Biography (read more)

Iestyn Davies, MBE, is a British countertenor born 16 September 1979 in York, England. He first studied piano and recorder as a boy under the guidance of his father, Ioan Davies, founding cellist of the Fitzwilliam Quartet, and sang as a treble in the Choir of St John’s College, Cambridge, from age eight. He began singing countertenor as a teenager at Wells Cathedral School before returning to St John’s College as a choral scholar, graduating in Archaeology and Anthropology, and went on to train at the Royal Academy of Music.

Davies is widely regarded as one of the leading countertenors of his generation, with a career built on both Baroque opera and contemporary repertoire. He has won two Gramophone Awards and a Grammy Award, received the Royal Philharmonic Society’s Young Artist Award and the Critics’ Circle Award, and was appointed MBE in 2017 for services to music. He is a regular soloist with period-instrument ensembles including the Academy of Ancient Music and Arcangelo, and originated the countertenor lead in the West End and Broadway play Farinelli and the King.

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Repertoire

Theodora, HWV 68, Act 2: Duet, “To thee, thou glorious son of worth”— George Frideric Handel, with Lea Desandre
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Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”— George Frideric Handel, with Thomas Dunford, Jupiter & Lea Desandre
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Saul, HWV 53, Act I: “O Lord, Whose Mercies Numberless”— George Frideric Handel
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J.S. Bach: Vergnügte Ruh’, beliebte Seelenlust, BWV 170: No. 1, Aria. Vergnügte Ruh’, beliebte…— Henry Purcell
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J.S. Bach: Vergnügte Ruh’, beliebte Seelenlust, BWV 170: No. 2, Recit. Die Welt, das Sündenhaus— Henry Purcell
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J.S. Bach: Vergnügte Ruh’, beliebte Seelenlust, BWV 170: No. 3, Aria. Wie jammern mich doch die…— Johann Sebastian Bach
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J.S. Bach: Vergnügte Ruh’, beliebte Seelenlust, BWV 170: No. 4, Recit. Wer sollte sich demnach…— Johann Sebastian Bach
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J.S. Bach: Vergnügte Ruh’, beliebte Seelenlust, BWV 170: No. 5, Aria. Mir ekelt mehr zu leben— Johann Sebastian Bach
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J.S. Bach: Falsche Welt, dir trau ich nicht!, BWV 52: I. Sinfonia— Johann Sebastian Bach
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J.S. Bach: Widerstehe doch der Sünde, BWV 54: I. Aria. Widerstehe doch der Sünde— William Croft
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J.S. Bach: Widerstehe doch der Sünde, BWV 54: II. Recit. Die Art verruchter Sünden— Composer not established
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J.S. Bach: Widerstehe doch der Sünde, BWV 54: III. Aria. Wer Sünde tut, der ist vom Teufel— Johann Sebastian Bach
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J.S. Bach: Ich liebe den Höchsten von ganzem Gemüte, BWV 174: I. Sinfonia (Concerto)— Johann Sebastian Bach
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J.S. Bach: Ich habe genug, BWV 82: I. Aria: Ich habe genug, ich habe den Heiland— Composer not established
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J.S. Bach: Ich habe genug, BWV 82: II. Recit. Ich habe genug! Mein Trost ist nur allein— Composer not established
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J.S. Bach: Ich habe genug, BWV 82: III. Aria: Schlummert ein, ihr matten Augen— Composer not established
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J.S. Bach: Ich habe genug, BWV 82: IV. Recit. Mein Gott! wenn kommt das schöne: Nun!— Johann Sebastian Bach
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J.S. Bach: Ich habe genug, BWV 82: V. Aria: Ich freue mich auf meinen Tod— Composer not established
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Ode for Queen Mary’s Birthday, Z. 320: No. 2, Arise, My Muse— Composer not yet identified
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Come Ye Sons of Art, Away, Z. 323: No. 4, Strike the Viol— Composer not yet identified
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Welcome To All the Pleasures, Z. 339: No. 3, Here the Deities Approve— Henry Purcell
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Yorkshire Feast Song, Z. 333: No. 4, The Pale and the Purple Rose— Composer not yet identified
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Sonata XXI— Composer not yet identified
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BHail! bright Cecilia, Z. 328: No. 4, ’Tis Nature’s Voice— Henry Purcell
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Celebrate This Festival, Z. 321: No. 6, Crown the Altar— Henry Purcell
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If Music Be the Food of Love (1st setting) , Z. 379— Composer not yet identified
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Fantasia, Three Parts On a Ground, Z. 731— Henry Purcell
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Come, Come Along For a Dance and a Song: The Glory of the Arcadian Groves— Composer not established
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Amphion Anglicus: Poor Celadon, He sighs In Vain (Loving Above Himself)— Composer not yet identified
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Ye Tuneful Numbers. A Song With Symphonies: I. Symphony— Composer not yet identified
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Ye Tuneful Numbers. A Song With Symphonies: II. Air, Ye Tuneful Numbers— William Croft
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Ye Tuneful Numbers. A Song With Symphonies: III. Air, Tell Her I’m Wounded— William Croft
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Ye Tuneful Numbers. A Song With Symphonies: IV. Recitative, But Oh Why Shou’d I Blame This…— William Croft
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Ye Tuneful Numbers. A Song With Symphonies: V. Air, When Thousands More, the Same Must Share— William Croft
