Biography (read more)

Ronn McFarlane is an American lutenist and composer, born in 1953 in West Virginia and raised in Maryland. After playing guitar in rock and blues bands as a teenager, he studied classical guitar at Shenandoah Conservatory and later trained at the Peabody Conservatory under Paul O’Dette, Roger Harmon, and Pat O’Brien. He switched his focus to lute in 1978 and, the following year, became a founding member of the Baltimore Consort, with which he has toured and recorded for over four decades. McFarlane taught lute at Peabody from 1984 to 1995 and received an honorary doctorate of music from Shenandoah in 1996. He later formed the ensemble Ayreheart and continues to compose new music for lute alongside his Renaissance repertoire.

As one of the principal interpreters of Renaissance lute music in North America, Ronn McFarlane has done more than almost any other American player to bring the instrument into the musical mainstream, through decades of touring and over twenty-five recordings for Dorian/Sono Luminus. His original compositions for lute, including the Grammy-nominated Indigo Road, have expanded the instrument’s modern repertoire beyond historical performance. Through the Baltimore Consort and his years teaching at Peabody, he has shaped a generation of American early-music performers.

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Repertoire

Cathedral Cave— Ronn McFarlane
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The Butterfly— Ronn McFarlane (arr., from The Celtic Lute)
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Carolan’s Welcome— Turlough O’Carolan (arr. Ronn McFarlane)
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Snapdragon— Ronn McFarlane
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A Day in November— Ronn McFarlane
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Pinetops— Ronn McFarlane
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Indigo Road— Ronn McFarlane
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The Kid on the Mountain— Traditional (Irish), arr. Ronn McFarlane
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Carol of the Bells / God Rest Ye Merry Gentlemen / L’homme Arme— Composer not established
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O Come O Come Emmanuel / Infant Holy Infant Lovely / I Saw Three Ships— Composer not established
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A Star in the East— Composer not established
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Greensleeves— Composer not established
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Sure on This Shining Night— Composer not established
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Grinch on the Run / Personent Hodie— Composer not established
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What Wondrous Love Is This / Walking in the Air— Composer not established
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The Wexford Carol— Composer not established
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Mizzie Mine— Composer not established
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Have Yourself a Merry Little Christmas— Composer not established
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Break Forth / O Bounteous Heavenly Light— Composer not established
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Early Christmas Morning / Gigue— Composer not established
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Lully Lullay (The Coventry Carol)— Composer not established
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Good King Wenceslas— Composer not established
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Fermi’s Paradox— Ronn McFarlane
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She Moved Through the Fair – John Barleycorn (Arr. for Lute, Viola da gamba & Bodhrán)— Composer not established
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Gånglåt efter Hammare – The Last Day – Suite No. 1 in D Minor: VI. Gigue la petite (Arr. for…— Carolyn Surrick
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Down by Blackwaterside (Arr. R. McFarlane for Lute & Viola da gamba)— Composer not established
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The Rose of Raby (Arr. for Lute, Viola da gamba & Bodhrán)— Dave Shepherd
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Amazing Grace (Arr. C. Surrick for Lute & Viola da gamba)— Composer not established
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Daniel’s Chaconne— Ronn McFarlane
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Trinity Grove— Ronn McFarlane
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Viola da gamba Sonata in E Minor, TWV 41:e5: I. Cantabile – III. Recitativo – Arioso— Georg Philipp Telemann
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Dowland’s Adieu for Master Oliver Cromwell, P. 13— John Dowland
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O Sacred Head, Now Wounded (Harmonized by J.S. Bach) (Arr. C. Surrick for Lute & Viola da gamba)— Hans Leo Hassler
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Come Thou Fount of Every Blessing – Sjungar-lars visa (Arr. for Lute & Viola da gamba)— Robert Robinson
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Little Martha (Arr. R. McFarlane for Lute & Viola da gamba)— Duane Allman
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Planxty O’Rourke, 2nd Air (Arr. for Lute & Viola da gamba)— Turlough O’Carolan
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Ave Maria, CG 89a (After Bach’s BWV 846) (Arr. C. Surrick for Lute & Viola da gamba)— Charles Gounod
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Carolan’s Welcome— Turlough O’Carolan
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Banish Misfortune— Traditional
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The Battle of Harlaw— Traditional
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Pipe on the Hob— Traditional
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Cliffs of Moher— Traditional
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Hey My Nanny / Guzzle Together— Traditional
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O’Carolan’s Dream— Turlough O’Carolan
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Sheebeg and Sheemore— Turlough O’Carolan
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The Flowers of Edinburgh— James Oswald
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Miss Noble— Turlough O’Carolan
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Fanny Power— Turlough O’Carolan
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The Flaggon— Traditional
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The Stool of Repentance— Traditional
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The Lone Vale— Traditional
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Flee over the Water— Traditional
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Hoop Her and Gird Her— Traditional
