Biography (read more)
Mikhail Ivanovich Glinka (1804–1857) is often regarded as the father of Russian classical music, the first Russian composer to gain wide recognition within his own country. Born to a wealthy family near Smolensk, he was raised by an overprotective grandmother and heard little music beyond village church bells and folk songs in his early childhood, an experience that later shaped his ear for dissonant, non-Western harmony. He studied piano in Saint Petersburg, briefly with the Irish composer John Field, before travelling to Italy and Germany, where he studied counterpoint and composition. Returning to Russia, he composed his two great operas, “A Life for the Tsar” (1836) and “Ruslan and Lyudmila” (1842), both drawing on Russian history, folklore, and folk melody. He died in Berlin in 1857 following an illness.
Glinka’s fusion of Western compositional technique with Russian folk material created a distinctly national musical style that directly inspired the group of composers known as “The Five” (Balakirev, Cui, Mussorgsky, Rimsky-Korsakov, and Borodin) and shaped the course of Russian symphonic and operatic music. Tchaikovsky called Glinka’s orchestral work Kamarinskaya “the acorn from which the oak” of later Russian symphonic music grew. His Valse-Fantaisie, composed originally for piano and later orchestrated, remains one of his most performed concert works and has been widely transcribed, including for classical guitar.
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Repertoire
Sonata for Viola and Piano in D Minor: II. Larghetto ma non troppo— Yuri Bashmet
Performed by Yuri Bashmet
Kamarinskaya, Fantasy on Two Russian Folk Songs: Wedding Song and Dance Song (Arr. for Piano)— Cyprien Katsaris
Performed by Cyprien Katsaris
Ruslan and Lyudmila: Overture (Arr. for Piano by Y. Sudbin)— Yevgeny Sudbin
Performed by Yevgeny Sudbin
The Seasons, Op. 37a, TH 135: No. 11, November. On the Troika— Yevgeny Sudbin
Performed by Yevgeny Sudbin
2 Pieces, Op. 10, TH 132: No. 1, Nocturne. Andante cantabile— Yevgeny Sudbin
Performed by Yevgeny Sudbin
2 Pieces, Op. 10, TH 132: No. 2, Humoresque. Allegretto scherzando— Yevgeny Sudbin
Performed by Yevgeny Sudbin
6 Pieces, Op. 19, TH 133: No. 4, Nocturne. Andante sentimentale— Yevgeny Sudbin
Performed by Yevgeny Sudbin
18 Pieces, Op. 72, TH 151: No. 3, Tendres reproches. Allegro non tanto ed agitato— Yevgeny Sudbin
Performed by Yevgeny Sudbin
18 Pieces, Op. 72, TH 151: No. 16, Valse à cinq temps. Vivace— Yevgeny Sudbin
Performed by Yevgeny Sudbin
18 Pieces, Op. 72, TH 151: No. 14, Chant élégiaque. Adagio— Yevgeny Sudbin
Performed by Yevgeny Sudbin
Romeo and Juliet, Overture-Fantasy, TH 42 (1880 Version): Ia. Andante ma non tanto, quasi…— Yevgeny Sudbin
Performed by Yevgeny Sudbin
Romeo and Juliet, Overture-Fantasy, TH 42 (1880 Version): Ib. Allegro giusto (Arr. for Piano by…— Yevgeny Sudbin
Performed by Yevgeny Sudbin
Romeo and Juliet, Overture-Fantasy, TH 42 (1880 Version): Ic. Bar 275 (Arr. for Piano by Y. Sudbin)— Yevgeny Sudbin
Performed by Yevgeny Sudbin
Romeo and Juliet, Overture-Fantasy, TH 42 (1880 Version): Id. Moderato assai (Arr. for Piano by…— Yevgeny Sudbin
Performed by Yevgeny Sudbin
Sestetto in mi bem. magg.: Finale (Allegro con spirito)— Martha Argerich
Performed by Martha Argerich