exploremusic.eu

José Miguel Moreno

Biography (read more)

José Miguel Moreno was born in Madrid. He is a Spanish specialist in historical plucked string instruments, including the vihuela, lute, theorbo, and guitar. He has recorded and performed live with the ensemble Hesperion XX and with Jordi Savall, and with his own ensembles La Romanesca and Orphenica Lyra. With his brother, violist Emilio Moreno, he co-founded the Spanish label Glossa Music.

In 1977 he won the First Prize of the Incontri Chitarristici di Gargnano in Italy, and he later received many awards for his recordings. His own ensemble Orphenica Lyra is named after Miguel de Fuenllana’s 1554 book of the same title, and he has also performed with the ensemble La Romanesca.

Sources:

Repertoire

Fantasía 22 de passos largos— Esteban Daça
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Recercada terçera sobre la Bergamasca— Diego Ortiz
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Recercada segunda sobre el passamezzo moderno— Diego Ortiz
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Diferencias de bacas— Luys Maymón
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Fantasía 21 de passos largos— Esteban Daça
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Conde claros— Alonso Mudarra
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Al alva venid— Composer not established
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22 Diferencias de Conde Claros— Luys de Narváez
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Con qué la lavaré (Arr. for Solo Vihuela)— Luys de Narváez
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Vos me matastes (Arr. for Solo Vihuela)— Miguel de Fuenllana
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Si la noche haze escura (Arr. for Solo Vihuela)— Diego Pisador
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Glosa sobre Tant que vivray— Miguel de Fuenllana
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Recercada quinta sobre el passamezzo antiguo— Diego Ortiz
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Recercada settima sobre la Romanesca— Diego Ortiz
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Seis Diferencias de Bacas— Francisco Páez
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Mille regretz— Luys de Narváez
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Canción del Emperador— Luys de Narváez
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Qué me queréis, caballero— Composer not established
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Quién te hizo Juan Pastor (Version for Voice & Vihuela)— Esteban Daça
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En la fuente del rosel— Diego Pisador
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A tierras agenas— Esteban Daça
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Teresica hermana— Miguel de Fuenllana
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De antequera sale el moro— Miguel de Fuenllana
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Gritos dava la morenica— Esteban Daça
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Diferencias de conde claros— Composer not established
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O gelosia d’amanti— Alonso Mudarra
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Libro de musica de vihuela, Book 2: Si la noche haze escura— Diego Pisador
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Ysabel, perdiste la tu faxa— Alonso Mudarra
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Benedictus— Miguel de Fuenllana
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Libro de musica de vihuela, Book 1: Endechas— Diego Pisador
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Endechas— Miguel de Fuenllana
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De dónde venís, amore— Enríquez de Valderrábano
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Romanesca— Alonso Mudarra
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Si me llaman a mí— Alonso Mudarra
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Claros y frescos ríos— Alonso Mudarra
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Beatus ille— Alonso Mudarra
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Duélete de mí, señora— Miguel de Fuenllana
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La mañana de Sant Juan— Diego Pisador
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Fantasía— Miguel de Fuenllana
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Passeávase el rey moro— Miguel de Fuenllana
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Libro de musica de vihuela, Book 1: Dezilde al caballero— Diego Pisador
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Introduction— Fernando Sor
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Thème— Fernando Sor
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Var. 1— Fernando Sor
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Var. 2— Fernando Sor
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Var. 3— Fernando Sor
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Var. 4— Fernando Sor
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Introduction, Thème & Variations on “Malbroug”, Op. 28: Var. 5— Fernando Sor
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6 Divertissments, Op. 2: No. 3, Andantino— Fernando Sor
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6 Schubert’sche Lieder: No. 4, Ständchen— Johann Kaspar Mertz
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Lied ohne Worte— Johann Kaspar Mertz
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Preludio No. 5 in E Major, Andante sostenuto— Francisco Tárrega
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Làgrima— Francisco Tárrega
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Mazurka in G Major— Francisco Tárrega