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If I Had a Bonny Lass— Traditional
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Lady Athenry— Turlough O’Carolan
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The Seas Are Deep— Turlough O’Carolan
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Tune Without Title No. 172— Turlough O’Carolan
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The Monaghan Jig— Traditional
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The Kid on the Mountain— Traditional
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Blind Mary— Turlough O’Carolan
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George Brabazon— Turlough O’Carolan
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Separation of the Body and Soul— Turlough O’Carolan
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The Butterfly— Traditional
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Grays Inn – My Lord Willoughby’s Welcome Home, P. 66— John Dowland
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Brando di Cales – Passo e mezzo— Cesare Negri
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My Lady Carey’s Dompe [c. 1520] – Lady Wynkfield’s Rownde— Anonymous
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Rondeau dans Zaide (arr. M. Blavet for baroque flute and lute)— Michel Blavet
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Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: I. Adagio— George Frideric Handel
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Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: II. Allegro— George Frideric Handel
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Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: III. Adagio— George Frideric Handel
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Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: IV. Bourree anglaise— George Frideric Handel
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Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: V. Minuetto— George Frideric Handel
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Flute Sonata in E Minor, BWV 1034: III. Andante— Johann Sebastian Bach
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Airs for the Summer: The Thistle— James Oswald
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Airs for the Winter: The Laurel— James Oswald
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Dorrington Lads: Yeil, Yeil – A Wife of My Ain (Scotland)— Traditional
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Passemeze— Adrian Le Roy
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Suite de piece No. 1 in E Minor, Op. 11: I. Prelude: Lentement— Composer not established
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Suite de piece No. 1 in E Minor, Op. 11: II. Allemande: Moderement— Composer not established
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Suite de piece No. 1 in E Minor, Op. 11: III. Rondeau “Les Charites”: Gracieusement— Composer not established
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Suite de piece No. 1 in E Minor, Op. 11: IV. “L’Emerveillee”: Gaiment— Composer not established
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Suite de piece No. 1 in E Minor, Op. 11: V. Gavotte— Composer not established
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Suite de piece No. 1 in E Minor, Op. 11: VI. Menuet— Composer not established
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Minuetto and Variations— Pietro Antonio Locatelli
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Sitting in the Stern of a Boat— William MacLeod
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Branles de village— Robert Ballard
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Greensleeves (arr. for 2 lutes)— Anonymous
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La Rossignoll [England’s Golden Age]— Anonymous
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Drewries accordes [England’s Golden Age]— Anonymous
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Trenchmore— John Johnson
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Delight pavan (arr. for 2 lutes)— Anonymous
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Dump No. 1— John Johnson
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Eccho or Allmane— Francis Pilkington
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My Robin Is to the Greenwood Gone [England’s Golden Age]— Anonymous
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Rogero— John Johnson
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Callinoe [England’s Golden Age]— Anonymous
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The Flat Pavan— John Johnson
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Galliard to the Flat Pavan— John Johnson
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The Nuts be Brown— John Johnson
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Dump, “Queen’s Treble”— John Johnson
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A Fancy— John Danyel
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Passymeasure Galliard— John Danyel
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My Lord Chamberlain his Galliard, P. 37— John Dowland
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My Lord Willoughby’s Welcome Home— John Dowland
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Chi passa— John Johnson
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Wakefield on a green— John Johnson
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A Fantasy— Thomas Robinson
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The Queen’s Goodnight— Thomas Robinson
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Passamezzo Galliard— Thomas Robinson
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A Plaine song for 2 Lutes— Thomas Robinson
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Twenty Waies upon the Bells— Thomas Robinson
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A Toy (version for 2 lutes) : A Toy— Thomas Robinson
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An Almayne [England’s Golden Age]— Anonymous
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The Early Chanson Anthologies: Branle— Pierre Attaingnant
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The Early Chanson Anthologies: Bransle gay, C’est mon amy— Pierre Attaingnant
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The Early Chanson Anthologies: Haulberroys— Pierre Attaingnant
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The Early Chanson Anthologies: Branle de Poictou— Pierre Attaingnant
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Petite fantasie dessus l’accord du Leut— Adrian Le Roy
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Pavana and Galiarda in F Major, No. 1, ” Bray”: Pavana— William Byrd
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Pavana and Galiarda in F Major, No. 1, ” Bray”: Galiarda— William Byrd
