Biography (read more)

Sabine Devieilhe (born 12 December 1985 in Ifs, near Caen, France) is a French coloratura soprano. She began as a cellist before turning to voice, studying at the Caen and Rennes conservatories and then at the Conservatoire de Paris under Pierre Mervant and Elène Golgevit, graduating with first prize and the jury’s congratulations in 2011. She made her professional debut later that year as Amina in Bellini’s La sonnambula with the Atelier Lyrique de Tourcoing, and rose to international attention with her role debut as the Queen of the Night in Mozart’s The Magic Flute (2013) and the title role in Delibes’s Lakmé at the Opéra-Comique (2014). She signed an exclusive recording contract with Erato in 2013 and has since debuted at the Royal Opera House, the Paris Opera, and Carnegie Hall.

Often described as a successor to Natalie Dessay, Devieilhe is celebrated for combining pinpoint coloratura technique with interpretive depth across Mozart, French opera, and Baroque repertoire by Rameau and Handel; in recognition of her artistry, the asteroid 33346 Sabinedevieilhe was named in her honor.

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Repertoire

Lakmé: Duo des fleurs (Flower Duet)— Léo Delibes
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Lakmé: Air des clochettes (Bell Song)— Léo Delibes
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Giulio Cesare in Egitto, HWV 17: “Se pietà di me non senti”— George Frideric Handel
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Après un rêve— Gabriel Fauré
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Les Chemins de l’amour— Francis Poulenc
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Nehmt meinen Dank, ihr holden Gönner!, K. 383— Wolfgang Amadeus Mozart
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Vocalise, Op. 34, No. 14— Sergei Rachmaninoff
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Aminta e Fillide, HWV 83: “Per abbatter il rigore”— George Frideric Handel, with Lea Desandre & Le Concert d’Astrée
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Castor et Pollux: “Tristes apprêts”— Jean-Philippe Rameau
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Brockes Passion, HWV 48: II. “Soll mein Kind”— George Frideric Handel, duet with Stéphane Degout
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L’enfant et les sortilèges: Air du feu— Composer not established
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Il Trionfo del Tempo e del Disinganno: “Pure del cielo”— George Frideric Handel
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Il Trionfo del Tempo e del Disinganno: “Tu del ciel”— George Frideric Handel
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Platée: Air de la folie, “Aux langueurs d’Apollon”— Jean-Philippe Rameau
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Armida abbandonata: “Ah! crudele e pur ten vai”— George Frideric Handel
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Alcandro, lo confesso… Non so d’onde viene, K. 294— Wolfgang Amadeus Mozart
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An Chloë, K. 524— Wolfgang Amadeus Mozart
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Les Contes d’Hoffmann: “Les oiseaux dans la charmille” (Olympia’s Aria)— Jacques Offenbach
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Chanson du rossignol “Ah, joie, emplis mon coeur” (Le Rossignol)— Igor Stravinsky
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Les Boréades— Jean-Philippe Rameau
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Les Boréades— Jean-Philippe Rameau
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Les Boréades— Jean-Philippe Rameau
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Italian Cantatas (Emmanuelle Haïm, Sabine Devieilhe & Léa Desandre)— George Frideric Handel
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Les Indes galantes: Quatrième entrée “Les sauvages”: “Forêts paisibles” (Zima, Adario, Choeur)— Jean-Philippe Rameau
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“Feuillages verts naissez”— Jean-Philippe Rameau
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Pygmalion: Ouverture— Jean-Philippe Rameau
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Les Paladins: Est-il beau? (Nérine)— Jean-Philippe Rameau
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Les Fêtes de l’Hymen et de l’Amour: Contredanse— Jean-Philippe Rameau
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Les Indes Galantes: “Viens, Hymen” (Phani)— Jean-Philippe Rameau
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Naïs: “Je ne sais quel ennui me presse”— Jean-Philippe Rameau
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Les Boréades: “Un horizon serein” (Alphise)— Jean-Philippe Rameau
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Les Boréades: Contredanse en rondeau— Jean-Philippe Rameau
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Hippolyte & Aricie: Ritournelle— Jean-Philippe Rameau
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Anacréon: “Tendre Amour” (Chloé)— Jean-Philippe Rameau
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Zoroastre (Ballet figuré)— Jean-Philippe Rameau
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Les Indes Galantes: Scène finale de l’entrée des Incas— Jean-Philippe Rameau
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Zaïs: “Coulez mes pleurs” (Zélidie)— Jean-Philippe Rameau
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Dardanus: “Sommeil”— Jean-Philippe Rameau
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Les Indes Galantes: “Vaste empire des mers” (Emilie)— Jean-Philippe Rameau
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Zoroastre (Air tendre en rondeau)— Jean-Philippe Rameau
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Castor et Pollux: “Tristes apprêts” (Télaïre)— Jean-Philippe Rameau
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Les Fêtes d’Hébé: Tambourins— Jean-Philippe Rameau
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Les Indes Galantes: Chaconne— Jean-Philippe Rameau
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Les Indes Galantes: “Régnez” (Zima)— Jean-Philippe Rameau
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Les petits riens, K. 299b: Overture— Wolfgang Amadeus Mozart
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12 Variations on “Ah, vous dirai-je maman” in C Major, K. 265 (Excerpt)— Wolfgang Amadeus Mozart
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Dans un bois solitaire, K. 308— Wolfgang Amadeus Mozart
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Musik for the Pantomime Pantalon and Columbine, K. 446: Adagio— Wolfgang Amadeus Mozart
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“Alcandro, lo confesso… Non so d’onde viene”, K. 294— Wolfgang Amadeus Mozart
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“Vorrei spiegarvi, o Dio”, K. 418— Wolfgang Amadeus Mozart
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“Popoli di Tessaglia”, K. 316— Wolfgang Amadeus Mozart
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“Nehmt meinen Dank, ihr holden Gönner”, K. 383— Wolfgang Amadeus Mozart
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Adagio for Two Basset Horns and Bassoon in F Major, K. 410— Wolfgang Amadeus Mozart
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“Schon lacht der holde Frühling”, K. 580— Wolfgang Amadeus Mozart
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Die Zauberflöte, K. 620, Act 2: “Der Hölle Rache kocht in meinem Herzen” (Königin)— Wolfgang Amadeus Mozart
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Thamos, König in Aegypten, K. 345: No. 5 Entr’acte— Wolfgang Amadeus Mozart
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Die Zauberflöte, Act 2, K. 620: March of the Priests— Wolfgang Amadeus Mozart
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5 Solfeggios, K. 393: No. 2 in F Major, Adagio— Wolfgang Amadeus Mozart
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Mass in C minor, K. 427: “Et incarnatus est”— Wolfgang Amadeus Mozart
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Symphony No. 4 in G Major: I. Bedächtig, nicht eilen— Composer not established
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Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast— Composer not yet identified
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Symphony No. 4 in G Major: III. Ruhevoll, poco adagio— Composer not established
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Symphony No. 4 in G Major: IV. Wir geniessen die himmlischen Freuden. Sehr behaglich— Composer not yet identified
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