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Paquito— Francisco Tárrega
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Adelita— Francisco Tárrega
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Marieta— Francisco Tárrega
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Canciones Populares Catalanas (Excerpts) : No. 3, El Testament d’Amelia— Miguel Llobet
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Canciones Populares Catalanas (Excerpts) : No. 13, El Noi de la Mare— Miguel Llobet
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Canciones Populares Catalanas (Excerpts) : No. 4, Cançó del Lladre— Miguel Llobet
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Canciones Populares Catalanas (Excerpts) : No. 9, La Filadora— Miguel Llobet
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Endecha y Oremus: No. 1, Endecha— Francisco Tárrega
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Sueño Mazurka (After Chopin’s Op. 7 No. 1)— Francisco Tárrega
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Endecha y Oremus: No. 2, Oremus— Francisco Tárrega
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Pavana— Francisco Tárrega
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Adieu! (Attrib. F. Schubert) (Arr. F. Tárrega for Guitar)— August Heinrich von Weyrauch
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Instrucción de Música: Canarios (1)— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 17, Marionas— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 8, Zarabanda— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 37, Clarín de los…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 28, La Cavallería de…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 33, La Esfachata de…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 27, Clarines y Trompetas— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 35, La Minina de…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 29, Canciones— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 31, La Coquina Francesa— Gaspar Sanz
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Instrucción de Música, Book 1 (Excerpts Arr. for Chamber Ensemble) : No. 31, Torneo— Gaspar Sanz
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Instrucción de Música, Book 1 (Excerpts Arr. for Chamber Ensemble) : No. 32, Batalla— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 12, Son Españoletas…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 5, Rujero— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 6, Paradetas— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 2, Las Hachas— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 18, Mariçapalos— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 7, Matachín— Gaspar Sanz
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Instrucción de Música, Book 1 (Excerpts Arr. for Chamber Ensemble) : No. 33, Passacalles Sobre…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 16, Villanos— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 22, Pavana por la D— Gaspar Sanz
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Instrucción de Música: Canarios (2)— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 11, Espanoletas— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 34, La Miñona de…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 30, La Garzona— Gaspar Sanz
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Instrucción de Música: Jácaras— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 36, Dos Trompetas de…— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 4, Folías— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 32, Lantururú— Gaspar Sanz
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Instrucción de Música: Canarios (3)— Gaspar Sanz
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Instrucción de Música, Book 2 (Excerpts Arr. for Chamber Ensemble) : No. 10, Chacona— Gaspar Sanz
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Cinco diferencias sobre las vacas (Version for Vihuela)— Luis Venegas de Henestrosa
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Pues no me quieres hablar (Version for Vihuela)— Luis Venegas de Henestrosa
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Cinco diferencias sobre “Conde Claros” (Version for Vihuela)— Luis Venegas de Henestrosa
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Pavana con su glosa “La cara cosa” (Version for Vihuela)— Luis Venegas de Henestrosa
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Glosa sobre tan que vivray— Miguel de Fuenllana
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Fantasia No. 51 “De redobles”— Miguel de Fuenllana
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Con qué la lavaré— Miguel de Fuenllana
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Morenica dame un beso— Miguel de Fuenllana
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Dezilde al cavallero que— Diego Pisador
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Madona mala vostra— Diego Pisador
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La cortesía— Diego Pisador
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Pavana muy llana para tañer— Diego Pisador
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Diferencias sobre “La dama le demanda” (Arr. for Vihuela)— Antonio de Cabezón
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Diferencias sobre “El canto del caballero” (Arr. for Vihuela)— Antonio de Cabezón
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Soneto No. 22 “Lo que queda es lo seguro”— Enríquez de Valderrábano
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Soneto No. 27— Enríquez de Valderrábano
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Soneto No. 8— Enríquez de Valderrábano
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Canción No. 7 “A mi sufle”— Enríquez de Valderrábano
