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Enríquez de Valderrábano

Biography (read more)

Enríquez de Valderrábano was a Spanish vihuelist and composer, born around 1500. Little biographical information about him survives. His 1547 publication, dedicated to Francisco de Zúñiga, the Fourth Count of Miranda, states that he was a citizen of Peñaranda de Duero. Juan Bermudo’s Declaración de instrumentos musicales of 1555 makes the unconfirmed claim that he was employed by the count.

Valderrábano’s 1547 publication, Silva de Sirenas, has seven parts containing fugas, contrapuntos, sonetos, bajas, vacas, discantes, pavanas, proverbios, canciones, romances, and villancicos, ordered by difficulty. It includes pieces for two vihuelas, for vihuela and another instrument, and for vihuela and voice. The book is considered an important source for vihuela music of the Spanish Renaissance and European instrumental music. It includes transcriptions of pieces by other composers, including Cristóbal de Morales, Josquin des Prez, and Nicolas Gombert.

Sources:

Repertoire

Valderrábano: De dónde venis, amore?— Teresa Berganza
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Performed by Teresa Berganza

Cuatro diferencias sobre la Pavana— Evangelina Mascardi
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Performed by Evangelina Mascardi

Soneto Lombardo— Evangelina Mascardi
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Performed by Evangelina Mascardi

Viva la Margarita— Jordi Savall
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Performed by Jordi Savall

Los Bracos Traygo Cansados— Lee Santana
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Performed by Lee Santana

Donde Son las Serranas II— Lee Santana
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Performed by Lee Santana

Silva de Sirenas, Book 6: Sonetto No. 2— Massimo Lonardi
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Performed by Massimo Lonardi

Silva de Sirenas, Book 5: Fantasia del quarto tono— Massimo Lonardi
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Performed by Massimo Lonardi

Silva de Sirenas, Book 6: Sonetto No. 1— Massimo Lonardi
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Performed by Massimo Lonardi

Libro de musica de vihuela, intitulado “Silva de sirenas” – Libro 7: No. 167. Diferencias sobre…— Toyohiko Satoh
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Performed by Toyohiko Satoh

Libro de musica de vihuela, intitulado “Silva de sirenas” – Libro 7: No. 168. Musica para…— Toyohiko Satoh
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Performed by Toyohiko Satoh

Libro de musica de vihuela, intitulado “Silva de sirenas” – Libro 7: No. 166. Siete diferencias…— Toyohiko Satoh
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Performed by Toyohiko Satoh

Libro de musica de vihuela, intitulado “Silva de sirenas” – Libro 6: No. 143. Soneto lombardo a…— Toyohiko Satoh
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Performed by Toyohiko Satoh

Libro de musica de vihuela, intitulado “Silva de sirenas” – Libro 4: No. 77. Diferencias sobre…— Toyohiko Satoh
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Performed by Toyohiko Satoh

De dónde venís, amore— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto No. 22 “Lo que queda es lo seguro”— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto No. 27— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto No. 8— José Miguel Moreno
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Performed by José Miguel Moreno

Canción No. 7 “A mi sufle”— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto XXII (Lo que queda es lo seguro)— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto XXVII— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto VIII— José Miguel Moreno
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Performed by José Miguel Moreno

Canción VII (A mi sufle)— José Miguel Moreno
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Performed by José Miguel Moreno

Soneto I— John Griffiths
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Performed by John Griffiths

Soneto I— Shirley Rumsey
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Performed by Shirley Rumsey

Valderrábano: De dónde venis, amore?— Narciso Yepes
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Performed by Narciso Yepes

Silvo de Sirenas, Libro V: No. 90, Fantasia sobre un benedictus— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VI: No. 151, Soneto— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 115, Fantasia que va remedando al motete de queramus cum pastoribus— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 103, Fantasia sobre un benedictus de la misa de Mouton tua est…— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VI: No. 163, Soneto. Viva la Margarita— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 107, Fantasia sobre un pleni— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 110, Fantasia del primer tono— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VI: No. 130, Et resurrexit— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 105, Fantasia del primero tono— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VI: No. 135, Per illud ave de Josquin— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 89, Fantasia— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro I: No. 1, Fuga a tres— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VII: No. 167, Diferencias sobre el tenor de Conde Claros— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VI: No. 153, Soneto— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro I: No. 3, Agnus Dei sobre el canto llano mi fa re sol fa mi— John Griffiths
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Performed by John Griffiths

16. Agnus Dei a tres de Morales (va123)— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 96, Fantasia contrahecha a otra extranjera— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro VI: No. 152, Soneto— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 99, Fantasia 12 del quinto tono— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro I: No. 4, Benedictus que diferencia el canto llano de muchas maneras— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 91, Fantasia 4 sobre la entrada de un baxa— John Griffiths
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Performed by John Griffiths

Silvo de Sirenas, Libro V: No. 92, Fantasia 5 del tercer tono— John Griffiths
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Performed by John Griffiths

Soneto en el tercer grado— John Griffiths
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Performed by John Griffiths

Fantasía sobre un pleni de contrapunto— John Griffiths
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Performed by John Griffiths

Benedictus de la Missa Ave maris stella (After Josquin des Prez)— John Griffiths
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Performed by John Griffiths

Fantasía remedada al Kyrie postrero de la Missa de beata Virgine de Josquin— John Griffiths
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Performed by John Griffiths

3 Diferencias sobre la Pavana— John Griffiths
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Performed by John Griffiths

Soneto en el primer grado— John Griffiths
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Performed by John Griffiths

Libro de música de vihuela (1547) (Excerpts) : Duo et resurrexit— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Duo Benedictus— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Duo Agnus Dei— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Soneto (1)— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Soneto (2)— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Soneto (3)— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Soneto (4)— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Fantasia I del quarto tono— Paolo Cherici
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Performed by Paolo Cherici

Libro de música de vihuela (1547) (Excerpts) : Soneto lombardo a manera de danza— Paolo Cherici
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Performed by Paolo Cherici

Cuarto diferencias sobre la pavana por grados— Ugo Nastrucci
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Performed by Ugo Nastrucci

Siete diferencias faciles sobre “Guardame las vacas”— Ugo Nastrucci
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Performed by Ugo Nastrucci

2 Sonetos— Monika Rost
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Performed by Monika Rost

Soneto II— Shirley Rumsey
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Performed by Shirley Rumsey

Sonnet No. 8 (En proporción de tres mínimas al compás)— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 1, Ya cavalga Calaynos— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 2, Siete diferencias fáciles sobre Guandame las vacas— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 3, De dónde venís amore— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 4, La pavana real— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 5, Ami sufle— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 6, Fantasía la missa de Ave Maris st— Shigeo Mito
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Performed by Shigeo Mito

Silva de sirenas: No. 7, Fantasía de redobles— Shigeo Mito
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Performed by Shigeo Mito