto)— George Frideric Handel
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Rinaldo, HWV 7a, Act I: Cara sposa (Rinaldo)— George Frideric Handel
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Rinaldo, HWV 7a, Act II: Lascia ch’io pianga (Almirena)— George Frideric Handel
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Giulio Cesare, HWV 17, Act III: Caro! Bella! (Cleopatra, Cesare)— George Frideric Handel
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Ouverture in D Major, HWV 337: Largo— George Frideric Handel
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Ouverture in D Major, HWV 337: Adagio— George Frideric Handel
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Ouverture in D Major, HWV 337: Allegro— George Frideric Handel
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Tolomeo, HWV 25, Act II: Se il cor ti perde (Selence, Tolomeo)— George Frideric Handel
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Rodelinda, HWV 19, Act I, Scene 2: Ombre, piante (Rodelina)— George Frideric Handel
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Rodelinda, HWV 19, Act II, Scene 3: Io t’abbraccio (Rodelina, Bartarido)— George Frideric Handel
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Giulio Cesare, HWV 17: Ouverture— George Frideric Handel
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Giulio Cesare, HWV 17, Act III: Da tempeste (Cleopatra)— George Frideric Handel
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Serse, HWV 40, Act I: Ombra mai fù (Serse)— George Frideric Handel
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Dowland: Weep You No More, Sad Fountains— John Dowland
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Dowland: In Darkness Let Me Dwell— John Dowland
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Dowland: Lachrimae, or 7 Teares: VII. Lachrimae Verae— John Dowland
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Dowland: From Silent Night— John Dowland
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Dowland: Come Again, Sweet Love Doth Now Invite— John Dowland
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Dowland: The Lowest Trees Have Tops— John Dowland
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Dowland: Flow My Tears— John Dowland
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Dowland: Come, Heavy Sleep— John Dowland
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Dowland: Fine Knacks for Ladies— John Dowland
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Dowland: Now, Oh Now I Needs Must Part— John Dowland
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Dowland: Lachrimae, or 7 Teares: IV. Lachrimae Tristes— John Dowland
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Dowland: Go Crystal Tears— John Dowland
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Dowland: Lachrimae, or 7 Teares: VI. Lachrimae Amantis— John Dowland
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Chaconne ou Cascades, for Lute in E Major— Composer not established
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Prélude for Lute in D Minor— Composer not established
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Tombeau de Mezangeau, for Lute— Composer not established
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Pièces de Luth en Musique (1680) : Gigue in D Minor— Composer not established
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Pièces de Luth en Musique (1680) : Allemande ou Testament in D Minor— Composer not established
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Pièces de Luth en Musique (1680) : Courante in D Minor— Composer not established
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Pièces de Luth en Musique (1680) : Sarabande in D Minor— Composer not established
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La Poste, for Lute— Composer not established
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Pièces de Luth en Musique (1680) : Canaris in D Minor— Composer not established
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Prélude de Dubut for Lute in C Major— Composer not established
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Allemande for Lute in C Major— Composer not established
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Rondeau for Lute in C Major— Composer not established
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Les Noces de Village for Lute in C Major— Composer not established
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Prélude for Lute in D Major— Composer not established
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Allemande for Lute in D Major— Composer not established
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Courante italienne in D Major— Composer not established
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Gigue for Lute in D Major— Composer not established
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Passacaglia for Lute in D Major— Composer not established
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Allemande for Lute in A Minor (‘Tombeaux Du Vieux Gallot’)— Composer not established
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Suite for Lute in F Major: Ouverture— Composer not established
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Suite for Lute in F Major: Allemande— Composer not established
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Suite for Lute in F Major: Courante— Composer not established
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Suite for Lute in F Major: Sarabande— Composer not established
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Suite for Lute in F Major: Gavotte— Composer not established
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Suite for Lute in F Major: Menuet— Composer not established
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Suite for Lute in F Major: Bourée— Composer not established
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Suite for Lute in F Major: Gigue— Composer not established
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Farai un vers— Composer not established
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Reis glorios— Composer not established
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Aissi cum es genser pascors— Composer not established
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L’autrier una sebissa— Composer not established
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Be m’an perdut— Composer not established
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Can vei la lauzeta mover— Composer not established
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Pos tornatz sui— Composer not established
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Be’m degra de chantar— Composer not established
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The Honie Suckle— Anthony Holborne
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The Night Watch— Anthony Holborne
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It was a Lover and His Lass— Thomas Morley
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Mistress Mine Well May Fou Fare— Thomas Morley
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Heigh-ho Holiday— Anthony Holborne
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Galliard— Anthony Holborne
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Now Winter Nights— Thomas Campion
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If She Forsake Me— Philipp Rosseter
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Almand— Robert Johnson
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Naglein Blumen— Robert Johnson
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Sweet, Come Again— Philipp Rosseter
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Rest, Sweet Nymphs— Francis Pilkington
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Pavan— Anthony Holborne
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Thrice Toss these Oaken Ashes— Thomas Campion
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Paduana – Galliard— William Brade
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