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Fantasía No. 8— Luis de Milán
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Fantasía No. 12— Luis de Milán
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Fantasía No. 1— Luis de Milán
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Quie amores ten— Luis de Milán
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Falai mina amor— Luis de Milán
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Fantasía No. 11— Luis de Milán
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Pavana No. 4— Luis de Milán
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Pavana No. 5— Luis de Milán
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Diferencias sobre las vacas— Composer not established
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Pieces in C Major: No. 1, Prélude— Michel de Béthune
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Pieces in C Major: No. 2, Allemande— Michel de Béthune
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Pieces in C Major: No. 3, Courante— Michel de Béthune
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Pieces in C Major: No. 4, Prélude— Michel de Béthune
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Pieces in C Major: No. 5, Gavotte – Double— Michel de Béthune
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Pieces in C Major: No. 6, Sarabande— Michel de Béthune
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Pieces in C Major: No. 7, Menuet— Michel de Béthune
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Pieces in C Major: No. 8, Prélude— Michel de Béthune
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Pieces in C Major: No. 9, Gigue— Michel de Béthune
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Pieces in C Major: No. 10, Sarabande— Michel de Béthune
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Pieces in C Major: No. 11, Chaconette— Michel de Béthune
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La plainte (Tombeau)— Robert de Visée
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Suite No. 2 in G Major: V. Chaconne. La buisson— Antoine Forqueray
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Pieces in D Major: No. 1, Prélude— Robert de Visée
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Pieces in D Major: No. 2, Allemande— Robert de Visée
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Pieces in D Major: No. 3, Courante— Robert de Visée
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Pieces in D Major: No. 4, Sarabande— Robert de Visée
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Pieces in D Major: No. 5, Gavotte— Robert de Visée
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Pieces in D Major: No. 6, Gigue— Robert de Visée
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Chaconne de Galatée— Jean-Baptiste Lully
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Sarabande “La du haut menil”— Robert de Visée
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Chaconne— Robert de Visée
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La rêveuse— Marin Marais
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Pièces en sol majeur: Prélude— Robert de Visée
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Pièces en ut majeur: Prélude— Michel de Béthune
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Pièces en sol majeur: Allemande— Robert de Visée
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Pièces en ut majeur: Allemande— Michel de Béthune
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Pièces en sol majeur: Courante— Robert de Visée
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Pièces en ut majeur: Courante— Michel de Béthune
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Pièces en sol majeur: Sarabande— Robert de Visée
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Pièces en sol majeur: Menuet— Robert de Visée
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Pièces en ut majeur: Gavotte and Double— Michel de Béthune
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Pièces en sol majeur: Chaconne— Robert de Visée
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Pièces en ut majeur: Sarabande— Michel de Béthune
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Pièces en sol majeur: Gigue— Robert de Visée
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Pièces en ut majeur: Menuet— Michel de Béthune
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Entrée des Espagnoles de Mr. Lully— Robert de Visée
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Logistille de Mr. Lully— Robert de Visée
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Pièces en ut majeur: Gigue— Michel de Béthune
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Chaconne des Halrequins de Mr. Lully— Robert de Visée
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Chaconne in D Major, WeissSW 2 No. 10— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: I. Prelude— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: II. Allemande— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: III. Courante— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: IV. Bourée— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: V. Sarabande— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: VI. Menuet— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: VII. Passagaille— Sylvius Leopold Weiss
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Lute Sonata No. 5 in G Major, WeissSW 5: VIII. Giga— Sylvius Leopold Weiss
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Prelude in B Major— Sylvius Leopold Weiss
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Menuet in B Major— Sylvius Leopold Weiss