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Forlorn Hope, P. 2— John Dowland
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Greensleeves (Ballet Lute)— Anonymous
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Greensleeves (Thysius Lute Book)— Anonymous
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Greensleeves Divisions (attrib. to J. Dowland)— Francis Cutting
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Cozens Lute Book: John Come Kiss Me Now— Anonymous
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Madonna katerina— Hans Judenkunig
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Christ ist erstanden (Christ is risen)— Hans Judenkunig
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Und wer er nit erstanden (And who is not risen)— Hans Judenkunig
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Der hoff dantz— Hans Judenkunig
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Der hoff dantz (Nach tanz)— Hans Judenkunig
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Der ander Theil des Lautenbuchs: Preambel— Hans Neusidler
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Der ander Theil des Lautenbuchs: Elslein liebstes Elslein mein (Dearest Elslein my Elslein)— Hans Neusidler
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Der ander Theil des Lautenbuchs: Ich klag den tag (I lament the day)— Hans Neusidler
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Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa— Hans Neusidler
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Der ander Theil des Lautenbuchs: Der hupff auff— Hans Neusidler
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El maestro: Fantasia— Andres Segovia
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Los Seys libros del Delphin: Conde Claros— Luys de Narvaez
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La cancion del Emperador: Mille regretz (arr. for vihuela)— Luys de Narvaez
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Passacaglia— Alessandro Piccinini
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Fantasia No. 1— Valentin Bakfark
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Pavana alla ferrarase— Joan Ambrosio Dalza
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Pavana alla ferrarase (version for lute) : Saltarello— Joan Ambrosio Dalza
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Pavana alla ferrarase (version for lute) : Piva— Joan Ambrosio Dalza
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Intavolatura de viola o vero lauto … libro primo: Ricercar No. 51— Francesco da Milano
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Intavolatura de viola o vero lauto … libro primo: Ricercar No. 16— Francesco da Milano
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Intavolatura de viola o vero lauto … libro primo: Ricercar No. 33— Francesco da Milano
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Intavolatura de viola o vero lauto … libro primo: Ricercar No. 34— Francesco da Milano
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O bone Jesu (arr. F. da Milano for lute) : O Bone Jesu— Francesco da Milano
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One Morning— Ronn McFarlane
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Borderland— Ronn McFarlane
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Before the Wind— Ronn McFarlane
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Man of Arms— Ronn McFarlane
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Snapdragon— Ronn McFarlane
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A Day in November— Ronn McFarlane
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Wolf Summit— Ronn McFarlane
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Union Bridge— Ronn McFarlane
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Bad Hair Day— Ronn McFarlane
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Dakota Days— Ronn McFarlane
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Nocturne— Ronn McFarlane
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On the Heath: Thistle— Ronn McFarlane
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On the Heath: Honeysuckle— Ronn McFarlane
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On the Heath: Haeddre— Ronn McFarlane
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Lullaby for Anne— Ronn McFarlane
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Sings in Her Sleep— Ronn McFarlane
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One Morning (full band Version)— Ronn McFarlane
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Bonny Sweet Boy— Anonymous
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Blame Not My Lute— Anonymous
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Lady Hunsdon’s Puffe, P. 54— John Dowland
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Henry VIII: Act 3: The Queen’s Apartments (music: Melancholy Galliard by J. Dowland)— William Shakespeare
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Kemp’s Jig— Anonymous
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Packington’s Pound— Anonymous
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A Woman Killed With Kindness— Thomas Heywood
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Lachrimae, P. 15— John Dowland
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The Taming of the Shrew, Act II: Scene 1— William Shakespeare
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Mrs. Winter’s Jump, P. 55— John Dowland
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Sonnet LVII: Like As the Lute (music: Go from my window, P. 64 by J. Dowland)— Samuel Daniel
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When to her lute Corinna sings— Thomas Campion
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My Lord Willoughby’s Welcome Home, P. 66— John Dowland
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Upon Julia’s Voice— Robert Herrick
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Pavana in F Major, No. 1, “Bray” (arr. F. Cutting)— Francis Cutting
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If Music and Sweet Poetry Agree (music: Captain Digorie Piper’s Galliard, P. 19 by J. Dowland)— Richard Barnfield
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The Wanton Trick— Anonymous
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The 2 Gentlemen of Verona, Act III: Scene 2— William Shakespeare
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Fantasia No. 7 in D Minor— John Dowland
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Nosce Teipsum: Objection 1 – Answer – Objection 2 – Answer (music: Fortune my foe, P. 62 by J….— John Davies
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The Most Sacred Queen Elizabeth, her Galliard, P. 41— John Dowland
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My lute awake (music: Tarleton’s Resurrection, P. 59 by J. Dowland)— Thomas Wyatt
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Cathedral Cave— Ronn McFarlane
