Biography (read more)

Josef Mysliveček was born in Prague on 9 March 1737, one of twin sons of a prosperous mill owner, studied philosophy at Charles-Ferdinand University and took the rank of master miller in 1761 before giving up the trade for music. He studied composition in Prague with Franz Johann Habermann and Josef Seger, and in 1763 went to Venice to work with Giovanni Battista Pescetti, his journey paid for partly from family money and partly by the Bohemian nobleman Vincenz von Waldstein. In Italy he was known as Il Boemo, the Bohemian; the more famous Il divino Boemo comes from the title of a novella about him published by Jakub Arbes in 1884, not from his lifetime. He was elected to the Accademia Filarmonica di Bologna in 1771, never took service with any noble or prelate — unusually for his generation — and lived by teaching, playing, composing and the gifts of wealthy admirers. He died on 4 February 1781.

He gave the young Mozart working models in three genres — the symphony, Italian opera seria and the violin concerto — and both Wolfgang and Leopold counted him a close friend from their first meeting in Bologna in 1770 until he broke their trust over a promised commission at the Teatro di San Carlo, an episode that runs through the family correspondence. His first opera, Semiramide, was staged at Bergamo in 1766, and Il Bellerofonte, premiered at San Carlo on 20 January 1767, was a large enough success to bring commissions from theatres across Italy; from then on his operas were cast with first-rank singers and were almost always successful, until Armida failed at La Scala in the 1780 carnival season. Apart from a visit to Prague in 1768, a short one to Vienna in 1772 and a stay in Munich from December 1776 to April 1778, he never left Italy after 1763.

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Repertoire

Ezio: Overture – I. Allegro con spirito— Emőke Baráth
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Performed by Philippe Jaroussky

Ezio: Overture: II. Andantino affettuoso— Emőke Baráth
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Performed by Philippe Jaroussky

Ezio: Overture – III. Presto— Emőke Baráth
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Performed by Philippe Jaroussky

Demetrio: “Sarete al fin contenti” (Cleonice)— Emőke Baráth
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Performed by Philippe Jaroussky

Demetrio: “Mi parea del porto in seno” (Cleonice)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Con questo ferro” (Licida)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Gemo in un punto e fremo” (Licida)— Emőke Baráth
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Performed by Philippe Jaroussky

Adamo ed Eva: “Non sò se il mio peccato” (Eva)— Emőke Baráth
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Performed by Philippe Jaroussky

Il Bellerofonte: “Pria ch’io perda” (Ariobate)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Mentre dormi” (Licida)— Emőke Baráth
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Performed by Philippe Jaroussky

Il Demofoonte: “Sperai vicino il lido” (Timante)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Che non mi disse un dì” (Argene)— Emőke Baráth
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Performed by Philippe Jaroussky

Il Bellerofonte: “Palesar vorrei col pianto” (Argene)— Emőke Baráth
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Performed by Philippe Jaroussky

Demetrio: “Nacqui agli affani in seno” (Cleonice)— Emőke Baráth
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Performed by Philippe Jaroussky

Armida: “Il caro mio bene” (Rinaldo)— Emőke Baráth
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Performed by Philippe Jaroussky

Romolo ed Ersilia: “Deh in vita ti serba” (Ersilia, Romolo, Acronte, Curzio)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Misero me, che veggo! ” (Megacle)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Intese tutto Aristea?” (Licida, Megacle)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Se cerca se dice” (Megacle)— Emőke Baráth
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Performed by Philippe Jaroussky

Il Bellerofonte: Overture – Allegro— Emőke Baráth
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Performed by Philippe Jaroussky

Il Demofoonte: “Odo il suono” (Demofoonte)— Emőke Baráth
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Performed by Philippe Jaroussky

Ezio: “Finchè un Zeffiro soave” (Fulvia)— Emőke Baráth
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Performed by Philippe Jaroussky

L’Olimpiade: “Siam navi” (Aminta)— Emőke Baráth
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Performed by Philippe Jaroussky