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Fantasie in B Minor— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: I. Prelude— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: II. Allemande— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: III. Courente— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: IV. Bourée— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: V. Menuet— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: VI. Sarabande— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: VII. Menuet— Sylvius Leopold Weiss
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Lute Sonata No. 10 in E-Flat Major, WeissSW 10: VIII. Gigue— Sylvius Leopold Weiss
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Chaconne in F-Sharp Minor— Sylvius Leopold Weiss
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La semplice— Vicente Martín Y Soler
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La volubile— Vicente Martín Y Soler
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La costanza— Vicente Martín Y Soler
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La mercede— Vicente Martín Y Soler
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Andante No. 1, Op. 320— Ferdinando Carulli
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6 Ariette, Op. 95: No. 4, Le dimore amor non ama— Mauro Giuliani
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6 Ariette, Op. 95: No. 3, Quando sara quel di— Mauro Giuliani
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6 Ariette, Op. 95: No. 5, Ad altro laccio— Mauro Giuliani
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3 Sonatinas, Op. 71 No. 3: I. Andantino— Mauro Giuliani
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6 Cavatine, Op. 39: No. 2, Confuso smarrito— Mauro Giuliani
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Amor, perché m’accendi— Mauro Giuliani
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Di tanti palpiti— Mauro Giuliani
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Leçon, Op. 31: Study No. 23 in E Major “Mouvement de prière religieuse”— Fernando Sor
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Lagrime mie d’affanno (Arr. X. Coll & M. Llado for Voice & Guitar)— Fernando Sor
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Perduta l’anima— Fernando Sor
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Povero cor t’inganni (Arr. X. Coll & M. Llado for Voice & Guitar)— Fernando Sor
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Io mentitor!— Fernando Sor
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Fantasia No. 5, Op. 16— Fernando Sor
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Bardenklänge, Op. 13: Lied ohne Worte— Johann Kaspar Mertz
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12 Seguidillas (Excerpts) : No. 7, Si Dices Que Mis Ojos— Fernando Sor
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12 Seguidillas (Excerpts) : No. 6, Muchacha, y la Vergüenza— Fernando Sor
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12 Seguidillas (Excerpts) : No. 12, Mis Descuidados Ojos— Fernando Sor
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12 Seguidillas (Excerpts) : No. 8, Los Canónigos, Madre— Fernando Sor
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12 Seguidillas (Excerpts) : No. 11, Las Mujeres y Cuerdas— Fernando Sor
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L’amor, dona, ch’io te porto— Anonymous
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Rodrigo Martines— Anonymous
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Paseavase el rey Moro— Luys de Narváez
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Más vale trocar— Juan del Encina
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Si habrá en este baldrés?— Juan del Encina
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Qu’es de ti, desconsolado?— Juan del Encina
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Oy comamos y bebamos— Juan del Encina
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Recercada No. 5 sobre tenores italianos— Diego Ortiz
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Recercada No. 4 sobre la folia— Diego Ortiz
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Recercada No. 2 sobre el passamezzo moderno— Diego Ortiz
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De los álamos— Miguel de Fuenllana
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Tant que vivray— Miguel de Fuenllana
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Isabel, perdiste la tua faxa— Alonso Mudarra
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Recercada No. 3— Diego Ortiz
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Recercada No. 7— Diego Ortiz
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Guárdame las vacas— Alonso Mudarra
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A los maitines era— Anonymous
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Niña y viña— Anonymous
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Orfeo ed Euridice: No. 1, ouverture— Christoph Willibald Gluck
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Piano Quartet No. 3 in C Major, WoO 36: I. Allegro vivace— Ludwig van Beethoven
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2 Varied Themes and 12 Minuets, Op. 11: No. 11, Andante maestoso— Fernando Sor
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Quartuor in E-Flat Major, Op. 2 No. 1: I. Largo allegro moderato— Hyacinthe Jadin
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Requiem, K. 626: No. 3, Rex tremendae— Wolfgang Amadeus Mozart
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Sérénade in D Major, Op. 41: VI. Allegro vivace e desinvolto— Ludwig van Beethoven
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Ariette Italiane “Ti ricordi che giurasti”— Fernando Sor
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Concerto pour piano No. 21 in C Major, K. 467: II. Andante— Wolfgang Amadeus Mozart