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Indigo Road— Ronn McFarlane
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Denali— Ronn McFarlane
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Overland— Ronn McFarlane
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Pinetops— Ronn McFarlane
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Blue Norther— Ronn McFarlane
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Chocolate Factory— Ronn McFarlane
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Rosa— Ronn McFarlane
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Incharted Waters— Ronn McFarlane
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Sycamore— Ronn McFarlane
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Dowland’s Goodnight— Ronn McFarlane
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Early Christmas Morning— Ronn McFarlane
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Gigue— Ronn McFarlane
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Thistleheart— Ronn McFarlane
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Over the Green Earth— Ronn McFarlane
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Augusta— Ronn McFarlane
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I choys to ly my lon— Anonymous
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Blew riben— Anonymous
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Ladi ly nier mee— Anonymous
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Our last good night— Anonymous
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Generall Leslys godnight— Anonymous
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In ane inch I warrant— Anonymous
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Untitled— Anonymous
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Maggae Hamfor— Anonymous
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Katherines Bairdie— Anonymous
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Tweedsyde— Mr. Beck
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Cutte spoon and tree ladie— Mr. Beck
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The canaries – The old way— Mr. Beck
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I wish I were where Helen lyes— David Grieve
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The highland king— Mr. Beck
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Port Athol— Mr. Beck
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I love my love, in secret— Mr. Beck
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Jockie leaped over the dyke— Mr. Beck
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Through the wood Laudie— Anonymous
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Lilt milne— Anonymous
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Da miche manum— Anonymous
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Ruthueins Lilt— Anonymous
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Fair and Louky— Anonymous
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Doun in yon banks— Anonymous
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My Lady Binnis lilt— Anonymous
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A Scotts tune— Mr. Lesslie
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Where Will our goodman lye— Mr. Beck
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The newest scotts measure— Mr. Beck
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Sweet Willie— Mr. Beck
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I never New, I loved the— Mr. Beck
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When she came in, she bobbed— Mr. Beck
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Simon brodie— Mr. Beck
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Mary Betons Row— Anonymous
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Current Tried— Anonymous
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Over the Dyke Davie— Anonymous
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The horsemans Port— Mr. Beck
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If thou wert my own thing— Mr. Beck
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A gigge— Mr. Beck
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The more discreet, the wellcomer— Mr. Beck
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The lady Binnes lilt— David Grieve
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Tarphicken— Mr. Beck
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The New Highland ladie— Mr. Beck
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Da mihi manum— Mr. Beck
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Lute Partita in E Major, BWV 1006a: I. Preludio— Johann Sebastian Bach
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Lute Partita in E Major, BWV 1006a: II. Loure— Johann Sebastian Bach
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Lute Partita in E Major, BWV 1006a: III. Gavotte en rondeau— Johann Sebastian Bach
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Lute Partita in E Major, BWV 1006a: IV. Menuet I – V. Menuet II— Johann Sebastian Bach
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Lute Partita in E Major, BWV 1006a: VI. Bourree— Johann Sebastian Bach
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Lute Partita in E Major, BWV 1006a: VII. Gigue— Johann Sebastian Bach
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Prelude in C Minor, BWV 999— Johann Sebastian Bach
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Fugue in G Minor, BWV 1000— Johann Sebastian Bach
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Campanella— David Kellner
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Aria in A Major: Aria— David Kellner
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Courante— David Kellner
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Sarabanda and Double— David Kellner
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Gavotte— David Kellner
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Giga in D Major: Giga— David Kellner
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Ciaconna— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : I. Prelude— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : II. Allemande— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : III. Courente— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : IV. Bouree— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : VI. Menuet I— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : V. Sarabande— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : VIII. Menuet II— Silvius Leopold Weiss
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Suite in D Minor (I: 65-71) : IX. Gigue— Silvius Leopold Weiss
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Sir John Smith, his Almain, P. 47— John Dowland
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Captain Digorie Piper’s Galliard, P. 19— John Dowland