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Venus and Adonis: Overture— Composer not established
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Venus and Adonis, Prologue: Cupid’s Entry— Composer not established
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Venus and Adonis, Act I: A Dance by a Huntsman— Composer not established
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Venus and Adonis, Act II: A Dance of Cupids— Composer not established
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Venus and Adonis, Act I: Act Tune— Composer not yet identified
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Venus and Adonis, Act II: Act Tune— Composer not established
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Venus and Adonis, Act II: A Ground— Composer not established
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O Solitude, My Sweetest Choice!, Z. 406— Composer not yet identified
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Spoken Introduction— Composer not yet identified
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King Arthur, Z. 628, Act V: Fairest Isle— Composer not yet identified
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Handel: Saul, HWV 53, Act I: No. 32, Aria. O Lord, Whose Mercies Numberless (David)— Composer not established
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Handel: Theodora, HWV 68, Act I: No. 9, Aria. The Raptur’d Soul (Didymus)— Composer not established
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Handel: The Choice of Hercules, HWV 69: No. 15, Air. Yet, Can I Hear That Dulcet Lay (Hercules)— Composer not established
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Handel: Belshazzar, HWV 61, Act III: Aria. Destructive War, Thy Limits Know (Cyrus)— George Frideric Handel
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Hasse: Didone abbandonata, Act I: No. 19a, Accompagnato. Ah che dissi! (Enea)— Composer not established
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Hasse: Didone abbandonata, Act I: No. 19b, Aria. Se resto sul lido (Enea)— Composer not established
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Hasse: Didone abbandonata, Act III: No. 8a, Fanfare & Recit. Odi colà la frigia tromba? (Enea)— Composer not established
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Hasse: Didone abbandonata, Act III: No. 8b, Aria. A trionfar mi chiama (Enea)— Composer not yet identified
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Smith: The Fairies: Air. Say, Lovely Dream!— John Christopher Smith
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Arne: Alfred, Act II: Aria. Vengeance, O Come Inspire Me!— Thomas Arne
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C.P.E. Bach: Sinfonia in D Major, H. 663: I. Allegro di molto— Composer not yet identified
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C.P.E. Bach: Sinfonia in D Major, H. 663: II. Largo— Carl Philipp Emanuel Bach
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C.P.E. Bach: Sinfonia in D Major, H. 663: III. Presto— Composer not established
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Gluck: Telemaco, Wq. 34, Act II: Aria. Ah! non turbi il mio riposo (Telemaco)— Composer not established
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Gluck: Orfeo ed Euridice, Wq. 30, Act II: Ballo. Dance of the Blessed Spirits— Christoph Willibald Gluck
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Gluck: Orfeo ed Euridice, Wq. 30, Act II: Arioso. Che puro ciel! (Orfeo)— Composer not established
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Gluck: Orfeo ed Euridice, Wq. 30, Act III: Recit. Ahimè! Dove trascorsi? (Orfeo)— Christoph Willibald Gluck
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Gluck: Orfeo ed Euridice, Wq. 30, Act III: Aria. Che farò senza Euridice? (Orfeo)— Composer not established
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Guadagni: Aria. Pensa a serbarmi, o cara— Composer not yet identified
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Hark how the songsters— Henry Purcell
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In vain the am’rous flute— Composer not established
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O solitude, my sweetest choice— Composer not yet identified
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Chaconne from Dioclesian— Composer not yet identified
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Ah heav’n, what is’t I hear?— John Blow
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Sound the trumpet— Henry Purcell
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Since the toils and the hazards of war— Composer not yet identified
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Sing, sing, ye druids— Henry Purcell
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Paratum cor meum— Composer not established
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The Queen’s Epicedium: Incassum Lesbia— Henry Purcell
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The Queen’s Epicedium: No, Lesbia, you ask in vain— John Blow
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O dive custos Auriciae domus— Composer not established
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Mark how the lark and linnet sing— Composer not yet identified
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But in the close of night— John Blow
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So ceas’d the rival crew when Purcell came— John Blow
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We beg not hell, our Orpheus to restore— John Blow
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The pow’r of harmony too well they knew— Composer not established
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The heav’nly quire, who heard his notes from high— Composer not established
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Ye brethren of the lyre, and tuneful voice— John Blow
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