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String Quartet No. 1 in A Major, Op. 5: I. Allegro non tanto— Pierre Vachon
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Keybord Sonatas: No. 32 in G Minor, Allegro— Antonio Soler
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Concerto pour violoncelle in G Major, G. 480: II. Adagio— Luigi Boccherini
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Les noces de Figaro, K. 492: No. 4, 1, Air de Barbarina— Wolfgang Amadeus Mozart
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Les sept dernière paroles du Christ, Hob. XX:1: No. 5, Sonate IV— Joseph Haydn
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Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato— Luigi Boccherini
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Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio— Luigi Boccherini
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Guitar Quintet No. 7 in E Minor, G. 451: III. Minuetto— Luigi Boccherini
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Guitar Quintet No. 7 in E Minor, G. 451: IV. Allegretto— Luigi Boccherini
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Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale— Luigi Boccherini
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Guitar Quintet No. 4 in D Major, G. 448: II. Allegro maestoso— Luigi Boccherini
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Guitar Quintet No. 4 in D Major, G. 448: III. Grave assai – IV. Fandango— Luigi Boccherini
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Neue lauten stucke: Pieces in A Major: I. Prelude— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in A Major: II. Allemande— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in A Major: III. Courante— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in A Major: IV. Gigue— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in A Major: V. Rondeau— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in A Major: VI. Menuets— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in C Major: I. Prelude— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in C Major: II. Allemande— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in C Major: III. Courante— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in C Major: IV. Menuet— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in C Major: V. Gigue— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in D Minor: I. Prelude— Johann Gottfried Conradi
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Neue lauten stucke: Pieces in D Minor: II. Courante— Johann Gottfried Conradi
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Suite in F Major: I. Ouverture— Jan Antonin Losy
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Suite in F Major: II. Sarabande— Jan Antonin Losy
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Suite in F Major: III. Bourree— Jan Antonin Losy
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Suite in F Major: IV. Allemande— Jan Antonin Losy
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Suite in F Major: V. Courrente— Jan Antonin Losy
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Suite in F Major: VI. Menuette— Jan Antonin Losy
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Suite in F Major: VII. Guige— Jan Antonin Losy
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Suite in F Major: VIII. Gavotte— Jan Antonin Losy
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Suite in F Major: IX. Sarabande II— Jan Antonin Losy
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Suite in F Major: X. Chaconne— Jan Antonin Losy
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Chaconne in A Major— David Kellner
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Passepied in A Major— David Kellner
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Rondeau in A Major— David Kellner
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Phantasia in A Major— David Kellner
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Pastorel in A Major— David Kellner
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Giga in A Major— David Kellner
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Aria in A Major— David Kellner
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Campanella in D Major— David Kellner
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Fantasia in D Major— David Kellner
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Gavotte in D Major— David Kellner
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Courante in D Major— David Kellner
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Sarabande – Double in D Major— David Kellner
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Giga in D Major— David Kellner
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Fantasia in C Major— David Kellner
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Fantasia in A Minor— David Kellner
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Fantasia in D Minor— David Kellner
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Fantasia in F Major— David Kellner
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5 diferencias de Guardame las vacas— Luys de Narvaez
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Passeavase el rey moro— Luys de Narvaez
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3 diferencias de Guardame las vacas— Luys de Narvaez
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La cancion del Emperador: Cancion del Emperador— Luys de Narvaez
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Ramillete de Flores Nuevas: Fantasia— Sebastian Lopez de Velasco
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Pavana II— Luis de Milán
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Pavana de Alexandre— Alonso Mudarra
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Fantasia que contrahaze la harpa en la manera de Ludovico— Alonso Mudarra