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Melancholy Galliard, P. 25— John Dowland
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Piper’s Pavan, P. 8— John Dowland
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The Earl of Essex, his Galliard, P. 42, “Can she excuse”— John Dowland
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Fantasie No. 1— John Dowland
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Fortune my foe, P. 62— John Dowland
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Lady Laiton’s Almain, P. 48— John Dowland
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Lachrimae— John Dowland
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Tarleton’s Resurrection, P. 59— John Dowland
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Prelude, P. 98: Preludium— John Dowland
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Dowland’s Galliard, P. 20— John Dowland
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Go from my window, P. 64— John Dowland
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Round Battle Galliard, P. 39— John Dowland
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What if a day, P. 79— John Dowland
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The Shoemaker’s Wife, A Toy, P. 58— John Dowland
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A Fancy No. 5— John Dowland
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Mr. Dowland’s Midnight, P. 99— John Dowland
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Dr. Case’s Pavan, P. 12— John Dowland
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Orlando Sleepeth, P. 61— John Dowland
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The Right Honourable the Lady Clifton’s Spirit, P. 45— John Dowland
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Semper Dowland semper dolens, P. 9— John Dowland
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The Frog Galliard, P. 23— John Dowland
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Mrs. White’s Nothing, P. 56— John Dowland
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Drawe neare me and lowe me— Anonymous
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A Scots Tune— Anonymous
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The scottish Huntsupe— Anonymous
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I long for the wedding— Anonymous
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I Long For Thy Virginitie— Anonymous
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The canaries— Anonymous
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Canaries— Anonymous
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I mett her in the medowe— Anonymous
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Lett never crueltie dishonour bewtie— Anonymous
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Jennet drinks no water— Anonymous
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Corne Yards— Anonymous
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Gypsies Lilt— Anonymous
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Alace I lie me alon I’m lik to die awld— Anonymous
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The Flowres of the Forrest— Anonymous
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Remember me at eveninge— Anonymous
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I will not goe to my bed till I suld die— Anonymous
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Port Rorie Dall— Anonymous
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Lilt Ladie An Gordonn— Anonymous
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Gallua Tom— Anonymous
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Whip my toudie— Anonymous
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Hench me Malie Gray— Anonymous
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Wo betyd thy wearie bodie— Anonymous
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Lesleis Lilt— Anonymous
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Pitt on your shirt on Monday— Anonymous
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Blew Breik— Anonymous
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My Ladie Laudians Lilt— Anonymous
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To dance about the Baikeis dubb— Anonymous
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My mistres blush is bonie— Anonymous
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Its a wonder to see— Anonymous
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Port Preist— Anonymous
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An thou wer myn own thing— Anonymous
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Port Jean Linsey— Anonymous
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Gabot— Anonymous
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Curent— Anonymous
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Volt— Anonymous
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Doun in yon banke— Anonymous
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Aderneis Lilt— Anonymous
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Ladie Cassilles Lilt— Anonymous
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I serve a worthie ladie— Anonymous
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Ane Scottis dance— Anonymous
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Swit Sant nikcola— Anonymous
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A Port (DOR-90129 tr. 49) : A Port— Anonymous
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Gray Steel— Anonymous
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Put on thy sark on Munday— Anonymous
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The old man— Anonymous
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A Port (DOR-90129 tr. 53) : A Port— Anonymous
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Ladie Laudians Lilt (from Straloch lute book)— Anonymous
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I kist her while she blusht— Anonymous
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Adew Dundie— Anonymous
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Ein welscher tantz Wascha mesa— Hans Neusidler
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Der Hupff auff— Hans Neusidler
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Forlorn Hope Fancy— John Dowland
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Captain Digorie Piper’s Galliard— John Dowland
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Lady Hunsdon’s Puffe— John Dowland
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Pavane— Pierre Attaingnant
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Branle gay— Pierre Attaingnant
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Saltarello— Joan Ambrosio Dalza
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Piva— Joan Ambrosio Dalza
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