Biography (read more)

Sabine Devieilhe (born 12 December 1985 in Ifs, near Caen, France) is a French coloratura soprano. She began as a cellist before turning to voice, studying at the Caen and Rennes conservatories and then at the Conservatoire de Paris under Pierre Mervant and Elène Golgevit, graduating with first prize and the jury’s congratulations in 2011. She made her professional debut later that year as Amina in Bellini’s La sonnambula with the Atelier Lyrique de Tourcoing, and rose to international attention with her role debut as the Queen of the Night in Mozart’s The Magic Flute (2013) and the title role in Delibes’s Lakmé at the Opéra-Comique (2014). She signed an exclusive recording contract with Erato in 2013 and has since debuted at the Royal Opera House, the Paris Opera, and Carnegie Hall.

Often described as a successor to Natalie Dessay, Devieilhe is celebrated for combining pinpoint coloratura technique with interpretive depth across Mozart, French opera, and Baroque repertoire by Rameau and Handel; in recognition of her artistry, the asteroid 33346 Sabinedevieilhe was named in her honor.

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Repertoire

Lakmé: Duo des fleurs (Flower Duet)— Léo Delibes
Lakmé: Air des clochettes (Bell Song)— Léo Delibes
Giulio Cesare in Egitto, HWV 17: “Se pietà di me non senti”— George Frideric Handel
Après un rêve— Gabriel Fauré
Les Chemins de l’amour— Francis Poulenc
Nehmt meinen Dank, ihr holden Gönner!, K. 383— Wolfgang Amadeus Mozart
Vocalise, Op. 34, No. 14— Sergei Rachmaninoff
Aminta e Fillide, HWV 83: “Per abbatter il rigore”— George Frideric Handel, with Lea Desandre & Le Concert d’Astrée
Castor et Pollux: “Tristes apprêts”— Jean-Philippe Rameau
Brockes Passion, HWV 48: II. “Soll mein Kind”— George Frideric Handel, duet with Stéphane Degout
L’enfant et les sortilèges: Air du feu— Composer not established
Il Trionfo del Tempo e del Disinganno: “Pure del cielo”— George Frideric Handel
Il Trionfo del Tempo e del Disinganno: “Tu del ciel”— George Frideric Handel
Platée: Air de la folie, “Aux langueurs d’Apollon”— Jean-Philippe Rameau
Armida abbandonata: “Ah! crudele e pur ten vai”— George Frideric Handel
Alcandro, lo confesso… Non so d’onde viene, K. 294— Wolfgang Amadeus Mozart
An Chloë, K. 524— Wolfgang Amadeus Mozart
Les Contes d’Hoffmann: “Les oiseaux dans la charmille” (Olympia’s Aria)— Jacques Offenbach
Chanson du rossignol “Ah, joie, emplis mon coeur” (Le Rossignol)— Igor Stravinsky
Les Boréades— Jean-Philippe Rameau
Les Boréades— Jean-Philippe Rameau
Les Boréades— Jean-Philippe Rameau
Italian Cantatas (Emmanuelle Haïm, Sabine Devieilhe & Léa Desandre)— George Frideric Handel
Les Indes galantes: Quatrième entrée “Les sauvages”: “Forêts paisibles” (Zima, Adario, Choeur)— Jean-Philippe Rameau
“Feuillages verts naissez”— Jean-Philippe Rameau
Pygmalion: Ouverture— Jean-Philippe Rameau
Les Paladins: Est-il beau? (Nérine)— Jean-Philippe Rameau
Les Fêtes de l’Hymen et de l’Amour: Contredanse— Jean-Philippe Rameau
Les Indes Galantes: “Viens, Hymen” (Phani)— Jean-Philippe Rameau
Naïs: “Je ne sais quel ennui me presse”— Jean-Philippe Rameau
Les Boréades: “Un horizon serein” (Alphise)— Jean-Philippe Rameau
Les Boréades: Contredanse en rondeau— Jean-Philippe Rameau
Hippolyte & Aricie: Ritournelle— Jean-Philippe Rameau
Anacréon: “Tendre Amour” (Chloé)— Jean-Philippe Rameau
Zoroastre (Ballet figuré)— Jean-Philippe Rameau
Les Indes Galantes: Scène finale de l’entrée des Incas— Jean-Philippe Rameau
Zaïs: “Coulez mes pleurs” (Zélidie)— Jean-Philippe Rameau
Dardanus: “Sommeil”— Jean-Philippe Rameau
Les Indes Galantes: “Vaste empire des mers” (Emilie)— Jean-Philippe Rameau
Zoroastre (Air tendre en rondeau)— Jean-Philippe Rameau
Castor et Pollux: “Tristes apprêts” (Télaïre)— Jean-Philippe Rameau
Les Fêtes d’Hébé: Tambourins— Jean-Philippe Rameau
Les Indes Galantes: Chaconne— Jean-Philippe Rameau
Les Indes Galantes: “Régnez” (Zima)— Jean-Philippe Rameau
Les petits riens, K. 299b: Overture— Wolfgang Amadeus Mozart
12 Variations on “Ah, vous dirai-je maman” in C Major, K. 265 (Excerpt)— Wolfgang Amadeus Mozart
Dans un bois solitaire, K. 308— Wolfgang Amadeus Mozart
Musik for the Pantomime Pantalon and Columbine, K. 446: Adagio— Wolfgang Amadeus Mozart
“Alcandro, lo confesso… Non so d’onde viene”, K. 294— Wolfgang Amadeus Mozart
“Vorrei spiegarvi, o Dio”, K. 418— Wolfgang Amadeus Mozart
“Popoli di Tessaglia”, K. 316— Wolfgang Amadeus Mozart
“Nehmt meinen Dank, ihr holden Gönner”, K. 383— Wolfgang Amadeus Mozart
Adagio for Two Basset Horns and Bassoon in F Major, K. 410— Wolfgang Amadeus Mozart
“Schon lacht der holde Frühling”, K. 580— Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620, Act 2: “Der Hölle Rache kocht in meinem Herzen” (Königin)— Wolfgang Amadeus Mozart
Thamos, König in Aegypten, K. 345: No. 5 Entr’acte— Wolfgang Amadeus Mozart
Die Zauberflöte, Act 2, K. 620: March of the Priests— Wolfgang Amadeus Mozart
5 Solfeggios, K. 393: No. 2 in F Major, Adagio— Wolfgang Amadeus Mozart
Mass in C minor, K. 427: “Et incarnatus est”— Wolfgang Amadeus Mozart
Symphony No. 4 in G Major: I. Bedächtig, nicht eilen— Composer not established
Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast— Composer not yet identified
Symphony No. 4 in G Major: III. Ruhevoll, poco adagio— Composer not established
Symphony No. 4 in G Major: IV. Wir geniessen die himmlischen Freuden. Sehr behaglich— Composer not yet identified