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Giga— Santiago de Murcia
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Cumbes— Santiago de Murcia
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Marionas— Francisco Guerau
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Canarios— Francisco Guerau
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Pavanas con partitas al ayre Espanol— Gaspar Sanz
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Folias— Gaspar Sanz
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Lantururu— Gaspar Sanz
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2 Varied Themes & 12 Minuets, Op. 11: Minuet No. 5 in D Major: Andante maestoso— Fernando Sor
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2 Varied Themes & 12 Minuets, Op. 11: Minuet No. 4 in D Major: Andante expressivo— Fernando Sor
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Introduction and Variations on a theme by Mozart, Op. 9— Fernando Sor
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Mrs. Winter’s Jump— John Dowland
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The Shoemaker’s Wife, a Toy— John Dowland
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The Frog Galliard— John Dowland
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Mr. John Langton’s Pavan— John Dowland
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Mr. Langton’s Galliard— John Dowland
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Go from my window— John Dowland
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Sir John Smith, his Almain— John Dowland
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Round Battle Galliard— John Dowland
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Fantasie— John Dowland
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La mia Barbara— John Dowland
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Mrs. Norrish’s Delight— John Dowland
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Mrs. Nichols Almain— John Dowland
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Fancy— John Dowland
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Semper Dowland semper dolens— John Dowland
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The Most High and Mighty Christianus the Fourth, King of Denmark, his Galliard— John Dowland
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Untitled— John Dowland
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Dr. Case’s Pavan— Anonymous
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Gagliarda— John Dowland
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Lachrimae— John Dowland
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Lady Laiton’s Almain— John Dowland
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Prelude, P. 98 (arr. for lute and theorbo) : Preludium— John Dowland
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My Lord Willoughby’s Welcome Home— John Dowland
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Une jeune filette— John Dowland
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Lord Strang’s March— John Dowland
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Fortune my foe— John Dowland
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Book of Songs, Book 1: Can she excuse my wrongs: Can she excuse— John Dowland
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What if a day— John Dowland
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Lady Hunsdon’s Puffe— John Dowland
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Solus cum sola— John Dowland
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The Most Sacred Queen Elizabeth, her Galliard— John Dowland
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Tarleton’s Resurrection— John Dowland
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Pavana No. 6 in D Major— Luis de Milán
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Fantasia No. 1— Luis de Milán
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Pavana No. 1 in A Minor— Luis de Milán
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Fantasia No. 10— Luis de Milán
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Fantasia No. 3— Luis de Milán
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Fantasia No. 22— Luis de Milán
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Tento— Luis de Milán
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Fantasia No. 4— Luis de Milán
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Pavana No. 3— Luis de Milán
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Fantasia No. 18— Luis de Milán
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Fantasia No. 35— Luis de Milán
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Madonna per voi ardo— Luis de Milán
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Falai mina amor: Falai, mina amor— Luis de Milán
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Fantasia No. 12— Luis de Milán
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Fantasia No. 8— Luis de Milán
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Pavana No. 2— Luis de Milán
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Fantasia No. 11— Luis de Milán
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Sospirastes Baldovinos— Luis de Milán
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5 Diferencias sobre las vacas— Luis Venegas de Henestrosa
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Pues no me queréis hablar— Luis Venegas de Henestrosa
▶
5 Diferencias sobre “Conde Claros”— Luis Venegas de Henestrosa
▶
Pavana con su glosa— Antonio de Cabezón
▶
Tant que vivray (Arr. M. Fuenllana for Solo Vihuela) (1)— Claudin de Sermisy
▶
Una fantasÍa de redobles galanos— Miguel de Fuenllana
▶
¿Con qué la lavaré? (Arr. M. Fuenllana for Vihuela)— Juan Vásquez
▶
De Antequera sale el Moro (Arr. M. Fuenllana for Vihuela)— Cristóbal de Morales
▶
Morenica dame un beso (Arr. M. Fuenllana for Vihuela)— Juan Vásquez
▶
Dezilde al cavallero que non se quexe (Arr. for Vihuela)— Nicolas Gombert
▶
La cortesía (Arr. D. Pisador for Vihuela)— Orlando di Lasso
▶
Soneto XXII (Lo que queda es lo seguro)— Enríquez de Valderrábano
▶
Soneto XXVII— Enríquez de Valderrábano
▶
Soneto VIII— Enríquez de Valderrábano
▶
Canción VII (A mi sufle)— Enríquez de Valderrábano
▶
Libro de música de vihuela de mano: Fantasia VIII— Luis de Milán
▶
Libro de música de vihuela de mano: Fantasia XII (1)— Luis de Milán
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Libro de música de vihuela de mano: Fantasia I— Luis de Milán
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Libro de música de vihuela de mano: Quien amores ten (Arr. for Solo Vihuela)— Luis de Milán
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Libro de música de vihuela de mano: Falai miña amor (Arr. for Solo Vihuela) (1)— Luis de Milán
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Libro de música de vihuela de mano: Fantasia XI (1)— Luis de Milán
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Libro de música de vihuela de mano: Pavana IV (1)— Luis de Milán
▶
Libro de música de vihuela de mano: Pavana V (1)— Luis de Milán
▶
Diferencias sobre vacas— Composer not established
▶
Fantasia 22 de passos largos— Esteban Daça
▶
Recercada terçera sobre “La Bergamasca”— Diego Ortiz
▶
Recercada segunda sobre “El passamezzo moderno”— Diego Ortiz
▶
Diferencias de bacas (1)— Luys Maymón
▶
Fantasia 21 de passos largos— Esteban Daça
▶
Libros Mudarra, Book 1: No. 13, Diferencias de “Conde Claros”— Alonso Mudarra
▶
Al alba venid— Composer not established
▶
22 Diferencias de “Conde Claros”— Luys de Narváez
▶
Con qué la lavaré (Arr. for Vihuela)— Luys de Narváez
▶
Vos me matastes (Arr. M. Fuenllana for Solo Vihuela)— Juan Vásquez
▶
Tant que vivray (Arr. M. Fuenllana for Solo Vihuela) (2)— Claudin de Sermisy
▶
Diferencias de bacas (2)— Francisco Páez
▶
Pavana VI— Luis de Milán
▶
Libro de música de vihuela de mano: Pavana V (2)— Luis de Milán
▶
Pavana I (1)— Luis de Milán
▶
Pavana I (2)— Luis de Milán
▶
Fantasía X— Luis de Milán
▶
Fantasía III— Luis de Milán
▶
Fantasía XXII— Luis de Milán
▶
Libro de música de vihuela de mano: Pavana IV (2)— Luis de Milán
▶
Fantasía IV— Luis de Milán
▶
Pavana III— Luis de Milán
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Fantasía XVIII— Luis de Milán
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Fantasía XXXV— Luis de Milán
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Libro de música de vihuela de mano: Falai miña amor (Arr. for Solo Vihuela) (2)— Luis de Milán
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Libro de música de vihuela de mano: Fantasia XII (2)— Luis de Milán
▶
Fantasía VIII— Luis de Milán
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Libro de música de vihuela de mano: Fantasia XI (2)— Luis de Milán
▶
Sospiraste Baldovinos— Luis de Milán
▶
Cuatro diferencias de Gúardame las vacas— Luys de Narváez
▶
Tres diferencias de Guárdame las vacas— Luys de Narváez
▶
Libros Mudarra, Book 1: No. 16, Pavana II de Alexandre (Arr. for Guitar)— Alonso Mudarra
▶
Libros Mudarra, Book 1: No. 12, Fantasía X (Arr. for Guitar) (1)— Alonso Mudarra
▶
Cumbés— Santiago de Murcia
▶
Pavana al ayre español— Gaspar Sanz
▶
Folías— Gaspar Sanz
▶
Lantururú— Gaspar Sanz
▶
Andante maestoso— Fernando Sor
▶
Andante expressivo— Fernando Sor
▶
Introduction and variations on a theme of ‘the Magic Flute’, op. 9— Fernando Sor
▶
Introduction— Fernando Sor
▶
Introduction et variations sur l’air ‘Marlborough’, op. 28: Thème— Fernando Sor
▶
Introduction et variations sur l’air ‘Marlborough’, op. 28: Variation I— Fernando Sor
▶
Introduction et variations sur l’air ‘Marlborough’, op. 28: Variation II— Fernando Sor
▶
Introduction et variations sur l’air ‘Marlborough’, op. 28: Variation III— Fernando Sor
▶
Introduction et variations sur l’air ‘Marlborough’, op. 28: Variation IV— Fernando Sor
▶
Introduction et variations sur l’air ‘Marlborough’, op. 28: Variation V— Fernando Sor
▶
Andantino en re menor— Fernando Sor
▶
Ständchen— Johann Kaspar Mertz
▶
Andante sostenuto (Preludio)— Francisco Tárrega
▶
Lágrima (Preludio, andante)— Francisco Tárrega
▶
Mazurka en sol (Lento)— Francisco Tárrega
▶
Paquito (Vals)— Francisco Tárrega
▶
Adelita (Mazurka, lento)— Francisco Tárrega
▶
Marieta (Mazurka, lento)— Francisco Tárrega
▶
El Testament d’Amelia (Andante expresivo)— Miguel Llobet
▶
El Noi de la Mare— Miguel Llobet
▶
Canço del Lladre— Miguel Llobet
▶
La Filadora (Allegro scherzando)— Miguel Llobet
▶
Endecha (Preludio, andante)— Francisco Tárrega
▶
Sueño (Mazurka Conchita)— Francisco Tárrega
▶
Oremus (Preludio, lento)— Francisco Tárrega
▶
Pavana (Allegretto)— Francisco Tárrega
▶
Adieu— Francisco Tárrega
▶
¿Qué me queréis, caballero? (Arr. for Guitar & Voice)— Composer not established
▶
¿Quién te hizo, Juan pastor?— Esteban Daça
▶
En la fuente del rosel (Arr. D. Pisador) (1)— Juan Vásquez
▶
A tierras ajenas— Esteban Daça
▶
Gritos daba la morenica— Esteban Daça
▶
Diferencias de “Conde Claros”— Composer not established
▶
Libros Mudarra, Book 3: No. 68, O gelosia d’amanti (Arr. for Guitar & Voice)— Alonso Mudarra
▶
Si la noche haze escura— Diego Pisador
▶
Libros Mudarra, Book 3: No. 73, Ysabel, perdiste la tu faxa (Arr. for Guitar & Voice) (1)— Alonso Mudarra
▶
Endechas de canarias— Diego Pisador
▶
Libros Mudarra, Book 1: No. 23, Romanesca No. 2 (O guardame las vacas)— Alonso Mudarra
▶
Libros Mudarra, Book 3: No. 71, Si me llaman a mí (Arr. for Guitar & Voice) (1)— Alonso Mudarra
▶
Libros Mudarra, Book 3: No. 58, Claros y frescos ríos (Arr. for Guitar & Voice)— Alonso Mudarra
▶
Libros Mudarra, Book 3: No. 64, Beatus ille (Arr. for Guitar & Voice)— Alonso Mudarra
▶
La mañana de San Juan— Diego Pisador
▶
Dezilde al caballero— Diego Pisador
▶
Al alba venid (Arr. for Guitar & Voice)— Composer not established
▶
L’amor, donna, ch’io ti porto (Arr. for Voice & Chamber Ensemble)— Composer not established
▶
Rodrigo Martinez (Arr. for Voice & Chamber Ensemble)— Composer not established
▶
Si habrá en este baldrés— Juan del Enzina
▶
Qu’es de ti, desconsolado— Juan del Enzina
▶
Hoy comamos y bevamos— Juan del Enzina
▶
Recercada quinta— Diego Ortiz
▶
Recercada quarta— Diego Ortiz
▶
Recercada segunda— Diego Ortiz
▶
En la fuente del rosel (Arr. D. Pisador) (2)— Juan Vásquez
▶
De los álamos vengo— Miguel de Fuenllana
▶
Tant que vivray (Arr. M. Fuenllana for Solo Vihuela) (3)— Claudin de Sermisy
▶
Libros Mudarra, Book 3: No. 71, Si me llaman a mí (Arr. for Guitar & Voice) (2)— Alonso Mudarra
▶
Libros Mudarra, Book 3: No. 73, Ysabel, perdiste la tu faxa (Arr. for Guitar & Voice) (2)— Alonso Mudarra
▶
Recercada terçera— Diego Ortiz
▶
Recercada settima— Diego Ortiz
▶
La mañana de San Juan (Arr. for Voice & Chamber Ensemble)— Diego Pisador
▶
**This is wrong. See 1.28** Diferencias sobre “Guárdame las vacas”— Luys de Narváez
▶
A los maytines era (Arr. for Voice & Chamber Ensemble)— Composer not established
▶
Niña y viña (Arr. for Voice & Chamber Ensemble)— Composer not established
▶
La Bomba— Miguel de Fuenllana
▶
Paseábase el rey moro— Miguel de Fuenllana
▶
Buscad de oy mas— Miguel de Fuenllana
▶
Morenica, dame un beso— Miguel de Fuenllana
▶
Duo— Miguel de Fuenllana
▶
Vos me matastes, niña en cabello— Miguel de Fuenllana
▶
O felici occhi miei— Miguel de Fuenllana
▶
No sé qué me bulle— Miguel de Fuenllana
▶
Tant que vivray (Arr. M. Fuenllana for Voices & Chamber Ensemble)— Claudin de Sermisy
▶
Fantasia de redobles— Miguel de Fuenllana
▶
La Girigonça— Miguel de Fuenllana
▶
Madona mia— Miguel de Fuenllana
▶
Cómo quereys, madre— Miguel de Fuenllana
▶
O que bonica canción— Miguel de Fuenllana
▶
Duelete de mi, señora— Miguel de Fuenllana
▶
De los álamos vengo, madre— Miguel de Fuenllana
▶
Benedictus, Missa de Mila regres— Miguel de Fuenllana
▶
Al alba venid (Arr. for Voices & Chamber Ensemble)— Composer not established
▶
Chacona – A la vida bona— Juan Arañés
▶
Romance de Durandarte— Luis de Milán
▶
Libros Mudarra, Book 1: No. 17, Gallarda (Arr. for Chamber Ensemble)— Alonso Mudarra
▶
Prado verde y florido— Francisco Guerrero
▶
¿Qué me queréis, caballero? (Arr. for Voices & Chamber Ensemble)— Composer not established
▶
Romance de Don Gaiferos— Composer not established
▶
Madre, la mi madre— Composer not established
▶
Ay luna que reluces! (Arr. for Voices & Chamber Ensemble)— Joaquín Rodrigo
▶
Jácaras (No hay que decirle el primor)— Composer not established
▶
Libros Mudarra, Book 1: No. 12, Fantasía X (Arr. for Guitar) (2)— Alonso Mudarra
▶
Romance de Valdovinos— Luis de Milán
▶
Villanos— Antonio Martín y Coll
▶
Que bonito niño chiquito (Arr. for Voice & Chamber Ensemble)— Composer not established
▶
Libros Mudarra, Book 3: No. 64, Beatus ille (Arr. for Voice & Chamber Ensemble)— Alonso Mudarra
▶
Romance de Cardenio— Antonio de Ribera
▶
De la dulce mi enemiga— Composer not established
▶
Romance del Marqués de Mantua— Composer not established
▶
Flérida, para mí dulce y sabrosa (Arr. for Voice & Chamber Ensemble)— Diego Pisador
▶
Al villano se la dan— Composer not established
▶
Romance del “Conde Claros”— Luys de Narváez
▶
Recercada octava— Diego Ortiz
▶
Zarabanda— Gaspar Sanz
▶
Clarín de los Mosqueteros del Rey de Francia— Gaspar Sanz
▶
La Cavallería de Nápoles con dos clarines— Gaspar Sanz
▶
La Esfachata de Nápoles— Gaspar Sanz
▶
Clarines y trompetas— Gaspar Sanz
▶
La Minina de Portugal— Gaspar Sanz
▶
Canción— Gaspar Sanz
▶
La Coquina francesa— Gaspar Sanz
▶
Torneo— Gaspar Sanz
▶
Batalla— Gaspar Sanz
▶
Españoletas por otro punto— Gaspar Sanz
▶
Rujero— Gaspar Sanz
▶
Paradetas— Gaspar Sanz
▶
Las Hachas— Gaspar Sanz
▶
Mariçapalos— Gaspar Sanz
▶
Matachín— Gaspar Sanz
▶
Passacalles sobre la D con muchas diferencias— Gaspar Sanz
▶
Pavana por la D con partidas al aire español— Gaspar Sanz
▶
Españoletas— Gaspar Sanz
▶
La Miñona de Cataluña— Gaspar Sanz
▶
La Garzona— Gaspar Sanz
▶
Jácaras— Gaspar Sanz
▶
Dos trompetas de la Reyna de Suecia— Gaspar Sanz
▶
Chacona— Gaspar Sanz
▶
Peynándose estaba un olmo— Juan Hidalgo
▶
Tonante dios!— Juan Hidalgo
▶
Canarios (1)— Antonio Martín y Coll
▶
Ojos, pues me desdeñáis— José Marín
▶
Susana passeggiata— Bartolomé de Selma y Salaverde
▶
De las luces que en el mar— Juan Hidalgo
▶
Cuydado, pastor— Juan Hidalgo
▶
Canarios (2)— Gaspar Sanz
▶
Ay que sí, ay que no— Juan Hidalgo
▶
Aquella sierra nevada— José Marín
▶
No piense Menguilla— José Marín
▶
Marionas (Version for Baroque Guitar)— Francisco Guerau
▶
Sosieguen, descansen— Sebastián Durón
▶
Ay, que me río de Amor— Juan Hidalgo
▶
Variations for Guitar on Marlborough s’en va-t-en-guerre, Op. 28: Introduction— Fernando Sor
▶
Variations for Guitar on Marlborough s’en va-t-en-guerre, Op. 28: Theme— Fernando Sor
▶
Variation 1— Fernando Sor
▶
Variation 2— Fernando Sor
▶
Variation 3— Fernando Sor
▶
Variation 4— Fernando Sor
▶
Variation 5— Fernando Sor
▶
6 Divertimentos, Op. 2: No. 3. Andantino— Fernando Sor
▶
Schwanengesang, D. 957: No. 4. Standchen (arr. F. Tarrega)— Franz Schubert
▶
Bardenklange, Op. 13: Lied ohne Worte— Johann Kaspar Mertz
▶
Andante sostenuto— Francisco Tarrega
▶
Lágrima: Lagrima— Francisco Tarrega
▶
4 Mazurkas: Mazurka in G Major— Francisco Tarrega
▶
Valse: Valse: I. Paquito— Francisco Tarrega
▶
4 Mazurkas: No. 1 in G Minor, “Adelita”— Francisco Tarrega
▶
4 Mazurkas: No. 3. Marieta— Francisco Tarrega
▶
13 Catalan Folksongs: No. 2. El testament d’Amelia— Miguel Llobet
▶
13 Catalan Folksongs: No. 10. El noi de la mare— Miguel Llobet
▶
13 Catalan Folksongs: No. 13. Canco del lladre— Miguel Llobet
▶
13 Catalan Folksongs: No. 11. La filadora— Miguel Llobet
▶
Prelude in D Minor, “Endecha”— Francisco Tarrega
▶
Sueno— Francisco Tarrega
▶
Prelude in D Minor, “Oremus”— Francisco Tarrega
▶
Adieu (arr. F. Tarrega)— Franz Schubert
▶